Sandspur, Vol 90, No 05, November 22, 1983
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography………………………………………………………………………………. -
Paul Clarke Song List
Paul Clarke Song List Busby Marou – Biding my time Foster the People – Pumped up Kicks Boy & Bear – Blood to gold Kings of Leon – Sex on Fire, Radioactive, The Bucket The Wombats – Tokyo (vampires & werewolves) Foo Fighters – Times like these, All my life, Big Me, Learn to fly, See you Pete Murray – Class A, Better Days, So beautiful, Opportunity La Roux – Bulletproof John Butler Trio – Betterman, Better than Mark Ronson – Somebody to Love Me Empire of the Sun – We are the People Powderfinger – Sunsets, Burn your name, My Happiness Mumford and Sons – Little Lion man Hungry Kids of Hungary Scattered Diamonds SIA – Clap your hands Art Vs Science – Friend in the field Jack Johnson – Flake, Taylor, Wasting time Peter, Bjorn and John – Young Folks Faker – This Heart attack Bernard Fanning – Wish you well, Song Bird Jimmy Eat World – The Middle Outkast – Hey ya Neon Trees – Animal Snow Patrol – Chasing cars Coldplay – Yellow, The Scientist, Green Eyes, Warning Sign, The hardest part Amy Winehouse – Rehab John Mayer – Your body is a wonderland, Wheel Red Hot Chilli Peppers – Zephyr, Dani California, Universally Speaking, Soul to squeeze, Desecration song, Breaking the Girl, Under the bridge Ben Harper – Steal my kisses, Burn to shine, Another lonely Day, Burn one down The Killers – Smile like you mean it, Read my mind Dane Rumble – Always be there Eskimo Joe – Don’t let me down, From the Sea, New York, Sarah Aloe Blacc – Need a dollar Angus & Julia Stone – Mango Tree, Big Jet Plane Bob Evans – Don’t you think -
The Yes Catalogue ------1
THE YES CATALOGUE ----------------------------------------------------------------------------------------------------------------------------------------------------- 1. Marquee Club Programme FLYER UK M P LTD. AUG 1968 2. MAGPIE TV UK ITV 31 DEC 1968 ???? (Rec. 31 Dec 1968) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 3. Marquee Club Programme FLYER UK M P LTD. JAN 1969 Yes! 56w 4. TOP GEAR RADIO UK BBC 12 JAN 1969 Dear Father (Rec. 7 Jan 1969) Anderson/Squire Everydays (Rec. 7 Jan 1969) Stills Sweetness (Rec. 7 Jan 1969) Anderson/Squire/Bailey Something's Coming (Rec. 7 Jan 1969) Sondheim/Bernstein 5. TOP GEAR RADIO UK BBC 23 FEB 1969 something's coming (rec. ????) sondheim/bernstein (Peter Banks has this show listed in his notebook.) 6. Marquee Club Programme FLYER UK m p ltd. MAR 1969 (Yes was featured in this edition.) 7. GOLDEN ROSE TV FESTIVAL tv SWITZ montreux 24 apr 1969 - 25 apr 1969 8. radio one club radio uk bbc 22 may 1969 9. THE JOHNNIE WALKER SHOW RADIO UK BBC 14 JUN 1969 Looking Around (Rec. 4 Jun 1969) Anderson/Squire Sweetness (Rec. 4 Jun 1969) Anderson/Squire/Bailey Every Little Thing (Rec. 4 Jun 1969) Lennon/McCartney 10. JAM TV HOLL 27 jun 1969 11. SWEETNESS 7 PS/m/BL & YEL FRAN ATLANTIC 650 171 27 jun 1969 F1 Sweetness (Edit) 3:43 J. Anderson/C. Squire (Bailey not listed) F2 Something's Coming' (From "West Side Story") 7:07 Sondheim/Bernstein 12. SWEETNESS 7 M/RED UK ATL/POLYDOR 584280 04 JUL 1969 A Sweetness (Edit) 3:43 Anderson/Squire (Bailey not listed) B Something's Coming (From "West Side Story") 7:07 Sondheim/Bernstein 13. -
A Progresszív Rock
A PROGRESSZÍV ROCK monográfia írta: Bernáth Zsolt 2007. TARTALOM BEVEZETÉS............................................................................................................................ 4 I. A PROGRESSZÍV ROCK HELYE A ROCKZENE TÖRTÉNETÉBEN I.1. A rockzene születése és az ifjúsági kultúra kialakulása (1950-es évek) ................ 7 I.1.1. A rockzene gyökerei ................................................................................ 7 I.1.2. A rockzene születése és hatása .............................................................. 10 I.2. A beatkorszak (1960-as évek) .............................................................................. 13 I.2.1. A Beatles ............................................................................................... 13 I.2.2. Az els ő közismert concept-album ..................................... ................... 15 I.2.3. A progresszív rock közvetlen el őzményei ............................................. 17 I.2.4. Szimfonikus kísérletek .......................................................................... 19 I.3. A progresszív rock megjelenése és fénykora (1970-es évek) .............................. 20 I.4. A progresszív rock második hulláma (1980-as évek) .......................................... 28 I.5. A progresszív rock harmadik hulláma (1990-es évekt ől napjainkig) .................. 32 I.6. Magyar vonatkozások .......................................................................................... 37 I.6.1. A magyar beatzene ............................................................................... -
