DOCSLIB.ORG

Spring 2015 Catalog

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Spring 2015 Catalog THE UNIVERSITY OF WISCONSIN PRESS SPRING 2015 CONTENTS More on New publications 1–29 VIETNAM AND Terrace Books 2–3, 5, 7, 9 THE HMONG Midwest Regional Titles 6, 7, 9, 28 Understanding and Teaching the Vietnam War Recent Book Awards 30–31 Edited by John Day Tully, Matthew Masur, and Journals 32–34 Brad Austin “An excellent one-stop shop for nonspecialists Recent Backlist 35–39 who regularly find themselves teaching about the Ordering and Contact Information 40 Vietnam War.”—David Herzberg, SUNY–Buffalo Author / Title Indexes Inside back cover TH E HARVEY GOLDBERG SERIES FOR UNDERSTANDING AND TEACHING HISTORY SUBJECT GUIDE LC: 2012040084 DS 2013 366 PP. 6 × 9 22 B/W ILLUS. Africa 14, 24–25 E-BOOK ISBN 978-0-299-29413-7 African American Studies 8, 9 PAPER $29.95 S ISBN 978-0-299-29414-4 American Studies 1, 4, 8, 20, 26, 27 Voices from the Plain of Jars: Life under Anthropology 1, 10, 14, 24 an Air War Art 23 Edited by Fred Branfman with essays and Asian Studies 1 drawings by Laotian villagers “In this small, shattering book we hear—as we are Biography 21, 26 so rarely able to do—the voices of Asian peasants Classics 22–23 describing what we can barely begin to imagine.” Communication & Journalism 20, 27 —Gloria Emerson, New York Review of Books Cookbooks 6 NEW PERSPECTIVES IN SOUTHEAST ASIAN STUDIES Education 14, 29 LC: 2012032677 DS 2013 196 PP. 5½ × 8¼ 34 B/W ILLUS. Environment 7, 18, 28 THE GOVERNMENT E-BOOK ISBN 978-0-299-29223-2 Drama & Performance 22 OF MISTRUST PAPER $19.95 S ISBN 978-0-299-29224-9 Illegibility and Bureaucratic Power Fiction 2–5, 9, 16 in Socialist Vietnam The Government of Mistrust: Illegibility and Film 21 Bureaucratic Power in Socialist Vietnam Folklore 14–15 Ken MacLean Gay, Lesbian & Transgender Interest 4 “A highly original book with an unusually History 1, 8, 10, 18–19, 24–27 innovative methodology.”—Oscar Salemink, University of Copenhagen Human Rights 17–19 NEW PERSPECTIVES IN SOUTHEAST ASIAN STUDIES Immigration & Diaspora Studies 14–15 Ken MacLean LC: 2013015051 HN 2013 Latin America 18 300 PP. 6 × 9 10 B/W ILLUS., 4 TABLES, 1 MAP, 1 CHART E-BOOK ISBN 978-0-299-29593-6 Law 19 PAPER $39.95 S ISBN 978-0-299-29594-3 Literature & Criticism 17, 19, 23 Mystery 2–4 Viet Nam: Borderless Histories Poetry 11–13 Edited by Nhung Tuyet Tran and Anthony Reid “A significant contribution to the efforts to Politics 1, 18–20, 24–27 move beyond a national history of Vietnam.” Popular Culture 20 —Thongchai Winichakul, University of Reference 29 Wisconsin–Madison Ru ssian, Slavic & Eastern European NEW PERSPECTIVES IN SOUTHEAST ASIAN STUDIES Studies 15–17 LC: 2005032883 DS 2006 Science 28–29 400 PP. 6 × 9 10 B/W ILLUS., 2 MAPS, 7 TABLES E-BOOK ISBN 978-0-299-21773-0 Social Services 14 PAPER $26.95 S ISBN 978-0-299-21774-7 Sports & Recreation 7 Hmong in America: Journey from a Secret War Travel 6, 7 Tim Pfaff Wisconsin & Midwest 6, 7, 9, 28 Hmong in America tells the dramatic story of the Women’s Studies 22, 24 Hmong through the voices of the people who lived this contemporary history. On the cover: Krumkaka from the LC: 95-067766 2005 Norske Nook (see p. 6); photo by 100 PP. 10 × 8 31 COLOR PHOTOS, 67 B/W PHOTOS, 6 ILLUS. Mette Nielsen PAPER $19.95 T ISBN 978-0-9636191-3-6 SOUTHEAST ASIA / HISTORY / ANTHROPOLOGY / POLITICS / DREAMS OF THE ASIAN AMERICAN STUDIES HMONG KINGDOM The Quest for Legitimation in Dreams of the Hmong Kingdom French Indochina, 1850–1960 The Quest for Legitimation in French Indochina, 1850–1960 Mai Na M. Lee Mai Na M. Lee A pioneering, landmark history of the Hmong people and their complex relations with Southeast Asian states and the French in the colonial era Countering notions that Hmong