Analog Synthesizer So There Is No Need for Soldering.)
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Minimoog Model D Manual
3 IMPORTANT SAFETY INSTRUCTIONS WARNING - WHEN USING ELECTRIC PRODUCTS, THESE BASIC PRECAUTIONS SHOULD ALWAYS BE FOLLOWED. 1. Read all the instructions before using the product. 2. Do not use this product near water - for example, near a bathtub, washbowl, kitchen sink, in a wet basement, or near a swimming pool or the like. 3. This product, in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level or at a level that is uncomfortable. 4. The product should be located so that its location does not interfere with its proper ventilation. 5. The product should be located away from heat sources such as radiators, heat registers, or other products that produce heat. No naked flame sources (such as candles, lighters, etc.) should be placed near this product. Do not operate in direct sunlight. 6. The product should be connected to a power supply only of the type described in the operating instructions or as marked on the product. 7. The power supply cord of the product should be unplugged from the outlet when left unused for a long period of time or during lightning storms. 8. Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings. There are no user serviceable parts inside. Refer all servicing to qualified personnel only. NOTE: This equipment has been tested and found to comply with the limits for a class B digital device, pursuant to part 15 of the FCC rules. -
Imagine Your Art As the New Face of Moog Music's
IMAGINE YOUR ART AS THE NEW FACE OF MOOG MUSIC’S HEADQUARTERS! WELCOME ALL CREATIVES We are excited to be accepting artist submissions for a design that will be the new face of the Moog factory in downtown Asheville, NC. Locals and visitors of our vibrant city have come to know our factory by the iconic synthesizer mural that has adorned the buildingʼs exterior for more than eight years. Now, weʼre ready to breathe new life into the public artwork that represents who we are and the instruments that our employee-owners build inside these four walls. This is where you come in! 1st PLACE WINNER TOP 5 RUNNERS-UP • Moog One 16-Voice Analog Synthesizer ($8,500 value) • Your Choice: Moog Mother-32, DFAM, or Subharmonicon • Your Artwork Displayed on the Moog Factory • Moog Merch Package HOW IT WORKS 1. Synthesize your best ideas of what represents Moog and our creative community. 2. Download the asset pack for artwork templates and specifications on file type and dimension requirements. 3. Submit your custom artwork at www.moogmusic.com/mural by February 19, 2021. Upload your artwork as a high resolution thumbnail that does not exceed 9MB, print files will be requested if you are selected as the winner. You may submit up to three pieces for consideration. 4. Online voting will be open to the public at www.moogmusic.com/mural from January 11 – February 28, 2021. 5. Weʼll select one grand prize winner and five runners-up, and will announce the winners via our email newsletter. The popular public vote will count toward our teamʼs consideration; make sure to share the voting link to your artwork on your website, social media accounts, etc. -
A Nonlinear Analysis Framework for Electronic Synthesizer Circuits
A Nonlinear Analysis Framework for Electronic Synthesizer Circuits Fran¸cois Georges Germain Department of Music Research McGill University Montreal, Canada October 2011 A thesis submitted to McGill University in partial fulfillment of the requirements for the degree of Master of Arts. c 2011 Fran¸cois Georges Germain i Abstract This thesis presents a theoretical and experimental study of the nonlinear behaviour of analog synthesizers’ effects. The goal of this thesis is to evaluate and complete current research on nonlinear system modelling, both in and out of the field of music technology. The cases of single-input and multiple-input effects are considered. We first present an electronic analysis of the circuits of common examples of analog effects such as Moog’s lowpass filter and Bode’s ring modulator, extracting the equations of each system. We then discuss the results of experiments made on these systems in order to extract qualitative information about the distortion found in the system input-output relationship. Secondly, we look at the literature for methods used to model single-input nonlinear systems, and we investigate the opportunities to extend these techniques to multi-input systems. We focus on two different modelling approaches. The black-box approach seeks to model the input-output transfer function of the system as closely as possible without any particular assumption on the system. The circuit modelling approach uses the knowledge of electronic component behaviour to extract a transfer function from the known circuit of the system. The results of both approaches are compared to our experiments in order to evaluate their accuracy, identify flaws and, when possible, suggest potential improvements of the methods. -
