A Brief History of Analog Synthesis Ondioline
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Minimoog Model D Manual
3 IMPORTANT SAFETY INSTRUCTIONS WARNING - WHEN USING ELECTRIC PRODUCTS, THESE BASIC PRECAUTIONS SHOULD ALWAYS BE FOLLOWED. 1. Read all the instructions before using the product. 2. Do not use this product near water - for example, near a bathtub, washbowl, kitchen sink, in a wet basement, or near a swimming pool or the like. 3. This product, in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level or at a level that is uncomfortable. 4. The product should be located so that its location does not interfere with its proper ventilation. 5. The product should be located away from heat sources such as radiators, heat registers, or other products that produce heat. No naked flame sources (such as candles, lighters, etc.) should be placed near this product. Do not operate in direct sunlight. 6. The product should be connected to a power supply only of the type described in the operating instructions or as marked on the product. 7. The power supply cord of the product should be unplugged from the outlet when left unused for a long period of time or during lightning storms. 8. Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings. There are no user serviceable parts inside. Refer all servicing to qualified personnel only. NOTE: This equipment has been tested and found to comply with the limits for a class B digital device, pursuant to part 15 of the FCC rules. -
Modular Synthesizers
Modular Synthesizers A Brief History and Functional Description of the Modular Music Synthesizer • James Husted Synthwerks, LLC Sunday, March 24, 13 Mod•u•lar - adjective French modulaire or directly from Modern Latin modularis, from Latin modulus "a small measure" 1 : of, relating to, or based on a module or a modulus 2 : constructed with standardized units or dimensions for flexibility and variety in use, as in modular furniture 3 : composed of interchangeable units (!rst recorded 1936) Sunday, March 24, 13 Syn•the•sis - noun Etymology: Greek, from syntithenai to put together 1 : the composition or combination of parts or elements so as to form a whole 2 : the combining of often diverse conceptions into a coherent whole; also : the complex so formed Sunday, March 24, 13 Who’s on first? • 1837 - C.G. Page (Salem. Mass) - !rst to produce electronically generated sound (not necessarily associated with a musical instrument). • 1885 - Person and Ernst Lorenz -'Elektrisches Musikinstrument' - the !rst musical instrument designed to produce electrically generated sound. • 1897 - Taddaeus Cahills - Telharmonium - electromechanical instrument. • 1936 - Oskar Sala - Mixturtrautonium - !rst synth using Subharmonic synthesis • 1939 - Homer Dudley invents the Parallel Bandpass Vocoder (VODER) - A key operated speech synthesizer • 1940 - Homer Dudley invents the The Voder speech synthesizer as a way to transmit speech over telephone lines • 1948 - Hugh LeCaine - Electronic Sackbut - First voltage-controlled synthesizer • 1948 - Dr. Raymond Scott - Wall of Sound - First polyphonic Sequencing Workstation (electromechanical) and the Electronum - !rst sequencer. • 1950 - CSIR - Mk 1 - The !rst known use of a digital computer for the purpose playing music • 1956 - Louie and Bebe Barron - Produced the !rst all-electronic musical score for a major motion picture - MGM's 'Forbidden Planet' • 1957 - Max V. -
2012 Mercy Housing Annual Report
Mercy cov-BC 2012 AR.r_Layout 1 5/14/13 11:33 AM Page 2 Celebrating our 30th Anniversary A N N U A L R E P O R T 2 0 1 2 Mercy cov-BC 2012 AR.r_Layout 1 5/14/13 11:33 AM Page 3 ANNUAL REPORT 2012 MH 2013 AR final art.r2_Layout 1 5/22/13 1:13 PM Page 1 Contents Left: Senior residents Letter to our supporters . .3 at New Tacoma Mercy Housing Board of Trustees and Co-Sponsors . .4 The Spirit of Mercy Housing in 2012 . .6 Apartments in New Mercy Housing National Tacoma, Wash. Honor the Legacy. Continue the Work. .8 HEALTHY PEOPLE Mercy Housing Lakefront . 12 New Beginnings . .14 Mercy Housing Management Group . 16 Paying It Forward . .18 Mercy Housing Southeast . 20 Nothing Beats a Failure but a Try . .21 Resident Services . 24 Changing the Health Care Climate . .26 HEALTHY HOMES Mercy Loan Fund . 30 Investing in Adaptive Re-use Development . .32 Mercy Portfolio Services . 34 Dream Big . .36 HEALTHY COMMUNITIES Mercy Housing California . 40 Making a Lasting Impact . .41 Mercy Housing Northwest . 44 Going Places in Seattle . .46 Mercy Housing Colorado, Midwest and Southwest . 48 Working and Thriving Together . .50 Donor Lists Mercy Housing California . .52 Mercy Housing Colorado . .55 Mercy Housing Lakefront . .57 Mercy Housing Midwest . .59 Mercy Housing National . .60 Mercy Housing Northwest — Idaho . .62 Mercy Housing Northwest — Washington . .62 Mercy Housing Southeast . .65 Mercy Housing Southwest . .66 Mercy Loan Fund . .67 For more information, please contact [email protected] or call 866-338-0557. -
Analog Synthesizer So There Is No Need for Soldering.)
