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Spring 2015 Catalog
THE UNIVERSITY OF WISCONSIN PRESS SPRING 2015 CONTENTS More on New publications 1–29 VIETNAM AND Terrace Books 2–3, 5, 7, 9 THE HMONG Midwest Regional Titles 6, 7, 9, 28 Understanding and Teaching the Vietnam War Recent Book Awards 30–31 Edited by John Day Tully, Matthew Masur, and Journals 32–34 Brad Austin “An excellent one-stop shop for nonspecialists Recent Backlist 35–39 who regularly find themselves teaching about the Ordering and Contact Information 40 Vietnam War.”—David Herzberg, SUNY–Buffalo Author / Title Indexes Inside back cover TH E HARVEY GOLDBERG SERIES FOR UNDERSTANDING AND TEACHING HISTORY SUBJECT GUIDE LC: 2012040084 DS 2013 366 PP. 6 × 9 22 B/W ILLUS. Africa 14, 24–25 E-BOOK ISBN 978-0-299-29413-7 African American Studies 8, 9 PAPER $29.95 S ISBN 978-0-299-29414-4 American Studies 1, 4, 8, 20, 26, 27 Voices from the Plain of Jars: Life under Anthropology 1, 10, 14, 24 an Air War Art 23 Edited by Fred Branfman with essays and Asian Studies 1 drawings by Laotian villagers “In this small, shattering book we hear—as we are Biography 21, 26 so rarely able to do—the voices of Asian peasants Classics 22–23 describing what we can barely begin to imagine.” Communication & Journalism 20, 27 —Gloria Emerson, New York Review of Books Cookbooks 6 NEW PERSPECTIVES IN SOUTHEAST ASIAN STUDIES Education 14, 29 LC: 2012032677 DS 2013 196 PP. 5½ × 8¼ 34 B/W ILLUS. Environment 7, 18, 28 THE GOVERNMENT E-BOOK ISBN 978-0-299-29223-2 Drama & Performance 22 OF MISTRUST PAPER $19.95 S ISBN 978-0-299-29224-9 Illegibility and Bureaucratic Power Fiction 2–5, 9, 16 in Socialist Vietnam The Government of Mistrust: Illegibility and Film 21 Bureaucratic Power in Socialist Vietnam Folklore 14–15 Ken MacLean Gay, Lesbian & Transgender Interest 4 “A highly original book with an unusually History 1, 8, 10, 18–19, 24–27 innovative methodology.”—Oscar Salemink, University of Copenhagen Human Rights 17–19 NEW PERSPECTIVES IN SOUTHEAST ASIAN STUDIES Immigration & Diaspora Studies 14–15 Ken MacLean LC: 2013015051 HN 2013 Latin America 18 300 PP. -
Resume Di Nino Full 2020 (Pdf) Download
lynndinino.com 2313 N 29th St .Tacoma Wa 98403 . (253) 396 0774 . [email protected] Born: Roswell, N.M. 1945 A freelance artist since 1974, I’m self-taught and completely self-supporting through private commissions, shows and galleries. My sculptural work stems from ideas or phrases, usually involving social or political observation. The excitement comes in selecting the right materials to fit the idea: maybe concrete, household objects, plastic, shredded newspaper, coffee beans – whatever will express my story in a clever way. I often use animal shapes. I sometimes combine a sober idea with humor for impact. I also have a long history of working in five dimensions: the usual three plus working with large groups of artists and presenting performance in real time, involving ideas, costumes, props, music, lights, and spoken word. GROUP SHOWS: VISUAL ART 2021 ERA Living: Sheltering in the Studio curated by June Sekiguchi, Culver House Broadview, Seattle WA 2020 note: due to COVID, many shows online only NWCraft20, juried online exhibition benefiting the Bellevue Arts Museum, Bellevue WA https://www.nwdesignercraftsmen.org/ ERA Living: Beloveds: Artist Couples curated by June Sekiguchi, Lakeshore Residence, Seattle WA https://madmimi.com/p/782c711 Icon 2020, Lynn Hanson Gallery, (also years 2017, 2018, 2019) Seattle WA http://www.lynnhansongallery.com/icon-2020.html MIND + BODY juried invitational, Port Angeles Fine Arts Center, Port Angeles, WA http://www.pafac.org/wellbeing.html 2020 SOUTHWEST JURIED EXHIBITION, Leonor Fuller Gallery, South Puget Sound College https://spscc.edu/gallery/exhibition/southwest-juried-show-2020 RECYCLED ARTS SHOW curated by Debbie Palmer, Fogue Art Gallery, Georgetown Seattle WA https://www.seattlerecycledarts.com/fogue-gallery-show REFLECTIONS Kirkland Arts Center, invitational by Donna Lindeman Porter, Kirkland WA https://my.matterport.com/show/?m=bazM3TMYvBo CURRENTS 2020, NWDC* juried membership, Schack Art Center, Everett WA. -