Roland AX-Edge Parameter Guide
Parameter Guide AX-Edge Editor To edit the tone parameters of the AX-Edge, you’ll use the “AX-Edge Editor” smartphone app. You can download the app from the App Store if you’re using an iOS device, or from Google Play if you’re using an Android device. AX-Edge Editor lets you edit all the parameters except system parameters of the AX-Edge. © 2018 Roland Corporation 02 List of Shortcut Keys “[A]+[B]” indicates the operation of “holding down the [A] button and pressing the [B] button.” Shortcut Explanation To change the value rapidly, hold down one of the Value [-] + [+] buttons and press the other button. In the top screen, jumps between program categories. [SHIFT] In a parameter edit screen, changes the value in steps + Value [-] [+] of 10. [SHIFT] Jumps to the Arpeggio Edit screen. + ARPEGGIO [ON] [SHIFT] Raises or lowers the notes of the keyboard in semitone + Octave [-] [+] units. [SHIFT] Shows the Battery Info screen. + Favorite [Bank] Jumps between parameter categories (such as [SHIFT] + [ ] [ ] K J COMMON or SWITCH). When entering a name Shortcut Explanation [SHIFT] Cycles between lowercase characters, uppercase + Value [-] [+] characters, and numerals. 2 Contents List of Shortcut Keys .............................. 2 Tone Parameters ................................... 19 COMMON (Overall Settings) ............................. 19 How the AX-Edge Is Organized................ 5 SWITCH .............................................. 20 : Overview of the AX-Edge......................... 5 MFX ................................................. -
Acoustic Instrument Amplifier
���������� Acoustic Instrument Amplifi er Caution: To reduce the hazard of electrical shock, do not remove cover or back. No user serviceable parts inside. Please refer all servic- ing to qualified personnel. WARNING: To reduce the risk of fire or electric shock, do not expose this unit to rain or moisture. The lightning flash with an arrowhead symbol within an equilateral triangle, is intended to alert the user to the presence of un-insulated "dangerous voltage" within the products enclosure that may be of sufficient magni- tude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product. Important Safety Instructions 1. Please read all instructions before operating the unit. 2. Keep these instructions for future reference. 3. Please heed all safety warnings. 4. Follow manufacturers instructions. 5. Do not use this unit near water or moisture. 6. Clean only with a damp cloth. 7. Do not block any of the ventilation openings. Install in accordance with the manufacturers instructions. 8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (includ- ing amplifiers) that produce heat. 9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or third prong is provided for your safety. When the provided plug does not fit your outlet, consult an electrician for replacement of the obsolete outlet. -
RADIAL JDI.Pdf
Mk3 JDI and DUPLEX User Guide Radial Engineering 1638 Kebet Way, Port Coquitlam BC V3C 5W9 tel: 604-942-1001 • fax: 604-942-1010 email: [email protected] • web: www.radialeng.com Radial Engineering is a division of C•TEC (JP CableTek Electronics Ltd.) www.radialeng.com RADIAL JDI & DUPLEX USER GUIDE TABLE OF CONTENTS PAGE 1. Introduction .................................................................................1 2. JDI feature set ............................................................................2 3. JDI quick start ...........................................................................3 4. Direct box basics .........................................................................4 5. Features and functions ...............................................................7 6. Other cool uses for your JDI .................................................... 11 7. Frequently asked questions ......................................................12 8. Block diagram and specifications ..............................................15 Warranty ......................................................................Back cover Radial Engineering 1638 Kebet Way, Port Coquitlam BC V3C 5W9 tel: 604-942-1001 • fax: 604-942-1010 email: [email protected] • web: www.radialeng.com Radial Engineering Ltd. is a division of C•TEC (JP CableTek Electronics Ltd.) Features and specifications are subject to change without notice. True to the Music Part 1 - Introduction Congratulations on your purchase of the world’s finest direct box! The Radial -
Ultracoustic At108