Assembly time: Approximately 20 minutes (The electric circuit comes pre-assembled, Analog Synthesizer so there is no need for soldering.) How to Assemble and Use the Supplement Things you will need Parts in the Kit Phillips screwdriver (No. 1) AA alkaline batteries (4 new) Knobs (5) * Please note that rechargeable NiCd batteries and non-rechargeable Oxyride and nickel-based batteries should not be Washer head screws (7) used due to a high risk of components melting or fire breaking out with these batteries because of accidental short-circuiting or the like. Additionally, because this supplement was designed based on operation at 6 V, it may not operate in the desired way due to an excess of or a deficiency in voltage with the above batteries. Incidentally, most rechargeable batteries provide 1.2 V and Screws (3) Oxyride batteries, 1.7 V. Main unit Cellophane tape Notes for tightening screws The types of screws used for the supplement are those that carve grooves into the plastic as they are inserted (self-threading). The screwdriver most suited to tightening the screws is the #1 JIS screwdriver. When tightening screws, Circuit board firmly press the provided screwdriver straight against the screws and turn. It is said that 70 percent of the force applied is used for pushing against the screw and 30 percent for turning it. Precision screwdrivers are hard to turn, so use a small screwdriver with a grip diameter of about 2 cm. Electrode Slider panel Speaker Cut out the cardboard (Wrapped in cardboard.) case to use as a back cover. -
Imagine Your Art As the New Face of Moog Music's
IMAGINE YOUR ART AS THE NEW FACE OF MOOG MUSIC’S HEADQUARTERS! WELCOME ALL CREATIVES We are excited to be accepting artist submissions for a design that will be the new face of the Moog factory in downtown Asheville, NC. Locals and visitors of our vibrant city have come to know our factory by the iconic synthesizer mural that has adorned the buildingʼs exterior for more than eight years. Now, weʼre ready to breathe new life into the public artwork that represents who we are and the instruments that our employee-owners build inside these four walls. This is where you come in! 1st PLACE WINNER TOP 5 RUNNERS-UP • Moog One 16-Voice Analog Synthesizer ($8,500 value) • Your Choice: Moog Mother-32, DFAM, or Subharmonicon • Your Artwork Displayed on the Moog Factory • Moog Merch Package HOW IT WORKS 1. Synthesize your best ideas of what represents Moog and our creative community. 2. Download the asset pack for artwork templates and specifications on file type and dimension requirements. 3. Submit your custom artwork at www.moogmusic.com/mural by February 19, 2021. Upload your artwork as a high resolution thumbnail that does not exceed 9MB, print files will be requested if you are selected as the winner. You may submit up to three pieces for consideration. 4. Online voting will be open to the public at www.moogmusic.com/mural from January 11 – February 28, 2021. 5. Weʼll select one grand prize winner and five runners-up, and will announce the winners via our email newsletter. The popular public vote will count toward our teamʼs consideration; make sure to share the voting link to your artwork on your website, social media accounts, etc. -
Arxiv:1910.11997V1 [Cs.SD] 26 Oct 2019 Ited Access to Such Data
MELLOTRON: MULTISPEAKER EXPRESSIVE VOICE SYNTHESIS BY CONDITIONING ON RHYTHM, PITCH AND GLOBAL STYLE TOKENS Rafael Valle*, Jason Li*, Ryan Prenger, Bryan Catanzaro NVIDIA Corporation ABSTRACT easily extended to singing voice synthesis (SVS) [3, 4]. Un- fortunately, recent attempts [4] require a singing voice dataset Mellotron is a multispeaker voice synthesis model based on and heavily quantized pitch and rhythm data obtained from a Tacotron 2 GST that can make a voice emote and sing with- digital representation of a music score, for example MIDI [5] out emotive or singing training data. By explicitly condition- or musicXML [6]. Mellotron does not require any singing ing on rhythm and continuous pitch contours from an audio voice in the dataset nor manually aligned pitch and text in signal or music score, Mellotron is able to generate speech order to synthesize singing voice. in a variety of styles ranging from read speech to expressive Mellotron can make a voice emote and sing without emo- speech, from slow drawls to rap and from monotonous voice tion or singing data. Training Mellotron is very simple and to singing voice. Unlike other methods, we train Mellotron only requires read speech and transcriptions. During infer- using only read speech data without alignments between text ence, we can change the generated voice’s speaking style, and audio. We evaluate our models using the LJSpeech and make it emote or sing by extracting pitch and rhythm char- LibriTTS datasets. We provide F0 Frame Errors and synthe- acteristics from an audio file or a music score. As a bonus, sized samples that include style transfer from other speakers, with Mellotron we can explore latent characteristics from an singers and styles not seen during training, procedural manip- audio corpus by sampling a dictionary of learned latent char- ulation of rhythm and pitch and choir synthesis. -