Resolution May/June 08 V7.4.Indd
craft Horn and Downes briefl y joined legendary prog- rock band Yes, before Trevor quit to pursue his career as a producer. Dollar and ABC won him chart success, with ABC’s The Lexicon Of Love giving the producer his fi rst UK No.1 album. He produced Malcolm McLaren and introduced the hitherto-underground world of scratching and rapping to a wider audience, then went on to produce Yes’ biggest chart success ever with the classic Owner Of A Lonely Heart from the album 90125 — No.1 in the US Hot 100. Horn and his production team of arranger Anne Dudley, engineer Gary Langan and programmer JJ Jeczalik morphed into electronic group Art Of Noise, recording startlingly unusual-sounding songs like Beat Box and Close To The Edit. In 1984 Trevor pulled all these elements together when he produced the epic album Welcome To The Pleasuredome for Liverpudlian bad-boys Frankie Goes To Hollywood. When Trevor met his wife, Jill Sinclair, her brother John ran a studio called Sarm. Horn worked there for several years, the couple later bought the Island Records-owned Basing Street Studios complex and renamed it Sarm West. They started the ZTT imprint, to which many of his artists such as FGTH were signed, and the pair eventually owned the whole gamut of production process: four recording facilities, rehearsal and rental companies, a publisher (Perfect Songs), engineer and producer management and record label. A complete Horn discography would fi ll the pages of Resolution dedicated to this interview, but other artists Trevor has produced include Grace Jones, Propaganda, Pet Shop Boys, Band Aid, Cher, Godley and Creme, Paul McCartney, Tina Turner, Tom Jones, Rod Stewart, David Coverdale, Simple Minds, Spandau Ballet, Eros Ramazzotti, Mike Oldfi eld, Marc Almond, Charlotte Church, t.A.T.u, LeAnn Rimes, Lisa Stansfi eld, Belle & Sebastian and Seal. -
Video Killed the Radio Star
T H E S O N G LANGUAGE LEVEL ADVANCED Video Killed Track 15 Speaker: The Radio Star Justin Ratcliffe (Standard British accent) by Fergal Kavanagh Come abbiamo When television became popular in drives his car, he realises technology visto non è the 1950s, it was thought that this has come so far that it is impossible to affatto andata would spell1 the end for radio, but it rewind, or turn things back, and return così, ma nel survived this and many subsequent to the golden age. 1979 uscì una innovations. Yet in 1979 The Buggles The song concludes with him canzone che released the huge hit2 “Video Killed surrendering to the new technology of decretava The Radio Star.” Co-written, sung and the VTR (Video Tape Recorder – now, la fine della 3 radio. produced by studio wizard Trevor Horn, nearly 30 years later, it is itself almost La canzone the singer reminisces about lying in bed obsolete!), and recognising the star on divenne at night in 1952 (although Horn would the screen as a one-time radio star. famosissima; then have been just three years old!), “Video Killed The Radio Star” was also furono gli listening to what was then known as inspired by the science fiction story interpreti (i a “wireless.” Despite his tender years4, “The Sound Sweep”11 by J.G. Ballard. Buggles) a Horn was profoundly affected by what The song took three long months to sparire nel nulla. he heard. record and went to number one in Much has been written about the 16 different countries. -
Yes - Progeny: Seven Shows from Seventy-Two
