Yes - Progeny: Seven Shows from Seventy-Two
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Sandspur, Vol 90, No 05, November 22, 1983
University of Central Florida STARS The Rollins Sandspur Newspapers and Weeklies of Central Florida 11-22-1983 Sandspur, Vol 90, No 05, November 22, 1983 Rollins College Find similar works at: https://stars.library.ucf.edu/cfm-sandspur University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the Newspapers and Weeklies of Central Florida at STARS. It has been accepted for inclusion in The Rollins Sandspur by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Rollins College, "Sandspur, Vol 90, No 05, November 22, 1983" (1983). The Rollins Sandspur. 1616. https://stars.library.ucf.edu/cfm-sandspur/1616 Volume 90 Number 5 photo: jerry Uelsmann (story, page 5) Rollins College Sandspur, November 22,1983 pg. 2 The Haagen-Dazs Collection Haagen-Dazs presents the two straw mi Ik Nlv Arte shake A frosty smooth shake so thick and rich, Fine Lingerie • Foundations vou'll probably want two straws to drink it! Swimwear • Loungewear 218 Park Avenue N. Winter Park, FL 32789 Haagen-Dazs Telephone: 647-5519 ^^ Park Avenue 116 E. New England Ave. • Winter Park • 644-1611 Solar Heated Water fit FAIRBANKS EASTERN POLYCLEfiN GfiS fiND BEVERAGE Just One Block North Your Complete Laundromat of Rollins Campus Just One Block North * Discount Prices On Our of Rollins Campus Large Assortment of Domestic and Imported Beer Soda and Snacks Daily Newspapers and Magazines SELF SERVICE (New York Times, Wall Street Journal Orlando Sentinel) Wash And Dry FULL SERVICE Dry Cleaning Don't Forget To Check Oat Oar Wash, Dry. -
The Yes Catalogue ------1
THE YES CATALOGUE ----------------------------------------------------------------------------------------------------------------------------------------------------- 1. Marquee Club Programme FLYER UK M P LTD. AUG 1968 2. MAGPIE TV UK ITV 31 DEC 1968 ???? (Rec. 31 Dec 1968) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 3. Marquee Club Programme FLYER UK M P LTD. JAN 1969 Yes! 56w 4. TOP GEAR RADIO UK BBC 12 JAN 1969 Dear Father (Rec. 7 Jan 1969) Anderson/Squire Everydays (Rec. 7 Jan 1969) Stills Sweetness (Rec. 7 Jan 1969) Anderson/Squire/Bailey Something's Coming (Rec. 7 Jan 1969) Sondheim/Bernstein 5. TOP GEAR RADIO UK BBC 23 FEB 1969 something's coming (rec. ????) sondheim/bernstein (Peter Banks has this show listed in his notebook.) 6. Marquee Club Programme FLYER UK m p ltd. MAR 1969 (Yes was featured in this edition.) 7. GOLDEN ROSE TV FESTIVAL tv SWITZ montreux 24 apr 1969 - 25 apr 1969 8. radio one club radio uk bbc 22 may 1969 9. THE JOHNNIE WALKER SHOW RADIO UK BBC 14 JUN 1969 Looking Around (Rec. 4 Jun 1969) Anderson/Squire Sweetness (Rec. 4 Jun 1969) Anderson/Squire/Bailey Every Little Thing (Rec. 4 Jun 1969) Lennon/McCartney 10. JAM TV HOLL 27 jun 1969 11. SWEETNESS 7 PS/m/BL & YEL FRAN ATLANTIC 650 171 27 jun 1969 F1 Sweetness (Edit) 3:43 J. Anderson/C. Squire (Bailey not listed) F2 Something's Coming' (From "West Side Story") 7:07 Sondheim/Bernstein 12. SWEETNESS 7 M/RED UK ATL/POLYDOR 584280 04 JUL 1969 A Sweetness (Edit) 3:43 Anderson/Squire (Bailey not listed) B Something's Coming (From "West Side Story") 7:07 Sondheim/Bernstein 13. -
A Progresszív Rock
A PROGRESSZÍV ROCK monográfia írta: Bernáth Zsolt 2007. TARTALOM BEVEZETÉS............................................................................................................................ 4 I. A PROGRESSZÍV ROCK HELYE A ROCKZENE TÖRTÉNETÉBEN I.1. A rockzene születése és az ifjúsági kultúra kialakulása (1950-es évek) ................ 7 I.1.1. A rockzene gyökerei ................................................................................ 7 I.1.2. A rockzene születése és hatása .............................................................. 10 I.2. A beatkorszak (1960-as évek) .............................................................................. 13 I.2.1. A Beatles ............................................................................................... 13 I.2.2. Az els ő közismert concept-album ..................................... ................... 15 I.2.3. A progresszív rock közvetlen el őzményei ............................................. 17 I.2.4. Szimfonikus kísérletek .......................................................................... 19 I.3. A progresszív rock megjelenése és fénykora (1970-es évek) .............................. 20 I.4. A progresszív rock második hulláma (1980-as évek) .......................................... 28 I.5. A progresszív rock harmadik hulláma (1990-es évekt ől napjainkig) .................. 32 I.6. Magyar vonatkozások .......................................................................................... 37 I.6.1. A magyar beatzene ............................................................................... -
