Literary Miscellany
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Spring 2015 Catalog
THE UNIVERSITY OF WISCONSIN PRESS SPRING 2015 CONTENTS More on New publications 1–29 VIETNAM AND Terrace Books 2–3, 5, 7, 9 THE HMONG Midwest Regional Titles 6, 7, 9, 28 Understanding and Teaching the Vietnam War Recent Book Awards 30–31 Edited by John Day Tully, Matthew Masur, and Journals 32–34 Brad Austin “An excellent one-stop shop for nonspecialists Recent Backlist 35–39 who regularly find themselves teaching about the Ordering and Contact Information 40 Vietnam War.”—David Herzberg, SUNY–Buffalo Author / Title Indexes Inside back cover TH E HARVEY GOLDBERG SERIES FOR UNDERSTANDING AND TEACHING HISTORY SUBJECT GUIDE LC: 2012040084 DS 2013 366 PP. 6 × 9 22 B/W ILLUS. Africa 14, 24–25 E-BOOK ISBN 978-0-299-29413-7 African American Studies 8, 9 PAPER $29.95 S ISBN 978-0-299-29414-4 American Studies 1, 4, 8, 20, 26, 27 Voices from the Plain of Jars: Life under Anthropology 1, 10, 14, 24 an Air War Art 23 Edited by Fred Branfman with essays and Asian Studies 1 drawings by Laotian villagers “In this small, shattering book we hear—as we are Biography 21, 26 so rarely able to do—the voices of Asian peasants Classics 22–23 describing what we can barely begin to imagine.” Communication & Journalism 20, 27 —Gloria Emerson, New York Review of Books Cookbooks 6 NEW PERSPECTIVES IN SOUTHEAST ASIAN STUDIES Education 14, 29 LC: 2012032677 DS 2013 196 PP. 5½ × 8¼ 34 B/W ILLUS. Environment 7, 18, 28 THE GOVERNMENT E-BOOK ISBN 978-0-299-29223-2 Drama & Performance 22 OF MISTRUST PAPER $19.95 S ISBN 978-0-299-29224-9 Illegibility and Bureaucratic Power Fiction 2–5, 9, 16 in Socialist Vietnam The Government of Mistrust: Illegibility and Film 21 Bureaucratic Power in Socialist Vietnam Folklore 14–15 Ken MacLean Gay, Lesbian & Transgender Interest 4 “A highly original book with an unusually History 1, 8, 10, 18–19, 24–27 innovative methodology.”—Oscar Salemink, University of Copenhagen Human Rights 17–19 NEW PERSPECTIVES IN SOUTHEAST ASIAN STUDIES Immigration & Diaspora Studies 14–15 Ken MacLean LC: 2013015051 HN 2013 Latin America 18 300 PP. -
Cial Climber. Hunter, As the Professor Responsible for Wagner's Eventual Downfall, Was Believably Bland but Wasted. How Much
cial climber. Hunter, as the professor what proves to be a sordid suburbia, responsible for Wagner's eventual are Mitchell/Woodward, Hingle/Rush, downfall, was believably bland but and Randall/North. Hunter's wife is wasted. How much better this film attacked by Mitchell; Hunter himself might have been had Hunter and Wag- is cruelly beaten when he tries to ner exchanged roles! avenge her; villain Mitchell goes to 20. GUN FOR A COWARD. (Universal- his death under an auto; his wife Jo- International, 1957.) Directed by Ab- anne Woodward goes off in a taxi; and ner Biberman. Cast: Fred MacMurray, the remaining couples demonstrate Jeffrey Hunter, Janice Rule, Chill their new maturity by going to church. Wills, Dean Stockwell, Josephine Hut- A distasteful mess. chinson, Betty Lynn. In this Western, Hunter appeared When Hunter reported to Universal- as the overprotected second of three International for Appointment with a sons. "Coward" Hunter eventually Shadow (released in 1958), he worked proved to be anything but in a rousing but one day, as an alcoholic ex- climax. Not a great film, but a good reporter on the trail of a supposedly one. slain gangster. Having become ill 21. THE TRUE STORY OF JESSE with hepatitis, he was replaced by JAMES. (20th Century-Fox, 1957.) Di- George Nader. Subsequently, Hunter rected by Nicholas Ray. Cast: Robert told reporters that only the faithful Wagner, Jeffrey Hunter, Hope Lange, Agnes Moorehead, Alan Hale, Alan nursing by his wife, Dusty Bartlett, Baxter, John Carradine. whom he had married in July, 1957, This was not even good. -
Black Soldiers in Liberal Hollywood
