Buddhist Architecture of Buddha Shrines in Thailand and Myanmar During the 14Th – 15Th Centuries
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Construction Techniques of Indian Temples
International Journal of Research in Engineering, Science and Management 420 Volume-1, Issue-10, October-2018 www.ijresm.com | ISSN (Online): 2581-5782 Construction Techniques of Indian Temples Chanchal Batham1, Aatmika Rathore2, Shivani Tandon3 1,3Student, Department of Architecture, SDPS Women’s College, Indore, India 2Assistant Professor, Department of Architecture, SDPS Women’s College, Indore, India Abstract—India is a country of temples. Indian temples, which two principle axis, which in turn resulted in simple structural are standing with an unmatched beauty and grandeur in the wake systems and an increased structural strength against seismic of time against the forces of nature, are the living evidences of forces. The Indian doctrine of proportions is designed not only structural efficiency and technological skill of Indian craftsman to correlate the various parts of building in an aesthetically and master builders. Every style of building construction reflects pleasing manner but also to bring the entire building into a a clearly distinctive basic principle that represents a particular culture and era. In this context the Indian Hindu temple magical harmony with the space. architecture are not only the abode of God and place of worship, B. Strutural Plan Density but they are also the cradle of knowledge, art, architecture and culture. The research paper describes the analysis of intrinsic Structural plan density defined as the total area of all vertical qualities, constructional and technological aspects of Indian structural members divided by the gross floor area. The size and Temples from any natural calamities. The analytical research density of structural elements is very great in the Indian temples highlights architectural form and proportion of Indian Temple, as compared to the today's buildings. -
Book (2) (All) Guide to Life Maýgalà Literature Class Second and Third Grade Maýgalà Examination
Guide to life: Maýgala Literature Class Second and Third Grade Maýgala Examination CONTENTS 1. Author’s preface ------------------------------------------------- 2 2. Maýgalà is the guide of life ------------------------------------ 4 3. Maýgalà in Pàli and poetry -------------------------------------- 6 4. Maýgalà examples for second and third level--------------- 8 5. The nature and guideline of 38 Maýgalas ----------------- 26 6. Primary Mangala model essays ------------------------------- 36 7. Model essays for middle and higher forms --------------- 37 8. Extracts from "Introduction To Maýgalà" ------------------- 43 9. Selections of 38 Maýgalas explanations ---------------------- 47 10. Serial numbers of the Maýgalà ------------------------------ 109 11. Analysis of Maýgalà -------------------------------------------- 110 12. The presented text method of examination of Maýgala ---- 114 13. Old questions for second grade examination --------------- 131 14. Old third grade questions ------------------------------------ 136 15. Answers to the second grade old questions -------------- 141 16. Third great old questions and answers --------------------- 152 17. The lllustrated history of Buddha --------------------------- 206 18. Proverbs to write essays ------------------------------------- 231 19. Great abilities of Maýgalà ------------------------------------ 234 Book (2) (all) Guide To Life Maýgalà literature class Second and Third Grade Maýgalà Examination Written by Lay-Ein-Su Ashin Vicittasàra Translated by U Han Htay, B.A Advisor, -
Buddhism Illuminated: Manuscript Art from Southeast Asia London: the British Library, 2018
