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Sandspur, Vol 90, No 05, November 22, 1983
University of Central Florida STARS The Rollins Sandspur Newspapers and Weeklies of Central Florida 11-22-1983 Sandspur, Vol 90, No 05, November 22, 1983 Rollins College Find similar works at: https://stars.library.ucf.edu/cfm-sandspur University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the Newspapers and Weeklies of Central Florida at STARS. It has been accepted for inclusion in The Rollins Sandspur by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Rollins College, "Sandspur, Vol 90, No 05, November 22, 1983" (1983). The Rollins Sandspur. 1616. https://stars.library.ucf.edu/cfm-sandspur/1616 Volume 90 Number 5 photo: jerry Uelsmann (story, page 5) Rollins College Sandspur, November 22,1983 pg. 2 The Haagen-Dazs Collection Haagen-Dazs presents the two straw mi Ik Nlv Arte shake A frosty smooth shake so thick and rich, Fine Lingerie • Foundations vou'll probably want two straws to drink it! Swimwear • Loungewear 218 Park Avenue N. Winter Park, FL 32789 Haagen-Dazs Telephone: 647-5519 ^^ Park Avenue 116 E. New England Ave. • Winter Park • 644-1611 Solar Heated Water fit FAIRBANKS EASTERN POLYCLEfiN GfiS fiND BEVERAGE Just One Block North Your Complete Laundromat of Rollins Campus Just One Block North * Discount Prices On Our of Rollins Campus Large Assortment of Domestic and Imported Beer Soda and Snacks Daily Newspapers and Magazines SELF SERVICE (New York Times, Wall Street Journal Orlando Sentinel) Wash And Dry FULL SERVICE Dry Cleaning Don't Forget To Check Oat Oar Wash, Dry. -
PROSE Device and Care Guide
® PROSE™ Restoring Sight. Changing Lives PROSE Device Use and Care Guide www.bostonsight.org Copyright 2020 No part of this document may be reproduced or distributed without the consent of BostonSight TABLE OF CONTENTS Contact Information................................................................................................. 3 SET UP and APPLICATION Set up for PROSE Device Application.......................................................... 4 Preservative Free Saline Protocol................................................................. 4 Key Points for Optimal PROSE Device Application...................................... 5 The Lid Spread is Everything........................................................................ 6 How to Apply Your PROSE Device with a Plunger....................................... 7-8 How to Apply Your PROSE Device with a Lighted Plunger........................... 9 Apply Your PROSE Device with a Plunger Stand.......................................... 10 Bubbles Under Your PROSE Device............................................................. 11 REMOVAL Set Up: PROSE Device Removal.................................................................. 12 How to Remove Your PROSE Device with a Plunger................................... 12 How to Remove Your PROSE Device without a Plunger.............................. 13 DISINFECTION and CARE Setting Up Your PROSE Disinfection Case.................................................. 14 Set Up for PROSE Device Care and Cleaning............................................. -
The Yes Catalogue ------1
THE YES CATALOGUE ----------------------------------------------------------------------------------------------------------------------------------------------------- 1. Marquee Club Programme FLYER UK M P LTD. AUG 1968 2. MAGPIE TV UK ITV 31 DEC 1968 ???? (Rec. 31 Dec 1968) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 3. Marquee Club Programme FLYER UK M P LTD. JAN 1969 Yes! 56w 4. TOP GEAR RADIO UK BBC 12 JAN 1969 Dear Father (Rec. 7 Jan 1969) Anderson/Squire Everydays (Rec. 7 Jan 1969) Stills Sweetness (Rec. 7 Jan 1969) Anderson/Squire/Bailey Something's Coming (Rec. 7 Jan 1969) Sondheim/Bernstein 5. TOP GEAR RADIO UK BBC 23 FEB 1969 something's coming (rec. ????) sondheim/bernstein (Peter Banks has this show listed in his notebook.) 6. Marquee Club Programme FLYER UK m p ltd. MAR 1969 (Yes was featured in this edition.) 7. GOLDEN ROSE TV FESTIVAL tv SWITZ montreux 24 apr 1969 - 25 apr 1969 8. radio one club radio uk bbc 22 may 1969 9. THE JOHNNIE WALKER SHOW RADIO UK BBC 14 JUN 1969 Looking Around (Rec. 4 Jun 1969) Anderson/Squire Sweetness (Rec. 4 Jun 1969) Anderson/Squire/Bailey Every Little Thing (Rec. 4 Jun 1969) Lennon/McCartney 10. JAM TV HOLL 27 jun 1969 11. SWEETNESS 7 PS/m/BL & YEL FRAN ATLANTIC 650 171 27 jun 1969 F1 Sweetness (Edit) 3:43 J. Anderson/C. Squire (Bailey not listed) F2 Something's Coming' (From "West Side Story") 7:07 Sondheim/Bernstein 12. SWEETNESS 7 M/RED UK ATL/POLYDOR 584280 04 JUL 1969 A Sweetness (Edit) 3:43 Anderson/Squire (Bailey not listed) B Something's Coming (From "West Side Story") 7:07 Sondheim/Bernstein 13. -