XEP-0120: Infobits
XEP-0120: Infobits Peter Saint-Andre Matthew Miller mailto:xsf@stpeter:im mailto:linuxwolf@outer-planes:net xmpp:peter@jabber:org xmpp:linuxwolf@outer-planes:net http://stpeter:im/ 2004-01-22 Version 0.5 Status Type Short Name Retracted Standards Track infobits NOTE: This proposal was retracted by the author on 2004-02-19. Legal Copyright This XMPP Extension Protocol is copyright © 1999 – 2020 by the XMPP Standards Foundation (XSF). Permissions Permission is hereby granted, free of charge, to any person obtaining a copy of this specification (the ”Specification”), to make use of the Specification without restriction, including without limitation the rights to implement the Specification in a software program, deploy the Specification in a network service, and copy, modify, merge, publish, translate, distribute, sublicense, or sell copies of the Specifi- cation, and to permit persons to whom the Specification is furnished to do so, subject to the condition that the foregoing copyright notice and this permission notice shall be included in all copies or sub- stantial portions of the Specification. Unless separate permission is granted, modified works that are redistributed shall not contain misleading information regarding the authors, title, number, or pub- lisher of the Specification, and shall not claim endorsement of the modified works by the authors, any organization or project to which the authors belong, or the XMPP Standards Foundation. Warranty ## NOTE WELL: This Specification is provided on an ”AS IS” BASIS, WITHOUT WARRANTIES OR CONDI- TIONS OF ANY KIND, express or implied, including, without limitation, any warranties or conditions of TITLE, NON-INFRINGEMENT, MERCHANTABILITY, or FITNESS FOR A PARTICULAR PURPOSE. -
Punk Rock Document Set DOCUMENT 1 DOCUMENT 2
Punk Rock Document Set DOCUMENT 1 Video: U2’s Bono on Punk Rock DOCUMENT 2 Yes, Close to the Edge (1972) The Clash, The Clash (1977) Track Listing Track Listing Side One Side One 1. Close to the Edge (18:50) 1. Janie Jones (2:03) Side Two 2. Remote Control (3:00) 1. And You and I (10:09) 3. I’m So Bored With the USA (2:25) 2. Siberian Khatru (8:57) 4. White Riot (1:56) 5. Hate & War (2:05) 6. What’s My Name (1:40) 7. Deny (3:03) 8. London’s Burning (2:12) Side Two 1. Career Opportunities (1:52) 2. Cheat (2:06) 3. Protex Blue (1:42) 4. Police & Thieves (6:01) 5. 48 Hours (1:34) 6. Garageland (3:12) WWW.TEACHROCK.ORG DOCUMENT 3 Led Zeppelin in Concert DOCUMENT 4 Keyboard Player Rick Wakeman of the band Yes WWW.TEACHROCK.ORG DOCUMENT 5 The Dead Kennedys DOCUMENT 6 Black Flag WWW.TEACHROCK.ORG DOCUMENT 7 “I went to see a Led Zeppelin film last week… I fell asleep, four rows from the front.” “You don’t yawn, you don’t have to pay five pounds [British currency], and you’re not one of 10,000 people.” --Early Punk Rock fans, in 1976 television documentary from the London Weekend series DOCUMENT 8 Video: Graham Parker on the Birth of Punk Rock DOCUMENT 9 Social Context of Britain in the 1970s The era in Britain was marked by strikes, high inflation, financial crises, high unemployment, and shortages in oil and electricity. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
Retriever, November 6, 1978 15 ~ ~@UIT©Rnl~£!\[L ~@[MJ[MJ~~IJ======Red Tape Cheating UMBC Students
