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Resume Di Nino Full 2020 (Pdf) Download
lynndinino.com 2313 N 29th St .Tacoma Wa 98403 . (253) 396 0774 . [email protected] Born: Roswell, N.M. 1945 A freelance artist since 1974, I’m self-taught and completely self-supporting through private commissions, shows and galleries. My sculptural work stems from ideas or phrases, usually involving social or political observation. The excitement comes in selecting the right materials to fit the idea: maybe concrete, household objects, plastic, shredded newspaper, coffee beans – whatever will express my story in a clever way. I often use animal shapes. I sometimes combine a sober idea with humor for impact. I also have a long history of working in five dimensions: the usual three plus working with large groups of artists and presenting performance in real time, involving ideas, costumes, props, music, lights, and spoken word. GROUP SHOWS: VISUAL ART 2021 ERA Living: Sheltering in the Studio curated by June Sekiguchi, Culver House Broadview, Seattle WA 2020 note: due to COVID, many shows online only NWCraft20, juried online exhibition benefiting the Bellevue Arts Museum, Bellevue WA https://www.nwdesignercraftsmen.org/ ERA Living: Beloveds: Artist Couples curated by June Sekiguchi, Lakeshore Residence, Seattle WA https://madmimi.com/p/782c711 Icon 2020, Lynn Hanson Gallery, (also years 2017, 2018, 2019) Seattle WA http://www.lynnhansongallery.com/icon-2020.html MIND + BODY juried invitational, Port Angeles Fine Arts Center, Port Angeles, WA http://www.pafac.org/wellbeing.html 2020 SOUTHWEST JURIED EXHIBITION, Leonor Fuller Gallery, South Puget Sound College https://spscc.edu/gallery/exhibition/southwest-juried-show-2020 RECYCLED ARTS SHOW curated by Debbie Palmer, Fogue Art Gallery, Georgetown Seattle WA https://www.seattlerecycledarts.com/fogue-gallery-show REFLECTIONS Kirkland Arts Center, invitational by Donna Lindeman Porter, Kirkland WA https://my.matterport.com/show/?m=bazM3TMYvBo CURRENTS 2020, NWDC* juried membership, Schack Art Center, Everett WA. -
The Hollywood Cinema Industry's Coming of Digital Age: The
The Hollywood Cinema Industry’s Coming of Digital Age: the Digitisation of Visual Effects, 1977-1999 Volume I Rama Venkatasawmy BA (Hons) Murdoch This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2010 I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. -------------------------------- Rama Venkatasawmy Abstract By 1902, Georges Méliès’s Le Voyage Dans La Lune had already articulated a pivotal function for visual effects or VFX in the cinema. It enabled the visual realisation of concepts and ideas that would otherwise have been, in practical and logistical terms, too risky, expensive or plain impossible to capture, re-present and reproduce on film according to so-called “conventional” motion-picture recording techniques and devices. Since then, VFX – in conjunction with their respective techno-visual means of re-production – have gradually become utterly indispensable to the array of practices, techniques and tools commonly used in filmmaking as such. For the Hollywood cinema industry, comprehensive VFX applications have not only motivated the expansion of commercial filmmaking praxis. They have also influenced the evolution of viewing pleasures and spectatorship experiences. Following the digitisation of their associated technologies, VFX have been responsible for multiplying the strategies of re-presentation and story-telling as well as extending the range of stories that can potentially be told on screen. By the same token, the visual standards of the Hollywood film’s production and exhibition have been growing in sophistication. -
Jon Ippolito
