School of Architecture 2008–2009
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Tectonics and the Space of Communicativity
91st ACSA INTERNATIONAL CONFERENCE • HELSINKI • JULY 27-30, 2003 423 Tectonics and The Space of Communicativity DORIAN WISZNIEWSKI University of Edinburgh It is a logical corollary to post-modernity’s skepticism, that architecture’s role, privileged since the Renaissance to make generalising plans for society in general, should be called into question. Let us remember Lyo- tard’s optimism, that ‘‘invention is always born of dissension’’1 . However, we must also be wary of post modernity’s skepticism. It might lead to an ideological revolution where we simply supplant materialism for idealism, where either the utilitarian or sensual experi- ence is promoted to the denial of meaning. This would be a denial of architecture’s representational character and therefore a denial of its contingent relation to regimes of power, politics and philosophy. We must also be wary of simply asserting the worth of fragmentation and collision as the empty rhetoric of a new political dynamics of resistance. This could have the outcome of Fig. 1. Frank O. Gehry, Guggenheim, Bilbao, 1991-97. solipsism, which if not an outright dismissal, certainly is a sublimation of the everyday conditions of co-existence tectonics in this way already invokes proximity to word in the life-world. To be sure, in post-modernity it might language. The architectural theorists Diana Agrest and be difficult to understand what is architecture’s role, Mario Gandelsonas declared the production of architec- indeed what it represents. For some, architecture, or ture as the production of knowledge. They also specu- building that promotes itself as architecture, especially lated into architectural semiotics, thus making direct bombastically to the eclipse of all else, stands already as links between the themes of power, knowledge and a symbol of the old orders. -
The Pulitzer Prizes 2020 Winne
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
Dott. Arch. GUIDO ZULIANI
Dott. Arch. GUIDO ZULIANI CURRICULUM VITAE Dott. Arch. GUIDO ZULIANI AZstudio (Owner - Principal) 235 west 108th street #52 New York City, N.Y. 10025 - USA Tel. (1) 347-570 3489 [email protected] via Gemona 78 33100 Udine - Italy Tel. (39) 329-548 9158 Tel./ Fax +39- 0432-506 254 EDUCATION AND PROFESSIONAL QUALIFICATIONS 1998 ACCADEMIA DELLE SCIENZE, LETTERE ED ARTI “GLI SVENTATI” - Udine, Italy Elected Member 1982 ORDINE DEGLI ARCHITETTI DELLA PROVINCIA DI UDINE Register architect 1980 ISTITUTO UNIVERSITARIO D'ARCHITETTURA DI VENEZIA (IUAV) today UNIVERSITÀ IUAV DI VENEZIA Dottore in Architettura (Master equivalent) - Summa cum Laude ACADEMIC EXPERIENCE 1985 - Present THE COOPER UNION FOR THE ADVANCEMENT OF SCIENCE AND ART IRWIN S. CHANIN SCHOOL OF ARCHITECTURE New York, NY 2009 - Present Professor of Architectural History 2005 - Present Professor of Architecture / Professor of Modern Architectural Concept Responsible for teaching Architectural Design II, Architectural Design IV, Thesis classes, the seminars in Modern Architectural Concepts, Analysis of Architectural Texts, Advanced Topics in Architecture 1991 - 2005 Associate Professor of Architecture 1986 - 1991 Visiting Professor of Architecture 2001 - Present Member of the Curriculum Committee Responsible for review and recommendations regarding the structure and the content of the school curriculum, currently designing the curriculum of the future post-professional Master Degree in Architecture of the Cooper Union. 2008 - Present SCHOOL OF DOCTORATE STUDIES - UNIVERSITÀ IUAV -
Beijing Moscow