User Manual ULTRACOUSTIC AT108 Ultra-Compact 15-Watt Acoustic Instrument Amplifier with VTC-Technology and Original 8" BUGERA Speaker 2 ULTRACOUSTIC AT108 User Manual Table of Contents Thank you ....................................................................... 2 Important Safety Instructions ...................................... 3 Legal Disclaimer ............................................................. 3 Limited warranty ............................................................ 3 1. Introduction ............................................................... 4 1.1 Before you get started ...................................................... 4 1.1.1 Shipment .......................................................................... 4 1.1.2 Initial operation ............................................................. 4 1.1.3 Online registration ....................................................... 4 2. Wiring Tips ................................................................. 5 3. Control Elements ....................................................... 6 4. Audio Connections .................................................... 7 5. Specifications ............................................................. 8 Thank you Congratulations! By purchasing the AT108, you have obtained a first-class instrument amplifier that offers you the authentic tube-like sound in an amazingly compact housing. The ULTRACOUSTIC AT108 amplifier was designed specifically for practicing. An additional XLR microphone connector lets you mike -
Arturia Minibrute User Manual
USER'S MANUAL Arturia MiniBrute User's Manual 1 6 Legal notes PRODUCT AND PROJECT MANAGEMENT Frédéric BRUN Romain DEJOIE ELECTRONICS Yves USSON Bruno PILLET François BEST Laurent BARET Robert BOCQUIER Antoine BACK DESIGN Axel HARTMANN (Design Box) Daniel VESTER Morgan PERRIER INDUSTRIALIZATION Nicolas DUBOIS Suzy ZHU (Huaxin) MANUAL Yves USSON Craig ANDERTON Antoine BACK Yasu TANAKA Noritaka UBUKATA SPECIAL THANKS TO: Arnaud REBOTINI, Étienne JAUMET, Jean-Benoît DUNCKEL, Simon TARRICONE, Glen DARCEY, Frank ORLICH, Jean-Michel BLANCHET, Frédéric MESLIN, Mathieu BRUN, Gérard BURACCHINI. 1st edition: February 2012 Information contained in this manual is subject to change without notice and does not represent a commitment on behalf of ARTURIA. The hardware unit and the software product described in this manual are provided under the terms of a license agreement or non-disclosure agreement. The license agreement specifies the terms and conditions for its lawful use. No part of this manual may be produced or transmitted in any form or by any purpose other than purchaser’s personal use, without the explicit written permission of ARTURIA S.A. All other products, logos or company names quoted in this manual are trademarks or registered trademarks of their respective owners. © ARTURIA S.A. 1999-2012, all rights reserved. ARTURIA S.A. 4, chemin de Malacher 38240 Meylan FRANCE http://www.arturia.com Arturia MiniBrute User's Manual 2 6 Legal notes TABLE OF CONTENTS 1 Introduction ............................................................................ -
Design Approach for a MERUS™ MA12070 Based Musical Instrument Bass Amplifier DEMO BASSAMP 60W MA12070
AN_2005_PL88_2005_091616 Design approach for a MERUS™ MA12070 based musical instrument bass amplifier DEMO_BASSAMP_60W_MA12070 About this document Scope and purpose This document describes the practical and electrical design of a wall-adapter or battery-powered, 60 W, professionally featured and ultraefficient pocket-sized bass instrument amplifier. It is modeled after classic vacuum-tube bass amplifier topology. It utilizes the exceptional audio quality and best-in-class efficiency of Infineon’s MERUSTM amplifier technology to amplify every nuance of a genuine vacuum-tube pre-amplifier. Intended audience This document is for musical audio amplifier design engineers, audio system engineers and portable audio design engineers. Table of contents About this document ....................................................................................................................... 1 Table of contents ............................................................................................................................ 1 1 Introduction .......................................................................................................................... 2 2 Features and performance ...................................................................................................... 3 3 User interface ........................................................................................................................ 5 4 Amplifier topology ................................................................................................................ -
Analog Synthesizers