Katherine Kinney Cold Wars: Black Soldiers in Liberal Hollywood n 1982 Louis Gossett, Jr was awarded the Academy Award for Best Supporting Actor for his portrayal of Gunnery Sergeant Foley in An Officer and a Gentleman, becoming theI first African American actor to win an Oscar since Sidney Poitier. In 1989, Denzel Washington became the second to win, again in a supporting role, for Glory. It is perhaps more than coincidental that both award winning roles were soldiers. At once assimilationist and militant, the black soldier apparently escapes the Hollywood history Donald Bogle has named, “Coons, Toms, Bucks, and Mammies” or the more recent litany of cops and criminals. From the liberal consensus of WWII, to the ideological ruptures of Vietnam, and the reconstruction of the image of the military in the Reagan-Bush era, the black soldier has assumed an increasingly prominent role, ironically maintaining Hollywood’s liberal credentials and its preeminence in producing a national mythos. This largely static evolution can be traced from landmark films of WWII and post-War liberal Hollywood: Bataan (1943) and Home of the Brave (1949), through the career of actor James Edwards in the 1950’s, and to the more politically contested Vietnam War films of the 1980’s. Since WWII, the black soldier has held a crucial, but little noted, position in the battles over Hollywood representations of African American men.1 The soldier’s role is conspicuous in the way it places African American men explicitly within a nationalist and a nationaliz- ing context: U.S. history and Hollywood’s narrative of assimilation, the combat film. -
Elmore Leonard, 1925-2013
ELMORE LEONARD, 1925-2013 Elmore Leonard was born October 11, 1925 in New Orleans, Louisiana. Due to his father’s position working for General Motors, Leonard’s family moved numerous times during his childhood, before finally settling in Detroit, MI in 1934. Leonard went on to graduate high school in Detroit in 1943, and joined the Navy, serving in the legendary Seabees military construction unit in the Pacific theater of operations before returning home in 1946. Leonard then attended the University of Detroit, majoring in English and Philosophy. Plans to assist his father in running an auto dealership fell through on his father’s early death, and after graduating, Leonard took a job writing for an ad agency. He married (for the first of three times) in 1949. While working his day job in the advertising world, Leonard wrote constantly, submitting mainly western stories to the pulp and/or mens’ magazines, where he was establishing himself with a strong reputation. His stories also occasionally caught the eye of the entertainment industry and were often optioned for films or television adaptation. In 1961, Leonard attempted to concentrate on writing full-time, with only occasional free- lance ad work. With the western market drying up, Leonard broke into the mainstream suspense field with his first non-western novel, The Big Bounce in 1969. From that point on, his publishing success continued to increase – with both critical and fan response to his works helping his novels to appear on bestseller lists. His 1983 novel La Brava won the Edgar Award for best mystery novel of the year. -
The Films of Raoul Walsh, Part 1
Contents Screen Valentines: Great Movie Romances Screen Valentines: Great Movie Romances .......... 2 February 7–March 20 Vivien Leigh 100th ......................................... 4 30th Anniversary! 60th Anniversary! Burt Lancaster, Part 1 ...................................... 5 In time for Valentine's Day, and continuing into March, 70mm Print! JOURNEY TO ITALY [Viaggio In Italia] Play Ball! Hollywood and the AFI Silver offers a selection of great movie romances from STARMAN Fri, Feb 21, 7:15; Sat, Feb 22, 1:00; Wed, Feb 26, 9:15 across the decades, from 1930s screwball comedy to Fri, Mar 7, 9:45; Wed, Mar 12, 9:15 British couple Ingrid Bergman and George Sanders see their American Pastime ........................................... 8 the quirky rom-coms of today. This year’s lineup is bigger Jeff Bridges earned a Best Actor Oscar nomination for his portrayal of an Courtesy of RKO Pictures strained marriage come undone on a trip to Naples to dispose Action! The Films of Raoul Walsh, Part 1 .......... 10 than ever, including a trio of screwball comedies from alien from outer space who adopts the human form of Karen Allen’s recently of Sanders’ deceased uncle’s estate. But after threatening each Courtesy of Hollywood Pictures the magical movie year of 1939, celebrating their 75th Raoul Peck Retrospective ............................... 12 deceased husband in this beguiling, romantic sci-fi from genre innovator John other with divorce and separating for most of the trip, the two anniversaries this year. Carpenter. His starship shot down by U.S. air defenses over Wisconsin, are surprised to find their union rekindled and their spirits moved Festival of New Spanish Cinema .................... -
Completeandleft
MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley -
The Representation of Reality and Fantasy in the Films of Powell and Pressburger: 1939-1946