IPG Spring 2020 LGBTQ Titles - February 2020 Page 1
LGBTQ Titles Spring 2020 {IPG} Rainbow Warrior My Life in Color Gilbert Baker, Dustin Lance Black Summary In 1978, Harvey Milk asked Gilbert Baker to create a unifying symbol for the growing gay rights movement, and on June 25 of that year, Baker’s Rainbow Flag debuted at San Francisco’s Gay Freedom Day Parade. Baker had no idea his creation would become an international emblem of liberation and inclusiveness, forever cementing his pivotal role in helping to define the modern LGBTQ movement. Rainbow Warrior is Baker’s passionate personal chronicle, from a repressive childhood in 1950s Kansas, to a harrowing stint in the US Army, and finally his arrival in San Francisco, where he bloomed as both a visual artist and social justice activist. His fascinating story weaves through the early years of the struggle for LGBTQ rights, when he Chicago Review Press worked closely with Milk, Cleve Jones, and the Sisters of Perpetual Indulgence. Gilbert Baker often called 9781641603201 himself the “Gay Betsy Ross,” and readers of his colorful, irreverent, and deeply personal memoir will find it Pub Date: 5/5/20 On Sale Date: 5/5/20 difficult to disagree. $16.99 USD Discount Code: LON Contributor Bio Trade Paperback Artist Gilbert Baker created the first Rainbow Flag in 1978, and was a longtime LGBTQ+, peace, and AIDS 256 Pages activist. He died in 2017. Carton Qty: 0 Biography & Autobiography / Lgbt BIO031000 9 in H | 6 in W | 1 in T | 1.3 lb Wt For Your Convenience A Classic 1930's Guide to London Loos Paul Pry, Philip Gough Summary A facsimile guide to the Gents Loos of London, with map endpapers, published originally in 1937 by Routledge. -
The Hollywood Cinema Industry's Coming of Digital Age: The
The Hollywood Cinema Industry’s Coming of Digital Age: the Digitisation of Visual Effects, 1977-1999 Volume I Rama Venkatasawmy BA (Hons) Murdoch This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2010 I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. -------------------------------- Rama Venkatasawmy Abstract By 1902, Georges Méliès’s Le Voyage Dans La Lune had already articulated a pivotal function for visual effects or VFX in the cinema. It enabled the visual realisation of concepts and ideas that would otherwise have been, in practical and logistical terms, too risky, expensive or plain impossible to capture, re-present and reproduce on film according to so-called “conventional” motion-picture recording techniques and devices. Since then, VFX – in conjunction with their respective techno-visual means of re-production – have gradually become utterly indispensable to the array of practices, techniques and tools commonly used in filmmaking as such. For the Hollywood cinema industry, comprehensive VFX applications have not only motivated the expansion of commercial filmmaking praxis. They have also influenced the evolution of viewing pleasures and spectatorship experiences. Following the digitisation of their associated technologies, VFX have been responsible for multiplying the strategies of re-presentation and story-telling as well as extending the range of stories that can potentially be told on screen. By the same token, the visual standards of the Hollywood film’s production and exhibition have been growing in sophistication. -
Jon Ippolito
jon ippolito Maine office Home away from home CV version 11.2 IMRC Center, Rm 101 jonippolito.net 5785 Stewart Commons [email protected] University of Maine Twitter: @jonippolito Orono, ME 04469-5785 207.581.4389 general biography 2002-present Professor and Program Coordinator, New Media (Associate Professor 2008-14; Assistant Professor 2002-08), Co-Director, Still Water lab, and Director, Digital Curation graduate program, University of Maine. Helped establish new undergraduate curriculum in 2003 and revise it in 2011-12. Spearheaded development of graduate Digital Curation program from 2011 to present. Designed and taught a dozen new courses, and established working groups to promote open networks for art and culture. Served on departmental program and research committees and campus-wide access and Web committees. Taught students to cheat productively using the Internet. More at still-water.net. Artist. With Keith Frank, Janet Cohen, Joline Blais, and Alex Galloway created and exhibited collaborative works with little or no commercial potential. Inaugural winner of the Thoma Arts Writing Fellowship. 