history begins and ends with the “Secret War” in Laos of the 1960s and 1970s, Dreams of the Hmong Kingdom reveals how the Hmong experience of modernity is grounded in their sense of their own ancient past, when this now-stateless people had their own king and kingdom, and illu- minates their political choices over the course of a century in a highly contested region of Asia. In China, Vietnam, and Laos, the Hmong continuously negotiated with these states and with the French to maintain political autonomy in a world of shifting PAPERBACK ORIGINAL boundaries, emerging nation-states, and contentious nationalist movements and JUNE LC: 2014035663 DS ideologies. Often divided by clan rivalries, the Hmong placed their hope in find- 408 PP. 6 × 9 20 B/W ILLUS., 2 MAPS ing a leader who could unify them and recover their sovereignty. In a compelling E-BOOK ISBN 978-0-299-29883-8 analysis of Hmong society and leadership throughout the French colonial period, PAPER $29.95 T ISBN 978-0-299-29884-5 Mai Na M. Lee identifies two kinds of leaders—political brokers who allied stra- New Perspectives in Southeast tegically with Southeast Asian governments and with the French, and messianic Asian Studies resistance leaders who claimed the Mandate of Heaven. The continuous rise and Alfred C. McCoy, R. Anderson fall of such leaders led to cycles of collaboration and rebellion. After World War Sutton, Thongchai Winichakul, II, the powerful Hmong Ly clan and their allies sided with the French and the Series Editors new monarchy in Laos, but the rival Hmong Lo clan and their supporters allied with Communist coalitions. “No other scholar has tracked this Lee argues that the leadership struggles between Hmong clans destabilized one-hundred-year narrative in French rule and hastened its demise. Martialing an impressive array of oral inter- such detail. The rich oral histories views conducted in the United States, France, and Southeast Asia, augmented and presentation of Hmong with French archival documents, she demonstrates how, at the margins of empire, perspectives make this a welcome minorities such as the Hmong sway the direction of history. work of unimpeachable originality. In excavating the complex history of Hmong struggles for “It is a mature and sophisticated work, showing a huge knowledge of the region sovereignty, Lee also sheds light on and its peoples, and is also highly readable. In its blending of oral with written clan lineages, gender, orality, and accounts, it should have a considerable impact in historical studies.”—Nicholas belief systems.”—Geoffrey C. Gunn, Tapp, Australian National University Nagasaki University, emeritus Photo by Q Studio MAI NA M. LEE is an assistant professor of history and Asian American studies at the University of Minnesota, Twin Cities. She was born in Laos and came to the United States when she was a teenager. She was the first Hmong in the United States to earn a PhD in history. 1 UWPRESS.WISC.EDU MYSTERY / FICTION Death at Gills Rock A Dave Cubiak Door County Mystery Patricia Skalka Dave Cubiak is back, and this time he's the new sheriff in town After tracking a clever killer in Death Stalks Door County, park ranger and for- mer Chicago homicide detective Dave Cubiak is elected Door County sheriff. His newest challenge arrives as spring brings not new life but tragic death to the isolated fishing village of Gills Rock. Three prominent World War II veterans who are about to be honored for their military heroics die from carbon monoxide poisoning during a weekly card game. Blame falls to a faulty heater but Cubiak puzzles over details. When one of the widows receives a message claiming the men “got what they deserved,” he realizes that there may be more to the deaths than a simple accident. JUNE LC: 2014038286 