Retriever, November 6, 1978 15 ~ ~@UIT©rnl~£!\[l ~@[MJ[MJ~~IJ========= Red tape cheating UMBC students Eighty-eight students were denied defernnents on their tuition and housing bills after there was still some delay in processing federal financial aid requests. That means they have been deregistered and are officially no longer stu dents at UMBC. What can they do now? They have attended classes for two months, all the time assuming they would receive financial aid. They've been thrown out of UMBC with bills ranging from $380 to nearly $1,200 for residence that they must pay. This doesn't even include all the other expenses they have had, such as books, gas, bus fares, parking registration, pens and paper. To top it off they have 90 days to pay their bills before the state central collection agency begins collecting. If these students had known they were ineligible- which isn't necessarily true -they could have spent the past two months earning enough to pay the spring semester tuition or to find an alternative source of income for this semester. Instead, they've spent the past two months toiling away. And for what? Nothing, apparently. They are to be taken off class lists and they can start packing. They can't pay their bills because of a snag in the federal bureaucracy. It just doesn't seem fair. Federal bureaucracy fouls things up, a "thinking" computer delays the procedures and the victims, UMBC students, must pay for it. The 88 students in this predicament should be allowed to continue attend- bureaucratic red tape. -
PROGRESSIVE ROCK ELEMENTS in the POP-ROCK MUSIC of GENESIS, 1978-91 by Michael Paul Koss
From Prog to Pop: Progressive Rock Elements in the Pop-Rock Music of Genesis, 1978-91 Item Type Electronic Dissertation; text Authors Koss, Michael Paul Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 22:27:18 Link to Item http://hdl.handle.net/10150/145489 FROM PROG TO POP: PROGRESSIVE ROCK ELEMENTS IN THE POP-ROCK MUSIC OF GENESIS, 1978-91 by Michael Paul Koss _____________________________________ Copyright © Michael P. Koss 2011 A Dissertation Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2011 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Michael Koss entitled From Prog to Pop: Progressive Rock Elements in the Pop-Rock Music of Genesis, 1978-91 and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. ________________________________________________ Date: April 11, 2011 Donald G. Traut ________________________________________________ Date: April 11, 2011 Pamela Decker ________________________________________________ Date: April 11, 2011 Kelland Thomas Final approval and acceptance of this dissertation is contingent upon the candidate‘s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. -
Idvp010cd Couriernew
Print Version Page 1 of 2 Print Page Permutations of Yes By Tom Von Malder (Created: Wednesday, August 22, 2007 11:09 PM EDT) Anderson, Bruford, Wakeman, Howe: An Evening of Yes Music Plus (Voiceprint DVD, 143 min.). Consisting of four-fifths of the classic lineup of Yes in the Seventies (only Chris Squire is missing), this quartet, put together by Jon Anderson, recorded an eponymous album in 1989 and then embarked on a worldwide tour. This generous-length show was captured on the American leg of the tour. It opens with brief solo sets by vocalist Anderson (“Time and a Word,” “Owner of a Lonely Heart”), who enters the auditorium from the rear and sings while walking down the aisle to the stage; guitarist Steve Howe (a couple of acoustic instrumentals) and keyboardist Rick Wakeman (“Catherine Parr,” “Merlin the Magician”), before the whole group launches into Yes’ classic “Long Distance Runaround” at the 24-minute mark. The song contains a solo by drummer Bill Bruford. Then comes “Birthright” from their one album (“Teakbois,” the bouncy rocker “Brother of Mine” and “Themes” also are covered from the disc). The wonderful central core is a trio of Yes songs: “And You and I,” “I’ve Seen All Good People” and a 19- minute “Close to the Edge.” The show ends with “Roundabout,” then an encore of “Starship Troop” after the credits roll. Grade A- Rick Wakeman: The Other Side of Rick Wakeman (MVD Visual DVD, 112 min.). This unusual release finds progressive rock keyboardist Wakeman on stage in a small club, with just a microphone and a grand piano. -
The Royal Affair Tour: Live from Las Vegas