ELEN E4896 MUSIC SIGNAL PROCESSING Lecture 4: Analog Synthesizers 1. The Problem Of Electronic Synthesis 2. Oscillators 3. Envelopes 4. Filters Dan Ellis Dept. Electrical Engineering, Columbia University [email protected] http://www.ee.columbia.edu/~dpwe/e4896/ E4896 Music Signal Processing (Dan Ellis) 2013-02-11 - 1 /17 1. The Problem of Electronic Synthesis • How can we synthesize notes and music ... and have it sound as good as real instruments? • Real instrument tones are complex Piano Trumpet Plucked Violin Bowed Violin E4896 Music Signal Processing (Dan Ellis) 2013-02-11 - 2 /17 The Analog Synthesizer • Minimum “useful” configuration Envelope Trigger Pitch + harmonics Pitch t Amplitude variation + + Vibrato Cutoff (dynamics) freq Sound Spectral variation Oscillator Filter + Gain f (1970s technology) t Minimoog, 1972 Minimoog, E4896 Music Signal Processing (Dan Ellis) 2013-02-11 - 3 /17 Digital Simulation of Analog • E.g. Loomer Aspect http://www.loomer.co.uk/aspect.htm E4896 Music Signal Processing (Dan Ellis) 2013-02-11 - 4 /17 PureData (Pd) • Visual metaphor based on analog synths “wires” connect modules • Tutorial: http://en.flossmanuals.net/PureData/ E4896 Music Signal Processing (Dan Ellis) 2013-02-11 - 5 /17 2. Oscillators • Pitch = sinusoid? only a single color • Real instruments have more harmonics static spectrum determines instrument sound? • Additive: Combine individual harmonics calculating sinusoids in real time is expensive... • Subtractive: Shape harmonics with filters start with a spectrally rich signal “shape” harmonics efficiently with LTI filters E4896 Music Signal Processing (Dan Ellis) 2013-02-11 - 6 /17 Basic waveforms • Sinusoid • Square wave • Pulse waveform • Sawtooth • Triangle E4896 Music Signal Processing (Dan Ellis) 2013-02-11 - 7 /17 Aside: Bandlimiting • It’s easy to sample “ideal” simple waveforms but the ideal ones are not bandlimited ➝ lots of aliased energy • Solution: Bandlimited waveforms e.g. -
Pocket Guide
POCKET GUIDE JANUARY 2020 Amplifiers Since 1968, QSC Live Sound has been serving the sound reinforcement needs of performers, audio professionals and entertainment venues. Whether it be our legendary amplifiers, industry- leading loudspeaker lines or cutting-edge digital mixers, QSC live sound solutions set up quickly, are easy to use, sound amazing, look professional, are reliable year after year, and deliver real and lasting value. We design our products and systems to help inspire great performances and deliver amazing experiences for audiences everywhere. That’s our mission and our promise. The following pages represent our latest products and technologies. Designed to give you a brief overview, this Guide should be considered a supplement to the Products and Solutions pages online at qsc.com. There, you will find a fully updated, comprehensive set of information, documentation, tools and images that work in tandem with this Guide. Additionally, our online education site, qsctraining.com is another great resource to learn more about QSC products and solutions. Thank you for the opportunity to share our passion for audio with you. Enjoy the Guide. Table of Contents Digital Mixers TouchMix™ Series (New v2.0 Firmware Update) 4 Amplifiers PLD Series Processing Amplifiers 10 GXD Series Processing Amplifiers 12 PowerLight™ 3 Series 14 PLX2 Series 16 GX Series 18 RMXa Series 20 Loudspeakers E Series Passive Loudspeakers 24 CP Series Compact Powered Loudspeakers 28 K.2 Series Active Loudspeakers 30 KS Series Active Subwoofers (New) 32 KW Series Active Loudspeakers 36 KLA Series Active Loudspeakers 40 Available Accessories 44 WideLine-8 Line Array System 46 WideLine-8 Subwoofers 48 WideLine-10 Line Array System 50 WideLine-10 Subwoofers 52 QR Code Index 56 4 Mixers TouchMix™ Series Compact Digital Mixers The TouchMix™ Series stands as the perfect complement to any installation that might have live performance needs, going Beyond Mixing™ to deliver amazing results to users at all levels of experience. -
A Narrative Exploring the Perception of Analog Synthesizer Enthusiasts' Identity and Communication Christoph Stefan Kresse Clemson University
Clemson University TigerPrints All Theses Theses 5-2015 Synthesized: A Narrative Exploring the Perception of Analog Synthesizer Enthusiasts' Identity and Communication Christoph Stefan Kresse Clemson University Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Recommended Citation Kresse, Christoph Stefan, "Synthesized: A Narrative Exploring the Perception of Analog Synthesizer Enthusiasts' Identity and Communication" (2015). All Theses. 2114. https://tigerprints.clemson.edu/all_theses/2114 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. SYNTHESIZED: A NARRATIVE EXPLORING THE PERCEPTION OF ANALOG SYNTHESIZER ENTHUSIASTS’ IDENTITY AND COMMUNICATION A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts Communication, Technology, and Society by Christoph Stefan Kresse May 2015 Accepted by: Dr. Chenjerai Kumanyika, Ph.D., Committee Chair Dr. David Travers Scott, Ph.D. Dr. Darren L. Linvill, Ph.D. Dr. Bruce Whisler, Ph.D. i ABSTRACT This document is a written reflection of the production process of the creative project Synthesized, a scholarly-rooted documentary exploring the analog synthesizer world with focus on organizational structure and perception of social identity. After exploring how this production complements existing works on the synthesizer, electronic music, identity, communication and group association, this reflection explores my creative process and decision making as an artist and filmmaker through the lens of a qualitative researcher. As part of this, I will discuss logistic, as well as artistic and creative, challenges.