The Representation of Reality and Fantasy In the Films of Powell and Pressburger 1939-1946 Valerie Wilson University College London PhD May 2001 ProQuest Number: U642581 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642581 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Representation of Reality and Fantasy In the Films of Powell and Pressburger: 1939-1946 This thesis will examine the films planned or made by Powell and Pressburger in this period, with these aims: to demonstrate the way the contemporary realities of wartime Britain (political, social, cultural, economic) are represented in these films, and how the realities of British history (together with information supplied by the Ministry of Information and other government ministries) form the basis of much of their propaganda. to chart the changes in the stylistic combination of realism, naturalism, expressionism and surrealism, to show that all of these films are neither purely realist nor seamless products of artifice but carefully constructed narratives which use fantasy genres (spy stories, rural myths, futuristic utopias, dreams and hallucinations) to convey their message. -
Cuaderno-CCU-Mayo-Junio-18.Pdf
1 2 La noticia de la primera sesión del Cineclub de Granada Periódico “Ideal”, miércoles 2 de febrero de 1949. El CINECLUB UNIVERSITARIO se crea en 1949 con el nombre de “Cineclub de Granada”. Será en 1953 cuando pase a llamarse con su actual denominación. Así pues en este curso 2017-2018, cumplimos 64 (68) años. 3 MAYO-JUNIO 2018 MAY-JUNE 2018 UN ROSTRO EN LA PANTALLA (V): A FACE ON THE SCREEN (V): MICHAEL CAINE (part 1: the 60’s) MICHAEL CAINE (1ª parte: los años 60) (celebrating Caine’s 85th birthday) (celebrando su 85 cumpleaños) Viernes 18 mayo / Friday 18th may 21 h. ZULÚ (1964) Cy Endfield ( ZULU ) v.o.s.e. / OV film with Spanish subtitles Martes 22 mayo / Tuesday 22th may 21 h. IPCRESS (1965) Sidney J. Furie v.o.s.e. / OV film with Spanish subtitles Viernes25 mayo / Friday 25th may 21 h. ALFIE (1966) Lewis Gilbert v.o.s.e. / OV film with Spanish subtitles Martes 5 junio / Tuesday 5th june 21 h. LA CAJA DE LAS SORPRESAS (1966) Bryan Forbes ( THE WRONG BOX ) v.o.s.e. / OV film with Spanish subtitles Viernes 8 junio / Friday 8th june 21 h. FUNERAL EN BERLÍN (1966) Guy Hamilton ( FUNERAL IN BERLÍN ) v.o.s.e. / OV film with Spanish subtitles Todas las proyecciones en la Sala Máxima de la ANTIGUA FACULTAD DE MEDICINA (Av. de Madrid). Entrada libre hasta completar aforo All projections at the Assembly Hall in the Former Medical College (Av. de Madrid) Free admission up to full room 4 5 “ (…) Existen unos ocho kilometros de papel de periódico y al menos siete biografías que hablan de mí (Dios sabe por qué), así que ¿por qué añadir algo a todo ello? Quizá con objeto de que, para variar, el disco suene en mi propio tocadiscos. -
“Our Little Systems Have Their Day”: Tennyson's Poetic
“OUR LITTLE SYSTEMS HAVE THEIR DAY”: TENNYSON’S POETIC TREATMENT OF SCIENCE by Emily Carroll Shearer A Dissertation Submitted in Partial Fulfillment of the Requirements of the Degree of Doctor of Philosophy in English Middle Tennessee State University 2014 Dissertation Committee: Dr. Rebecca King, Department of English, Chair Dr. Larry Gentry, Department of English Dr. Tammy Melton, Department of Chemistry © 2014 Emily Carroll Shearer ii For Mom and Dad – I’ve spent almost two years writing this “damn dissertation.” It’s around 38,000 words, so you’d think that a few extra for the dedication wouldn’t be that much more. It amazes me how words fail me when I want them the most. I don’t have the words to thank you for homeschooling me or for raising me to be a stubborn mule when it comes to achieving something (trust me, that’s an asset in graduate school) or for teaching me not to put up with crap from anyone. I don’t know how to say thank you for showing me how to listen or be kind to others, to take other people into heart as family, and to keep laughter as a constant companion. I don’t know how to say thank you for teaching me not to give up—and for not giving up on me when I felt like giving up on myself. Then again, maybe I do have the words. I love you so much. iii ACKNOWLEDGEMENTS First and foremost, I would like to thank Dr. Rebecca King for all her work in helping me prepare this dissertation. -
Perspective Lesson 2: Three-Dimensional Form
