Public Value Report 2013/14 – Texte ORF’S First Multimedia Public-Value-Report
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Curbing Media, Crippling Debate Soft Censorship in Bulgaria
Curbing Media, Crippling Debate Soft Censorship in Bulgaria www.wan-ifra.org Curbing Media, Crippling Debate Soft Censorship in Bulgaria PUBLISHER: SEEMO EDITOR: WAN-IFRA Oliver Vujovic World Association of Newspapers and News Publishers OTHER RESEARCH PARTNERS: 96 bis, Rue Beaubourg International Press Institute (IPI), Vienna 75003 Paris, France International Academy - International Media www.wan-ifra.org Center (IA-IMC), Vienna International Academy (IA), Belgrade WAN-IFRA CEO: Vincent Peyrègne PROJECT PARTNERS: Center for International Media Assistance PROJECT MANAGER: National Endowment for Democracy Mariona Sanz Cortell 1025 F Street, N.W., 8th Floor Washington, DC 20004, USA EDITOR: www.cima.ned.org Thomas R. Lansner Open Society Justice Initiative PRINCIPAL RESEARCHER: 224 West 57th Street South East Europe Media Organisation New York, New York 10019, USA (SEEMO), Vienna www.opensocietyfoundations.org www.seemo.org SUPPORTED BY: SEEMO RESEARCHERS: Open Society Foundations Siobhan Hagan Sladjana Matejevic DESIGN AND PREPRESS: Orlin Spassov Snezana Vukmirovic, Ivan Cosic, Plain&Hill Serbia Kristina Stevancevic © 2016 WAN-IFRA 2 Note on RepoRT ReseaRch and Methodology This report on the existence and extent of soft censorship in Bulgaria is part of the Soft Censorship Global Review, produced by the World Association of Newspapers and News Publishers (WAN-IFRA) in cooperation with the Center for International Media Assistance (CIMA), with the support from the Open Society Foundations. It was prepared by the South East Europe Media Organisation, based on the methodology developed by WAN-IFRA. 3 Curbing Media, Crippling Debate Table of Contents Executive Summary ...................................................................... 5 Key Findings ................................................................................. 7 Key Recommendations ................................................................. 8 Media, Business, and Power in Bulgaria ....................................... -
Reuters Institute Digital News Report 2020
Reuters Institute Digital News Report 2020 Reuters Institute Digital News Report 2020 Nic Newman with Richard Fletcher, Anne Schulz, Simge Andı, and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2020 4 Contents Foreword by Rasmus Kleis Nielsen 5 3.15 Netherlands 76 Methodology 6 3.16 Norway 77 Authorship and Research Acknowledgements 7 3.17 Poland 78 3.18 Portugal 79 SECTION 1 3.19 Romania 80 Executive Summary and Key Findings by Nic Newman 9 3.20 Slovakia 81 3.21 Spain 82 SECTION 2 3.22 Sweden 83 Further Analysis and International Comparison 33 3.23 Switzerland 84 2.1 How and Why People are Paying for Online News 34 3.24 Turkey 85 2.2 The Resurgence and Importance of Email Newsletters 38 AMERICAS 2.3 How Do People Want the Media to Cover Politics? 42 3.25 United States 88 2.4 Global Turmoil in the Neighbourhood: 3.26 Argentina 89 Problems Mount for Regional and Local News 47 3.27 Brazil 90 2.5 How People Access News about Climate Change 52 3.28 Canada 91 3.29 Chile 92 SECTION 3 3.30 Mexico 93 Country and Market Data 59 ASIA PACIFIC EUROPE 3.31 Australia 96 3.01 United Kingdom 62 3.32 Hong Kong 97 3.02 Austria 63 3.33 Japan 98 3.03 Belgium 64 3.34 Malaysia 99 3.04 Bulgaria 65 3.35 Philippines 100 3.05 Croatia 66 3.36 Singapore 101 3.06 Czech Republic 67 3.37 South Korea 102 3.07 Denmark 68 3.38 Taiwan 103 3.08 Finland 69 AFRICA 3.09 France 70 3.39 Kenya 106 3.10 Germany 71 3.40 South Africa 107 3.11 Greece 72 3.12 Hungary 73 SECTION 4 3.13 Ireland 74 References and Selected Publications 109 3.14 Italy 75 4 / 5 Foreword Professor Rasmus Kleis Nielsen Director, Reuters Institute for the Study of Journalism (RISJ) The coronavirus crisis is having a profound impact not just on Our main survey this year covered respondents in 40 markets, our health and our communities, but also on the news media. -
Einfalt Oder Vielfalt? Die ORF-Nachrichten Im
