Rick Wakeman (Yes)
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Sandspur, Vol 90, No 05, November 22, 1983
University of Central Florida STARS The Rollins Sandspur Newspapers and Weeklies of Central Florida 11-22-1983 Sandspur, Vol 90, No 05, November 22, 1983 Rollins College Find similar works at: https://stars.library.ucf.edu/cfm-sandspur University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the Newspapers and Weeklies of Central Florida at STARS. It has been accepted for inclusion in The Rollins Sandspur by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Rollins College, "Sandspur, Vol 90, No 05, November 22, 1983" (1983). The Rollins Sandspur. 1616. https://stars.library.ucf.edu/cfm-sandspur/1616 Volume 90 Number 5 photo: jerry Uelsmann (story, page 5) Rollins College Sandspur, November 22,1983 pg. 2 The Haagen-Dazs Collection Haagen-Dazs presents the two straw mi Ik Nlv Arte shake A frosty smooth shake so thick and rich, Fine Lingerie • Foundations vou'll probably want two straws to drink it! Swimwear • Loungewear 218 Park Avenue N. Winter Park, FL 32789 Haagen-Dazs Telephone: 647-5519 ^^ Park Avenue 116 E. New England Ave. • Winter Park • 644-1611 Solar Heated Water fit FAIRBANKS EASTERN POLYCLEfiN GfiS fiND BEVERAGE Just One Block North Your Complete Laundromat of Rollins Campus Just One Block North * Discount Prices On Our of Rollins Campus Large Assortment of Domestic and Imported Beer Soda and Snacks Daily Newspapers and Magazines SELF SERVICE (New York Times, Wall Street Journal Orlando Sentinel) Wash And Dry FULL SERVICE Dry Cleaning Don't Forget To Check Oat Oar Wash, Dry. -
The Yes Catalogue ------1
THE YES CATALOGUE ----------------------------------------------------------------------------------------------------------------------------------------------------- 1. Marquee Club Programme FLYER UK M P LTD. AUG 1968 2. MAGPIE TV UK ITV 31 DEC 1968 ???? (Rec. 31 Dec 1968) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 3. Marquee Club Programme FLYER UK M P LTD. JAN 1969 Yes! 56w 4. TOP GEAR RADIO UK BBC 12 JAN 1969 Dear Father (Rec. 7 Jan 1969) Anderson/Squire Everydays (Rec. 7 Jan 1969) Stills Sweetness (Rec. 7 Jan 1969) Anderson/Squire/Bailey Something's Coming (Rec. 7 Jan 1969) Sondheim/Bernstein 5. TOP GEAR RADIO UK BBC 23 FEB 1969 something's coming (rec. ????) sondheim/bernstein (Peter Banks has this show listed in his notebook.) 6. Marquee Club Programme FLYER UK m p ltd. MAR 1969 (Yes was featured in this edition.) 7. GOLDEN ROSE TV FESTIVAL tv SWITZ montreux 24 apr 1969 - 25 apr 1969 8. radio one club radio uk bbc 22 may 1969 9. THE JOHNNIE WALKER SHOW RADIO UK BBC 14 JUN 1969 Looking Around (Rec. 4 Jun 1969) Anderson/Squire Sweetness (Rec. 4 Jun 1969) Anderson/Squire/Bailey Every Little Thing (Rec. 4 Jun 1969) Lennon/McCartney 10. JAM TV HOLL 27 jun 1969 11. SWEETNESS 7 PS/m/BL & YEL FRAN ATLANTIC 650 171 27 jun 1969 F1 Sweetness (Edit) 3:43 J. Anderson/C. Squire (Bailey not listed) F2 Something's Coming' (From "West Side Story") 7:07 Sondheim/Bernstein 12. SWEETNESS 7 M/RED UK ATL/POLYDOR 584280 04 JUL 1969 A Sweetness (Edit) 3:43 Anderson/Squire (Bailey not listed) B Something's Coming (From "West Side Story") 7:07 Sondheim/Bernstein 13. -
A Progresszív Rock
