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Moral Rights: the Anti-Rebellion Graffiti Heritage of 5Pointz Richard H
digitalcommons.nyls.edu Faculty Scholarship Articles & Chapters 2018 Moral Rights: The Anti-Rebellion Graffiti Heritage of 5Pointz Richard H. Chused New York Law School, [email protected] Follow this and additional works at: https://digitalcommons.nyls.edu/fac_articles_chapters Part of the Entertainment, Arts, and Sports Law Commons, Land Use Law Commons, and the Property Law and Real Estate Commons Recommended Citation Chused, Richard H., "Moral Rights: The Anti-Rebellion Graffiti Heritage of 5Pointz" (2018). Articles & Chapters. 1172. https://digitalcommons.nyls.edu/fac_articles_chapters/1172 This Article is brought to you for free and open access by the Faculty Scholarship at DigitalCommons@NYLS. It has been accepted for inclusion in Articles & Chapters by an authorized administrator of DigitalCommons@NYLS. Moral Rights: The Anti-Rebellion Graffiti Heritage of 5Pointz Richard Chused* INTRODUCTION Graffiti has blossomed into far more than spray-painted tags and quickly vanishing pieces on abandoned buildings, trains, subway cars, and remote underpasses painted by rebellious urbanites. In some quarters, it has become high art. Works by acclaimed street artists Shepard Fairey, Jean-Michel Basquiat,2 and Banksy,3 among many others, are now highly prized. Though Banksy has consistently refused to sell his work and objected to others doing so, works of other * Professor of Law, New York Law School. I must give a heartfelt, special thank you to my artist wife and muse, Elizabeth Langer, for her careful reading and constructive critiques of various drafts of this essay. Her insights about art are deeply embedded in both this paper and my psyche. Familial thanks are also due to our son, Benjamin Chused, whose knowledge of the graffiti world was especially helpful in composing this paper. -
Landmarks Preservation Commission January 13, 2009, Designation List 409 LP-2286
Landmarks Preservation Commission January 13, 2009, Designation List 409 LP-2286 275 MADISON AVENUE BUILDING, originally 22 East 40th Street Building (aka 273-277 Madison Avenue; 22-26 East 40th Street), Borough of Manhattan. Built 1930-31; Kenneth Franzheim, architect. Landmark Site: Borough of Manhattan Tax Map Block 869, Lot 54. On June 24, 2008, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the 275 Madison Avenue Building and the proposed designation of its related Landmark Site (Item No. 2). The hearing had been duly advertised in accordance with the provisions of law. Three people, including a representative of the building’s owner and representatives of the Historic Districts Council and the Municipal Art Society, spoke in favor of designation. Summary Rising 43 stories in height and completed in 1931, 275 Madison Avenue is an outstanding Art Deco skyscraper dating from the end of New York’s 1920s and early-1930s skyscraper boom. Designed by noted architect Kenneth Franzheim, the building features a striking polished-granite base; three stories high with tall rectangular openings, it was treated by Franzheim as a “stage setting” with a compelling black-and-silver color scheme and rich abstract ornament. Rising above the base is a dramatically massed, slab-form tower that steps back repeatedly before narrowing to a nearly square plan at its upper floors. Like the nearby Daily News Building completed the year before, 275 Madison is best described as a transitional work, bridging the exuberant, “modernistic” Art Deco style and the spare, sculptural qualities of the International Style. -
The-Monacelli-Press-2015-Catalog