PS Investigating, Cubiak discovers that the men’s veneer of success and respect- 232 PP. 5½ × 8¼ 1 MAP ability hides a trail of lies and betrayal that stems from a single, desperate act of E-BOOK ISBN 978-0-299-30453-9 treachery and eventually spreads a web of deceit across the peninsula. In a dark, CLOTH $26.95 T ISBN 978-0-299-30450-8 moody tale that spans more than half a century, Cubiak encounters a host of suspects with motives for murder. Amid broken dreams, corruption, and loss, he sorts out the truth. Death at Gills Rock is the second book in Patricia Skalka’s Dave Cubiak Door County Mystery series. “Skalka takes us back to Door County—this mystery is even better than the “Death at Gills Rock is an expertly first.”—Mary Logue, author of the Claire Watkins mystery series crafted, impressively researched Photo by B.E.Pinkham novel with a gripping, multilayered PATRICIA SKALKA is a former freelance staff writer plot; colorful, well-drawn characters for Reader’s Digest specializing in medical and human that leap right off the page; tight, interest stories. She has worked as a magazine edi- punchy dialog; and a pace that grabs tor, ghost writer, and writing instructor. A native of you by the throat and doesn’t Chicago, she lives in the city and takes time off at her let go.”—Michael Norman, author cottage in Door County, Wisconsin. of Haunted Wisconsin Of related interest Death Stalks Door County: A Dave PUBLISHED MAY 2014 Cubiak Door County Mystery LC: 2013033800 PS Patricia Skalka 256 PP. 5½ × 8¼ 1 MAP E-BOOK ISBN 978-0-299-29943-9 “An atmospheric debut with enough CLOTH $26.95 T ISBN 978-0-299-29940-8 twists to tempt puzzle aficionados.” —Kirkus Reviews “An impressive first novel.” —Mystery Scene 2 THE UNIVERSITY OF WISCONSIN PRESS SPRING 2015 MYSTERY / FICTION A A Winsome Murder W I N S O M E James DeVita “Murder, stern murder, in the direst degree.”—William Shakespeare M U R D E R A grisly murder in a pastoral Wisconsin town, Winsome Bay, proves to be only the opening act in a twisting, darkening series of gruesome deaths.
Load more

Recommended publications
  • Cuaderno-CCU-Mayo-Junio-18.Pdf
    1 2 La noticia de la primera sesión del Cineclub de Granada Periódico “Ideal”, miércoles 2 de febrero de 1949. El CINECLUB UNIVERSITARIO se crea en 1949 con el nombre de “Cineclub de Granada”. Será en 1953 cuando pase a llamarse con su actual denominación. Así pues en este curso 2017-2018, cumplimos 64 (68) años. 3 MAYO-JUNIO 2018 MAY-JUNE 2018 UN ROSTRO EN LA PANTALLA (V): A FACE ON THE SCREEN (V): MICHAEL CAINE (part 1: the 60’s) MICHAEL CAINE (1ª parte: los años 60) (celebrating Caine’s 85th birthday) (celebrando su 85 cumpleaños) Viernes 18 mayo / Friday 18th may 21 h. ZULÚ (1964) Cy Endfield ( ZULU ) v.o.s.e. / OV film with Spanish subtitles Martes 22 mayo / Tuesday 22th may 21 h. IPCRESS (1965) Sidney J. Furie v.o.s.e. / OV film with Spanish subtitles Viernes25 mayo / Friday 25th may 21 h. ALFIE (1966) Lewis Gilbert v.o.s.e. / OV film with Spanish subtitles Martes 5 junio / Tuesday 5th june 21 h. LA CAJA DE LAS SORPRESAS (1966) Bryan Forbes ( THE WRONG BOX ) v.o.s.e. / OV film with Spanish subtitles Viernes 8 junio / Friday 8th june 21 h. FUNERAL EN BERLÍN (1966) Guy Hamilton ( FUNERAL IN BERLÍN ) v.o.s.e. / OV film with Spanish subtitles Todas las proyecciones en la Sala Máxima de la ANTIGUA FACULTAD DE MEDICINA (Av. de Madrid). Entrada libre hasta completar aforo All projections at the Assembly Hall in the Former Medical College (Av. de Madrid) Free admission up to full room 4 5 “ (…) Existen unos ocho kilometros de papel de periódico y al menos siete biografías que hablan de mí (Dios sabe por qué), así que ¿por qué añadir algo a todo ello? Quizá con objeto de que, para variar, el disco suene en mi propio tocadiscos.