jon ippolito Maine office Home away from home CV version 11.2 IMRC Center, Rm 101 jonippolito.net 5785 Stewart Commons [email protected] University of Maine Twitter: @jonippolito Orono, ME 04469-5785 207.581.4389 general biography 2002-present Professor and Program Coordinator, New Media (Associate Professor 2008-14; Assistant Professor 2002-08), Co-Director, Still Water lab, and Director, Digital Curation graduate program, University of Maine. Helped establish new undergraduate curriculum in 2003 and revise it in 2011-12. Spearheaded development of graduate Digital Curation program from 2011 to present. Designed and taught a dozen new courses, and established working groups to promote open networks for art and culture. Served on departmental program and research committees and campus-wide access and Web committees. Taught students to cheat productively using the Internet. More at still-water.net. Artist. With Keith Frank, Janet Cohen, Joline Blais, and Alex Galloway created and exhibited collaborative works with little or no commercial potential. Inaugural winner of the Thoma Arts Writing Fellowship. 1991-2006 Associate Curator of Media Arts at Guggenheim. ("Adjunct Associate Curator" from 2004-2006.) Curated and coordinated over a dozen exhibitions and symposia on contemporary and media art; commissioned and acquired Internet artworks for the permanent collection; coordinated the museum's Variable Media Initiative; wrote and edited catalogue essays and wall texts; lectured on historical exhibitions and collection; designed and commissioned CyberAtlas online projects; edited New-Media Watch section of Guggenheim Magazine; confused a lot of trustees. 1989-91 M.F.A. in Painting and Printmaking from Yale. Taught calculus and computers at New Haven Yeshiva. -
UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM C-AR UNDER THE SECURITIES ACT OF 1933 (Mark one.) Form C: Offering Statement Form C-U: Progress Update Form C/A: Amendment to Offering Statement Check box if Amendment is material and investors must reconfirm within five business days. Form C-AR: Annual Report Form C-AR/A: Amendment to Annual Report Form C-TR: Termination of Reporting Name of issuer Stepstone Art Resources, LLC Legal status of issuer Form Limited Liability Company Jurisdiction of Incorporation/Organization Massachusetts Date of organization October 27, 2015 Physical address of issuer 1921 Dublin Road, Richmond, MA 01254 Website of issuer See.me Current number of employees 4 1 Most recent fiscal year-end Prior fiscal year-end Total Assets $138,917.00 $187,690.00 Cash & Cash Equivalents $4,750.00 $38,523.00 Accounts Receivable $0.00 $0.00 Short-term Debt $70,113.00 $376,951.00 Long-term Debt $523,747.00 $0.00 Revenues/Sales $143,800.00 $63,393.00 Cost of Goods Sold $25,253.00 $1,323.00 Taxes Paid $0.00 $0.00 Net Income -$196,191.00 -$385,009.00 2 August 1, 2020 FORM C-AR Stepstone Art Resources, LLC This Form C-AR (including the cover page and all exhibits attached hereto, the "Form C- AR) is being furnished by Stepstone Art Resources, LLC, a Massachusetts Limited Liability Company (the "Company," as well as references to "we," "us," or "our") for the sole purpose of providing certain information about the Company as required by the Securities and Exchange Commission ("SEC"). -
Habatat Galleries Inspirations
HABATAT GALLERIES INSPIRATIONS HABATAT GALLERIES 38TH ANNUAL INTERNATIONAL GLASS INVITATIONAL Awards Exhibition 2010 INSPIRATIONS April 24th 2010 – May 23rd, 2010 HABATAT GALLERIES MICHIGAN 4400 Fernlee Avenue | Royal Oak, Michigan, 48073 248.554.0590 | 248.554.0594 fax | [email protected] | www.habatat.com Inside Front Cover - Blank Title Page Introduction Shirley Glass This catalog is dedicated to the memory of Sherwin and Shirley Glass. They are both remembered fondly by artists for challenging them creatively often asking, “can you Welcome to this year’s edition of our International Glass Invitational. It is as always a make this in a scale never before attempted?” Between 1999 and 2009, they created the blend of the most noted artists that work in the glass medium, artists that reflect current definitive collection of the decade. Shirley’s humor, intelligence and intense interest in trends and emergent artists whom we want to