Analog & Digital Remote Synthesizer
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Minimoog Model D Manual
3 IMPORTANT SAFETY INSTRUCTIONS WARNING - WHEN USING ELECTRIC PRODUCTS, THESE BASIC PRECAUTIONS SHOULD ALWAYS BE FOLLOWED. 1. Read all the instructions before using the product. 2. Do not use this product near water - for example, near a bathtub, washbowl, kitchen sink, in a wet basement, or near a swimming pool or the like. 3. This product, in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level or at a level that is uncomfortable. 4. The product should be located so that its location does not interfere with its proper ventilation. 5. The product should be located away from heat sources such as radiators, heat registers, or other products that produce heat. No naked flame sources (such as candles, lighters, etc.) should be placed near this product. Do not operate in direct sunlight. 6. The product should be connected to a power supply only of the type described in the operating instructions or as marked on the product. 7. The power supply cord of the product should be unplugged from the outlet when left unused for a long period of time or during lightning storms. 8. Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings. There are no user serviceable parts inside. Refer all servicing to qualified personnel only. NOTE: This equipment has been tested and found to comply with the limits for a class B digital device, pursuant to part 15 of the FCC rules. -
The Real Estate Marketplace Glossary: How to Talk the Talk
Federal Trade Commission ftc.gov The Real Estate Marketplace Glossary: How to Talk the Talk Buying a home can be exciting. It also can be somewhat daunting, even if you’ve done it before. You will deal with mortgage options, credit reports, loan applications, contracts, points, appraisals, change orders, inspections, warranties, walk-throughs, settlement sheets, escrow accounts, recording fees, insurance, taxes...the list goes on. No doubt you will hear and see words and terms you’ve never heard before. Just what do they all mean? The Federal Trade Commission, the agency that promotes competition and protects consumers, has prepared this glossary to help you better understand the terms commonly used in the real estate and mortgage marketplace. A Annual Percentage Rate (APR): The cost of Appraisal: A professional analysis used a loan or other financing as an annual rate. to estimate the value of the property. This The APR includes the interest rate, points, includes examples of sales of similar prop- broker fees and certain other credit charges erties. a borrower is required to pay. Appraiser: A professional who conducts an Annuity: An amount paid yearly or at other analysis of the property, including examples regular intervals, often at a guaranteed of sales of similar properties in order to de- minimum amount. Also, a type of insurance velop an estimate of the value of the prop- policy in which the policy holder makes erty. The analysis is called an “appraisal.” payments for a fixed period or until a stated age, and then receives annuity payments Appreciation: An increase in the market from the insurance company. -
Analog Synthesizer So There Is No Need for Soldering.)
Assembly time: Approximately 20 minutes (The electric circuit comes pre-assembled, Analog Synthesizer so there is no need for soldering.) How to Assemble and Use the Supplement Things you will need Parts in the Kit Phillips screwdriver (No. 1) AA alkaline batteries (4 new) Knobs (5) * Please note that rechargeable NiCd batteries and non-rechargeable Oxyride and nickel-based batteries should not be Washer head screws (7) used due to a high risk of components melting or fire breaking out with these batteries because of accidental short-circuiting or the like. Additionally, because this supplement was designed based on operation at 6 V, it may not operate in the desired way due to an excess of or a deficiency in voltage with the above batteries. Incidentally, most rechargeable batteries provide 1.2 V and Screws (3) Oxyride batteries, 1.7 V. Main unit Cellophane tape Notes for tightening screws The types of screws used for the supplement are those that carve grooves into the plastic as they are inserted (self-threading). The screwdriver most suited to tightening the screws is the #1 JIS screwdriver. When tightening screws, Circuit board firmly press the provided screwdriver straight against the screws and turn. It is said that 70 percent of the force applied is used for pushing against the screw and 30 percent for turning it. Precision screwdrivers are hard to turn, so use a small screwdriver with a grip diameter of about 2 cm. Electrode Slider panel Speaker Cut out the cardboard (Wrapped in cardboard.) case to use as a back cover. -