A Progresszív Rock
A PROGRESSZÍV ROCK monográfia írta: Bernáth Zsolt 2007. TARTALOM BEVEZETÉS............................................................................................................................ 4 I. A PROGRESSZÍV ROCK HELYE A ROCKZENE TÖRTÉNETÉBEN I.1. A rockzene születése és az ifjúsági kultúra kialakulása (1950-es évek) ................ 7 I.1.1. A rockzene gyökerei ................................................................................ 7 I.1.2. A rockzene születése és hatása .............................................................. 10 I.2. A beatkorszak (1960-as évek) .............................................................................. 13 I.2.1. A Beatles ............................................................................................... 13 I.2.2. Az els ő közismert concept-album ..................................... ................... 15 I.2.3. A progresszív rock közvetlen el őzményei ............................................. 17 I.2.4. Szimfonikus kísérletek .......................................................................... 19 I.3. A progresszív rock megjelenése és fénykora (1970-es évek) .............................. 20 I.4. A progresszív rock második hulláma (1980-as évek) .......................................... 28 I.5. A progresszív rock harmadik hulláma (1990-es évekt ől napjainkig) .................. 32 I.6. Magyar vonatkozások .......................................................................................... 37 I.6.1. A magyar beatzene ............................................................................... -
Les Mis, Lyrics
LES MISERABLES Herbert Kretzmer (DISC ONE) ACT ONE 1. PROLOGUE (WORK SONG) CHAIN GANG Look down, look down Don't look 'em in the eye Look down, look down You're here until you die. The sun is strong It's hot as hell below Look down, look down There's twenty years to go. I've done no wrong Sweet Jesus, hear my prayer Look down, look down Sweet Jesus doesn't care I know she'll wait I know that she'll be true Look down, look down They've all forgotten you When I get free You won't see me 'Ere for dust Look down, look down Don't look 'em in the eye. !! Les Miserables!!Page 2 How long, 0 Lord, Before you let me die? Look down, look down You'll always be a slave Look down, look down, You're standing in your grave. JAVERT Now bring me prisoner 24601 Your time is up And your parole's begun You know what that means, VALJEAN Yes, it means I'm free. JAVERT No! It means You get Your yellow ticket-of-leave You are a thief. VALJEAN I stole a loaf of bread. JAVERT You robbed a house. VALJEAN I broke a window pane. My sister's child was close to death And we were starving. !! Les Miserables!!Page 3 JAVERT You will starve again Unless you learn the meaning of the law. VALJEAN I know the meaning of those 19 years A slave of the law. JAVERT Five years for what you did The rest because you tried to run Yes, 24601. -
Yes - Progeny: Seven Shows from Seventy-Two
Yes - Progeny: Seven Shows from Seventy-Two Scritto da Gianluca Livi Giovedì 18 Giugno 2015 18:49 Progeny: Seven Shows from Seventy-Two è l'ultima uscita postuma degli Yes. Si tratta delle registrazioni live da cui, in parte, fu estratto il famoso album live Yessongs del 1973. E' stato edito in tre versioni: 1) quella monumentale di 14 CD, che cattura sette spettacoli completi registrati nel 1972 nel tour di Close to the Edge. 2) una versione edit di 2-CD 3) la versione in vinile di quest'ultima, costituita da 3 LP E' qui recensita l'ultima uscita discografica, essendo chi scrive appassionato di vinile. Questa recensione deve essere scissa in due parti: Nella prima,qui l'intervista deve essere al batterista necessariamente a firma di commentata chi scrive ) ela presentando scelta criticabile una discaletta limitare deciamente l'edizione inpiù vinile completa a soli ed3 LP, esaustiva cosa che (in a particolare, mio modesto mancano avviso, Perpetualrende questo Change, titolo The un prodotto Fish e Starship quasi gemello Tropper, di Yessongs.registrati in Anzi, occasione a dirla del tutta, tour Yessongs precedente). era anche più completo raccogliendo testimonianze esecutive dell'immenso Bill Bruford ( Confrontate voi stessi: questa la scaletta di YesSongs e a seguire quella di Progeny: YESSONGS Opening (Excerpt From 'Firebird Suite') Siberian Khatru Heart Of The Sunrise Perpetual Change And You And I Mood For A Day Excerpts From 'The Six Wives Of Henry VIII' 1 / 4 Yes - Progeny: Seven Shows from Seventy-Two Scritto da Gianluca Livi Giovedì 18 Giugno 2015 18:49 Roundabout I've Seen All Good People Long Distance Runaround-The Fish (Schindleria Praematurus) Close To The Edge Yours Is No Disgrace Starship Trooper PROGENY Opening (Excerpt From Firebird Suite) Siberian Khatru I've Seen All Good People: Your Move / All Good People Heart of the Sunrise Clap/Mood For A Day And You And I Close To The Edge Excerpts From "The Six Wives of Henry VIII" Roundabout Yours is No Disgrace Tuttavia, va detto che la qualità di Progeny è decisamente superiore a quella di YesSongs. -