expose based upon their innovative learning with openness that flexibility to new ideas, were the perfect combinations in approach to the material. We have always encouraged artists to offer their latest ideas translated into glass. In this way we have launched not only careers but significant bodies developing this incredibly important collection. of work. For example we offered the first public display of Dale Chihuly Venetian series Her wit, laugh and amazing spirit will be missed by everyone associated with studio glass. in 1989, at the 27th Annual Exhibit. Not all of these artists will be internationally recognized, as witnessed by some artists - Ferdinand and Kathy Hampson in previous International catalogues that have not achieved the accolades of many of the and the staff of Habatat Galleries documented artists that continue to be represented each year. -
Guns, Democracy, and the Insurrectionist Idea
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE GUNS, DEMOCRACY, AND THE INSURRECTIONIST IDEA GUNS, DEMOCRACY, AND THE INSURRECTIONIST IDEA Joshua Horwitz and Casey Anderson the university of michigan press ann arbor Copyright © by the University of Michigan 2009 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2012 2011 2010 2009 4 3 2 1 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Horwitz, Joshua, 1963– Guns, democracy, and the insurrectionist idea / Joshua Horwitz and Casey Anderson. p. cm. Includes bibliographical references and index. isbn-13: 978-0-472-11572-3 (cloth : alk. paper) isbn-10: 0-472-11572-3 (cloth : alk. paper) isbn-13: 978-0-472-03370-6 (pbk. : alk. paper) isbn-10: 0-472-03370-0 (pbk. : alk. paper) 1. Civil rights—United States. 2. Gun control—United States. 3. Firearms—Law and legislation—United -
PUBLICATION.Qxd
20090608--A--0001-MAIN-CCI-CNYB--CRAINS NEW YORK BUSINESS MAIN (REGULAR) PUBLICATION 6/5/2009 8:58 PM Page 1 INSIDE FUTURE OF NY SMALL TOP STORIES BUSINESS Why New York is These survival a great place to strategies can blunt recession’s damage bust up a business ® PAGE 3 PAGE 19 VOL. XXV, NO. 23 WWW.CRAINSNEWYORK.COM JUNE 8-14, 2009 PRICE: $3.00 YOUR GOVERNMENT IN ACTION CITY HALL Outspoken media NYC pushes analyst blogs a path to stardom $2.7B break PAGE 3 The anti-AIG: Travelers shows for big biz how money’s made Tax change may keep HQs here; IN THE MARKETS, PAGE 4 timing, jobs growth in question Celeb chef won’t let bankruptcy ruin BY DANIEL MASSEY his future plans the bloomberg administration is pushing a NEW YORK, NEW YORK, P. 6 proposal that would dramatically cut city taxes on corporate profits, providing $2.7 billion in savings Obama should let to 27,000 companies, including many of the city’s largest, over the first 10 years.The tax break, which bailed-out banks would be phased in starting in fiscal 2010,is expect- repay billions early ed to ultimately save businesses here about $550 million a year. EDITORIAL, PAGE 10 Mayor Michael Bloomberg and City Council Speaker Christine Quinn maintain that the change, designed to bring the city in line with statewide tax BUSINESS LIVES See $2.7B TAX BREAK on Page 8 WEDDING PLANNERS Gay marriage advocates ALBANY fight for the right to tie the knot in New York PAGE 27 bloomberg news Paterson fights FRANK TALK: “They understand a new set of regulations is coming,” Rep. -
Primary & Secondary Sources
Primary & Secondary Sources Brands & Products Agencies & Clients Media & Content Influencers & Licensees Organizations & Associations Government & Education Research & Data Multicultural Media Forecast 2019: Primary & Secondary Sources COPYRIGHT U.S. Multicultural Media Forecast 2019 Exclusive market research & strategic intelligence from PQ Media – Intelligent data for smarter business decisions In partnership with the Alliance for Inclusive and Multicultural Marketing at the Association of National Advertisers Co-authored at PQM by: Patrick Quinn – President & CEO Leo Kivijarv, PhD – EVP & Research Director Editorial Support at AIMM by: Bill Duggan – Group Executive Vice President, ANA Claudine Waite – Director, Content Marketing, Committees & Conferences, ANA Carlos Santiago – President & Chief Strategist, Santiago Solutions Group Except by express prior written permission from PQ Media LLC or the Association of National Advertisers, no part of this work may be copied or publicly distributed, displayed or disseminated by any means of publication or communication now known or developed hereafter, including in or by any: (i) directory or compilation or other printed publication; (ii) information storage or retrieval system; (iii) electronic device, including any analog or digital visual or audiovisual device or product. PQ Media and the Alliance for Inclusive and Multicultural Marketing at the Association of National Advertisers will protect and defend their copyright and all their other rights in this publication, including under the laws of copyright, misappropriation, trade secrets and unfair competition. All information and data contained in this report is obtained by PQ Media from sources that PQ Media believes to be accurate and reliable. However, errors and omissions in this report may result from human error and malfunctions in electronic conversion and transmission of textual and numeric data. -
Academic Ableism: Disability and Higher Education
Dolmage, Jay T. Academic Ableism: Disability and Higher Education. E-book, Ann Arbor, MI: University of Michigan Press, 2017, https://doi.org/10.3998/mpub.9708722. Downloaded on behalf of Unknown Institution Revised Pages Academic Ableism Dolmage, Jay T. Academic Ableism: Disability and Higher Education. E-book, Ann Arbor, MI: University of Michigan Press, 2017, https://doi.org/10.3998/mpub.9708722. Downloaded on behalf of Unknown Institution Revised Pages CoRpoRealities: Discourses of Disability Series editors: David T. Mitchell and Sharon L. Snyder Recent Titles Foucault and Feminist Philosophy of Disability by Shelley L. Tremain Academic Ableism: Disability and Higher Education by Jay Timothy Dolmage Negotiating Disability: Disclosure and Higher Education by Stephanie L. Kerschbaum, Laura T. Eisenman, and James M. Jones, editors Portraits of Violence: War and the Aesthetics of Disfigurement by Suzannah Biernoff Bodies of Modernism: Physical Disability in Transatlantic Modernist Literature by Maren Tova Linett War on Autism: On the Cultural Logic of Normative Violence by Anne McGuire The Biopolitics of Disability: Neoliberalism, Ablenationalism, and Peripheral Embodiment by David T. Mitchell with Sharon L. Snyder Foucault and the Government of Disability, Enlarged and Revised Edition by Shelley Tremain, editor The Measure of Manliness: Disability and Masculinity in the Mid-Victorian Novel by Karen Bourrier American Lobotomy: A Rhetorical History by Jenell Johnson Shakin’ All Over: Popular Music and Disability by George McKay The Metanarrative of Blindness: A Re-reading of Twentieth-Century Anglophone Writing by David Bolt Disabled Veterans in History by David A. Gerber, editor Mad at School: Rhetorics of Mental Disability and Academic Life by Margaret Price Disability Aesthetics by Tobin Siebers Stumbling Blocks Before the Blind: Medieval Constructions of a Disability by Edward Wheatley Signifying Bodies: Disability in Contemporary Life Writing by G. -
Framing the Culture Wars: a Content Analysis of News Media Coverage of the Mapplethorpe and Brooklyn Museum Art Controversies