Yes – The Royal Affair Tour: Live From Las Vegas (75:20, CD, 2 LP, Download, BMG/Warner) Schon wieder ein Live-Album von Yes? Seit dem Jahr 2014 ist dies nun die bereits sechste Live- Veröffentlichung bei der Yes drauf steht, sodass eine gewisse Reizüberflutung zu verzeichnen ist. Sind dennoch Gründe erkennbar, sich noch ein weiteres Live-Werk zuzulegen, auch wenn man kein „Die-Hard Fan“ der Band sein sollte? Fakt ist, das zum x-ten Mal Tracks wie ‚Starship Trooper‘, ‚Siberian Khatru‘, ‚Roundabout‘ oder ‚I’ve Seen All Good People‘ dargeboten werden, die in früheren Besetzungen mit mehr Verve und besseren solistischen Können ertönen. Immerhin sind Kompositionen wie das Richie Havens-Cover ‚No Opportunity Necessary, No Experience Needed‘ von der zweiten Yes- Veröffentlichung, sowie zwei weitere Coverversionen mit ‚Imagine‘ von John Lennon sowie ‚America‘ von Paul Simon dabei, die bisher seltener auf einem Live-Medium zu hören sind. Das Konzert wurde am 26. Juli 2019 im Hard Rock Hotel in Las Vegas während der „The Royal Affair Tour“ aufgenommen und von Billy Sherwood gemixt. Yes sind aktuell Steve Howe (Gitarre), Alan White (Schlagzeug), Geoff Downes (Keyboards), Sänger Jon Davison sowie Billy Sherwood, der nach dem Tod von Gründungsmitglied und Bassist Chris Squire im Jahre 2015 den Bass übernahm. Außerdem wird Jay Schellen im Booklet als Yes- Musiker aufgeführt, der das Schlagzeugspiel live wesentlich bereichert. Ein Gründungsmitglied ist bei Yes inzwischen nicht mehr an Bord, womit der dienstälteste Yesser Steve Howe, der 1971 auf dem „Yes Album“ die Gitarre für Peter Banks übernahm, das Zepter übernommen hat. Als Gast hört man die Moody-Blues-Legende John Lodge, der sich auf ‚Imagine‘ den Gesang mit Jon Davison teilt. -
Thursday, October 19, 1972
Rose-Hulman Institute of Technology Rose-Hulman Scholar The Rose Thorn Archive Student Newspaper Fall 10-19-1972 Volume 8 - Issue 6 - Thursday, October 19, 1972 Rose Thorn Staff Rose-Hulman Institute of Technology, [email protected] Follow this and additional works at: https://scholar.rose-hulman.edu/rosethorn Recommended Citation Rose Thorn Staff, "Volume 8 - Issue 6 - Thursday, October 19, 1972" (1972). The Rose Thorn Archive. 397. https://scholar.rose-hulman.edu/rosethorn/397 THE MATERIAL POSTED ON THIS ROSE-HULMAN REPOSITORY IS TO BE USED FOR PRIVATE STUDY, SCHOLARSHIP, OR RESEARCH AND MAY NOT BE USED FOR ANY OTHER PURPOSE. SOME CONTENT IN THE MATERIAL POSTED ON THIS REPOSITORY MAY BE PROTECTED BY COPYRIGHT. ANYONE HAVING ACCESS TO THE MATERIAL SHOULD NOT REPRODUCE OR DISTRIBUTE BY ANY MEANS COPIES OF ANY OF THE MATERIAL OR USE THE MATERIAL FOR DIRECT OR INDIRECT COMMERCIAL ADVANTAGE WITHOUT DETERMINING THAT SUCH ACT OR ACTS WILL NOT INFRINGE THE COPYRIGHT RIGHTS OF ANY PERSON OR ENTITY. ANY REPRODUCTION OR DISTRIBUTION OF ANY MATERIAL POSTED ON THIS REPOSITORY IS AT THE SOLE RISK OF THE PARTY THAT DOES SO. This Book is brought to you for free and open access by the Student Newspaper at Rose-Hulman Scholar. It has been accepted for inclusion in The Rose Thorn Archive by an authorized administrator of Rose-Hulman Scholar. For more information, please contact [email protected]. the I10 )1"1"1 , _ HAUTE, INDIANA Thursday, October 19, 1972 VOLUME 8—NUMBER 6 ROSE-HULMAN INSTITUTE OF TECHNOLOGY TERRE LOGAN SPEAKS ON CENTENNIAL IN 'STATE OF COLLEGE' MESSAGE NoTimeTo Sit Rose-Hulman, AND NOW, FOOTBALL.. -
The Carroll News
John Carroll University Carroll Collected The aC rroll News Student 9-26-1980 The aC rroll News- Vol. 64, No. 2 John Carroll University Follow this and additional works at: http://collected.jcu.edu/carrollnews Recommended Citation John Carroll University, "The aC rroll News- Vol. 64, No. 2" (1980). The Carroll News. 638. http://collected.jcu.edu/carrollnews/638 This Newspaper is brought to you for free and open access by the Student at Carroll Collected. It has been accepted for inclusion in The aC rroll News by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. Vol. &4, No.! Sept. It, ltM The Carroll Nevvs John Carroll University University Heights, Ohio 44118 New Donn II? New dormitory planned by Lydia Rtdalio Halls will be the sight of the the dorm has not occurred. and Maryanna Donaldson new three story dorm. It is ex yet, because the building plan Presently, there are 1275 pected to house between 200 must be presented to and ap students residing on the John and 230 students. The Housing proved by the University Carroll University campus. Office has not decided if the Height's City Council and by Some may not be aware of the dorm will house men or wom the University Heleht's Plan fact that there are 190 people en but they will reach a deci ning Commission. After their on the waiting list for dorm sion sometime next June, de approval the biddlne for the rooms. The basic population pending on the need. It will contractors will occur.