    [Show full text]
  • Shail, Robert, British Film Directors
    BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
    [Show full text]
  • And Marxism in Pre-Blacklist Hollywood
    Introduction Contextualizing the tension between the ‘American Dream’ and Marxism in pre-blacklist Hollywood The relationship between labour and capital in Hollywood was never noted for its harmony. Nevertheless, the class conflict within the American film industry usually resulted in workable compromises, albeit within a political framework limited by the prohibitive moral strictures of the Production Code of 1935 and the Motion Pictures Association of America (MPAA). Even the establishment of the House Committee on Un-American Activities (HUAC) in 1938, known as the Dies Committee after its first chairman Martin Dies Jr. (D-TX), did not significantly alter the uneasy co-existence between the Hollywood Left talent and old studio moguls. That is, not before the post-war reincarnation of HUAC, which left no room for political compromise: from 1947, the Committee went after Hollywood in earnest. Sometimes referred to as the Second Red Scare – the first followed the Russian Revolution – the political repression that followed in its wake is more commonly associated with Joseph McCarthy, a junior congressman from Wisconsin, who spearheaded the government attack on any political and cultural manifestation of un-Americanism (more precisely, anti-capitalism). This unconstitutional attack on freedom of expression at the hands of the Congress marked a watershed not only in the relationship between labour and capital in Hollywood, but in the evolution of the dominant political aesthetics of American cinema. Thirty years ago, film 1 historian Richard
    [Show full text]
  • IPG Spring 2020 LGBTQ Titles - February 2020 Page 1
    LGBTQ Titles Spring 2020 {IPG} Rainbow Warrior My Life in Color Gilbert Baker, Dustin Lance Black Summary In 1978, Harvey Milk asked Gilbert Baker to create a unifying symbol for the growing gay rights movement, and on June 25 of that year, Baker’s Rainbow Flag debuted at San Francisco’s Gay Freedom Day Parade. Baker had no idea his creation would become an international emblem of liberation and inclusiveness, forever cementing his pivotal role in helping to define the modern LGBTQ movement. Rainbow Warrior is Baker’s passionate personal chronicle, from a repressive childhood in 1950s Kansas, to a harrowing stint in the US Army, and finally his arrival in San Francisco, where he bloomed as both a visual artist and social justice activist. His fascinating story weaves through the early years of the struggle for LGBTQ rights, when he Chicago Review Press worked closely with Milk, Cleve Jones, and the Sisters of Perpetual Indulgence. Gilbert Baker often called 9781641603201 himself the “Gay Betsy Ross,” and readers of his colorful, irreverent, and deeply personal memoir will find it Pub Date: 5/5/20 On Sale Date: 5/5/20 difficult to disagree. $16.99 USD Discount Code: LON Contributor Bio Trade Paperback Artist Gilbert Baker created the first Rainbow Flag in 1978, and was a longtime LGBTQ+, peace, and AIDS 256 Pages activist. He died in 2017. Carton Qty: 0 Biography & Autobiography / Lgbt BIO031000 9 in H | 6 in W | 1 in T | 1.3 lb Wt For Your Convenience A Classic 1930's Guide to London Loos Paul Pry, Philip Gough Summary A facsimile guide to the Gents Loos of London, with map endpapers, published originally in 1937 by Routledge.