www.ssoar.info Einfalt oder Vielfalt? Die ORF-Nachrichten im Spannungsfeld zwischen Professionalität, Profit, Publikum und Politik Lengauer, Günther Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Lengauer, G. (2006). Einfalt oder Vielfalt? Die ORF-Nachrichten im Spannungsfeld zwischen Professionalität, Profit, Publikum und Politik. Österreichische Zeitschrift für Politikwissenschaft, 35(4), 361-378. https://nbn-resolving.org/ urn:nbn:de:0168-ssoar-101986 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC Lizenz (Namensnennung- This document is made available under a CC BY-NC Licence Nicht-kommerziell) zur Verfügung gestellt. Nähere Auskünfte zu (Attribution-NonCommercial). For more Information see: den CC-Lizenzen finden Sie hier: https://creativecommons.org/licenses/by-nc/4.0 https://creativecommons.org/licenses/by-nc/4.0/deed.de ORF-Nachrichten im Spannungsfeld zwischen Professionalität, Profit, Publikum und Politik 361 Günther Lengauer (Innsbruck) Einfalt oder Vielfalt? Die ORF-Nachrichten im Spannungsfeld zwischen Professionalität, Profit, Publikum und Politik Die Nachrichten des öffentlich-rechtlichen ORF müssen sich im Spannungsfeld zwischen Profit, Professi- onalität, Publikum und Politik positionieren und profilieren. Die Legitimation des öffentlich-rechtlichen Status wird dabei vermehrt mit dem Hinweis in Frage gestellt, dass der ORF seinem gesetzlichen Programm- auftrag nicht nachkomme und politisch unausgewogen berichte. Diese empirische Studie stellt die ORF- Nachrichten österreichischen Qualitätszeitungen und ATV-aktuell komparativ gegenüber und geht der Frage nach, wie die professionellen Standards der ORF-Nachrichten im Sinne der publizistischen und politischen Pluralität im nationalen und internationalen Kontext zu beurteilen sind. Dabei zeigt sich zum einen, dass sich die ORF-Berichterstattung weitgehend im Rahmen transnationaler journalistischer Trends einordnet. -
“Post-Shame Era”: Ruth Wodak
1 Entering the “Post-Shame Era”: Ruth Wodak (A version of this chapter originally appeared as “Entering the ‘post-shame era’: the rise of illiberal democracy, populism and neo-authoritarianism in Europe” in Global Discourse, vol 9, no 1). Introduction On 17 July 2018, former US president Barack Obama was invited to give the Nelson Mandela Annual Lecture in Johannesburg. In his speech, he warned that: a politics of fear and resentment and retrenchment began to appear, and that kind of politics is now on the move … I am not being alarmist, I am simply stating the facts. … Strongman politics are ascendant suddenly, whereby elections and some pretence of democracy are maintained – the form of it – but those in power seek to undermine every institution or norm that gives democracy meaning. Obviously, Obama did not use the terms ‘illiberal democracy’, ‘neo-authoritarianism’ or ‘populism’ (or other terms which currently dominate social-science scholarship and media reporting), but he certainly put his finger on the drastic socio-political changes that have been taking place globally, including in EU member states, specifically since the so-called ‘refugee crisis’ of 2015 (Rheindorf and Wodak, 2018). Indeed, as a study on ‘Fear not values’ conducted by de Vries and Hoffman (2016) in eight EU member states illustrates, over 50% of the voters for far-right parties viewed globalisation as the major threat in the future.3 Moreover, 53% of those who fear globalisation perceive migration as the major global challenge, and 54% display anti-foreigner sentiments. In a similar vein, political scientist Ivan Krastev concludes in his widely acknowledged essay Europadämmerung (2017: 48–49) that the ‘refugee crisis’ of 2015 might eventually lead to the destruction of the EU. -
Austria | Freedom House
Austria | Freedom House https://freedomhouse.org/report/freedom-world/2019/austria A. ELECTORAL PROCESS: 12 / 12 A1. Was the current head of government or other chief national authority elected through free and fair elections? 4 / 4 Executive elections in Austria are generally free and fair. The president is elected for a six-year term and has predominantly ceremonial duties. The president does, however, appoint the chancellor, who also needs the support of the legislature to govern. Austria’s current president is the former head of the Green Party, Alexander Van der Bellen, who was elected after a close and controversial poll that featured a repeat of the run-off between Van der Bellen and FPÖ candidate Norbert Hofer. The run-off was repeated after the Constitutional Court established that there had been problems with the handling of postal ballots. Following the 2017 elections to the National Council (Nationalrat), the lower house of parliament, ÖVP head Sebastian Kurz became chancellor with support of the right- wing, populist FPÖ. A2. Were the current national legislative representatives elected through free and fair elections? 