A PROGRESSZÍV ROCK monográfia írta: Bernáth Zsolt 2007. TARTALOM BEVEZETÉS............................................................................................................................ 4 I. A PROGRESSZÍV ROCK HELYE A ROCKZENE TÖRTÉNETÉBEN I.1. A rockzene születése és az ifjúsági kultúra kialakulása (1950-es évek) ................ 7 I.1.1. A rockzene gyökerei ................................................................................ 7 I.1.2. A rockzene születése és hatása .............................................................. 10 I.2. A beatkorszak (1960-as évek) .............................................................................. 13 I.2.1. A Beatles ............................................................................................... 13 I.2.2. Az els ő közismert concept-album ..................................... ................... 15 I.2.3. A progresszív rock közvetlen el őzményei ............................................. 17 I.2.4. Szimfonikus kísérletek .......................................................................... 19 I.3. A progresszív rock megjelenése és fénykora (1970-es évek) .............................. 20 I.4. A progresszív rock második hulláma (1980-as évek) .......................................... 28 I.5. A progresszív rock harmadik hulláma (1990-es évekt ől napjainkig) .................. 32 I.6. Magyar vonatkozások .......................................................................................... 37 I.6.1. A magyar beatzene ............................................................................... -
Martin Hutchinson Interviews Steve
18 wow! Friday, November 20, 2009 wow! music Friday, November 20, 2009 wow! 19 Two years ago, The Magic Numbers stepped off the From Genesis to jazz, Steve’s FAMILY AND FRIENDS exhausting treadmill they’d AGAIN: The Magic Numbers been on since their debut have regrouped stronger a heck of an eclectic guitarist album became a hit and and better than ever disappeared. Now they’re back, STEVE Hackett is a happy chap at the mo- turous journey, and using one style is limit- ment, not only has the litigation over his ing yourself unnecessarily.” rested and rejuvenated, with a latest album been settled in his favour, he is He warms to his theme: “There’s Turkish also about to undertake a UK tour. influences and Spanish music has been an new album in the pipeline. “There was an injunction stopping me from influence ever since I first picked up a Frontman Romeo told JUDITH releasing the album, but it was settled last nylon string guitar,” continued the 59 year- week and it’ll be out next week,” he says. old Londoner. DORNAN how they rediscovered After two weeks on the continent, he’s very “ Still Waters is a blues number. It’s really upbeat about touring: an excuse to play blues guitar. their magic “It’s been very good The music has a spirit, an unre- and I still feel fresh. It lenting pulse and audiences get Tales from MAGIC Numbers frontman must be the lack of excited by it.” Romeo Stodart clearly remembers smoking and drinking. Also in the mix is a bit of jazz with the day they realised they had to I sleep better these Ghost In The Glass. -
Big Generator Tour
. " " . "YES"" " ; Big Generator , / Tour BY RICHARD REITZ flashy stage , the group performecd StaffWriterStaff Writer "Hold" On ," and then put out theirr " " It's' hard to believe that it's' classic "Heart of the Sunrise. been over 4 years since the 90125 Yes continued to grind out Tour hit America (which, superb performances of new incidentally , started at songs , such ass their powerful " ," as Millersville ) , supporting that version of "Big Generator " ," blockbuster album which capped well as "Shoot High , Aim Low , " " - a reuniting of Yes after it seemed and "Holy Lamb.. Unfortunate - apparent they had split for good.. ly, Anderson experienced feed Well , here it is , 1988 , and Yes back trouble with his microphone " " is still making great music over in the beginning of "Holy Lamb , 18 years since their first record , but was able to slide through it supporting their latest album , Big: and perform it very well.. Generator. And once again, Yes Their show also included hit hits with a successful tour as songs from 90125 , such as " " well.. [This