Rochester Institute of Technology RIT Scholar Works Theses 7-1-2007 Framing the culture wars: a content analysis of news media coverage of the Mapplethorpe and Brooklyn Museum art controversies Amy Holowczenko Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Holowczenko, Amy, "Framing the culture wars: a content analysis of news media coverage of the Mapplethorpe and Brooklyn Museum art controversies" (2007). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. THE ROCHESTER INSTITUTE OF TECHNOLOGY DEPARTMENT OF COMMUNICATION FRAMING THE CULTURE WARS: A CONTENT ANALYSIS OF NEWS MEDIA COVERAGE OF THE MAPPLETHORPE AND BROOKLYN MUSEUM ART CONTROVERSIES By AMY L. HOLOWCZENKO A paper submitted in partial fulfillment of the Master of Science degree in Communication & Media Technologies Degree Awarded: Summer Quarter, 2007 Framing the Culture Wars 2 The members of the Committee approve the thesis of Amy L. Holowczenko presented on 20 July 2007. Dr. Bruce A. Austin Chairman Department of Communication Thesis Advisor Dr. Rudy Pugliese Communication & Media Technologies Coordinator Department of Communication Thesis Advisor Professor Loret Steinberg Associate Professor Department of Photographic Arts Thesis Advisor Framing the Culture Wars 3 Dedication This thesis is dedicated in memory of my mom, Louise Mae Sudore. Although her unsuccessful battle against cancer prevented her from seeing the completion of my thesis and degree, she was my motivation to be strong and persevere in my personal, professional, and academic life. -
Electronics Police /Emergency
LIGHT POWERS THIS LIQUID SEMICONDUCTOR -see p.31 a 75o WHITE'S RADIO cien c Pand LOG AM Stations Worldwide SW electronics Police /Emergency W'I4°EIiMENTER Shutterbug special S I E's UNIVERSAL DARKROOM TIMER O. controls enlarger on time clocks any tray operation LUS BUDGET BUILD -ITS 97 -cent Hard -Rock Fuzz Box Sn /Fe Moving -Vane Ammeter erpetual- Motion Freq Standard Penny Pincher's Police Convertor EGNSS X11-- -É HE SKIES ABOVE US S /E's roving report on what's what in outer space Dazzle your friends with lightworks. .;. Sound n' Color Translators Strobe Lites Build the Stereo Kits praised by experts. r,...;., . "1. ì -4 . :A 11 R r w "w'_1if:- *PP IMO 70-: . '.t Stereo Hece v-r v,77/ L :7 ',Ialo ,:area , 3770, 5189.95 kd, A'97lAier. inUud:rg rob net For the audio Cortina 3267, : 7707 hoe St G9r.,na '150 0149 95 kt- .. - . n 1-- r ir) -Wa t 9'7!e Stereo 9.59 .. t -3_ :n - 17^el Cr,rlna ,1399,.. -d Build for fun and use with Eicocraft jiffy project kits. Eät co F ,-Ir16F'r .. Shape up your own car/boat with EICO Engine Analyzer Ar"--11P{a". t c lr 1 ,em. Co rr ,-stol . .v1 I c aei b e ghoc ne r n9 n, , rod r,rtll,_ , s Be a technocrat with EICO solid -state test equipment EICO 240 Solid -State EICO 379 Solid -Slate EICO 242 Solid -State FICO 150 Solid -Stale EICO 330 Solid -State FET-TVOM Sine / Sonare Wave Gene't'e r Deluxe FET -TVOM Signal Tracer RF Signal Generator 549.95 kJ. -
CAR-TRAIN CRASH FATAL Young Driver Dies in Collision on Tolland Turnpike
a™.'.!.'.;.'.'..'i J « 1 « »« M 1 » f f f t NY Town c(ops aid if in h i^ in c 1 bust .^p.,. 2 illanrhpHtpr IpralJi MUST EALI Saturday, Sept. 24, 1988 Manchester, Conn. — A City of Village Charm 30 Cents BLE <-------------- 1 CAR-TRAIN CRASH FATAL Young driver dies in collision on Tolland Turnpike . page 2 i3«» >S. ENT (QOO roof Yl'- PA )W ER liarge with In Stock 3 18 Piirtek Flynn/ManohMtor Harild FATAL CRASH SCENE — Firefighter hoses down the wreckage of a car after it hit a 9A train on Tolland Turnoike late Friday night. The driver of the car was killed. x2 ;k 0-88 Dr. Crane’s Quiz man killed wheii State muet ‘wait in iine’ foi^ Merriil 1. Which fruit is largest in size? By The Associated Press charges in connection with an attack wait in line,” the detective said. showing up drunk and refusing to CONCORD GAGE JONATHAN DUKE on a South Windsor woman. work. A Connecticut state police detective He sSid Merrill was scheduled to be 2. Which type of cloth is not derived directly from car collides with train But, Lacaprucia said, it could be Authorities checked the name — a living plant? prepared Friday to head to Toronto to sometime before Merrill is returned transported Friday from Fredricton, John Sisam — Merrill was using interview the state’s most notorious New Brunswick to Toronto. LINEN SILK NYLON MUSLIN By AAlchele Noble collided with the train head-on at to Connecticut because Toronto au through crime computers. They found But O’Marra said, “ To my escapee, whose iife on the iam ended 3.