Alan Sillitoe the LONELINESS of the LONG- DISTANCE RUNNER
Alan Sillitoe THE LONELINESS OF THE LONG- DISTANCE RUNNER Published in 1960 The Loneliness of the Long-Distance Runner Uncle Ernest Mr. Raynor the School-teacher The Fishing-boat Picture Noah's Ark On Saturday Afternoon The Match The Disgrace of Jim Scarfedale The Decline and Fall of Frankie Buller The Loneliness of the Long-Distance Runner AS soon as I got to Borstal they made me a long-distance cross-country runner. I suppose they thought I was just the build for it because I was long and skinny for my age (and still am) and in any case I didn't mind it much, to tell you the truth, because running had always been made much of in our family, especially running away from the police. I've always been a good runner, quick and with a big stride as well, the only trouble being that no matter how fast I run, and I did a very fair lick even though I do say so myself, it didn't stop me getting caught by the cops after that bakery job. You might think it a bit rare, having long-distance crosscountry runners in Borstal, thinking that the first thing a long-distance cross-country runner would do when they set him loose at them fields and woods would be to run as far away from the place as he could get on a bellyful of Borstal slumgullion--but you're wrong, and I'll tell you why. The first thing is that them bastards over us aren't as daft as they most of the time look, and for another thing I'm not so daft as I would look if I tried to make a break for it on my longdistance running, because to abscond and then get caught is nothing but a mug's game, and I'm not falling for it. -
Minutes Maximum
MAUI PLANNING COMMISSION REGULAR MEETING JUNE 10, 2008 A. CALL TO ORDER The regular meeting of the Maui Planning Commission was called to order by Chairperson Jonathan Starr at approximately 8:32 a.m., Tuesday, June 10, 2008, Planning Conference Room, First Floor, Kalana Pakui Building, 250 South High Street, Wailuku, Maui. A quorum of the Commission was present. (See Record of Attendance.) Mr. Jonathan Starr: Members of the public will be allowed the opportunity to testify on any item on our agenda, any item before us. There’ll be opportunity to testify before the meeting or before each individual item. We ask that you only testify once. And that testimony be kept to as short as possible, three minutes maximum. And we also ask presentations be – try to be aware of the fact that we have a very full agenda and we wanna try to get through it today. So I see two sign-ups for testimony so far. And without further ado, we’ll call up public testimony, assuming you want to testify before all of the items. You can, of course, wait ‘til the item is called up, if you prefer. It looks like David Weiss. Please come forward. The following persons testified at the beginning of the meeting: Mr. David Weiss - Item B-1, State Land Use District Boundary Amendment from the State Agriculture District to the State Urban District and a Change in Zoning from County Agriculture District to R-1 Residential District for the Kaiwahine Subdivision Mr. Douglas Sameshima - Item B-2, Mr. Josh Stone requesting a Special Management Area Use Permit Ms. -
Forbidden Songs of the Pgaz K'nyau
Forbidden Songs of the Pgaz K’Nyau Suwichan Phattanaphraiwan (“Chi”) / Bodhivijjalaya College (Srinakharinwirot University), Tak, Thailand Translated by Benjamin Fairfield in consultation with Dr. Yuphaphann Hoonchamlong / University of Hawai‘i at Mānoa, Honolulu, Hawai‘i Peer Reviewer: Amporn Jirattikorn / Chiang Mai University, Thailand Manuscript Editor and General Editor: Richard K. Wolf / Harvard University Editorial Assistant: Kelly Bosworth / Indiana University Bloomington Abstract The “forbidden” songs of the Pkaz K’Nyau (Karen), part of a larger oral tradition (called tha), are on the decline due to lowland Thai moderniZation campaigns, internaliZed Baptist missionary attitudes, and the taboo nature of the music itself. Traditionally only heard at funerals and deeply intertwined with the spiritual world, these 7-syllable, 2-stanza poetic