concert eliminated any "Owner of A Lonely Heart" and " " doubts that this band can still "Changes, as well as popular " play.. ] old Yes classics like "And You To start , the audience was And I"" and "Yours" is No " treated to two Popeye cartoons Disgrace . ("The" Jeep"" and "Gopnland""Goonland"" " for The highlight of the show came those interested) , which provided when Trevor Rabin creaked out a humorous entertainment before solo acoustica performance to the ' the concert... When these short likes of nothing I'd ever seen in features were over, music was concert.. -
2017 Rock and Roll Hall of Fame Inductees Yes Jon Anderson, Trevor Rabin, Rick Wakeman Are Set to Perform on the Verizon Hall Stage Sunday, October 1
Tweet it! .@YESfeaturingARW embarks on a global tour taking the @KimmelCenter stage on 10/1. More info @ KimmelCenter.org Press Contact: Monica Robinson (215) 790-5847 [email protected] 2017 ROCK AND ROLL HALL OF FAME INDUCTEES YES JON ANDERSON, TREVOR RABIN, RICK WAKEMAN ARE SET TO PERFORM ON THE VERIZON HALL STAGE SUNDAY, OCTOBER 1 FOR IMMEDIATE RELEASE (Philadelphia, PA, August 31, 2017) –– The wait is over. The legendary rock band YES is back after a 25 year hiatus, and it’s kicking off a global tour with a stop in Philadelphia. The Kimmel Center for the Performing Arts in association with BRE Presents & LME are proud to announce that the 2017 Rock and Roll Hall of Fame Inductees will take the Verizon Hall stage on October 1 at 7:30PM. Long-time YES fans can rejoice as Jon Anderson, Trevor Rabin, Rick Wakeman will reform the definitive YES line-up as Anderson, Rabin, Wakeman (ARW). “As one of the most influential and outstanding progressive rock bands in history, YES has transcended musical genres and accrued noteworthy accomplishment throughout its career,” said Anne Ewers, President and CEO of the Kimmel Center for the Performing Arts. “It is truly a surreal experience to be able to welcome these divine musicians to our campus, to put on what is sure to be a stunning performance for rock fans everywhere.” Since last playing together as YES in 1990 on the highly successful ‘Union Tour,’ there have been several hybrid versions of the English rock band, however, none that featured the iconic voice of founding member Jon Anderson, the outstanding talent of guitarist Trevor Rabin, and the keyboard wizardry of Rick Wakeman, until now. -
Book Review with TTU Libraries Cover Page
BOOK REVIEW: BEYOND AND BEFORE: THE FORMATIVE YEARS OF YES BY PETER BANKS The Texas Tech community has made this publication openly available. Please share how this access benefits you. Your story matters to us. Citation Weiner, R.G. (2008). [Review of the book Beyond and Before: The Formative Years of Yes by Peter Banks]. Popular Music and Society, 31(1), 136-139. https://doi.org/10.1080/03007769908591748 Citable Link http://hdl.handle.net/2346/1546 Terms of Use CC-BY Title page template design credit to Harvard DASH. 136 Book Reviews Hammond’s myopic vision, his unrelenting determination, and his deep personal sorrows, but to his friends and supporters Hammond was a trying project. Perhaps, as Prial suggests, Hammond’s relationship to the Vanderbilts did him more good in his early years in music than his social skills. There are questions unanswered and undeveloped in this biography related to Hammond the man, such as his falling out with Aretha Franklin or his quick parting with Dylan. Each chapter of this book comes (another assault on your pocketbook) with a wonderful ‘‘discography’’ that should slow down the pace of reading but will contribute to a great start in building a library of American music of the 20th century. It is quite something how much music Hammond had a role in, and this portion of the book is an important reminder of the times and genres Hammond touched. As with all biographies there are problems and limitations. For those of us raised in the second half of the century, The Producer fails to deliver the same magic surrounding the discovery and signing of ‘‘our’’ heroes as it does around the early stars. -