The Monacelli Press 2015 new titles & complete backlist Frontlist Fall 2015 02 Spring 2015 30 Backlist Architecture 56 Gardens & landscapes 67 Interior design & décor 72 Art & design 80 Photography 86 Index 90 ISBN index 93 Ordering & contact information 96 Fall 2015 05 Interiors in Detail 100 Contemporary Rooms Dominic Bradbury Interior design & décor Encompassing everything from a Brooklyn rowhouse to a Swiss chalet, this beautifully illustrated book is a style bible for anyone interested in September 15, 2015 design for the home. A rich resource to feed the imagination, Interiors 432 pages 7½ x 9¾ inches in Detail illustrates each of ten chapters—devoted to color, composition, 600 color illustrations setting, and other specific elements of interior style—with ten $45/$52 Canada evocative houses or apartments designed by some of the most original 978-1-58093-434-3 and creative designers and architects from around the world: Bates U.S. and Canadian rights Masi, Alexander Gorlin, Rose Tarlow, Sills Huniford, Studio KO, Pierre Dominic Bradbury is a Frey, Vicente Wolf, Tsao & McKown, Frederic Mechiche, Fearon Hay, journalist and writer David Collins, and many more. specializing in architecture An opening double-page spread reveals the most spectacular and design. His books space in each home, with individual features described in further detail include Mid-Century Modern on the following pages. With key design ingredients explored Complete (2014), The Iconic Interior (2012), and The throughout—from materials to furniture design, texture, pattern, and Iconic House (2009), among light—Interiors in Detail is an essential source book for anyone seeking many others. -
Pavillon Spéciale
PPAVILLONAVILLON SSPPÉCCIALEIALE Ecole Spéciale d’Architecture Paris, 2012 2nd PAVILLON SPÉCIALE MEETINGS OF THE INTERNATIONAL COMPETITION JURY Date: 17.03.2012 Venue: Ecole Spéciale d’Architecture, Paris INTERNATIONAL JURY Iñaki Abalos Founder Ábalos+Sentkiewicz Arquitectos (SP) Jean-Max Colard Architectural Journalist Les Inrocks (FR) Massimiliano Fuksas Director of Studio Fuksas (IT) David Keuning Director of MARK magazine (NL) Claude Parent Architect, teacher and writer (FR) Odile Decq General Director, École Spéciale d’Architecture Marie-Hélène Fabre Academic Head Hubert Ducroux Student representing school The Jury meeting for the evaluation of 8 submissions for the International Competition was opened offi cially by Odile Decq, Director of the Ecole Spéciale d’Architecture. After a debriefi ng by curator Matteo Cainer the committee moved into the gallery space where the entries where exhibited. Claude Parent was elected as President of the Jury and suffi cient time was allowed for the Jury members to go through the different projects individually. Afterwards, the Jury sat down to briefl y review the Competition Conditions and to set the criteria of evaluation: • Design • Student engagement • Resonance within the City • Practicality • Maintenance • Budget • Timescale Once the criteria was set, the jury evaluated together each project. The outcome was that the jury declared Ball Nogues Studio proposal to be the winner among the 8 fi nalists. Ball Nogues Studio_Los Angeles, United States DUS Architects_Amsterdam, Netherlands Fantastic Norway_Oslo, Norway MOS_New York, United States OSMD_Lisbon, Portugal Polaris Architects_Luxembourg, Luxembourg Softlab_New York, United States Sou Fujimoto Architects_Tokyo ,Japan To follow the jury comments for each of the projects. 2nd PAVILLON SPÉCIALE finalists Ball Nogues Studio_Los Angeles, United States (winner) The jury believes that this entry has the most potential since it presents various qualities, from it being very interesting architecturally, to economically feasible and at the same time ecologically strong. -
Report to Donors 2008 Table of Contents
Report to Donors 2008 Table of Contents Mission Statement 2 Board of Trustees 3 Letter from the Director 4 Letter from the President 5 Exhibitions 6 Public, Educational, and Scholarly Programs 8 Gifts to the Collection 10 Statement of Financial Position 12 Donors 13 Planned Giving 23 Staff 24 Mission Statement he Pierpont Morgan Library was incorporated in 1924 as an educational institution dedicated to fostering a greater knowledge, understanding, and appreciation of primarily Western history and culture. Originally formed by Pierpont Morgan (1837– T1913), the permanent collection records and reflects achievements of European and American literature, music, art, and history. The Morgan is one of the very few institutions in the United States that collects, exhibits, and sponsors research in the areas of illuminated manuscripts, master