The History of Rock Music: 1970-1975
The History of Rock Music: 1970-1975 History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Sound 1973-78 (These are excerpts from my book "A History of Rock and Dance Music") Borderline 1974-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. In the second half of the 1970s, Brian Eno, Larry Fast, Mickey Hart, Stomu Yamashta and many other musicians blurred the lines between rock and avantgarde. Brian Eno (34), ex-keyboardist for Roxy Music, changed the course of rock music at least three times. The experiment of fusing pop and electronics on Taking Tiger Mountain By Strategy (sep 1974 - nov 1974) changed the very notion of what a "pop song" is. Eno took cheap melodies (the kind that are used at the music-hall, on television commercials, by nursery rhymes) and added a strong rhythmic base and counterpoint of synthesizer. The result was similar to the novelty numbers and the "bubblegum" music of the early 1960s, but it had the charisma of sheer post-modernist genius. Eno had invented meta-pop music: avantgarde music that employs elements of pop music. He continued the experiment on Another Green World (aug 1975 - sep 1975), but then changed its perspective on Before And After Science (? 1977 - dec 1977). Here Eno's catchy ditties acquired a sinister quality. -
Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600
Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600 By Leon Chisholm A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kate van Orden, Co-Chair Professor James Q. Davies, Co-Chair Professor Mary Ann Smart Professor Massimo Mazzotti Summer 2015 Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600 Copyright 2015 by Leon Chisholm Abstract Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600 by Leon Chisholm Doctor of Philosophy in Music University of California, Berkeley Professor Kate van Orden, Co-Chair Professor James Q. Davies, Co-Chair Keyboard instruments are ubiquitous in the history of European music. Despite the centrality of keyboards to everyday music making, their influence over the ways in which musicians have conceptualized music and, consequently, the music that they have created has received little attention. This dissertation explores how keyboard playing fits into revolutionary developments in music around 1600 – a period which roughly coincided with the emergence of the keyboard as the multipurpose instrument that has served musicians ever since. During the sixteenth century, keyboard playing became an increasingly common mode of experiencing polyphonic music, challenging the longstanding status of ensemble singing as the paradigmatic vehicle for the art of counterpoint – and ultimately replacing it in the eighteenth century. The competing paradigms differed radically: whereas ensemble singing comprised a group of musicians using their bodies as instruments, keyboard playing involved a lone musician operating a machine with her hands. -
Theatre Hightstown, Nj
eet Lib. X j l x OT VOL. LXXI. No. 39. $1.50 Per Year. HIGHTSTOWN, MERCER COUNTY, NEW JERSEY, THURSDAY. MARCH 18, 1920. Price 4 ,Cents. Whole No. 3,680 Mercer County REGARDING SEWER SYSTEM BEATRICE McCUE MAKES Mercer Tax Board Jos. Stackhoufie DEBUT ON CONCERT STAGE Will Pay Bills Mr. Editor: Commit^ Suicide WiU Be Controlled {By GrenaBennett, in N-. Y. Mail) The lack of capacity of our sewer Miss Beatrice McCue, contralto, By Democrats Every W eek system is forcing its attention on His Head Cut Off Last Friday evening the regular made her debut as a oonoortizer in the people. Beginning at the jijnc- Junior-Senior entertainment was held Aeolian Hall on Tuesday, March 9th, Term of Lloyd W. Grover Expires All Bills To Be Paid at the Weekly tion of Main and Stockton streets, Places His Head on Gnion Trans- in the Assembly Hall of the High She is not, however, altogether un On May First. Hartpence May Meeting Must Be Filed Not portaion Rail and Train Severs school building. The auditorium raw sewage is beigihning to raise out known locally in the music world. Later Than Monday Noon. Head From Body. was tastefully decorated in green Be Secretary of Board. of the man holbs and flow over the Her singing of a long, diverse and top of the street. and white and the favors were small difficult programme yesterdaV pro Hereafter the county will pay all Joseph Stackhouse committeed sui Irish flags. ‘ Most of the evening was The e.xecutive committee of tho For months several building, in claimed her an artist who combines bills weekly, and all bills bearing a cide on Tuesday. -
The Moody Blues at Ironstone Amphitheatre | Murphys, California | 6/18/2017 (Concert Review + Photos)