doi: 10.14456/jms.2018.27 ISBN 978 0 7123 5206 2. Book Review: San San May and Jana Igunma. Buddhism Illuminated: Manuscript Art from Southeast Asia London: The British Library, 2018. 272 pages. Bonnie Pacala Brereton Email: [email protected] This stunning book is superb in every way. Immediately obvious is the quality of the photographs of the British Library’s extensive collections; equally remarkable is the amount of information about the objects in the collections and how they relate to local histories, teachings, sacred sites and legends. Then there is the writing — clear and succinct, free from academic jargon and egoistic agendas. The authors state in the preface that through this book they wished to honor Dr. Henry Ginsburg, who worked for the British Library for 30 years, building up one of the finest collections of Thai illustrated manuscripts in the world before his untimely death in 2007. Dr. Ginsburg would surely be delighted at this magnificent way of paying tribute. The authors, San San May and Jana Ignunma, hold curatorial positions at the British Library, and thus are in close contact with the material they write about. In organizing a book that aims to highlight items in a museum’s or library’s collection, authors are faced with many choices. Should it be organized by date, theme, medium, provenance etc.? Here they have chosen to examine the items in terms of their relationship to the essential aspects of Theravada Buddhism as practiced in mainland Southeast Asia: the components of the Three Gems (the Buddha, Dhamma, and Sangha) and the concepts of Kamma (cause and effect) and Punna (merit). -
In the Name of Krishna: the Cultural Landscape of a North Indian Pilgrimage Town
In the Name of Krishna: The Cultural Landscape of a North Indian Pilgrimage Town A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Sugata Ray IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Frederick M. Asher, Advisor April 2012 © Sugata Ray 2012 Acknowledgements They say writing a dissertation is a lonely and arduous task. But, I am fortunate to have found friends, colleagues, and mentors who have inspired me to make this laborious task far from arduous. It was Frederick M. Asher, my advisor, who inspired me to turn to places where art historians do not usually venture. The temple city of Khajuraho is not just the exquisite 11th-century temples at the site. Rather, the 11th-century temples are part of a larger visuality that extends to contemporary civic monuments in the city center, Rick suggested in the first class that I took with him. I learnt to move across time and space. To understand modern Vrindavan, one would have to look at its Mughal past; to understand temple architecture, one would have to look for rebellions in the colonial archive. Catherine B. Asher gave me the gift of the Mughal world – a world that I only barely knew before I met her. Today, I speak of the Islamicate world of colonial Vrindavan. Cathy walked me through Mughal mosques, tombs, and gardens on many cold wintry days in Minneapolis and on a hot summer day in Sasaram, Bihar. The Islamicate Krishna in my dissertation thus came into being. -
Burmese Buddhist Imagery of the Early Bagan Period (1044 – 1113) Buddhism Is an Integral Part of Burmese Culture
Burmese Buddhist Imagery of the Early Bagan Period (1044 – 1113) 2 Volumes By Charlotte Kendrick Galloway A thesis submitted for the degree of Doctor of Philosophy of The Australian National University November 2006 ii Declaration I declare that to the best of my knowledge, unless where cited, this thesis is my own original work. Signed: Date: Charlotte Kendrick Galloway iii Acknowledgments There are a number of people whose assistance, advice and general support, has enabled me to complete my research: Dr Alexandra Green, Dr Bob Hudson, Dr Pamela Gutman, Dick Richards, Dr Tilman Frasch, Sylvia Fraser- Lu, Dr Royce Wiles, Dr Don Stadtner, Dr Catherine Raymond, Prof Michael Greenhalgh, Ma Khin Mar Mar Kyi, U Aung Kyaing, Dr Than Tun, Sao Htun Hmat Win, U Sai Aung Tun and Dr Thant Thaw Kaung. I thank them all, whether for their direct assistance in matters relating to Burma, for their ability to inspire me, or for simply providing encouragement. I thank my colleagues, past and present, at the National Gallery of Australia and staff at ANU who have also provided support during my thesis candidature, in particular: Ben Divall, Carol Cains, Christine Dixon, Jane Kinsman, Mark Henshaw, Lyn Conybeare, Margaret Brown and Chaitanya Sambrani. I give special mention to U Thaw Kaung, whose personal generosity and encouragement of those of us worldwide who express a keen interest in the study of Burma's rich cultural history, has ensured that I was able to achieve my own personal goals. There is no doubt that without his assistance and interest in my work, my ability to undertake the research required would have been severely compromised – thank you. -
Gandharan Origin of the Amida Buddha Image
Ancient Punjab – Volume 4, 2016-2017 1 GANDHARAN ORIGIN OF THE AMIDA BUDDHA IMAGE Katsumi Tanabe ABSTRACT The most famous Buddha of Mahāyāna Pure Land Buddhism is the Amida (Amitabha/Amitayus) Buddha that has been worshipped as great savior Buddha especially by Japanese Pure Land Buddhists (Jyodoshu and Jyodoshinshu schools). Quite different from other Mahāyāna celestial and non-historical Buddhas, the Amida Buddha has exceptionally two names or epithets: Amitābha alias Amitāyus. Amitābha means in Sanskrit ‘Infinite light’ while Amitāyus ‘Infinite life’. One of the problems concerning the Amida Buddha is why only this Buddha has two names or epithets. This anomaly is, as we shall see below, very important for solving the origin of the Amida Buddha. Keywords: Amida, Śākyamuni, Buddha, Mahāyāna, Buddhist, Gandhara, In Japan there remain many old paintings of the Amida Triad or Trinity: the Amida Buddha flanked by the two bodhisattvas Avalokiteśvara and Mahāsthāmaprāpta (Fig.1). The function of Avalokiteśvara is compassion while that of Mahāsthāmaprāpta is wisdom. Both of them help the Amida Buddha to save the lives of sentient beings. Therefore, most of such paintings as the Amida Triad feature their visiting a dying Buddhist and attempting to carry the soul of the dead to the AmidaParadise (Sukhāvatī) (cf. Tangut paintings of 12-13 centuries CE from Khara-khoto, The State Hermitage Museum 2008: 324-327, pls. 221-224). Thus, the Amida Buddha and the two regular attendant bodhisattvas became quite popular among Japanese Buddhists and paintings. However, the origin of this Triad and also the Amida Buddha himself is not clarified as yet in spite of many previous studies dedicated to the Amida Buddha, the Amida Triad, and the two regular attendant bodhisattvas (Higuchi 1950; Huntington 1980; Brough 1982; Quagliotti 1996; Salomon/Schopen 2002; Harrison/Lutczanits 2012; Miyaji 2008; Rhi 2003, 2006). -
Myanmar Buddhism of the Pagan Period
MYANMAR BUDDHISM OF THE PAGAN PERIOD (AD 1000-1300) BY WIN THAN TUN (MA, Mandalay University) A THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY SOUTHEAST ASIAN STUDIES PROGRAMME NATIONAL UNIVERSITY OF SINGAPORE 2002 ACKNOWLEDGEMENTS I would like to express my gratitude to the people who have contributed to the successful completion of this thesis. First of all, I wish to express my gratitude to the National University of Singapore which offered me a 3-year scholarship for this study. I wish to express my indebtedness to Professor Than Tun. Although I have never been his student, I was taught with his book on Old Myanmar (Khet-hoà: Mranmâ Râjawaà), and I learnt a lot from my discussions with him; and, therefore, I regard him as one of my teachers. I am also greatly indebted to my Sayas Dr. Myo Myint and Professor Han Tint, and friends U Ni Tut, U Yaw Han Tun and U Soe Kyaw Thu of Mandalay University for helping me with the sources I needed. I also owe my gratitude to U Win Maung (Tampavatî) (who let me use his collection of photos and negatives), U Zin Moe (who assisted me in making a raw map of Pagan), Bob Hudson (who provided me with some unpublished data on the monuments of Pagan), and David Kyle Latinis for his kind suggestions on writing my early chapters. I’m greatly indebted to Cho Cho (Centre for Advanced Studies in Architecture, NUS) for providing me with some of the drawings: figures 2, 22, 25, 26 and 38. -
Mon Buddhist Architecture in Pakkret District, Nonthaburi Province, Thailand During Thonburi and Rattanakosin Periods (1767-1932)
MON BUDDHIST ARCHITECTURE IN PAKKRET DISTRICT, NONTHABURI PROVINCE, THAILAND DURING THONBURI AND RATTANAKOSIN PERIODS (1767-1932) Jirada Praebaisri* and Koompong Noobanjong Department of Industrial Education, Faculty of Industrial Education and Technology, King Mongkut's Institute of Technology Ladkrabang, Bangkok 10520, Thailand *Corresponding author: [email protected] Received: October 3, 2018; Revised: February 22, 2019; Accepted: April 17, 2019 Abstract This research examines the characteristics of Mon Buddhist architecture during Thonburi and Rattanakosin periods (1767-1932) in Pakkret district. In conjunction with the oral histories acquired from the local residents, the study incorporates inquiries on historical narratives and documents, together with photographic and illustrative materials obtained from physical surveys of thirty religious structures for data collection. The textual investigations indicate that Mon people migrated to the Siamese kingdom of Ayutthaya in large number during the 18th century, and established their settlements in and around Pakkret area. Located northwest of the present day Bangkok in Nonthaburi province, Pakkret developed into an important community of the Mon diasporas, possessing a well-organized local administration that contributed to its economic prosperity. Although the Mons was assimilated into the Siamese political structure, they were able to preserve most of their traditions and customs. At the same time, the productions of their cultural artifacts encompassed many Thai elements as well, as evident from Mon Buddhist temples and monasteries in Pakkret. The stylistic analyses of these structures further reveal the following findings. First, their designs were determined by four groups of patrons: Mon laypersons, elite Mons, Thai Humanities, Arts and Social Sciences Studies Vol.19(1): 30-58, 2019 Mon Buddhist Architecture in Pakkret District Praebaisri, J. -
The Krishna Temple Complex, Hampi: an Exploration of Its Identity As a Medieval Temple in the Contemporary Context
THE KRISHNA TEMPLE COMPLEX, HAMPI: AN EXPLORATION OF ITS IDENTITY AS A MEDIEVAL TEMPLE IN THE CONTEMPORARY CONTEXT A Thesis Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Master of Arts by Ashima Krishna January, 2009 © 2009 Ashima Krishna ABSTRACT Hindu temples in India have been in abundance for centuries. However, many have lost their use over time. They lie vacant and unused on vast tracts of land across the Indian subcontinent, in a time when financial resources for the provision of amenities to serve the local community are hard to come by. In the case of Hampi, this strain is felt not only by the community inhabiting the area, but the tourism sector as well. Hampi’s immense significance as a unique Medieval-city in the Indian subcontinent has increased tourist influx into the region, and added pressure on authorities to provide for amenities and facilities that can sustain the tourism industry. The site comprises near-intact Medieval structures, ruins in stone and archaeologically sensitive open land, making provision of tourist facilities extremely difficult. This raises the possibility of reusing one of the abundant temple structures to cater to some of these needs, akin to the Virupaksha Temple Complex and the Hampi Bazaar. But can it be done? There is a significant absence of research on possibilities of reusing a Hindu Temple. A major reason for this gap in scholarship has been due to the nature of the religion of Hinduism and its adherents. Communal and political forces over time have consistently viewed all Hindu temples as cultural patrimony of the people, despite legal ownership resting with the Government of India. -
00-Title JIABU (V.11 No.1)
The Journal of the International Association of Buddhist Universities (JIABU) Vol. 11 No.1 (January – June 2018) Aims and Scope The Journal of the International Association of Buddhist Universities is an academic journal published twice a year (1st issue January-June, 2nd issue July-December). It aims to promote research and disseminate academic and research articles for researchers, academicians, lecturers and graduate students. The Journal focuses on Buddhism, Sociology, Liberal Arts and Multidisciplinary of Humanities and Social Sciences. All the articles published are peer-reviewed by at least two experts. The articles, submitted for The Journal of the International Association of Buddhist Universities, should not be previously published or under consideration of any other journals. The author should carefully follow the submission instructions of The Journal of the International Association of Buddhist Universities including the reference style and format. Views and opinions expressed in the articles published by The Journal of the International Association of Buddhist Universities, are of responsibility by such authors but not the editors and do not necessarily refl ect those of the editors. Advisors The Most Venerable Prof. Dr. Phra Brahmapundit Rector, Mahachulalongkornrajavidyalaya University, Thailand The Most Venerable Xue Chen Vice President, Buddhist Association of China & Buddhist Academy of China The Most Venerable Dr. Ashin Nyanissara Chancellor, Sitagu International Buddhist Academy, Myanmar Executive Editor Ven. Prof. Dr. Phra Rajapariyatkavi Mahachulalongkornrajavidyalaya University, Thailand ii JIABU | Vol. 11 No.1 (January – June 2018) Chief Editor Ven. Phra Weerasak Jayadhammo (Suwannawong) International Buddhist Studies College (IBSC), Mahachulalongkornrajavidyalaya University, Thailand Editorial Team Ven. Assoc. Prof. Dr. Phramaha Hansa Dhammahaso Mahachulalongkornrajavidyalaya University, Thailand Prof. -
Out of the Shadows: Socially Engaged Buddhist Women
University of San Diego Digital USD Theology and Religious Studies: Faculty Scholarship Department of Theology and Religious Studies 2019 Out of the Shadows: Socially Engaged Buddhist Women Karma Lekshe Tsomo PhD University of San Diego, [email protected] Follow this and additional works at: https://digital.sandiego.edu/thrs-faculty Part of the Buddhist Studies Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Digital USD Citation Tsomo, Karma Lekshe PhD, "Out of the Shadows: Socially Engaged Buddhist Women" (2019). Theology and Religious Studies: Faculty Scholarship. 25. https://digital.sandiego.edu/thrs-faculty/25 This Book is brought to you for free and open access by the Department of Theology and Religious Studies at Digital USD. It has been accepted for inclusion in Theology and Religious Studies: Faculty Scholarship by an authorized administrator of Digital USD. For more information, please contact [email protected]. Section Titles Placed Here | I Out of the Shadows Socially Engaged Buddhist Women Edited by Karma Lekshe Tsomo SAKYADHITA | HONOLULU First Edition: Sri Satguru Publications 2006 Second Edition: Sakyadhita 2019 Copyright © 2019 Karma Lekshe Tsomo All rights reserved No part of this book may not be reproduced or utilized in any form or by any means, electronic or mechanical, or by any information storage or retreival system, without the prior written permission from the publisher, except in the case of brief quotations. Cover design Copyright © 2006 Allen Wynar Sakyadhita Conference Poster -
BANGKOK 101 Emporium at Vertigo Moon Bar © Lonely Planet Publications Planet Lonely © MBK Sirocco Sky Bar Chao Phraya Express Chinatown Wat Phra Kaew Wat Pho (P171)
© Lonely Planet Publications 101 BANGKOK BANGKOK Bangkok In recent years, Bangkok has broken away from its old image as a messy third-world capital to be voted by numerous metro-watchers as a top-tier global city. The sprawl and tropical humidity are still the city’s signature ambassadors, but so are gleaming shopping centres and an infectious energy of commerce and restrained mayhem. The veneer is an ultramodern backdrop of skyscraper canyons containing an untamed universe of diversions and excesses. The city is justly famous for debauchery, boasting at least four major red-light districts, as well as a club scene that has been revived post-coup. Meanwhile the urban populous is as cosmopolitan as any Western capital – guided by fashion, music and text messaging. But beside the 21st-century façade is a traditional village as devout and sacred as any remote corner of the country. This is the seat of Thai Buddhism and the monarchy, with the attendant splendid temples. Even the modern shopping centres adhere to the old folk ways with attached spirit shrines that receive daily devotions. Bangkok will cater to every indulgence, from all-night binges to shopping sprees, but it can also transport you into the old-fashioned world of Siam. Rise with daybreak to watch the monks on their alms route, hop aboard a long-tail boat into the canals that once fused the city, or forage for your meals from the numerous and lauded food stalls. HIGHLIGHTS Joining the adoring crowds at Thailand’s most famous temple, Wat Phra Kaew (p108) Escaping the tour