drawings, rare books, fine bindings, and literary, historical, and music manuscripts. To realize its purpose, The Morgan Library & Museum has four goals: to function as a center and source for research and publication in the permanent collection and to promote its scholarly study; to preserve and care for the collection that is held in trust for the American people; to acquire, through purchase and gift, significant works in the fields established by Pierpont Morgan; to present the collection, related exhibitions, and interpretive programming to the general public, students, collectors, and scholars in a manner consistent with the highest educational and artistic standards. The significance of the collection mandates a national and international role for the institution, both as an educational resource for the general public and as a research center for the scholarly community. -
Elegance in the Sky: the Architecture of Rosario Candela at the Museum of the City of New York
For Immediate Release Elegance in the Sky: The Architecture of Rosario Candela at the Museum of the City of New York Samuel H. Gottscho, "960 Fifth Avenue. Dining room," 1930. Museum of the City of New York, Gottscho-Schleisner Collection, 88.1.1.1012 Exhibition Explores Renowned Architect Who Played a Major Role in Defining Luxury Living in Early 20th Century Manhattan On View: Thursday, May 17–Sunday, October 28, 2018 (New York, NY) On Thursday, May 17, 2018, the Museum of the City of New York will open Elegance in the Sky: The Architecture of Rosario Candela, an exhibition exploring the legacy of renowned architect Rosario Candela (1890–1953), who played a major role in transforming and shaping luxury living of 20th century Manhattan with the design of the distinctive “prewar” apartment buildings that define the cityscapes of iconic streets such as Park and Fifth Avenues and Sutton Place. Candela’s elegant yet understated high-rises, including 960 Fifth Avenue, 740 Park Avenue, and One Sutton Place South, featured set-back terraces and neo-Georgian and Art Deco ornament that created the look of New York urbanism between the World Wars. The exhibition is designed by Peter Pennoyer Architects. Graphic design is by Tsang Seymour. Elegance in the Sky tells the remarkable story of how Rosario Candela, an immigrant architect, made a permanent name for himself by becoming an influential force in transforming the way the wealthiest in New York City lived. Through photographs, ephemera, graphics, furnishings, and digital animation, the exhibition displays how Candela and his colleagues inspired some of the most prominent New Yorkers to move from their private homes to “luxury mansions in the sky,” thus changing the landscape of the city. -
The Olana Partnership Announces Summer Exhibition “Follies
PO Box 199 Hudson, NY 12534-0199 518-828-1872 www.olana.org FOR IMMEDIATE RELEASE JUNE 20, 2016 The Olana Partnership Announces Summer Exhibition “Follies, Function & Form: Imagining Olana’s Summer House” An exhibition showcasing original concept sketches by 21 architects and landscape architects, inspired by Frederic Church’s OLANA June 20th, 2016, New York, NY: The Olana Partnership, in collaboration with the New York chapters of the American Institute of Architects (AIANY) and the American Society of Landscape Architects (ASLA-NY), is pleased to announce a design exhibition at Olana State Historic Site in Hudson, New York. Titled Follies, Function & Form: Imagining Olana’s Summer House, the exhibition unites noted architects and landscape architects and is curated by The Olana Partnership with guest co-curator Jane Smith, AIA, of Spacesmith. The exhibition addresses one of the great mysteries at Olana -- the Summer House – and it runs from August 14th through November 13th, 2016 in Olana’s Coachman’s House Gallery. Olana is the 250-acre creation of American landscape artist Frederic Church and exists in the birthplace of America’s first native art movement, the Hudson River School. Considered Frederic Church’s great masterpiece, Olana combines art, architecture, design and conservation ideals. In the 1886 “Plan of Olana,” a detailed blueprint of Church’s vision for his large-scale designed landscape, the plan’s details are largely accurate, yet it contains a structure labeled “Summer House”, which doesn’t exist today. Lacking documentary evidence to demonstrate the design and style of this structure, 21 architects and landscape architects were invited to participate in public interpretation at Olana. -