Yes - Progeny: Seven Shows from Seventy-Two Scritto da Gianluca Livi Giovedì 18 Giugno 2015 18:49 Progeny: Seven Shows from Seventy-Two è l'ultima uscita postuma degli Yes. Si tratta delle registrazioni live da cui, in parte, fu estratto il famoso album live Yessongs del 1973. E' stato edito in tre versioni: 1) quella monumentale di 14 CD, che cattura sette spettacoli completi registrati nel 1972 nel tour di Close to the Edge. 2) una versione edit di 2-CD 3) la versione in vinile di quest'ultima, costituita da 3 LP E' qui recensita l'ultima uscita discografica, essendo chi scrive appassionato di vinile. Questa recensione deve essere scissa in due parti: Nella prima,qui l'intervista deve essere al batterista necessariamente a firma di commentata chi scrive ) ela presentando scelta criticabile una discaletta limitare deciamente l'edizione inpiù vinile completa a soli ed3 LP, esaustiva cosa che (in a particolare, mio modesto mancano avviso, Perpetualrende questo Change, titolo The un prodotto Fish e Starship quasi gemello Tropper, di Yessongs.registrati in Anzi, occasione a dirla del tutta, tour Yessongs precedente). era anche più completo raccogliendo testimonianze esecutive dell'immenso Bill Bruford ( Confrontate voi stessi: questa la scaletta di YesSongs e a seguire quella di Progeny: YESSONGS Opening (Excerpt From 'Firebird Suite') Siberian Khatru Heart Of The Sunrise Perpetual Change And You And I Mood For A Day Excerpts From 'The Six Wives Of Henry VIII' 1 / 4 Yes - Progeny: Seven Shows from Seventy-Two Scritto da Gianluca Livi Giovedì 18 Giugno 2015 18:49 Roundabout I've Seen All Good People Long Distance Runaround-The Fish (Schindleria Praematurus) Close To The Edge Yours Is No Disgrace Starship Trooper PROGENY Opening (Excerpt From Firebird Suite) Siberian Khatru I've Seen All Good People: Your Move / All Good People Heart of the Sunrise Clap/Mood For A Day And You And I Close To The Edge Excerpts From "The Six Wives of Henry VIII" Roundabout Yours is No Disgrace Tuttavia, va detto che la qualità di Progeny è decisamente superiore a quella di YesSongs. -
Big Generator Tour
. " " . "YES"" " ; Big Generator , / Tour BY RICHARD REITZ flashy stage , the group performecd StaffWriterStaff Writer "Hold" On ," and then put out theirr " " It's' hard to believe that it's' classic "Heart of the Sunrise. been over 4 years since the 90125 Yes continued to grind out Tour hit America (which, superb performances of new incidentally , started at songs , such ass their powerful " ," as Millersville ) , supporting that version of "Big Generator " ," blockbuster album which capped well as "Shoot High , Aim Low , " " - a reuniting of Yes after it seemed and "Holy Lamb.. Unfortunate - apparent they had split for good.. ly, Anderson experienced feed Well , here it is , 1988 , and Yes back trouble with his microphone " " is still making great music over in the beginning of "Holy Lamb , 18 years since their first record , but was able to slide through it supporting their latest album , Big: and perform it very well.. Generator. And once again, Yes Their show also included hit hits with a successful tour as songs from 90125 , such as " " well.. [This concert eliminated any "Owner of A Lonely Heart" and " " doubts that this band can still "Changes, as well as popular " play.. ] old Yes classics like "And You To start , the audience was And I"" and "Yours" is No " treated to two Popeye cartoons Disgrace . ("The" Jeep"" and "Gopnland""Goonland"" " for The highlight of the show came those interested) , which provided when Trevor Rabin creaked out a humorous entertainment before solo acoustica performance to the ' the concert... When these short likes of nothing I'd ever seen in features were over, music was concert.. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
Idvp010cd Couriernew
Print Version Page 1 of 2 Print Page Permutations of Yes By Tom Von Malder (Created: Wednesday, August 22, 2007 11:09 PM EDT) Anderson, Bruford, Wakeman, Howe: An Evening of Yes Music Plus (Voiceprint DVD, 143 min.). Consisting of four-fifths of the classic lineup of Yes in the Seventies (only Chris Squire is missing), this quartet, put together by Jon Anderson, recorded an eponymous album in 1989 and then embarked on a worldwide tour. This generous-length show was captured on the American leg of the tour. It opens with brief solo sets by vocalist Anderson (“Time and a Word,” “Owner of a Lonely Heart”), who enters the auditorium from the rear and sings while walking down the aisle to the stage; guitarist Steve Howe (a couple of acoustic instrumentals) and keyboardist Rick Wakeman (“Catherine Parr,” “Merlin the Magician”), before the whole group launches into Yes’ classic “Long Distance Runaround” at the 24-minute mark. The song contains a solo by drummer Bill Bruford. Then comes “Birthright” from their one album (“Teakbois,” the bouncy rocker “Brother of Mine” and “Themes” also are covered from the disc). The wonderful central core is a trio of Yes songs: “And You and I,” “I’ve Seen All Good People” and a 19- minute “Close to the Edge.” The show ends with “Roundabout,” then an encore of “Starship Troop” after the credits roll. Grade A- Rick Wakeman: The Other Side of Rick Wakeman (MVD Visual DVD, 112 min.). This unusual release finds progressive rock keyboardist Wakeman on stage in a small club, with just a microphone and a grand piano. -
John Wetton's Official Website
John Wetton's Official Website http://www.johnwetton.com/index.html LATEST NEWS January 31st 2020--- Today is the 3rd anniversary of the untimely death of John Wetton. Today we remember the genius of John and we share love with John’s son, Dylan, and John’s wife Lisa. Please keep subscribed to John’s social media. More details relating to the forthcoming John Wetton box set will shortly be released. The stories and tributes being assembled are a mind-blowing testament to John’s legacy. December 12th 2019--- American guitarist Fernando Perdomo has recorded a tribute album of King Crimson songs. The Crimson Guitar includes two songs from John Wetton's time in the band - Starless and Book of Saturday. There is also a dedication to John Wetton's memory inside the album. Amazon CD: https://geni.us/CrimsonGuitar June 12th 2019--- The John Wetton Estate proudly announces work has commenced on a solo career box set featuring expanded editions of his iconic albums and a lavish hardback book. 12th June 2019 would have been John’s 70th birthday. 1 of 42 16/03/2020, 12:18 John Wetton's Official Website http://www.johnwetton.com/index.html Since John Wetton’s passing in January 2017, his family, friends and management have been working on finding a fitting tribute to such a remarkable man and iconic artist. The result of this labour of love is a box set entitled “An Extraordinary Life”, dedicated entirely to John’s solo career. The project has the full support of John’s wife, Lisa, and his son, Dylan, who are wholly involved with compiling the contents. -
ALBUMS BARRY WHITE, "WHAT AM I GONNA DO with BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50S YOU" (Prod
DEDICATED TO THE NEEDS OF THE MUSIC RECORD INCUSTRY SLEEPERS ALBUMS BARRY WHITE, "WHAT AM I GONNA DO WITH BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50s YOU" (prod. by Barry White/Soul TO ME" (prod.by Baker,Harris, and'60schestnutsrevved up with Unitd. & Barry WhiteProd.)(Sa- Young/WMOT Prod. & BobbyEli) '70s savvy!Fast paced pleasers sat- Vette/January, BMI). In advance of (WMOT/Friday'sChild,BMI).The urate the Lennon/Spector produced set, his eagerly awaited fourth album, "Sideshow"men choosean up - which beats with fun fromstartto the White Knight of sensual soul tempo mood from their "Magic of finish. The entire album's boss, with the deliversatasteinsupersingles theBlue" album forarighteous niftiest nuggets being the Chuck Berry - fashion.He'sdoingmoregreat change of pace. Every ounce of their authored "You Can't Catch Me," Lee thingsinthe wake of currenthit bounce is weighted to provide them Dorsey's "Ya Ya" hit and "Be-Bop-A- string. 20th Century 2177. top pop and soul action. Atco 71::14. Lula." Apple SK -3419 (Capitol) (5.98). DIANA ROSS, "SORRY DOESN'T AILWAYS MAKE TAMIKO JONES, "TOUCH ME BABY (REACHING RETURN TO FOREVER FEATURING CHICK 1116111113FOICER IT RIGHT" (prod. by Michael Masser) OUT FOR YOUR LOVE)" (prod. by COREA, "NO MYSTERY." No whodunnits (Jobete,ASCAP;StoneDiamond, TamikoJones) (Bushka, ASCAP). here!This fabulous four man troupe BMI). Lyrical changes on the "Love Super song from JohnnyBristol's further establishes their barrier -break- Story" philosophy,country -tinged debut album helps the Jones gal ingcapabilitiesby transcending the with Masser-Holdridge arrange- to prove her solo power in an un- limitations of categorical classification ments, give Diana her first product deniably hit fashion.