NEW YORK + STUDIO x CITY GLOBAL METROPOLIS PROGRAM GSAPP COLUMBIA UNIVERSITY APP Colum k GS bia U yor niv w ers ne ity studio x city g n paris ji i moscow e b tokyo amman mumbai istanbul rio de janeiro johannesburg “IF WE DON’T THINK ABOUT THE FUTURE IN AND WITH ALL THE TRANSFORMATIVE REGIONS OF THE WORLD, THEN WE ARE NOT THINKING ABOUT THE FUTURE” MARK WIGLEY, DEAN GSAPP G L suggested PROGRAM STRUCTURE M E T R P O L I S B A L NEW YORK + STUDIO x CITY 01. SUMMER TERM RUS 1. Design Studio I 2. Global New York Seminar + > 3. Tools for Global Practice (on computation) > 4. Open elective presentation US 02. FALL TERM + { + } + RUS thesis proposal research advisor Moscow + > + > presentation + US day 20- studio project studio critic workshop 03. SPRING TERM + { } studiox - Rio studiox - Beijing + studiox - Mumbai RUS thesis submission research advisor thesis publication studiox - Johannesburg + > + > + day trip studiox - Amman 7- + US studiox - Moscow studio critic group exhibition studio project studiox - Istanbul presentation studiox - New York PROGRAM DESCRIPTION ADMISSION REQUIREMENTS GLOBAL METROPOLIS PROGRAM A class of highly selected students with above average design and theoretical skills is anticipated for each year. All applicants for admission to the Global Metropolis Program must apply for the MSAAD program on-line. Degree: Columbia University Master of Science in Advanced Architectural Design Students can contact the Office of Admissions and Student Affairs at GSAPP for information. Admission will be based on an evaluation of applicants’ academic records, professional experience and samples of their work. A joint program of the Graduate School of Architecture, Planning and Preservation, Columbia University (GSAPP) Please follow the instructions and requirements for how to apply to the MSAAD program: and Global Institutes http://www.arch.columbia.edu/school/admissions/how-apply Program Committee: Applicants are required to submit the following documents in English: Markus Dochantschi, Director Phu Hoang, Studio Critic 1. -
Today's News - August 29, 2005 Arcspace Offers an Øresund Region Sneak-Peek
Home Yesterday's News Contact Us Subscribe Today's News - August 29, 2005 ArcSpace offers an Øresund Region sneak-peek. -- Malmo's new neighborhood may be an architectural delight, but it may not be so good neighborly. -- A $2.99 toxic bath toy is a clue to what we're doing wrong. -- A plan to get Palestine back on track. -- Manhattan's 42nd Street and Chicago's Navy Pier 10 years later: the good, the bad - and the ugly. -- Chicago's grand 2020 plan: a look at the inevitable, the iffy, and the unlikely. -- SCI-Arc students show off development visions for the Los Angeles River. -- Atlanta airport design may be "stunning," but things are getting ugly between design team and client. -- "Is imitation the sincerest form of architecture?" -- WTC Memorial Museum begins to take shape. -- Shaping China's skylines: "...a thoroughly Western modernism with subtle Chinese characteristics marks a new front both for China's development and the globalization of architecture." -- Clooney's $3 billion casino: there's a pix, but no architect named - yet (might it be buddy Brad Pitt?). -- A Sunday chat with Libeskind: "We live in a beautiful world." -- A glass-bottomed skywalk for Grand Canyon (is this really necessary?). To subscribe to the free daily newsletter click here Latest News: The Øresund Region -- Zaha Hadid, Denmark; Santiago Calatrava, Sweden- ArcSpace Swede dreams: Malmo's new neighbourhood [Bo01] is funky, environmentally friendly and the envy of architects worldwide. There's just one problem. The locals hate it. -- Calatrava; Klas Tham; Eva Dalman; Moore Ruble Yudell; FFNS Arkitekter- Guardian (UK) An Environmental Problem Slipping Through the Quacks: William McDonough...made an even stronger argument for change with a little yellow rubber ducky...Toxic chemicals in that sweet, squishy body have been known to cause cancer, birth defects or other reproductive harm. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Saving Carnegie Hall: A Case Study of Historic Preservation in Postwar New York City Permalink https://escholarship.org/uc/item/3x19f20h Author Schmitz, Sandra Elizabeth Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Saving Carnegie Hall: A Case Study of Historic Preservation in Postwar New York A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Sandra Elizabeth Schmitz June 2015 Thesis Committee: Dr. Patricia Morton, Chairperson Dr. Jason Weems Dr. Catherine Gudis Copyright by Sandra Elizabeth Schmitz 2015 The Thesis of Sandra Elizabeth Schmitz is approved: Committee Chairperson University of California, Riverside Acknowledgements I would like to thank my thesis advisor, Dr. Patricia Morton, for helping me to arrive at this topic and for providing encouragement and support along the way. I’m incredibly grateful for the time she took to share her knowledgeable insight and provide thorough feedback. Committee members Dr. Jason Weems and Dr. Catherine Gudis also brought valuable depth to my project through their knowledge of American architecture, urbanism, and preservation. The department of Art History at the University of California, Riverside (UCR) made this project possible by providing me with a travel grant to conduct research in New York City. Carnegie Hall’s archivists graciously guided my research at the beginning of this project and provided more information than I could fit in this thesis. I could not have accomplished this project without the support of Stacie, Hannah, Leah, and all the friends who helped me stay grounded through the last two years of writing, editing, and talking about architecture. -
Boston Government Services Center: Lindemann-Hurley Preservation Report
BOSTON GOVERNMENT SERVICES CENTER: LINDEMANN-HURLEY PRESERVATION REPORT JANUARY 2020 Produced for the Massachusetts Division of Capital Asset Management and Maintenance (DCAMM) by Bruner/Cott & Associates Henry Moss, AIA, LEED AP Lawrence Cheng, AIA, LEED AP with OverUnder: 2016 text review and Stantec January 2020 Unattributed photographs in this report are by Bruner/Cott & Associates or are in the public domain. Table of Contents 01 Introduction & Context 02 Site Description 03 History & Significance 04 Preservation Narrative 05 Recommendations 06 Development Alternatives Appendices A Massachusetts Cultural Resource Record BOS.1618 (2016) B BSGC DOCOMOMO Long Fiche Architectural Forum, Photos of New England INTRODUCTION & CONTEXT 5 BGSC LINDEMANN-HURLEY PRESERVATION REPORT | DCAMM | BRUNER/COTT & ASSOCIATES WITH STANTEC WITH ASSOCIATES & BRUNER/COTT | DCAMM | REPORT PRESERVATION LINDEMANN-HURLEY BGSC Introduction This report examines the Boston Government Services Center (BGSC), which was built between 1964 and 1970. The purpose of this report is to provide an overview of the site’s architecture, its existing uses, and the buildings’ relationships to surrounding streets. It is to help the Commonwealth’s Division of Capital Asset Management and Maintenance (DCAMM) assess the significance of the historic architecture of the site as a whole and as it may vary among different buildings and their specific components. The BGSC is a major work by Paul Rudolph, one of the nation’s foremost post- World War II architects, with John Paul Carlhian of Shepley Bulfinch Richardson and Abbot. The site’s development followed its clearance as part of the city’s Urban Renewal initiative associated with creation of Government Center. A series of prior planning studies by I. -
STEVE DIBENEDETTO Born 1958 in the Bronx, New York Lives and Works in New York City
STEVE DIBENEDETTO Born 1958 in the Bronx, New York Lives and works in New York City Education 1980 Bachelors of Fine Arts, Parsons School of Design, New York Solo Exhibitions 2019 Structural Mercury, galerie frank elbaz, Paris, France 2018 Tennis Elbow, Brooklyn, NY Toasted with Everything, Derek Eller Gallery 2017 Steve DiBenedetto: Novelty Mapping Picnic, Cherry and Martin (2732 Space), Los Angeles, CA 2016 Steve DiBenedetto: Pre-Linguistic Granola, Half Gallery, New York, NY 2015/16 Steve DiBenedetto: Evidence of Everything, The Aldrich Contemporary Art Museum, Ridgefield, CT 2015 Mile High Psychiatry, Derek Eller Gallery (In cooperation with David Nolan Gallery), New York, NY 2014 Konstructshuns!, Half Gallery, New York, NY 2010 Who Wants to Know?, David Nolan Gallery, New York, NY 2009 Central Connecticut State University Art Gallery, New Britain, CT 2008 Edge Dwelling, University Art MUseUm, SUNY Albany, New York, NY Chaoticus, David Nolan Gallery, New York, NY 2007 Daniel Weinberg Gallery, Los Angeles, CA 2005 David Nolan Gallery, New York, NY Codex Maximus, Mario Diacono, Boston, MA 2003 Daniel Weinberg Gallery, Los Angeles, CA 2002 Derek Eller Gallery, New York, NY 2001 BaUmgartner Gallery, New York, NY 2000 Galerie Rolf Ricke, Köln, Germany BaUmgartner Gallery, New York, NY 1998 Marella Arte Contemporanea, Sarnico, Italy 1997 Reali Arte Contemporanea, Brescia, Italy 1995 Marella Arte Contemporanea, Sarnico, Italy LaUren Wittels Gallery, New York, NY 1993 Art & Public, Geneva, Switzerland Galerie Jürgen Becker, HambUrg, Germany -