1991-2006 Associate Curator of Media Arts at Guggenheim. ("Adjunct Associate Curator" from 2004-2006.) Curated and coordinated over a dozen exhibitions and symposia on contemporary and media art; commissioned and acquired Internet artworks for the permanent collection; coordinated the museum's Variable Media Initiative; wrote and edited catalogue essays and wall texts; lectured on historical exhibitions and collection; designed and commissioned CyberAtlas online projects; edited New-Media Watch section of Guggenheim Magazine; confused a lot of trustees. 1989-91 M.F.A. in Painting and Printmaking from Yale. Taught calculus and computers at New Haven Yeshiva. -
MAT TYPE 001 L578o "Levine, Lawrence W"
CALL #(BIBLIO) AUTHOR TITLE LOCATION UPDATED(ITEM) MAT TYPE 001 L578o "Levine, Lawrence W" "The opening of the American mind : canons, culture, and history / Lawrence W. Levine" b 001.56 B632 "The Body as a medium of expression : essays based on a course of lectures given at the Institute of Contemporary Arts, London / edited by Jonathan Benthall and Ted Polhemus" b 001.9 Sh26e "Shaw, Eva, 1947-" "Eve of destruction : prophecies, theories, and preparations for the end of the world / by Eva Shaw" b 001.942 C841u "Craig, Roy, 1924-" UFOs : an insider's view of the official quest for evidence / by Roy Craig b 001.942 R159p "Randle, Kevin D., 1949-" Project Blue Book exposed / Kevin D. Randle b 001.942 St97u "Sturrock, Peter A. (Peter Andrew)" The UFO enigma : a new review of the physical evidence / Peter A. Sturrock b 001.942 Uf7 The UFO phenomenon / by the editors of Time- Life Books b 001.944 M191m "Mackal, Roy P" The monsters of Loch Ness / Roy P. Mackal b 001.944 M541s "Meredith, Dennis L" Search at Loch Ness : the expedition of the New York times and the Academy of Applied Science / Dennis L. Meredith b 001.96 L891s "Lorie, Peter" Superstitions / Peter Lorie b 004 P587c "Pickover, Clifford A" Computers and the imagination : visual adventures beyond the edge / Clifford A. Pickover b 004.16 R227 2001 Reader's Digest the new beginner's guide to home computing b 004.1675 Ip1b3 2013 "Baig, Edward C" iPad for dummies / by Edward C. Baig and Bob Dr. Mac LeVitus b 004.1675 Ip2i 2012 "iPhone for seniors : quickly start working with the user-friendly -
UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM C-AR UNDER THE SECURITIES ACT OF 1933 (Mark one.) Form C: Offering Statement Form C-U: Progress Update Form C/A: Amendment to Offering Statement Check box if Amendment is material and investors must reconfirm within five business days. Form C-AR: Annual Report Form C-AR/A: Amendment to Annual Report Form C-TR: Termination of Reporting Name of issuer Stepstone Art Resources, LLC Legal status of issuer Form Limited Liability Company Jurisdiction of Incorporation/Organization Massachusetts Date of organization October 27, 2015 Physical address of issuer 1921 Dublin Road, Richmond, MA 01254 Website of issuer See.me Current number of employees 4 1 Most recent fiscal year-end Prior fiscal year-end Total Assets $138,917.00 $187,690.00 Cash & Cash Equivalents $4,750.00 $38,523.00 Accounts Receivable $0.00 $0.00 Short-term Debt $70,113.00 $376,951.00 Long-term Debt $523,747.00 $0.00 Revenues/Sales $143,800.00 $63,393.00 Cost of Goods Sold $25,253.00 $1,323.00 Taxes Paid $0.00 $0.00 Net Income -$196,191.00 -$385,009.00 2 August 1, 2020 FORM C-AR Stepstone Art Resources, LLC This Form C-AR (including the cover page and all exhibits attached hereto, the "Form C- AR) is being furnished by Stepstone Art Resources, LLC, a Massachusetts Limited Liability Company (the "Company," as well as references to "we," "us," or "our") for the sole purpose of providing certain information about the Company as required by the Securities and Exchange Commission ("SEC"). -
Habatat Galleries Inspirations