couplets housing vast repositories of oral tradition and knowledge have become increasingly feared, banned, and nearly forgotten among Karen populations in Thailand. With the disappearance of the music comes a loss of cosmology, ecological sustainability, and cultural knowledge and identity. Forbidden Songs is an autoethnographic work by Chi Suwichan Phattanaphraiwan, himself an artist and composer working to revive the music’s place in Karen society, that offers an inside glimpse into the many ways in which Karen tradition is regulated, barred, enforced, reworked, interpreted, and denounced. This informative account, rich in ethnographic data, speaks to the multivalent responses to internal and external factors driving moderniZation in an indigenous and stateless community in northern Thailand. Citation: Phattanaphraiwan, Suwichan (“Chi”). Forbidden Songs of the Pgaz K’Nyau. Translated by Benjamin Fairfield. Ethnomusicology Translations, no. 8. Bloomington, IN: Society for Ethnomusicology, 2018. DOI: https://doi.org/10.14434/emt.v0i8.25921 Originally published in Thai as เพลงต้องห้ามของปกาเกอะญอ. -
Retriever, November 6, 1978 15 ~ ~@UIT©Rnl~£!\[L ~@[MJ[MJ~~IJ======Red Tape Cheating UMBC Students
Retriever, November 6, 1978 15 ~ ~@UIT©rnl~£!\[l ~@[MJ[MJ~~IJ========= Red tape cheating UMBC students Eighty-eight students were denied defernnents on their tuition and housing bills after there was still some delay in processing federal financial aid requests. That means they have been deregistered and are officially no longer stu dents at UMBC. What can they do now? They have attended classes for two months, all the time assuming they would receive financial aid. They've been thrown out of UMBC with bills ranging from $380 to nearly $1,200 for residence that they must pay. This doesn't even include all the other expenses they have had, such as books, gas, bus fares, parking registration, pens and paper. To top it off they have 90 days to pay their bills before the state central collection agency begins collecting. If these students had known they were ineligible- which isn't necessarily true -they could have spent the past two months earning enough to pay the spring semester tuition or to find an alternative source of income for this semester. Instead, they've spent the past two months toiling away. And for what? Nothing, apparently. They are to be taken off class lists and they can start packing. They can't pay their bills because of a snag in the federal bureaucracy. It just doesn't seem fair. Federal bureaucracy fouls things up, a "thinking" computer delays the procedures and the victims, UMBC students, must pay for it. The 88 students in this predicament should be allowed to continue attend- bureaucratic red tape. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
ALBUMS BARRY WHITE, "WHAT AM I GONNA DO with BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50S YOU" (Prod
DEDICATED TO THE NEEDS OF THE MUSIC RECORD INCUSTRY SLEEPERS ALBUMS BARRY WHITE, "WHAT AM I GONNA DO WITH BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50s YOU" (prod. by Barry White/Soul TO ME" (prod.by Baker,Harris, and'60schestnutsrevved up with Unitd. & Barry WhiteProd.)(Sa- Young/WMOT Prod. & BobbyEli) '70s savvy!Fast paced pleasers sat- Vette/January, BMI). In advance of (WMOT/Friday'sChild,BMI).The urate the Lennon/Spector produced set, his eagerly awaited fourth album, "Sideshow"men choosean up - which beats with fun fromstartto the White Knight of sensual soul tempo mood from their "Magic of finish. The entire album's boss, with the deliversatasteinsupersingles theBlue" album forarighteous niftiest nuggets being the Chuck Berry - fashion.He'sdoingmoregreat change of pace. Every ounce of their authored "You Can't Catch Me," Lee thingsinthe wake of currenthit bounce is weighted to provide them Dorsey's "Ya Ya" hit and "Be-Bop-A- string. 20th Century 2177. top pop and soul action. Atco 71::14. Lula." Apple SK -3419 (Capitol) (5.98). DIANA ROSS, "SORRY DOESN'T AILWAYS MAKE TAMIKO JONES, "TOUCH ME BABY (REACHING RETURN TO FOREVER FEATURING CHICK 1116111113FOICER IT RIGHT" (prod. by Michael Masser) OUT FOR YOUR LOVE)" (prod. by COREA, "NO MYSTERY." No whodunnits (Jobete,ASCAP;StoneDiamond, TamikoJones) (Bushka, ASCAP). here!This fabulous four man troupe BMI). Lyrical changes on the "Love Super song from JohnnyBristol's further establishes their barrier -break- Story" philosophy,country -tinged debut album helps the Jones gal ingcapabilitiesby transcending the with Masser-Holdridge arrange- to prove her solo power in an un- limitations of categorical classification ments, give Diana her first product deniably hit fashion.