Neri Oxman Material Ecology
ANTONELLI THE NERI OXMAN CALLS HER DESIGN APPROACH MATERIAL ECOLOGY— A PROCESS THAT DRAWS ON THE STRUCTURAL, SYSTEMIC, AND AESTHETIC WISDOM OF NATURE, DISTILLED AND DEPLOYED THROUGH COMPUTATION AND DIGITAL FABRICATION. THROUGHOUT HER TWENTY- ECOLOGY MATERIAL NERI OXMAN NERI OXMAN YEAR CAREER, SHE HAS BEEN A PIONEER OF NEW MATERIALS AND CONSTRUCTION PROCESSES, AND A CATALYST FOR DYNAMIC INTERDISCIPLINARY COLLABORATIONS. WITH THE MEDIATED MATTER MATERIAL GROUP, HER RESEARCH TEAM AT THE MIT MEDIA LAB, OXMAN HAS PURSUED RIGOROUS AND DARING EXPERIMENTATION THAT IS GROUNDED IN SCIENCE, PROPELLED BY VISIONARY THINKING, AND DISTINGUISHED BY FORMAL ELEGANCE. ECOLOGY PUBLISHED TO ACCOMPANY A MONOGRAPHIC EXHIBITION OF OXMAN’S WORK AT THE MUSEUM OF MODERN ART, NEW YORK, NERI OXMAN: MATERIAL ECOLOGY FEATURES ESSAYS BY PAOLA ANTONELLI AND CATALOGUE HADAS A. STEINER. ITS DESIGN, BY IRMA BOOM, PAYS HOMAGE TO STEWART BRAND’S LEGENDARY WHOLE EARTH CATALOG, WHICH CELEBRATED AND PROVIDED RESOURCES FOR A NEW ERA OF AWARENESS IN THE LATE 1960S. THIS VOLUME, IN TURN, HERALDS A NEW ERA OF ECOLOGICAL AWARENESS—ONE IN WHICH THE GENIUS OF NATURE CAN BE HARNESSED, AS OXMAN IS DOING, TO CREATE TOOLS FOR A BETTER FUTURE. Moma Neri Oxman Cover.indd 1-3 9.01.2020 14:24 THE NERI OXMAN MATERIAL ECOLOGY CATALOGUE PAOLA ANTONELLI WITH ANNA BURCKHARDT THE MUSEUM OF MODERN ART, NEW YORK × Silk Pavilion I Imaginary Beings: Doppelgänger Published in conjunction with the exhibition Published by Neri Oxman: Material Ecology, at The Museum of The Museum of Modern Art, New York Modern Art, New York, February 22–May 25, 2020. 11 West 53 Street CONTENTS Organized by Paola Antonelli, Senior Curator, New York, New York 10019 Department of Architecture and Design, www.moma.org and Director, Research and Development; and Anna Burckhardt, Curatorial Assistant, © 2020 The Museum of Modern Art, New York 9 FOREWORD Department of Architecture and Design Certain illustrations are covered by claims to copyright cited on page 177. -
Pavillon Spéciale
PPAVILLONAVILLON SSPPÉCCIALEIALE Ecole Spéciale d’Architecture Paris, 2012 2nd PAVILLON SPÉCIALE MEETINGS OF THE INTERNATIONAL COMPETITION JURY Date: 17.03.2012 Venue: Ecole Spéciale d’Architecture, Paris INTERNATIONAL JURY Iñaki Abalos Founder Ábalos+Sentkiewicz Arquitectos (SP) Jean-Max Colard Architectural Journalist Les Inrocks (FR) Massimiliano Fuksas Director of Studio Fuksas (IT) David Keuning Director of MARK magazine (NL) Claude Parent Architect, teacher and writer (FR) Odile Decq General Director, École Spéciale d’Architecture Marie-Hélène Fabre Academic Head Hubert Ducroux Student representing school The Jury meeting for the evaluation of 8 submissions for the International Competition was opened offi cially by Odile Decq, Director of the Ecole Spéciale d’Architecture. After a debriefi ng by curator Matteo Cainer the committee moved into the gallery space where the entries where exhibited. Claude Parent was elected as President of the Jury and suffi cient time was allowed for the Jury members to go through the different projects individually. Afterwards, the Jury sat down to briefl y review the Competition Conditions and to set the criteria of evaluation: • Design • Student engagement • Resonance within the City • Practicality • Maintenance • Budget • Timescale Once the criteria was set, the jury evaluated together each project. The outcome was that the jury declared Ball Nogues Studio proposal to be the winner among the 8 fi nalists. Ball Nogues Studio_Los Angeles, United States DUS Architects_Amsterdam, Netherlands Fantastic Norway_Oslo, Norway MOS_New York, United States OSMD_Lisbon, Portugal Polaris Architects_Luxembourg, Luxembourg Softlab_New York, United States Sou Fujimoto Architects_Tokyo ,Japan To follow the jury comments for each of the projects. 2nd PAVILLON SPÉCIALE finalists Ball Nogues Studio_Los Angeles, United States (winner) The jury believes that this entry has the most potential since it presents various qualities, from it being very interesting architecturally, to economically feasible and at the same time ecologically strong. -