HABATAT GALLERIES INSPIRATIONS HABATAT GALLERIES 38TH ANNUAL INTERNATIONAL GLASS INVITATIONAL Awards Exhibition 2010 INSPIRATIONS April 24th 2010 – May 23rd, 2010 HABATAT GALLERIES MICHIGAN 4400 Fernlee Avenue | Royal Oak, Michigan, 48073 248.554.0590 | 248.554.0594 fax | [email protected] | www.habatat.com Inside Front Cover - Blank Title Page Introduction Shirley Glass This catalog is dedicated to the memory of Sherwin and Shirley Glass. They are both remembered fondly by artists for challenging them creatively often asking, “can you Welcome to this year’s edition of our International Glass Invitational. It is as always a make this in a scale never before attempted?” Between 1999 and 2009, they created the blend of the most noted artists that work in the glass medium, artists that reflect current definitive collection of the decade. Shirley’s humor, intelligence and intense interest in trends and emergent artists whom we want to expose based upon their innovative learning with openness that flexibility to new ideas, were the perfect combinations in approach to the material. We have always encouraged artists to offer their latest ideas translated into glass. In this way we have launched not only careers but significant bodies developing this incredibly important collection. of work. For example we offered the first public display of Dale Chihuly Venetian series Her wit, laugh and amazing spirit will be missed by everyone associated with studio glass. in 1989, at the 27th Annual Exhibit. Not all of these artists will be internationally recognized, as witnessed by some artists - Ferdinand and Kathy Hampson in previous International catalogues that have not achieved the accolades of many of the and the staff of Habatat Galleries documented artists that continue to be represented each year. -
Guns, Democracy, and the Insurrectionist Idea
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE GUNS, DEMOCRACY, AND THE INSURRECTIONIST IDEA GUNS, DEMOCRACY, AND THE INSURRECTIONIST IDEA Joshua Horwitz and Casey Anderson the university of michigan press ann arbor Copyright © by the University of Michigan 2009 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2012 2011 2010 2009 4 3 2 1 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Horwitz, Joshua, 1963– Guns, democracy, and the insurrectionist idea / Joshua Horwitz and Casey Anderson. p. cm. Includes bibliographical references and index. isbn-13: 978-0-472-11572-3 (cloth : alk. paper) isbn-10: 0-472-11572-3 (cloth : alk. paper) isbn-13: 978-0-472-03370-6 (pbk. : alk. paper) isbn-10: 0-472-03370-0 (pbk. : alk. paper) 1. Civil rights—United States. 2. Gun control—United States. 3. Firearms—Law and legislation—United -
Fall 2010 (PDF)
Friends of ART fall 2010 News, commentary and vision from the Columbus State University Department of Art and our supporters Dear Friends of Art Members, hat a great year it’s been! CSU’s In November, the first Studio Open House next door. The Joseph House continues to be W Friends of Art has enjoyed an and Student Art Sale drew over 500 art lovers wonderfully supportive of CSU’s Friends of action-packed season that shows every sign to the Department, and this success indicated Art, and we are very appreciative. of continuing into the coming year. We have that it should become an annual event. This This year, the Greig Leach Workshop was listened, learned, been entertained, wined year the Studio Open House and Student Art held in the Yancey Center during February. and dined, and worked hard to be supportive Sale will be held on Friday, November 12th, Several FOA members, including Bucky of the Department of Art. and FOA members will be invited for a sneak Bowles, Eddie Norris, and Susan Binns, joined Back in September, FOA members peek at the sale prior to the opening, between art students in this innovative workshop that enjoyed a private reception for the Lamar 4 and 6 pm. Such a perk, this peek! featured the use of oil paint sticks. Another Dodd Drawing Exhibition at the Corn Center, November also saw an Art Talk and Tea, February event was a sumptuous private followed by a dessert reception at the W.C. hosted by The Joseph House. Dr. Claire Black reception for FOA in conjunction with the Bradley Company Museum, where many of McCoy spoke on Perspectives on Leonardo “Figure as Narrative” exhibition at the Corn Dodd’s paintings were on loan. -