7/5/2017 The Moody Blues at Ironstone Amphitheatre | Murphys, California | 6/18/2017 (Concert Review + Photos) The Moody Blues at Ironstone Amphitheatre | Murphys, California | 6/18/2017 (Concert Review + Photos) JUNE 20, 2017 BY JASON DEBORD Fans of The Moody Blues got to experience the band like never before on Sunday night at Ironstone Amphitheatre.c Featuring “an evening with…” style concert presentation, The Moody Blues played two full sets in front of the massive crowd in attendance, the Úrst with various hits from their career and the second presenting a track by track playing of every songs from their groundbreaking album, Days of Future Passed, which celebrates it’s 50th anniversary this year.c They looked and sounded great, and there was a lot of magic in the air as they recreated this landmark album live on stage. http://rocksubculture.com/2017/06/20/the-moody-blues-at-ironstone-amphitheatre-murphys-california-6182017-concert-review-photos/ 1/10 7/5/2017 The Moody Blues at Ironstone Amphitheatre | Murphys, California | 6/18/2017 (Concert Review + Photos) What: Days of Future Passed 50th Anniversary Tour Who: The Moody Blues Venue: Ironstone Amphitheatre at Ironstone Vineyards Where: Murphys, California Promoter: Richter Entertainment Group When: June 18, 2017 Seating: (house photographer) Richter Entertainment Group’s Summer Concert Season at Ironstone Amphitheatre in Murphys in 2017 features Toby Keith, Boston, Joan Jett & The Blackhearts, John Mellencamp, The Moody Blues, Jason Mraz, Lindsey Buckingham and Christine McVie, matchbox twenty, Counting Crows, Steve Miller Band, Peter Frampton, Willie Nelson, Kenny G, George Benson, and more!c It’s all taking place in June, July, August and September this year. -
Télécharger Le Livre-Programme Du Festival Présences 2019
FESTIVAL PRÉSENCES 2019 DU 12 AU 17 FÉVRIER WOLFGANG RIHM UN PORTRAIT FESTIVAL DE CRÉATION MUSICALE DE RADIO FRANCE 29e ÉDITION FESTIVAL PRÉSENCES 2019 DU 12 AU 17 FÉVRIER WOLFGANG RIHM UN PORTRAIT FESTIVAL DE CRÉATION MUSICALE DE RADIO FRANCE 29e ÉDITION 2 ÉDITORIAL LA VOLONTÉ ET L’OUTIL La création musicale est inscrite dans les missions du service public de la radio. Elle fait partie intégrante de l’activité de Radio France, notamment de celle de ses quatre formations musicales qui, saison après saison, font vivre avec ardeur la musique d’aujourd’hui. Je sais l’attachement de l’Orchestre National de France, de l’Orchestre Philharmonique, du Chœur et de la Maîtrise de Radio France à révéler des partitions nouvelles, mais « C’est aussi l’occasion pour aussi à faire vivre le patrimoine de la musique qu’on nos antennes, et au premier appelle contemporaine. Cette aspiration se traduit chef France Musique, de faire notamment par le festival Présences qui invite chaque rayonner la musique à travers année une grande figure de notre temps. le monde. » C’est l’occasion pour les salles de la Maison de la radio, en particulier l’Auditorium et le Studio 104, de se mettre au diapason d'aujourd'hui, de déployer également le splendide équipement technique dont elles sont pourvues et de mettre en valeur notre magnifique orgue. C’est aussi l’occasion pour nos antennes, et au premier chef France Musique, de faire rayonner la musique à travers le monde. On sait en effet que le téléchargement et l’enregistrement vidéo, entre autres innovations, ont considérablement enrichi l’offre de France Musique qui, en outre, propose une webradio entièrement consacrée à la musique de notre temps. -
The Definitive Guide to Evolver by Anu Kirk the Definitive Guide to Evolver
The Definitive Guide To Evolver By Anu Kirk The Definitive Guide to Evolver Table of Contents Introduction................................................................................................................................................................................ 3 Before We Start........................................................................................................................................................................... 5 A Brief Overview ......................................................................................................................................................................... 6 The Basic Patch........................................................................................................................................................................... 7 The Oscillators ............................................................................................................................................................................ 9 Analog Oscillators....................................................................................................................................................................... 9 Frequency ............................................................................................................................................................................ 10 Fine ......................................................................................................................................................................................