Keith Carlock
APRIZEPACKAGEFROM 2%!3/.34/,/6%"),,"25&/2$s.%/.42%%3 7). 3ABIANWORTHOVER -ARCH 4HE7ORLDS$RUM-AGAZINE 'ET'OOD 4(%$25--%23/& !,)#)!+%93 $!.'%2-/53% #/(%%$ 0,!.4+2!533 /.345$)/3/5.$3 34!249/52/7. 4%!#().'02!#4)#% 3TEELY$AN7AYNE+RANTZS ,&*5)$"3-0$,7(9(%34(%-!.4/7!4#( s,/52%%$34/.9h4(5.$%2v3-)4( s*!+),)%"%:%)4/&#!. s$/5",%"!3335"34)454% 2%6)%7%$ -/$%2.$25--%2#/- '2%43#(052%7//$"%%#(3/5,4/.%/,$3#(//,3*/9&5,./)3%%,)4%3.!2%3%6!.34/-0/7%2#%.4%23 Volume 35, Number 3 • Cover photo by Rick Malkin CONTENTS 48 31 GET GOOD: STUDIO SOUNDS Four of today’s most skilled recording drummers, whose tones Rick Malkin have graced the work of Gnarls Barkley, Alicia Keys, Robert Plant & Alison Krauss, and Coheed And Cambria, among many others, share their thoughts on getting what you’re after. 40 TONY “THUNDER” SMITH Lou Reed’s sensitive powerhouse traveled a long and twisting musical path to his current destination. He might not have realized it at the time, but the lessons and skills he learned along the way prepared him per- fectly for Reed’s relentlessly exploratory rock ’n’ roll. 48 KEITH CARLOCK The drummer behind platinum-selling records and SRO tours reveals his secrets on his first-ever DVD, The Big Picture: Phrasing, Improvisation, Style & Technique. Modern Drummer gets the inside scoop. 31 40 12 UPDATE 7 Walkers’ BILL KREUTZMANN EJ DeCoske STEWART COPELAND’s World Percussion Concerto Neon Trees’ ELAINE BRADLEY 16 GIMME 10! Hot Hot Heat’s PAUL HAWLEY 82 PORTRAITS The Black Keys’ PATRICK CARNEY 84 9 REASONS TO LOVE Paul La Raia BILL BRUFORD 82 84 96 -
90125 by Yes
90125 by Yes Ebook 90125 currently available for review only, if you need complete ebook 90125 please fill out registration form to access in our databases Download here >> Audio CD:::+++Publisher:::: Japan Publications Trading Co. (August 6, 2013)+++Language:::: English+++ASIN:::: B00CIXE5BC+++Product Dimensions::::11.8 x 3.9 x 7.9 inches++++++ ISBN10 ISBN13 Download here >> Description: The early to mid-1980s was a most innovative period in rock and roll history, especially for bands that rode the so-called wave of producing new music and continued to be presence in the industry. Bands that helped to contribute to that wave had been predecessor to conceptual music in appearance and in sound during the late 1960s and 1970s, and the band Yes continued their presence through the following decade and on their album “90125”; the title originated from the band’s then record label ATCO and its catalog number that was misprinted. Aside from that, it was the most commercially produced albums in the band’s discography and of the decade, and it did not hurt that they became a major part of the MTV age in music and videos.By far, the single “Owner of a Lonely Heart” is the most memorable of the tracks on the album that is followed by “Leave It” and “It Can Happen.” Each song had a music video that played in heavy rotation on the music video channel. On the deluxe edition of the album and in addition to the initial album’s list of tracks, listeners have the chance to listen to alternate versions and extra tracks that are not on the original record, -
Gordon Giltrap BIOGRAPHY