Primary & Secondary Sources
Primary & Secondary Sources Brands & Products Agencies & Clients Media & Content Influencers & Licensees Organizations & Associations Government & Education Research & Data Multicultural Media Forecast 2019: Primary & Secondary Sources COPYRIGHT U.S. Multicultural Media Forecast 2019 Exclusive market research & strategic intelligence from PQ Media – Intelligent data for smarter business decisions In partnership with the Alliance for Inclusive and Multicultural Marketing at the Association of National Advertisers Co-authored at PQM by: Patrick Quinn – President & CEO Leo Kivijarv, PhD – EVP & Research Director Editorial Support at AIMM by: Bill Duggan – Group Executive Vice President, ANA Claudine Waite – Director, Content Marketing, Committees & Conferences, ANA Carlos Santiago – President & Chief Strategist, Santiago Solutions Group Except by express prior written permission from PQ Media LLC or the Association of National Advertisers, no part of this work may be copied or publicly distributed, displayed or disseminated by any means of publication or communication now known or developed hereafter, including in or by any: (i) directory or compilation or other printed publication; (ii) information storage or retrieval system; (iii) electronic device, including any analog or digital visual or audiovisual device or product. PQ Media and the Alliance for Inclusive and Multicultural Marketing at the Association of National Advertisers will protect and defend their copyright and all their other rights in this publication, including under the laws of copyright, misappropriation, trade secrets and unfair competition. All information and data contained in this report is obtained by PQ Media from sources that PQ Media believes to be accurate and reliable. However, errors and omissions in this report may result from human error and malfunctions in electronic conversion and transmission of textual and numeric data. -
Academic Ableism: Disability and Higher Education
Dolmage, Jay T. Academic Ableism: Disability and Higher Education. E-book, Ann Arbor, MI: University of Michigan Press, 2017, https://doi.org/10.3998/mpub.9708722. Downloaded on behalf of Unknown Institution Revised Pages Academic Ableism Dolmage, Jay T. Academic Ableism: Disability and Higher Education. E-book, Ann Arbor, MI: University of Michigan Press, 2017, https://doi.org/10.3998/mpub.9708722. Downloaded on behalf of Unknown Institution Revised Pages CoRpoRealities: Discourses of Disability Series editors: David T. Mitchell and Sharon L. Snyder Recent Titles Foucault and Feminist Philosophy of Disability by Shelley L. Tremain Academic Ableism: Disability and Higher Education by Jay Timothy Dolmage Negotiating Disability: Disclosure and Higher Education by Stephanie L. Kerschbaum, Laura T. Eisenman, and James M. Jones, editors Portraits of Violence: War and the Aesthetics of Disfigurement by Suzannah Biernoff Bodies of Modernism: Physical Disability in Transatlantic Modernist Literature by Maren Tova Linett War on Autism: On the Cultural Logic of Normative Violence by Anne McGuire The Biopolitics of Disability: Neoliberalism, Ablenationalism, and Peripheral Embodiment by David T. Mitchell with Sharon L. Snyder Foucault and the Government of Disability, Enlarged and Revised Edition by Shelley Tremain, editor The Measure of Manliness: Disability and Masculinity in the Mid-Victorian Novel by Karen Bourrier American Lobotomy: A Rhetorical History by Jenell Johnson Shakin’ All Over: Popular Music and Disability by George McKay The Metanarrative of Blindness: A Re-reading of Twentieth-Century Anglophone Writing by David Bolt Disabled Veterans in History by David A. Gerber, editor Mad at School: Rhetorics of Mental Disability and Academic Life by Margaret Price Disability Aesthetics by Tobin Siebers Stumbling Blocks Before the Blind: Medieval Constructions of a Disability by Edward Wheatley Signifying Bodies: Disability in Contemporary Life Writing by G.