    [Show full text]
  • Colonel March of Scotland Yard Dave Mann, Independent Scholar, UK
    Epicurean Disdain and the Rhetoric of Defiance: Colonel March of Scotland Yard Dave Mann, Independent Scholar, UK In the 1950s and early 1960s, the lower reaches of the British film industry underwent a profound transition -- it shifted from the production of programme fillers and supporting features to making TV/Film series (called telefilm in America). This transition has yet to undergo sustained critical scrutiny principally because this emergent form falls between two, compartmentalised, areas of scholarship -- Film Studies and Television Studies. Yet these early series are deserving of our attention because, firstly, they became a staple of the domestic film production and, secondly, because they articulate a series of complex ideological engagements. One of the most important of these dialogic exchanges was with the American television market. Primarily this was because British series could not recoup their costs by supplying the fledgling indigenous television sector alone and thus had to achieve American distribution. Far earlier than her British counterparts, the American arriviste Hannah Weinstein saw the potential for producing TV/Film series in Britain where production costs were significantly lower. She also recognised a shift in the American market from anthologies made up of discrete episodes drawing on a variety of genres and fronted by former Hollywood stars, such as the domestically-produced Douglas Fairbanks Presents (1953-56), to more economic series which exploited a regular cast and standard sets. To date, accounts of Weinstein's work focus on her role as head of Sapphire Films producing internationally successful swashbucklers beginning with The Adventures of Robin Hood (1955-59; see Neale, 2003: 245-257 and 2005a: 73-87).
    [Show full text]
  • MAT TYPE 001 L578o "Levine, Lawrence W"
    CALL #(BIBLIO) AUTHOR TITLE LOCATION UPDATED(ITEM) MAT TYPE 001 L578o "Levine, Lawrence W" "The opening of the American mind : canons, culture, and history / Lawrence W. Levine" b 001.56 B632 "The Body as a medium of expression : essays based on a course of lectures given at the Institute of Contemporary Arts, London / edited by Jonathan Benthall and Ted Polhemus" b 001.9 Sh26e "Shaw, Eva, 1947-" "Eve of destruction : prophecies, theories, and preparations for the end of the world / by Eva Shaw" b 001.942 C841u "Craig, Roy, 1924-" UFOs : an insider's view of the official quest for evidence / by Roy Craig b 001.942 R159p "Randle, Kevin D., 1949-" Project Blue Book exposed / Kevin D. Randle b 001.942 St97u "Sturrock, Peter A. (Peter Andrew)" The UFO enigma : a new review of the physical evidence / Peter A. Sturrock b 001.942 Uf7 The UFO phenomenon / by the editors of Time- Life Books b 001.944 M191m "Mackal, Roy P" The monsters of Loch Ness / Roy P. Mackal b 001.944 M541s "Meredith, Dennis L" Search at Loch Ness : the expedition of the New York times and the Academy of Applied Science / Dennis L. Meredith b 001.96 L891s "Lorie, Peter" Superstitions / Peter Lorie b 004 P587c "Pickover, Clifford A" Computers and the imagination : visual adventures beyond the edge / Clifford A. Pickover b 004.16 R227 2001 Reader's Digest the new beginner's guide to home computing b 004.1675 Ip1b3 2013 "Baig, Edward C" iPad for dummies / by Edward C. Baig and Bob Dr. Mac LeVitus b 004.1675 Ip2i 2012 "iPhone for seniors : quickly start working with the user-friendly
    [Show full text]
  • PUBLICATION.Qxd
    20090608--A--0001-MAIN-CCI-CNYB--CRAINS NEW YORK BUSINESS MAIN (REGULAR) PUBLICATION 6/5/2009 8:58 PM Page 1 INSIDE FUTURE OF NY SMALL TOP STORIES BUSINESS Why New York is These survival a great place to strategies can blunt recession’s damage bust up a business ® PAGE 3 PAGE 19 VOL. XXV, NO. 23 WWW.CRAINSNEWYORK.COM JUNE 8-14, 2009 PRICE: $3.00 YOUR GOVERNMENT IN ACTION CITY HALL Outspoken media NYC pushes analyst blogs a path to stardom $2.7B break PAGE 3 The anti-AIG: Travelers shows for big biz how money’s made Tax change may keep HQs here; IN THE MARKETS, PAGE 4 timing, jobs growth in question Celeb chef won’t let bankruptcy ruin BY DANIEL MASSEY his future plans the bloomberg administration is pushing a NEW YORK, NEW YORK, P. 6 proposal that would dramatically cut city taxes on corporate profits, providing $2.7 billion in savings Obama should let to 27,000 companies, including many of the city’s largest, over the first 10 years.The tax break, which bailed-out banks would be phased in starting in fiscal 2010,is expect- repay billions early ed to ultimately save businesses here about $550 million a year. EDITORIAL, PAGE 10 Mayor Michael Bloomberg and City Council Speaker Christine Quinn maintain that the change, designed to bring the city in line with statewide tax BUSINESS LIVES See $2.7B TAX BREAK on Page 8 WEDDING PLANNERS Gay marriage advocates ALBANY fight for the right to tie the knot in New York PAGE 27 bloomberg news Paterson fights FRANK TALK: “They understand a new set of regulations is coming,” Rep.