Imagine Your Art As the New Face of Moog Music's
IMAGINE YOUR ART AS THE NEW FACE OF MOOG MUSIC’S HEADQUARTERS! WELCOME ALL CREATIVES We are excited to be accepting artist submissions for a design that will be the new face of the Moog factory in downtown Asheville, NC. Locals and visitors of our vibrant city have come to know our factory by the iconic synthesizer mural that has adorned the buildingʼs exterior for more than eight years. Now, weʼre ready to breathe new life into the public artwork that represents who we are and the instruments that our employee-owners build inside these four walls. This is where you come in! 1st PLACE WINNER TOP 5 RUNNERS-UP • Moog One 16-Voice Analog Synthesizer ($8,500 value) • Your Choice: Moog Mother-32, DFAM, or Subharmonicon • Your Artwork Displayed on the Moog Factory • Moog Merch Package HOW IT WORKS 1. Synthesize your best ideas of what represents Moog and our creative community. 2. Download the asset pack for artwork templates and specifications on file type and dimension requirements. 3. Submit your custom artwork at www.moogmusic.com/mural by February 19, 2021. Upload your artwork as a high resolution thumbnail that does not exceed 9MB, print files will be requested if you are selected as the winner. You may submit up to three pieces for consideration. 4. Online voting will be open to the public at www.moogmusic.com/mural from January 11 – February 28, 2021. 5. Weʼll select one grand prize winner and five runners-up, and will announce the winners via our email newsletter. The popular public vote will count toward our teamʼs consideration; make sure to share the voting link to your artwork on your website, social media accounts, etc. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
The Case of Rihanna: Erotic Violence and Black Female Desire
Fleetwood_Fleetwood 8/15/2013 10:52 PM Page 419 Nicole R. Fleetwood The Case of Rihanna: Erotic Violence and Black Female Desire Note: This article was drafted prior to Rihanna and Chris Brown’s public reconciliation, though their rekindled romance supports many of the arguments outlined herein. Fig. 1: Cover of Esquire, November 2011 issue, U. S. Edition. Photograph by Russell James. he November 2011 issue of Esquire magazine declares Rihanna “the sexiest Twoman alive.” On the cover, Rihanna poses nude with one leg propped, blocking view of her breast and crotch. The entertainer stares out provocatively, with mouth slightly ajar. Seaweed clings to her glistening body. A small gun tattooed under her right arm directs attention to her partially revealed breast. Rihanna’s hands brace her body, and her nails dig into her skin. The feature article and accompanying photographs detail the hyperbolic hotness of the celebrity; Ross McCammon, the article’s author, acknowledges that the pop star’s presence renders him speechless and unable to keep his composure. Interwoven into anecdotes and narrative scenes explicating Rihanna’s desirability as a sexual subject are her statements of her sexual appetite and the pleasure that she finds in particular forms of sexual play that rehearse gendered power inequity and the titillation of pain. That Rihanna’s right arm is carefully positioned both to show the tattoo of the gun aimed at her breast, and that her fingers claw into her flesh, commingle sexual pleasure and pain, erotic desire and violence. Here and elsewhere, Rihanna employs her body as a stage for the exploration of modes of violence structured into hetero- sexual desire and practices. -
Digital Developments 70'S
Digital Developments 70’s - 80’s Hybrid Synthesis “GROOVE” • In 1967, Max Mathews and Richard Moore at Bell Labs began to develop Groove (Generated Realtime Operations on Voltage- Controlled Equipment) • In 1970, the Groove system was unveiled at a “Music and Technology” conference in Stockholm. • Groove was a hybrid system which used a Honeywell DDP224 computer to store manual actions (such as twisting knobs, playing a keyboard, etc.) These actions were stored and used to control analog synthesis components in realtime. • Composers Emmanuel Gent and Laurie Spiegel worked with GROOVE Details of GROOVE GROOVE System included: - 2 large disk storage units - a tape drive - an interface for the analog devices (12 8-bit and 2 12-bit converters) - A cathode ray display unit to show the composer a visual representation of the control instructions - Large array of analog components including 12 voltage-controlled oscillators, seven voltage-controlled amplifiers, and two voltage-controlled filters Programming language used: FORTRAN Benefits of the GROOVE System: - 1st digitally controlled realtime system - Musical parameters could be controlled over time (not note-oriented) - Was used to control images too: In 1974, Spiegel used the GROOVE system to implement the program VAMPIRE (Video and Music Program for Interactive, Realtime Exploration) • Laurie Spiegel at the GROOVE Console at Bell Labs (mid 70s) The 1st Digital Synthesizer “The Synclavier” • In 1972, composer Jon Appleton, the Founder and Director of the Bregman Electronic Music Studio at Dartmouth wanted to find a way to control a Moog synthesizer with a computer • He raised this idea to Sydney Alonso, a professor of Engineering at Dartmouth and Cameron Jones, a student in music and computer science at Dartmouth. -