4 / 4 Legislative elections in Austria are generally considered credible. The National Council has 183 members chosen through proportional representation at the district, state, and federal levels. Members serve five-year terms. The 62 members of the upper house, the Federal Council (Bundesrat), are chosen by state legislatures for five- or six-year terms. Snap elections to the National Council took place in 2017, one year early, following the collapse of the coalition between the SPÖ and the ÖVP. Animosities between the two former coalition partners were reflected in an antagonistic, heavily-fought election campaign. -
University of Groningen In-Vision Continuity Announcers De Leeuw
University of Groningen In-vision Continuity Announcers de Leeuw, Sonja; Mustata, Dana Published in: VIEW, Journal of European Television History and Culture DOI: 10.18146/2213-0969.2013.JETHC044 IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2013 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): de Leeuw, S., & Mustata, D. (2013). In-vision Continuity Announcers: Performing an Identity for Early Television in Europe. VIEW, Journal of European Television History and Culture, 2(4), 51-67. https://doi.org/10.18146/2213-0969.2013.JETHC044 Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 26-09-2021 volume 02 issue 04/2013 IN-VISION CONTINUITY ANNOUNCERS PERFORMING AN IDENTITY FOR EARLY TELEVISION IN EUROPE Sonja de Leeuw Utrecht University Muntstraat 2A 3512 EV Utrecht The Netherlands [email protected] Dana Mustata University of Groningen Media and Journalism Studies Oude Kijk in ‘t Jatstraat 26 9712 EK Groningen The Netherlands [email protected] Abstract: Female in-vision continuity announcers have played central – yet understudied and ‘hidden’– roles in early television history. -
Annual Report
First Annual report ECP 2008 DILI 518002 EUscreen Exploring Europe’s Television Heritage in Changing Contexts Annual Report 1 October 2009 – 30 September 2010 www.euscreen.eu Deliverable number/name D1.3.1 Dissemination level Public Delivery date 11 November 2010 Status Final Sonja de Leeuw, Johan Oomen, Quirijn Author(s) Backx eContentplus This project is funded under the eContentplus programme1, a multiannual Community programme to make digital content in Europe more accessible, usable and exploitable. 1 OJ L 79, 24.3.2005, p. 1. First Annual report Table of content TABLE OF CONTENT ........................................................................................................................................... 2 1 PROJECT OBJECTIVES ............................................................................................................................. 3 1.1 EUSCREEN MAJOR AIM AND RESULT ....................................................................................................... 3 1.2 EUSCREEN APPROACH AND WORK PLAN................................................................................................ 3 1.3 EUSCREEN AND ECONTENTPLUS ............................................................................................................. 6 2 CONSORTIUM .............................................................................................................................................. 8 2.1 CORE CONSORTIUM................................................................................................................................. -
Title Slide for Mediaplus
MEDIA LANDSCAPE BULGARIA 2017 Introduction to Media Overview The analyses and trends outlined in this media overview present Media Club’s reading of all available data and are largely based on the agency’s experience as a direct media buyer, our know-how, and our perception of the current frame of mind of both clients and media. Despite the overall confusion stemming from the various data sources, several trends are confirmed by both gross and net data: The media Ad market shows stable growth, with ad investments shifting to channels that provide for effective and efficient media campaigns that can be measured and evaluated. Media consolidation facilitates multi-channel deals and execution of cross-platform campaigns that tackle the changing pattern of media consumption. The following pages aim at providing businesses with a glimpse of what we do and a snapshot of the media landscape we all navigate through. We hope you enjoy reading it. Source: Media Club Strategic Insights 2017, Bulgaria CONTENT 1. General Information ▪ Key Facts ▪ Advertising Investments ▪ Media Usage 2. TV 3. Online 4. Radio 5. Print 6. Cinema KEY FACTS Sociodemographic & Economic Facts Gross Domestic Product Population Age Structure absolute and in % Total per capita €48 128 mln. € 6 777 2016 2016 Under 15 15-24 25-34 35-44 45-54 55-64 65-74 75 + 1001 K 660 K 947 K 1 056 K 983 K 982 K 861 K 611 K 14% 9% 13% 15% 14% 14% 12% 9% Comparative Population Gross Value Added by Economic Sector Consumer Private Household Spending by Sector in million population in million € in % Foods and non-alcoholic beverages Germany 82 Arts entertainment and recreation… 945 England 66 Others (incl. -
Going Euscreenxl: on the Joys and Challenges of Participating in a Pan-European AV Heritage Project
2 Going EUscreenXL: on the joys and challenges of participating in a pan-European AV heritage project Maria Drabczyk (NInA), Kamila Lewandowska (NInA), Eve-Marie Oesterlen (BUFVC) BAAC Conference, Riga, September 18, 2014 3 1. EUscreenXL – who and why? 2. A ecoer’s experience 3. The view from the inside 4. The end product – new euscreen.eu portal 5. The EUscreenXL Network 4 EUscreenXL 29 partners Our goal: 60,000 in 2016 audiovisual materials 1 000 000 of metadata 2014 2015 2016 5 29 partners 19 content partners Radio Télévision Belge de Aalto-yliopisto Lietuvos Centrinis la Communauté Française Kungliga Biblioteket Valstyės Archyvas ATiT Narodowy Instytut DR Audiowizualny Universite de Luxembourg Deutsche Welle Institut Ireland’s National Television national de l'audiovisuel 1 Österreichischer Rudfunk and Radio Broadcaster 1 Royal Holloway University of London Česká Televize The British Universities 1 1 Film & Video Council 4 3 Televiziunea Română Screen Archive 1 1 South East 2 1 1 1 Nemzeti Audiovizuális Queen’s University 1 Archivum Belfast 1 1 2 1 1 Eötvös Loránd Nederlands Instituut voor University Beeld en Geluid 1 Noterik 1 1 1 Radiotelevizija European Slovenija Universiteit Utrecht Broadcasting Union Εθνιό Μεσόβιο Rádio e Televisão Ποεχνεί de Portugal S.A. Televisió de Catalunya Instituto Luce Cinecittà 6 WP1 Project Management and Quality Assurance (UU) PMB Structure WP2 Aggregating and Enriching Content (BUFVC) WP4 Integration and Cloud- -based Services Platform (NTUA) Content Project coordinator (UU) Partners Pilots Leader -
Inap 2011) and 25Th Workshop on Logic Programming (Wlp 2011)
INFSYS R ESEARCH R EPORT INSTITUT FUR¨ INFORMATIONSSYSTEME ARBEITSBEREICH WISSENSBASIERTE SYSTEME 19TH INTERNATIONAL CONFERENCE ON APPLICATIONS OF DECLARATIVE PROGRAMMING AND KNOWLEDGE MANAGEMENT (INAP 2011) AND 25TH WORKSHOP ON LOGIC PROGRAMMING (WLP 2011) VIENNA,SEPTEMBER 28-30, 2011 PROCEEDINGS Salvador Abreu Johannes Oetsch Jorg¨ Puhrer¨ Dietmar Seipel Hans Tompits Masanobu Umeda Armin Wolf (eds.) Institut fur¨ Informationssysteme INFSYS RESEARCH REPORT 1843-11-06 Arbeitsbereich SEPTEMBER 2011 Wissensbasierte Systeme Technische Universitat¨ Wien Favoritenstraße 9-11 A-1040 Wien, Austria Tel: +43-1-58801-18405 Fax: +43-1-58801-18493 [email protected] www.kr.tuwien.ac.at INFSYS RESEARCH REPORT INFSYS RESEARCH REPORT 1843-11-06, SEPTEMBER 2011 PROCEEDINGS OF THE 19TH INTERNATIONAL CONFERENCE ON APPLICATIONS OF DECLARATIVE PROGRAMMING AND KNOWLEDGE MANAGEMENT (INAP 2011) AND 25TH WORKSHOP ON LOGIC PROGRAMMING (WLP 2011) VIENNA,AUSTRIA, SEPTEMBER 28-30, 2011 Salvador Abreu, Johannes Oetsch, Jorg¨ Puhrer,¨ Dietmar Seipel, Hans Tompits, Masanobu Umeda, and Armin Wolf1 (Volume Editors) 1 Editors’ address: Salvador Abreu, Departamento de Informatica´ Universidade de Evora,´ R. Romao˜ Ramalho, 59, P-7000 Evora,´ Portugal, e-mail: [email protected]. Johannes Oetsch, Institut fur¨ Informationssysteme, Arbeitsbereich Wissensbasierte Systeme, Technische Universitat¨ Wien, Fa- voritenstraße 9-11, A-1040 Vienna, Austria, e-mail: [email protected]. Jorg¨ Puhrer,¨ Institut fur¨ Informationssysteme, Arbeitsbereich Wissensbasierte Systeme, Technische Universitat¨ Wien, Favoriten- straße 9-11, A-1040 Vienna, Austria, e-mail: [email protected]. Dietmar Seipel, Institut fur¨ Informatik, Julius-Maximilians-Universitat¨ Wurzburg,¨ Am Hubland, D-97074 Wurzburg,¨ Germany, e-mail: [email protected]. Hans Tompits, Institut fur¨ Informationssysteme, Arbeitsbereich Wissensbasierte Systeme, Technische Universitat¨ Wien, Fa- voritenstraße 9-11, A-1040 Vienna, Austria, e-mail: [email protected]. -
On-Line Publication of Audiovisual Heritage in Europe Revision: Final (V2.3)
DELIVERABLE Project Acronym: EUscreenXL Grant Agreement number: ICT PSP 325100 Project Title: EUscreenXL, the pan-European audiovisual aggregator for Europeana D5.2 Research Report: On-line publication of audiovisual heritage in Europe Revision: Final (V2.3) Author(s): Erwin Verbruggen & Josefien Schuurman (NISV) András Kovács & Réka Markovich (ELTE) Joris Pekel & Lyubomir Kamenov (EF) Project co-funded by the European Commission within the ICT Policy Support Programme Dissemination Level P Public X C Confidential, only for members of the consortium and the Commission Services D5.2 Research Report: On-line publication of audiovisual heritage in Europe Document Information Deliverable number: D5.2 Deliverable title: Research on on-line publication of audiovisual heritage in Europe Contractual date of deliverable: February 28, 2014 Actual date of deliverable: June 27, 2014 Author(s): Erwin Verbruggen, Josefien Schuurman (NISV) András Kovács, Réka Markovich (ELTE), Joris Pekel, Lyubomir Kamenov (Europeana Foundation) Participant(s): Dr. Krisztina Rozgonyi (ELTE), Julia Fallon (Europeana Foundation), Anne Gant (EYE Film Institute), Daniel Hess (Memoriav), Karen Vander Plaetse (VIAA), Charlotte Hansen (DR), Breandán Knowlton (We Are What We Do), Ewout Rutgers, Ingrid Belt (NRK), Margret Plank (TIB). Work package: WP5 Work package title: Network expansion and Pan-European Policies Work package Leader: Erwin Verbruggen Dissemination Level: PU Version: FInal V2.3 Keywords: network, advocacy, online access, intellectual property rights, copyright, -
Tv on the Radio/Radio on Television
volume 7 issue 13/2018 TV ON THE RADIO/RADIO ON TELEVISION EUROPEAN TELEVISION HERITAGE AS A SOURCE FOR UNDERSTANDING RADIO HISTORY1 Alexander Badenoch Utrecht University Department of Media and Culture Studies Muntstraat 2-2A, 3512 EV Utrecht The Netherlands [email protected] Berber Hagedoorn University of Groningen Research Centre for Media and Journalism Studies Oude Kijk in ‘t Jatstraat 26 9712 EK Groningen The Netherlands [email protected] Abstract: Radio is only to a limited extent a ‘blind medium’. Visual and material aspects have long played a role in the way the medium has acquired meaning. While print has become a common source for radio history, audiovisual material – such as is preserved on the EUscreen portal with extensive metadata and potential for context – offers potential not just for understanding the evolution of television, but rather the entire mass-media ensemble. This article explores the possibilities and problems of using EUscreen as a source for a comparative and transnational history of radio, looking in particular at the visual iconography and narrative structures of audiovisual material found on the portal. Keywords: radio history, broadcasting history, media historiography, domestication, media production and gendered labour, international broadcasting, audiovisual sources. 1 Besides being a personal and intellectual inspiration to the authors, Sonja de Leeuw also directly inspired this essay with a suggestion to the Transnational Radio Encounters project that EUscreen could serve as a source for exploring transnational histories of radio online. During her 2016–17 Research Fellowship at the Netherlands Institute for Sound and Vision in Hilversum, Berber Hagedoorn also studied audiovisual representations of historical news events in digitized and linked collections, including the representation and imagination of radio in different audiovisual sources.