    [Show full text]
  • Download the 2013 UCLA Festival of Preservation Catalog
    UCLA FestivAL OF 1603.01.13 – 03.30.13 PreservAtion UCLA FestivAL OF 1603.01.13 – 03.30.13 PreservAtion iv 1 FROM THE DIRECTOR After last year’s herculean effort to put together the landmark program L.A. Independent cinema also continues to be a major focus of the Archive’s pres- Rebellion: Creating a New Black Cinema, now touring North America, the ervation efforts. After premiering our restoration of Robert Altman’s Come Archive has not rested on its laurels, but has put together a new UCLA Festi- Back to the Five & Dime, Jimmy Dean, Jimmy Dean (1982) in 2011, preservationist val of Preservation for 2013. It is my great pleasure, as director of UCLA Film Jere Guldin this year introduces Altman’s first major feature, That Cold Day in & Television Archive, to introduce the 2013 “FOP,” which again reflects the the Park (1969). Preservationist Ross Lipman contributes restorations of fur- broad and deep efforts of UCLA Film & Television Archive to preserve and ther independent films, such as Eadweard Muybridge, Zoopraxographer (1975) restore our national moving image heritage. Even in an era of tightening bud- directed by Thom Andersen with Fay Andersen and Morgan Fisher, and Shir- gets and ever decreasing University-State funding, the Archive is committed to ley Clarke’s Ornette: Made in America (1985). And the independents continue protecting and celebrating our film and television assets. with a special program of films from the L.A. Rebellion, which were discovered or preserved after last year’s monumental program on the Rebellion. Our Festival opens with the restoration of Gun Crazy (1950), directed by Joseph H.
    [Show full text]
  • Columbia Pictures: Portrait of a Studio
    University of Kentucky UKnowledge Film and Media Studies Arts and Humanities 1992 Columbia Pictures: Portrait of a Studio Bernard F. Dick Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Dick, Bernard F., "Columbia Pictures: Portrait of a Studio" (1992). Film and Media Studies. 8. https://uknowledge.uky.edu/upk_film_and_media_studies/8 COLUMBIA PICTURES This page intentionally left blank COLUMBIA PICTURES Portrait of a Studio BERNARD F. DICK Editor THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1992 by The University Press of Kentucky Paperback edition 2010 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data for the hardcover edition is available from the Library of Congress ISBN 978-0-8131-3019-4 (pbk: alk. paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials.
    [Show full text]
  • 0320.1.00.Pdf
    cinema’s doppelgängers Before you start to read this book, take this moment to think about making a donation to punctum books, an independent non-profit press, @ https://punctumbooks.com/support/ If you’re reading the e-book, you can click on the image below to go directly to our donations site. Any amount, no matter the size, is appreciated and will help us to keep our ship of fools afloat. Contri- butions from dedicated readers will also help us to keep our commons open and to cultivate new work that can’t find a welcoming port elsewhere. Our ad- venture is not possible without your support. Vive la Open Access. Fig. 1. Hieronymus Bosch, Ship of Fools (1490–1500) cinema’s doppelgängers. Copyright © 2021 by Doug Dibbern. This work carries a Creative Commons BY-NC-SA 4.0 International license, which means that you are free to copy and redistribute the material in any medium or for- mat, and you may also remix, transform and build upon the material, as long as you clearly attribute the work to the authors (but not in a way that suggests the authors or punctum books endorses you and your work), you do not use this work for commercial gain in any form whatsoever, and that for any remixing and transformation, you distribute your rebuild under the same license. http:// creativecommons.org/licenses/by-nc-sa/4.0/ First published in 2021 by punctum books, Earth, Milky Way. https://punctumbooks.com ISBN-13: 978-1-953035-62-2 (print) ISBN-13: 978-1-953035-56-1 (ePDF) doi: 10.53288/0320.1.00 lccn: 2021939314 Library of Congress Cataloging Data is available from the Library of Congress Book Design: Vincent W.J.