Report to Donors 2012 Table of Contents
Report to Donors 2012 Table of Contents Mission 2 Board of Trustees 3 Letter from the Director 4 Letter from the President 5 Exhibitions 6 Public, Educational, and Scholarly Programs 9 Gifts to the Collection 12 Statement of Financial Position 14 Donors 15 Planned Giving 23 Staff 24 Mission Board of Trustees he mission of The Morgan Library & Museum is to Lawrence R. Ricciardi Karen H. Bechtel ex officio preserve, build, study, present, and interpret a collection President Rodney B. Berens William T. Buice III Susanna Borghese William M. Griswold T of extraordinary quality in order to stimulate enjoyment, James R. Houghton T. Kimball Brooker William James Wyer excite the imagination, advance learning, and nurture creativity. Vice President Karen B. Cohen Flobelle Burden Davis life trustees A global institution focused on the European and American Richard L. Menschel Geoffrey K. Elliott William R. Acquavella traditions, the Morgan houses one of the world’s foremost Vice President Brian J. Higgins Walter Burke Clement C. Moore II Haliburton Fales, 2d collections of manuscripts, rare books, music, drawings, and George L. K. Frelinghuysen John A. Morgan S. Parker Gilbert, ancient and other works of art. These holdings, which represent Treasurer Diane A. Nixon President Emeritus the legacy of Pierpont Morgan and numerous later benefactors, Cosima Pavoncelli Drue Heinz Thomas J. Reid Peter Pennoyer Lawrence Hughes comprise a unique and dynamic record of civilization as well as Secretary Cynthia Hazen Polsky Herbert Kasper an incomparable repository of ideas and of the creative process. Katharine J. Rayner Herbert L. Lucas Annette de la Renta Charles F. -
School of Architecture 2010–2011
BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Architecture 2010–2011 School of Architecture 2010–2011 BULLETIN OF YALE UNIVERSITY Series 106 Number 4 June 30, 2010 BULLETIN OF YALE UNIVERSITY Series 106 Number 4 June 30, 2010 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in May and October; three times in June and employment of individuals upon their qualifications and abilities and a∞rmatively and September; four times in July; five times in August) by Yale University, 2 Whitney seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Avenue, New Haven CT 0651o. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, PO Box 208227, New Haven CT 06520-8227 status as a special disabled veteran, veteran of the Vietnam era, or other covered veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation Managing Editor: Linda Koch Lorimer or gender identity or expression. Editor: Lesley K. Baier University policy is committed to a∞rmative action under law in employment of PO Box 208230, New Haven CT 06520-8230 women, minority group members, individuals with disabilities, special disabled veterans, veterans of the Vietnam era, and other covered veterans. -
Download Nancy's CV
Nancy Lorenz nancy-lorenz.com Education Tyler School of Art, Philadelphia, and Rome, Italy; MFA Painting, 1988. University of Michigan, Ann Arbor; BFA Painting and Printmaking, 1985. International School of the Sacred Heart; Tokyo, Japan, 1976-1981. Awards and Fellowships 1998 John Simon Guggenheim Memorial Foundation Fellowship 2008-2019 Cill Rialaig Artists Residency, Ireland Solo Exhibitions 2021 Gavlak Gallery, Los Angeles, CA 2019 Shimmering Flowers: Nancy Lorenz’s Lacquer and Bronze Landscapes, Center House Leonhardt Galleries, Berkshire Botanical Garden, Stockbridge, MA Nancy Lorenz: Alchemy, Gavlak Gallery, Palm Beach, FL Nancy Lorenz: Recent Work, The Century Association, New York, NY Works on Paper, PDX Contemporary Art, Portland, OR 2018 Nancy Lorenz: Moon Gold, San Diego Museum of Art, San Diego, CA Nancy Lorenz: Silver Moon, Leila Hellery