Perspective Lesson 2: Three-Dimensional Form Perspective Lesson 2: Three-Dimensional Drawing: Cubes, Cones, Columns, and More Materials Needed: • Paper • Pencils • Erasers • Rulers Goal of this Tutorial: Students should be able to draw at least one of these three-dimensional forms step-by- step. These forms will be the foundation of doing any work in realistic drawings for art, diagrams, science, ect. Vocabulary includes Picture Plane, Preparation Required: Making sure you can easily follow the step-by-step guides on how to draw a cube, column, cone, via the instructions at the back of this tutorial. “…any object, no matter how complicated…is made up of a sphere, a cube, a cone, a cylinder, or some combination of these forms.” -The Famous Artists Course, Chapter 2: Form-the Basis of Drawing1 Tutor: Thus far, we’ve learned how to use OiLS to draw objects we are looking at. What are OiLS again? Today, we’re going to look at how to draw things from imagination that look three-dimensional, but they’re still on a flat sheet of paper. The technical term for the surface of the paper is the “Picture Plane”. It’s like an imaginary window you’re looking through to see the scene you’re going to create. When you go to an art museum, you’re looking through the window of the “picture planes” into the various worlds the artists created for you to glimpse. But first, we have to create shapes that look like they are three dimensional, and do that, we have to be a little tricky. -
In Memoriam: an Ode to Melancholy and Religion in Tennyson's
IN MEMORIAM: AN ODE TO MELANCHOLY AND RELIGION IN TENNYSON’S MAGNUM OPUS A Thesis submitted to the faculty of San Francisco State University In partial fulfillment of the requirements for the Degree Master’s Degree In English Literature by Melissa Thea Valk San Francisco, California Fall 2020 Copyright by Melissa Thea Valk 2020 CERTIFICATION OF APPROVAL I certify that I have read I certify that I have read “In Memoriam:” An Ode to Melancholy and Religion in Tennyson’s Magnum Opus” by Melissa Thea Valk, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Arts in English Literature at San Francisco State University. Summer Star , Ph.D. Assistant Professor Sara Hackenberg, Ph.D. Associate Professor IN MEMORIAM: AN ODE TO MELANCHOLY AND RELIGION IN TENNYSON’S MAGNUM OPUS Melissa Thea Valk San Francisco, California 2020 This thesis dissects the role of melancholic imagery and religion in Alfred Tennyson’s poetry, with a special focus on his magnum opus, In Memoriam A.H.H (1850) and how the use of melancholy and religion act as rhetorical tropes in conveying the depths of his grief after losing his dear friend, Arthur Hallam. Furthermore, I analyzed particular cantos adjacent to a few of his other poems such as “The Lady of Shalott” (1833 and 1842), “Mariana” (1830), and “The Sleeping Beauty” (1830). The use of melancholic imagery is abundant in Tennyson’s work, but this thesis argues that upon the death of Arthur Hallam, Tennyson reconfigured his melancholic aesthetic that we see in his older poems to fit the melancholic tone in his elegy. -
NEO-NOIR / RETRO-NOIR FILMS (1966 Thru 2010) Page 1 of 7
NEO-NOIR / RETRO-NOIR FILMS (1966 thru 2010) Page 1 of 7 H Absolute Power (1997) H Blondes Have More Guns (1995) H Across 110th Street (1972) H Blood and Wine (1996) H Addiction, The (1995) FS H Blood Simple (1985) h Adulthood (2008) H Blood Work (2002) H Affliction (1997) H Blow Out (1981) FS H After Dark, My Sweet (1990) h Blow-up (1967).Blowup H After Hours (1985) f H Blue Desert (1992) F H Against All Odds (1984) f H Blue Steel (1990) f H Alligator Eyes (1990) SCH Blue Velvet (1986) H All the President’s Men (1976) H Bodily Harm (1995) H Along Come a Spider (2001) H Body and Soul (1981) H Ambushed (1998) f H Body Chemistry (1990) H American Gangster (2007) H Body Double (1984) H American Gigolo (1980) f H Bodyguard, The (1992) H Anderson Tapes, The (1971) FSCH Body Heat (1981) S H Angel Heart (1987) H Body of Evidence (1992) f H Another 48 Hrs. (1990) H Body Snatchers (1993) F H At Close Range (1986) H Bone Collector, The (1999) f H Atlantic City (1980) H Bonnie & Clyde (1967) f H Bad Boys (1983) F H Border, The (1982) F H Bad Influence (1990) F H Bound (1996) F H Badlands (1973) H Bourne Identity, The (2002) F H Bad Lieutenant (1992) H Bourne Supremacy, The (2004) h Bank Job, The (2008) H Bourne Ultimatum, The (2007) F H Basic Instinct (1992) H Boyz n the Hood (1991) H Basic Instinct 2 (2006) H Break (2009) H Batman Begins (2005) H Breakdown (1997) F H Bedroom Window, The (1987) F H Breathless (1983) H Before the Devil Knows You’re Dead (2007) H Bright Angel (1991) H Best Laid Plans (1999) H Bringing Out the Dead (1999) F H Best