    [Show full text]
  • DALHOUSIE ART GALLERY Calendar of Events January to July 2016
    DALHOUSIE ART GALLERY calendar of events January to July 2016 6101 University Avenue, PO Box 15000 Halifax, Nova Scotia, Canada B3H 4R2 T 902.494.2403 | F 902.423.0591 E [email protected] | artgallery.dal.ca Photograph of Eye Level Gallery Director Garry Conway, 1976, Eyelevel Gallery fonds, MS-3-35, Box 7, Folder 1, Item 3, Dalhousie University Archives. 22 JANUARY TO 17 APRIL 22 JANUARY TO 6 MARCH OPENING RECEPTION Thursday 21 January at 7 PM “Why are we saving All these artist publications + Other Galleries stuffs?” THE EMERGENCE OF ARTIST-RUN CULTURE IN HALIFAX Curated by Creighton Barrett, Digital Archivist, Dalhousie University Archives, and Peter Dykhuis, Director/Curator, Dalhousie Art Gallery OPENING RECEPTION Thursday 21 January at 7 PM In the late 1960s and early 1970s, Canadian artists began to self-organize and establish independent spaces for creating and presenting contemporary art. These spaces were called “parallel galleries” or “alternative spaces” and are Lisa Lipton, video still from You can take my bicycle, 2011. Photo: CFAT now known as artist-run centres. Halifax is home to some of the oldest artist- run centres in the country: between 1970 and 1975, Charlotte Townsend-Gault organized the artist-run Mezzanine Gallery at NSCAD. In 1972, a group of Gleaning a Song: The Singing Voice as female artists established the Inventions Gallery, but the gallery closed after a Artifact in Media Art fire in 1973. A few former members of Inventions Gallery collaborated to found Eye Level Gallery in 1974. The burgeoning interest in video and installation art Curated by William Robinson for the Centre for Art Tapes led to the establishment of Centre for Art Tapes (CFAT) in 1978.
    [Show full text]
  • The 2013 New York Musical Theatre Festival Presents
    CAPOJOHN PUBLIC RELATIONS 321 WEST 44th STREET #805 NEW YORK, NY 10036 FOR IMMEDIATE RELEASE, PLEASE / May 17, 2013 MEDIA CONTACT: JOHN CAPO / 212.729.7697 / [email protected] The 2013 New York Musical Theatre Festival Presents Concept by Alfred Solis Book and Lyrics by Mark-Eugene Garcia and Alfred Solis Music by Amy Baer and Keith Robinson Featuring Dwelvan David, Alex Goley, Jenna Leigh Green, Eryn Murman, Darren Ritchie and Matt Shingledecker Performances Begin July 19 at The Romulus Linney Courtyard Theatre at The Pershing Square Signature Center (New York) Dwelvan David (Caroline, or Change, The Wiz, Songs for a New World), Jenna Leigh Green (Wicked, Bare, “Sabrina, the Teenage Witch”), Alex Goley (Big River, The Berenstain Bears Live!), Eryn Murman (Spring Awakening), Darren Ritchie (Wonderland, Thoroughly Modern Millie, Dracula The Musical, Little Shop of Horrors, Nerds) and Matt Shingledecker (West Side Story, Rent, Spring Awakening) will lead the cast of STANDBY, an Official Selection of the 2013 New York Musical Theatre Festival Next Link Project. A musical about making connections, finding love, and traveling on, STANDBY centers on five strangers who meet in an airport standby line and must decide among themselves who deserves to get on the next flight. They soon realize that this is no ordinary airport and their meeting is by no means a coincidence. With a pop-rock score, this musical reminds us how interconnected we are. STANDBY is based on a concept by Alfred Solis. It features book and lyrics by Mark-Eugene Garcia and Alfred Solis and music by Amy Baer and Keith Robinson.
    [Show full text]