Uptownlive.Song List Copy.Pages
Uptown Live Sample - Song List Top 40/ Pop 24k Gold - Bruno Mars Adventure of A Lifetime - Coldplay Aint My Fault - Zara Larsson All of Me (John Legend) Another You - Armin Van Buren Bad Romance -Lady Gaga Better Together -Jack Johnson Blame - Calvin Harris Blurred Lines -Robin Thicke Body Moves - DNCE Boom Boom Pow - Black Eyed Peas Cake By The Ocean - DNCE California Girls - Katy Perry Call Me Maybe - Carly Rae Jepsen Can’t Feel My Face - The Weeknd Can’t Stop The Feeling - Justin Timberlake Cheap Thrills - Sia Cheerleader - OMI Clarity - Zedd feat. Foxes Closer - Chainsmokers Closer – Ne-Yo Cold Water - Major Lazer feat. Beiber Crazy - Cee Lo Crazy In Love - Beyoncé Despacito - Luis Fonsi, Daddy Yankee and Beiber DJ Got Us Falling In Love Again - Usher Don’t Know Why - Norah Jones Don’t Let Me Down - Chainsmokers Don’t Wanna Know - Maroon 5 Don’t You Worry Child - Sweedish House Mafia Dynamite - Taio Cruz Edge of Glory - Lady Gaga ET - Katy Perry Everything - Michael Bublé Feel So Close - Calvin Harris Firework - Katy Perry Forget You - Cee Lo FUN- Pitbull/Chris Brown Get Lucky - Daft Punk Girlfriend – Justin Bieber Grow Old With You - Adam Sandler Happy – Pharrel Hey Soul Sister – Train Hideaway - Kiesza Home - Michael Bublé Hot In Here- Nelly Hot n Cold - Katy Perry How Deep Is Your Love - Calvin Harris I Feel It Coming - The Weeknd I Gotta Feelin’ - Black Eyed Peas I Kissed A Girl - Katy Perry I Knew You Were Trouble - Taylor Swift I Want You To Know - Zedd feat. Selena Gomez I’ll Be - Edwin McCain I’m Yours - Jason Mraz In The Name of Love - Martin Garrix Into You - Ariana Grande It Aint Me - Kygo and Selena Gomez Jealous - Nick Jonas Just Dance - Lady Gaga Kids - OneRepublic Last Friday Night - Katy Perry Lean On - Major Lazer feat. -
Common Tape Manipulation Techniques and How They Relate to Modern Electronic Music
Common Tape Manipulation Techniques and How They Relate to Modern Electronic Music Matthew A. Bardin Experimental Music & Digital Media Center for Computation & Technology Louisiana State University Baton Rouge, Louisiana 70803 [email protected] ABSTRACT the 'play head' was utilized to reverse the process and gen- The purpose of this paper is to provide a historical context erate the output's audio signal [8]. Looking at figure 1, from to some of the common schools of thought in regards to museumofmagneticsoundrecording.org (Accessed: 03/20/2020), tape composition present in the later half of the 20th cen- the locations of the heads can be noticed beneath the rect- tury. Following this, the author then discusses a variety of angular protective cover showing the machine's model in the more common techniques utilized to create these and the middle of the hardware. Previous to the development other styles of music in detail as well as provides examples of the reel-to-reel machine, electronic music was only achiev- of various tracks in order to show each technique in process. able through live performances on instruments such as the In the following sections, the author then discusses some of Theremin and other early predecessors to the modern syn- the limitations of tape composition technologies and prac- thesizer. [11, p. 173] tices. Finally, the author puts the concepts discussed into a modern historical context by comparing the aspects of tape composition of the 20th century discussed previous to the composition done in Digital Audio recording and manipu- lation practices of the 21st century. Author Keywords tape, manipulation, history, hardware, software, music, ex- amples, analog, digital 1. -
ARTIFICIAL REVERBERATION Ainnol