Section Date Title Box Folder Notes Daily 1962 February 19
Ada Louise Huxtable New York Times bibliography Ada Louise Huxtable papers, 1859-2013, bulk 1954-2012 The Getty Research Institute, Los Angeles, accession no. 2013.M.9 For more information about the Ada Louise Huxtable papers, see the collection finding aid To access physical materials on site, go to the library catalog record for this collection and click "Request." Click here for the access policy. Section Date Title Box Folder Notes Daily 1962 February 19 Art: Wright Mythology 16 4 Daily 1962 April 29 Controversy Widens on Design of Development in Washington 16 4 Daily 1962 June 1 Kennedy Adopts Architects' Plan to Give Capital a Modern Look 16 4 Daily 1962 November 11 Federal Pavilion for New York World's Fair Is Nearing a Decision 16 4 Daily 1963 January 26 A Fair U.S. Pavilion 16 4 Daily 1963 May 28 Bold Harvard Structure 16 4 Daily 1963 June 21 Litho City: Hit or Flop? 16 4 Daily 1963 August 14 Chicago Saves Its Past 16 4 Daily 1963 August 20 Plan for Rebuilding Pennsylvania Ave. Is Near Completion 16 4 Daily 1963 October 5 Architecture: Designs for American Synagogues 16 4 Daily 1963 October 10 Upheaval at Battery 16 4 Daily 1963 October 16 Planner Defends Cars in Midtown 16 4 Daily 1963 October 24 Architecture: Virtues of Planned City 16 4 Daily 1963 November 7 Complex in Boston Is Radically Designed 16 4 Daily 1963 November 9 Yale to Dedicate 3D New Building 16 4 Daily 1963 November 24 Renewal Project Splits Cleveland 16 4 Review of Great American Mansions Daily 1963 November 26 End Papers 16 4 by Merrill Folsom. -
Curriculum Vitae
SHARON HELENE HAAR FAIA, Professor, Taubman College of Architecture and Urban Planning, University of Michigan [email protected] BACKGROUND Sharon Haar, FAIA, is Professor at the Taubman College of Architecture and Urban Planning at the University of Michigan. As a seasoned academic administrator with over 25 years in architectural education, she has helped to build professional and pre-professional degree programs, directed college-wide research enterprises, and facilitated interdisciplinary and global initiatives focused on academic innovation. In addition to her current position at University of Michigan, she has taught and held academic leadership positions at the University of Illinois at Chicago and Parsons School of Design and served as visiting faculty at Chulalongkorn University in Bangkok, Thailand. She is committed to diversity, faculty mentoring, and student- centric education. Her current research investigates the role of entrepreneurship, design innovation, and global networking in the transformation of architectural practices devoted to social activism and humanitarian relief. Continuing projects investigate the intersection of higher education and urban space, with particular regard to the changing nature of the university campus. Professor Haar’s publications include: The City as Campus: Urbanism and Higher Education in Chicago and Schools for Cities: Urban Strategies. Her articles and book reviews appear in journals including the Journal of Architectural Education, the Journal of Planning Education and Research, the Journal of the Society of Architectural Historians, Architect’s Newspaper, and Architectural Design. She has contributed chapters to books including: The Urban Ecologies Reader, Embodied Utopias, Shanghai Transforming, and On Location: Heritage Cities and Sites. She has presented her research in conferences and lectures across the United States, Latin America, Asia, and Europe.