Gallery, Dubai, UAE 2016 Nancy Lorenz: Boxes and Screens, Pierre Marie Giraud, Brussels, Belgium 2015 Polished Ground, PDX Contemporary Art, Portland, OR Elements, Morgan Lehman Gallery, New York 2013 New Work, Morgan Lehman Gallery, New York Skies and Beyond, Bottega Veneta at the Salone del Mobile, Milan, Italy 2012 From Ash and Pearl, PDX Contemporary Art, Portland, OR Duke & Duke, Los Angeles, CA 2011 Silver & Stones, PDX Contemporary Art, Portland, OR 2010 Tea Room, PDX Contemporary Art at Volta, New York 2009 Six Records of a Floating Life, PDX Contemporary Art, Portland, OR 2008 James Graham & Sons, New York 2007 Chahan Galerie, Paris, France 2006 Double Vision, PDX Contemporary Art, -
Report to Donors 2013
Report to Donors 2013 30136COVX.indd 1 3/14/14 11:56 AM 30136COV.indd 2 3/7/14 10:21 AM Table of Contents Mission 2 Board of Trustees 3 Letter from the Director 4 Letter from the President 5 Exhibitions 6 Public, Educational, and Scholarly Programs 9 Gifts to the Collection 12 Statement of Financial Position 14 Donors 15 Planned Giving 23 Staff 24 30136TXTX.indd 1 3/14/14 11:40 AM Mission he mission of the Morgan Library & Museum is to preserve, build, study, present, and interpret a collection T of extraordinary quality in order to stimulate enjoyment, excite the imagination, advance learning, and nurture creativity. A global institution focused on the European and American traditions, the Morgan houses one of the world’s foremost collections of manuscripts, rare books, music, drawings, and ancient and other works of art. These holdings, which represent the legacy of Pierpont Morgan and numerous later benefactors, comprise a unique and dynamic record of civilization as well as an incomparable repository of ideas and of the creative process. 2 the morgan library & museum 30136TXTX.indd 2 3/14/14 11:40 AM Board of Trustees Lawrence R. Ricciardi Karen H. Bechtel ex officio President Rodney B. Berens William T. Buice III Susanna Borghese William M. Griswold James R. Houghton T. Kimball Brooker William James Wyer Vice President Karen B. Cohen Flobelle Burden Davis life trustees Richard L. Menschel Geoffrey K. Elliott William R. Acquavella Vice President Brian J. Higgins Walter Burke Jerker M. Johansson Haliburton Fales, 2d George L. K. Frelinghuysen Clement C. -
Brooklyn Academy of Music Annual Report 1986-1987
I ( A ' I BROOKLYN ACADEMY OF MUSIC ANNUAL REPORT 1986-1987 1 / ~ ~ I Editor in Chiif: Douglas W. Allan Manaoino Editor: Christopher Broadwell Contributino Editor: Lynn Moffat Director <if Desion and Production: Michele Ann Travis Assistant Desioners: Jenny Phillips and Jeff O'Donnell Typesettino: Advance Graphic, Brooklyn, NY Printino: Faculty Press, Brooklyn, NY © 1987 Brooklyn Academy of Music Brooklyn Academy of Music 30 Lafayette Avenue 1 Brooklyn, New York 112 I 7 (718) 636·4100 Harvey Lichtenstein President and Executive Producer \ OFFIC~RS PresiBen~ &..Executive Producer \larvey lichtenstein Vice Pres~dent &.Manoging DirectDr Judith E. Daykin President for Marketing &.Promotion Douglas w. Allan Vice President &..Treasurer Richard Pt?$identjor Pl<tnning Karen Hw\011::• .• CALENDAR OF' EVil~ NEXT WAVE FESTIVAL ROARATORIO TWYLA THARP DANCE Merce Cunningham/John Cage October 7-12 In the Upper Room KIDS KABARET Ball are Lydia Adams Davis SOCIAL AMNESIA The Catherine Wheel Jazzy Jumpers THE ENCHANTED TOY SHOP Impossible Theater Nine Sinatra Songs Albee Tappers Ballet America Concert Dancers October 14-19 Baker's Dozen George Schindler & Nina january 5-9 As Time Goes By Tom Chapin SPANISH FOLKTALES AND SONGS JON HASSELL Fugue DANCEAMERICAS THE GREAT VAUDEVILLE Puerto Rico-Felix Pitre October 17 &._ 18 February 3-March 1 Shango Haitian Folklore Group SPOLETO COMES TO BAM Garifuna Ibayani MAGIC SHOW February 23-27 MICHAEL CLARK & COMPANY Roots of Brasil Landis & Co. GIAN CARLO MEN01TI, THE GERSHWIN CELEBRATION October 21-26 RAY BARRETTO ORCHESTRA january 12-16 OSCAR BRAND- composer NOEL POINTER with the FROM THE REVOLUTION TO MARVIS MARTIN, soprano The Gershwin Gala FAIR MEANS OR FOUL THE ANGELS OF SWEDENBORG INSTITUTIONAL RADIO CHOIR THE ROLLING STONES KATHERINE CIESINSKI, March II After Dinner Opera Co.