ARTIFICIAL REVERBERATION Ainnol Lilisuliani Ahmad Rasidi (SID : 430566949) Digital Audio Systems, DESC9115, Semester 1 2014 Graduate Program in Audio and Acoustics Faculty of Architecture, Design and Planning, The University of Sydney -------------------------------------------------------------------------------------------------------------------------------------- 1.0 Abstract Digital reverberation is an audio effect that is very common in musical production. It can be used to enhance recorded sounds that often sounds “dry” and “flat”. The principal idea of artificial reverberation was initiated by Manfred Schroeder in the 1960’s. Since then, many artificial reverb algorithms have been created. This review will look into two types of reverberation, convolution and algorithm based reverberation, focusing on Schroeder’s delay network algorithm and the applications of artificial reverberation in many areas. 2.0 Introduction Sound is a mechanical energy that travels through air at the speed of about 344 m/s. The speed varies upon the properties of air it travels, mostly due to the change of temperature and sometimes due to the humidity. In an enclosed space, this longitudinal waves of sound would reduce its amplitude the further it travels from the source until it reaches a surface. Depending upon the characteristic of the surface, some of the energy of the sound will be absorbed while some shall be reflected back into space. The reflected sound will bounce again as it meets other surface or obstacles, hence creating a complex pattern of reflection. Reverberation is the term we use for the collection of reflected sounds from the surfaces in an enclosed space. It is measured by reverberation time, which is perceived as the time for the sound to die away 60 decibels after the sound sources ceases (Sabine, 1972) . -
A Nonlinear Analysis Framework for Electronic Synthesizer Circuits
A Nonlinear Analysis Framework for Electronic Synthesizer Circuits Fran¸cois Georges Germain Department of Music Research McGill University Montreal, Canada October 2011 A thesis submitted to McGill University in partial fulfillment of the requirements for the degree of Master of Arts. c 2011 Fran¸cois Georges Germain i Abstract This thesis presents a theoretical and experimental study of the nonlinear behaviour of analog synthesizers’ effects. The goal of this thesis is to evaluate and complete current research on nonlinear system modelling, both in and out of the field of music technology. The cases of single-input and multiple-input effects are considered. We first present an electronic analysis of the circuits of common examples of analog effects such as Moog’s lowpass filter and Bode’s ring modulator, extracting the equations of each system. We then discuss the results of experiments made on these systems in order to extract qualitative information about the distortion found in the system input-output relationship. Secondly, we look at the literature for methods used to model single-input nonlinear systems, and we investigate the opportunities to extend these techniques to multi-input systems. We focus on two different modelling approaches. The black-box approach seeks to model the input-output transfer function of the system as closely as possible without any particular assumption on the system. The circuit modelling approach uses the knowledge of electronic component behaviour to extract a transfer function from the known circuit of the system. The results of both approaches are compared to our experiments in order to evaluate their accuracy, identify flaws and, when possible, suggest potential improvements of the methods. -
Roland AX-Edge Parameter Guide
Parameter Guide AX-Edge Editor To edit the tone parameters of the AX-Edge, you’ll use the “AX-Edge Editor” smartphone app. You can download the app from the App Store if you’re using an iOS device, or from Google Play if you’re using an Android device. AX-Edge Editor lets you edit all the parameters except system parameters of the AX-Edge. © 2018 Roland Corporation 02 List of Shortcut Keys “[A]+[B]” indicates the operation of “holding down the [A] button and pressing the [B] button.” Shortcut Explanation To change the value rapidly, hold down one of the Value [-] + [+] buttons and press the other button. In the top screen, jumps between program categories. [SHIFT] In a parameter edit screen, changes the value in steps + Value [-] [+] of 10. [SHIFT] Jumps to the Arpeggio Edit screen. + ARPEGGIO [ON] [SHIFT] Raises or lowers the notes of the keyboard in semitone + Octave [-] [+] units. [SHIFT] Shows the Battery Info screen. + Favorite [Bank] Jumps between parameter categories (such as [SHIFT] + [ ] [ ] K J COMMON or SWITCH). When entering a name Shortcut Explanation [SHIFT] Cycles between lowercase characters, uppercase + Value [-] [+] characters, and numerals. 2 Contents List of Shortcut Keys .............................. 2 Tone Parameters ................................... 19 COMMON (Overall Settings) ............................. 19 How the AX-Edge Is Organized................ 5 SWITCH .............................................. 20 : Overview of the AX-Edge......................... 5 MFX .................................................