Gordon Giltrap BIOGRAPHY Over the past forty years, Gordon Giltrap has graced the music business with his dedication to his craft and his affection for his audience. As one of the UK's most respected guitarists, he has consistently proved the adage that respect cannot be bought. It must be earned. Gordon was born on 6 April 1948, at the British Home for Mothers and Babies in Brenchley, Kent. The son of a labourer, he grew up in an austere but protective community of terraced houses in Deptford, south-east London. His obsession with stringed instruments began nine years later, when a friend turned up at the house with an out-of-tune Spanish guitar. Keen to encourage his new hobby, his parents bought him a plastic ukulele with a picture of Elvis on the headstock, then a Martin Coletti archtop jazz guitar with a sunburst finish and a brown canvas case. Without a teacher to guide him and just a set of pitch pipes and a book entitled “First Steps” he taught himself how to tune the instrument and finger basic chords. A familiar story I’m sure you have heard before from many of the guitar legends around today! Gordon joined his first band when barely in his teens, and relished the opportunity to play songs by his idols - Cliff Richard, The Shadows and The Everly Brothers. He set his sights on Art College, but bowed to his father's insistence that he learn "a trade", and grafted his way through a series of unrewarding jobs. Gordon unwittingly taught himself a hybrid technique of plectrum and little finger, but in doing so, created the individual sound that is still his trademark. -
A 50Th Anniversary Tribute to YES Sonic Elements Presents Yesterday and Today – a Tribute to YES 1
A 50th Anniversary Tribute to YES Sonic Elements Presents Yesterday and Today – A Tribute to YES 1. Machine Messiah (Featuring Nick D’Virgilio & Geoff Downes) 2. Yours Is No Disgrace (Featuring Marisol Koss & Tony Kaye) 3. Turn of the Century (Featuring Sally Minnear & Dave Bainbridge) 4. Sweetness (Featuring Pat Sansone) 5. Soon (Featuring Curved Air) 6. Cinema (Featuring Steve Hackett) 7. Changes (Featuring Robert Berry, Billy Sherwood & Tom Brislin) 8. I’m Running (Featuring Robin Schell, Billy Sherwood & Marco Minnemann) 9. Acoustic Medley (Featuring Jon Davison) i. Your Move ii. And You and I iii. Wonderous Stories 10. Yesterday and Today (Featuring Dr. Danny) 11. Long Distance Runaround (Featuring Leslie Hunt) 12. The Fish (Featuring Billy Sherwood) 13. Starship Trooper (Featuring Francis Dunnery) Produced by Dave Kerzner and Fernando Perdomo Executive Producer: Dave Kerzner FEATURING Jon Davison, Tony Kaye, Jay Schellen, Billy Sherwood Robert Berry, Francis Dunnery, Nick D’Virgilio, Geoff Downes, Steve Hackett, Marco Minnemann, Pat Sansone Dennis Atlas, Dave Bainbridge, Tom Brislin, Johnny Bruhns, Joe Cass, Derek Cintron, Dr. Danny, John Demarkis, Jay Gore, Marisol Koss, Roger Houdaille, Leslie Hunt, Walter Ino, Randy McStine, Sally Minnear, Mark Murdock, Hal Rosenfeld, Robin Schell, Jonathan Schang, Ken Sharp Curved Air: Sonja Kristina, Robert Norton, Paul Sax, Kit Morgan, Chris Harris, Andy Tween ℗ & © 2018 RecPlay, Inc. All rights reserved. All trademarks are the property of their respective owners. Unauthorized copying, hiring, lending, public performance and broadcasting of this record prohibited. A Tribute to YES People sometimes ask us what appeals to us about making The Beatles were my first love, then Yes became the logical a tribute album. -
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University of Huddersfield Repository Quinn, Martin The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980 Original Citation Quinn, Martin (2019) The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34986/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 0. A Musicological Exploration of the Musicians and Their Use of Technology. 1 The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. A Musicological Exploration of the Musicians and Their Use of Technology. MARTIN JAMES QUINN A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts.