William G. Golding

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Bibliothèque Nobel 1983 Bernhard Zweifel William G. Golding Année de naissance 1911 Année du décès 1993 Langue anglais Raison: for his novels which, with the perspicuity of realistic narrative art and the diversity and universality of myth, illuminate the human condition in the world of today Informations supplementaire Littérature secondaire - R. A. Gekoski & P. A. Grogan, William Golding (1994) - Robert Fricker, Der späte William Golding, Schweiz. Monatsh. 70 (3), 233 (1990) - Robert Fricker, Der späte William Golding, Schweiz. Monatshefte 70, Nr. 3 (1990) - I. Gregor and M. Kinkead-Weekes, William Golding: a Critical Study (1967) - H.S. Babb, The Novels of William Golding (1973) - J. Whitley, W. Golding: Lord of the Flies (1970) - S. Medcalf, William Golding (1975) - J.I. Biles and R.D. Evans (eds.), William Golding: Some Critical Considerations (1978) - Philip Redpath, William Golding: A Structural Reading of His Fiction (1987) - L.KL. Dickson, The Modern Allegories of William Goldman (1990) - Lawrence S. Friedman, William Golding (1992) - Pralhad A. Kulkarni, William Golding (1994) - Karin Siegl, The Robinsonade Tradition in Robert Michael Ballantyne's the Coral Island and William Golding's the Lord of the Flies (1996) - Clarice Swisher, Readings on Lord of the Flies (1997) - David L. Hoover, Language and Style in the Inheritors (1998) Film - Lord of the flies, 1963, dir. By Peter Brook; remake 1990, directed for American tv-savvy kids Catalogue des oeuvres The Scorpion God [1971] Drame Envoy Extraordinary [1971] Clonk Clonk [1971] 1950 - 1959 Darkness Visible [1979] 183.1790 Pincher Martin [1956] The Brass Butterfly [1958] 1980 - 1989 Rites of Passage [1980] 183.0002 1960 - 1969 The Paper Men [1984] Miss Pulkinhorn [1960] Close Quarters [1987] 183.0002 Break My Heart [1962] Fire Down Below [1989] 183.0002 Prose: belles lettres 1990 - 1999 The Double Tongue [1995] 1950 - 1959 Lord of the Flies [1954] 183.1540 Prose: critique The Inheritors [1955] Envoy Extradordinary (in Sometime, Never: Three 1960 - 1969 Tales of Imagination) [1956] The Hot Gates [1965] Free Fall [1959] 1980 - 1989 1960 - 1969 A Moving Target [1982] The Anglo-Saxon [1962] An Egyptian Journal [1985] The Spire [1964] The Pyramid [1967] 1970 - 1979 1 / 1 14.02.2021.

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Republic of Turkey Firat University Institute of Social Sciences Department of Western Languages and Literatures Program of English Language and Literature
REPUBLIC OF TURKEY FIRAT UNIVERSITY INSTITUTE OF SOCIAL SCIENCES DEPARTMENT OF WESTERN LANGUAGES AND LITERATURES PROGRAM OF ENGLISH LANGUAGE AND LITERATURE AN ECOCRITICAL READING OF THE INHERITORS BY WILLIAM GOLDING MASTER THESIS SUPERVISOR PREPARED BY Assist. Prof. Dr. Seda ARIKAN Emrah GÜMÜŞBOĞA ELAZIĞ - 2015 II ÖZET Yüksek Lisans Tezi William Golding’in The Inheritors Adlı Romanının Ekoeleştirel Bir İncelemesi Emrah GÜMÜŞBOĞA Fırat Üniversitesi Sosyal Bilimler Enstitüsü Batı Dilleri ve Edebiyatları Anabilim Dalı İngiliz Dili ve Edebiyatı Bilim Dalı Elazığ – 2015, Sayfa: V + 86 Bu çalışma William Golding’in The Inheritors adlı eserinde geçen doğa tasavvurunun ekoeleştirel bakış açısıyla tartışılmasını amaçlamaktadır. Giriş ve sonuç bölümleri ve dört ana bölümden oluşan çalışma, ekoeleştirinin ortaya çıkışını ve gelişim sürecini inceleyerek The Inheritors adlı romanda ekoleştirel öğelerin yansımasını ele almaktadır. William Golding’in dünya görüşünü ve insanoğluna bakış açısını yansıtan bu roman, günümüz ekoeleştirel söylemleri önceler niteliktedir. Bu bağlamda, insanoğlunun doğaya karşı yıkıcı eylemleri ve doğayı sömürü üzerine kurulu solipsist yaklaşımının ilksel örnekleri, arkaik bir dünyayı temsil eden bu romanda resmedilmektedir. Bu çalışma Golding’in resmettiği bu dünyayı ekoleştirel bir söylem olarak ortaya koymayı amaçlamaktadır. Anahtar Kelimeler: Ekoeleştiri, William Golding, The Inheritors , Neanderthals, Homo sapiens III ABSTRACT Master Thesis An Ecocritical Reading of The Inheritors by William Golding Emrah GÜMÜŞBOĞA Fırat University Institute of Social Sciences Department of Western Languages and Literatures Program of English Language and Literature Elazığ - 2015, Sayfa: V + 86 This study aims to discuss the concept of nature in William Golding’s novel The Inheritors through ecocritical approach. The study consisting of four main chapters with an introduction and a conclusion examines the rise and development of ecocriticism and addresses reflections of ecocritical elements in The Inheritors.
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William Golding's the Paper Men: a Critical Study درا : روا و ر ل ورق
William Golding’s The Paper Men: A Critical study روا و ر ل ورق : درا Prepared by: Laheeb Zuhair AL Obaidi Supervised by: Dr. Sabbar S. Sultan A Thesis Submitted in Partial Fulfillment of the Requirements for Master of Arts in English Language and Literature Department of English Language and Literature Faculty of Arts and Sciences Middle East University July, 2012 ii iii iv Acknowledgment I wish to thank my parent for their tremendous efforts and support both morally and financially towards the completion of this thesis. I am also grateful to thank my supervisor Dr. Sabbar Sultan for his valuable time to help me. I would like to express my gratitude to the examining committee members and to the panel of experts for their invaluable inputs and encouragement. Thanks are also extended to the faculty members of the Department of English at Middle East University. v Dedication I dedicate this thesis to my precious father; To my beloved mother; To my two little brothers; To my family, friends, and to all people who helped me complete this thesis. vi Table of contents Subject A Thesis Title I B Authorization II C Thesis Committee Decision III D Acknowledgment IV E Dedication V F Table of Contents VI G English Abstract VIII H Arabic Abstract IX Chapter One: Introduction 1.0 Introduction 1 1.1 Golding and Gimmick 2 1.2 Use of Symbols 4 1.3 Golding’s Recurrent Theme (s) 5 1.4 The Relationship between Creative Writer and 7 Biographers or Critics 1.6 Golding’s Biography and Writings 8 1.7 Statement of the problem 11 1.8 Research Questions 11 1.9 Objectives of the study 12 1.10 Significance of the study 12 1.11 Limitations of the study 13 1.12 Research Methodology 14 Chapter Two: Review of Literature 2.0 Literature Review 15 Chapter Three: Discussion 3.0 Preliminary Notes 35 vii 3.1 The Creative Writer: Between Two Pressures 38 3.2 The Nature of Creativity: Seen from the Inside and 49 Outside Chapter Four 4.0 Conclusion 66 References 71 viii William Golding’s The Paper Men: A Critical Study Prepared by: Laheeb Zuhair AL Obaidi Supervised by: Dr.
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William Golding List
WILLIAM GOLDING LIST Prices in US dollars, shipping is extra at cost. For orders from Canada, GST is also extra. We accept payment by Visa, MasterCard, Amex, PayPal, and for Canadian buyers, e-transfer. Usual terms to the professional trade. We can send with invoice to institutions and individuals known to us, who may pay by cheque. You may order from my website (www.steventemplebooks.com) and enjoy a 10% discount if paying in advance of shipment. STEVEN TEMPLE BOOKS. ILAB / ABAC. IOBA PO BOX 45 WELLAND ON L3B 5N9 CANADA phone: 416.703.9908 email: [email protected] Literary first editions. General out of print & rare books. Established in 1974. "Antiquarian books are a thing of the past." - S. Temple “The trouble with the world is that the stupid are cocksure and the intelligent are full of doubt. “- Bertrand Russell "Mit der Dummheit kaempfen Goetter selbst vergebens." – Schiller ---------------------------------------------------------------------------------------------------------------------------------------- [50085] GOLDING, William. A MOVING TARGET (proof). New York: Farrar, Straus, Giroux, 1982. First US printing. Octavo. Softcover. Advance uncorrected proof. Two light spots to fore margin of front cover, spine lightly darkened, else fine. $50.00 [35930] GOLDING, William. AN EGYPTIAN JOURNAL. London: Faber, 1985. First printing. Hardcover. Octavo, black boards, yellow endpapers. Text paper slightly toned, else fine in fine, price-clipped jacket. With colour photos. Travelogue. $19.50 [50079] GOLDING, William. CLOSE QUARTERS (proof). New York: Farrar, Straus, Giroux, 1987. First US printing. Octavo. Softcover. Advance uncorrected proof in yellow card covers. A fine copy. $50.00 [50083] GOLDING, William. CLOSE QUARTERS (proof). London: Faber, 1987. First printing.
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Moral Sub-Structures As the Foundation of William Golding's
www.ijcrt.org © 2021 IJCRT | Volume 9, Issue 2 February 2021 | ISSN: 2320-2882 Moral Sub-structures as the Foundation of William Golding’s Novels LESHVEER SINGH RESEARCH SCHOLAR M.J.P.R.K.U. BAREILLY INDIA ANURADHA SINGH ASSOCIATE PROFESSOR Dept. OF ENGLISH, GOKULDAS H. G. PG COLLEGE MORADABAD INDIA. In Golding’s words we are a species that produces evil as a bee produces honey. Naturally as humble insects produce harmony and sweetness, we produce the wickedness and violence which spoils our lives. The purpose of Golding’s writing is not say-sex or geometry. It is just understanding. The understanding of ‘terrible disease’ and to rouse an alertness amids people and help in making this universe a paradise which man seems to have lost. Each and every novel of Golding searches the predicament of human life which is full of decay and fall due to the original sin committed by our first parents Adam and Eve. He is strongly adhere to the biblical term ‘idolatry’. By this man isolates himself off from the Supreme power whom we called God. My aim is to point out the ‘truths’ and probes the different state of human mind and also religious concerns hidden in the mighty lines of William Golding’s novels. Like the plays of Shakespeare, the novels of Golding serving its purpose of filling the faith into human mind which has gone a long long ago. The novels of Golding, namely, ‘Lord of the Flies’, ‘The Inheritors’, ‘Pincher Martin’ and ‘Free Fall’ are worth mentioning in this connection.
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Palacký University Olomouc Faculty of Arts Department of English and American Studies
Palacký University Olomouc Faculty of Arts Department of English and American Studies William Golding’s Trinity: Humanity, Society, and Religion as the Building Blocks of Humankind’s Self-delusion Master Thesis Bc. Čeněk Cvešper F170474 English Philology Supervisor: Mgr. Ema Jelínková, Ph.D. Olomouc 2020 Prohlašuji, že jsem tuto diplomovou práci vypracoval samostatně pod odborným dohledem vedoucího práce a uvedl jsem všechny použité podklady a literaturu. V Olomouci dne 19.2.2020 …….………………………………. Čeněk Cvešper Děkuji Mgr. Emě Jelínkové, Ph.D. za pomoc při vypracování této práce a za poskytnutí odborných materiálů a cenných rad. Table of Contents Table of Contents .......................................................................................................................... 4 1. Introduction .......................................................................................................................... 5 2. The life of William Golding .................................................................................................... 8 3. The human condition .......................................................................................................... 14 4. Of religions and saints ......................................................................................................... 29 5. The social clockwork ........................................................................................................... 44 6. Conclusion ..........................................................................................................................
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William Golding's Great Dream
ORE Open Research Exeter TITLE William Golding's Great Dream AUTHORS Kendall, T JOURNAL Essays in Criticism DEPOSITED IN ORE 11 September 2018 This version available at http://hdl.handle.net/10871/33973 COPYRIGHT AND REUSE Open Research Exeter makes this work available in accordance with publisher policies. A NOTE ON VERSIONS The version presented here may diﬀer from the published version. If citing, you are advised to consult the published version for pagination, volume/issue and date of publication P a g e | 1 William Golding’s Great Dream ‘All sleepers are poets while they dream’—John Hollander In the morning of 19 August 1971, a month shy of his 60th birthday, William Golding had a dream that would change his life. It was, he later claimed, as near to a ‘great dream’ as any he had ever experienced (15 March 1972).1 A personal crisis that dated back many years, perhaps even decades, had recently become ‘unendurable’, and at first Golding concluded that the dream had ‘not ma[d]e much difference’ to his suffering (‘History of a Crisis’).2 Before long, however, there were signs of respite: ‘some of the crisis has been and is being resolved; tho’ it’s not really possible to do more than guess how or why’ (6 November 1971). By the time that Golding lent his dream in modified form to Wilf Barclay, the anti-hero of his novel The Paper Men (1984), he was certain of its therapeutic properties: having borne a long crisis of his own, Wilf wakes up after the dream to find that ‘the boil had burst, the pain and the strain had gone’.3 Golding’s recovery may have been less sudden, but he gradually recognised that the dream had allowed him to take a first essential step towards renewed health.
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William Golding: a Process of Discovery
WILLIAM GOLDING: A PROCESS OF DISCOVERY APPROVED: 1- Ma joi/ Professor Consulting E*?ofessor Mine# Professor {•9 • f Chairman of the Department of English Dean <5f the Graduate School WILLIAM GOLDING: A PROCESS OF DISCOVERY THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Diane M, Dodson, B. A, Denton.9 Texas Augus t j 1970 TABLE OF CONTENTS Chapter Page I. INTRODUCTION 1 11 • LORD OF THE FLIES 12 III. THE INHERITORS 38 IV. PIN CHER MARTIN AND FREE FALL 60 V. THE SPIRE 84 VI. THE PYRAMID 106 VII. CONCLUSION. 123 A SELECTED BIBLIOGRAPHY . 129 HI CHAPTER I INTRODUCTION The scholar who is especially interested in the influence of a writer's life and intellectual background on his literature would probably find William Golding's biography a sheer delight because almost all that is known about Golding's life and interests can easily be traced in his novels. Golding spent a rather isolated childhood during which he read simultaneously the great classics of childhood and adulthood. He recalls with equal enthusiasm the first i time he read the works of Ballantyne, Burroughs, and Verne, 2 and Homer, Sophocles, and Euripides. Among his favorite memories of his youth is his passion for the written word and for words themselves: While I was supposed to be learning my Collect, I was likely to be chanting inside my head a list of delightful words which I had picked up God knows where--deebriss and Skirmishar, creskertt and sweeside.3 "'"William Golding, "Billy the Kid," The Hot Gates (New York, 1965), pp.
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William Golding: Some Critical Considerations
University of Kentucky UKnowledge Literature in English, North America English Language and Literature 1978 William Golding: Some Critical Considerations Jack I. Biles Georgia State University Robert O. Evans University of Kentucky Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Biles, Jack I. and Evans, Robert O., "William Golding: Some Critical Considerations" (1978). Literature in English, North America. 21. https://uknowledge.uky.edu/upk_english_language_and_literature_north_america/21 WILLIAM GOLDING DAVID ANDERSON TED E. BOYLE PHILIPPA TRISTRAM PETER WOLFE JEANNE DELBAERE-GARANT ROBERT 0. EVANS ARNOLD JOHNSTON JAY L. HALIO E. C. BUFKIN RICHARDS. CAMMAROTA DAVID SKILTON LEIGHTON HODSON MAURICE McCULLEN JACK I. BILES William Golding SOME CRITICAL CONSIDERATIONS EDITED BY Jack 1 Biles & Robert 0. Evans THE UNIVERSITY PRESS OF KENTUCKY ISBN: 978-0-8131-5127-4 Library of Congress Catalog Card Number: 77-73705 Copyright© 1978 by The University Press of Kentucky A statewide cooperative scholarly publishing agency serving Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Club, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. Editorial and Sales Offices: Lexington, Kentucky 40506 CONTENTS ACKNOWLEDGMENTS vii INTRODUCTION ix David Anderson IS GOLDING'S THEOLOGY CHRISTIAN? 1 Ted E.
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Golding Novel' : Studg of William Golding's Fictional Work Submitted B Smt
THE l'6OLDING NOVEV :A STUDY *. OF • LLIAM GOLDING'S FICTIONAL WORK THESXS SUBNiTTED TO THE 60ft UNIVERSITY $s \ N.77.0 FOR s-••■•.. \ 14) it THE DEGREE OF \ D G TOR OF PHILOSOPHY KRAN JAYANT BUDKULEY DEPARTMENT OF ENGLISH GU A UNIVERSITY TALEIGA0 PLTE:AU A •01 20f3 • CTFTIFTJATT • dTs required under the Univqrsitu erdina.nce, I certilu that the thesis entitled The 'Golding Novel' : studg of William Golding's Fictional Work submitted b Smt. JZiran 3agant BudXulew for the award of Doctor of Philosophy . in Snglish, is a record of research done b the candidate during the period of study under mg guidance and that it has not previoustg formed the basis for the award to the candidate of arty Degree, Diploma, Yrssociateship, 7ellowship or other similar titles. Neodifte- r lir. ft. K. Josh (Research Guide) Professor and !lead. • Department of Englitiil Goa Universitu Taleigao Plateau Goa 403 203 CONTENTS CHAPTER ONE THE 'GOLDING NOVEL' • 1.1 Introduction 4 1 • 1.2 Life and Influences 1.3 Range and Diversity of Golding's York 10 1.4.1 The 'Golding Novel' 12 1.4.2 Golding's Concern with an 13 1.4.3 Isolated Settings of the Plots 15 1.4.4 The Moment of Confrontation for Golding Protagonists 17 1.4.5 'Gimmick' Ending of Golding's,Novels 19 1.4.6 Use of Literary Foils 21 1,5 Conclusion 26 References 31 CHAPTER TWO THE INITIAL 'GOLDING NOVEL' : EXPERIMENTAL PRASE 2.1.1 Introduction 32 2.1.2 'Golding Novel' : The Stages 2.1,3 The Initial Stage of the 'Golding Novel':Its Two Phases 38 2.1.4 Common Features of Golding's Novels of the Initial Stage 42 2.2.1 Novels of the 'experisental phase' 46 2.2.2 Lord of the Flies : The Plot 51 • 2.2.3 Ironical Reversal at the End of the Novel 53 • 2.2.4 Fable as an Element in Lord of the Flies 55 • • • • • • • •• 2.2.i Allegory in the Novel •.
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Durham E-Theses
Durham E-Theses The death of William Golding: authorship and creativity in darkness visible and the paper men Hardy, Stephen G. How to cite: Hardy, Stephen G. (2003) The death of William Golding: authorship and creativity in darkness visible and the paper men, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/4091/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Abstract The Death of William Golding: Authorship and Creativity in Darkness Visible and The Paper Men Stephen G. Hardy In the seventies and eighties William Golding was deeply responsive to the critical, anti-authorial ethos that followed the publication of Roland Barthes's "La mort de l'auteur" (1968). In Darkness Visible (1979) and The Paper Men (1984) he investigates means by which to reaffirm authorial presence. Working through paradox, he performs the authorial death in these novels, and establishes language's inadequacy as a means of conveying absolute meaning, authorial "vision," truth or revelation.
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Golding As a Psychological Novelist
KAWAUCHI REVIEW No. 5 (2006) Golding as a Psychological Novelist Yasunori Sugimura I Critical studies hitherto published on William Golding's fiction fall into several categories: comprehensive studies, investigations into sources, religious and theological approaches, perspectives of fable and myth, reader-oriented theories, and structural or post-structural readings. I His fiction, written with various elaborate skills, accord ingly requires various reading theories as the occasion demands. And yet, any discussion focusing solely on methodology falls short of discovering and elucidating the theme of his fiction. Discovering this theme is all the more difficult because the author deliberately shifts settings and creative techniques every time he publishes a new novel. Paul Crawford's Politics and History in William Golding: The World Turned Upside Down, one of the latest comprehensive studies of Golding, is a full-scale, interdisciplinary study of virtually all his novels. However, I cannot avoid the impression that the critic's exten sive scholarship so conspicuously comes to the fore as to overwhelm the fiction itself. It seems to me that quite another dimension of prob lems never before brought to light by any antecedent study underlies Golding's fiction, which calls attention to a complete renovation of perspectives. His fiction contains fluctuating metaphors that cannot be reduced to any integrated meaning. This is partly attributable to his antipathy against reductionism. For instance, metaphors of apparent degeneration also have a connotation of regeneration, and vice versa. The metaphors widely fluctuate not only novel to novel but also within the same text, which makes it even more difficult to give his whole work or each text a self-consistent reading.
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William Golding: the Man Who Wrote Lord of the Flies. London: Faber and Faber
John Carey 2009: William Golding: The Man who Wrote Lord of the Flies. London: Faber and Faber. x+573 pp. ISBN 978-0-571-23163-8 Jesús Saavedra Carballido Universidad de Santiago de Compostela [email protected] At the end of his detailed biography of William Golding, John Carey remarks that today “mention of Lord of the Flies sparks recognition in a way that Golding’s own name does not” (516). This may seem unjust to those who have read the other novels, and Golding himself would have been irritated: when he reread it in 1972, he condemned its “boring and crude” style (cited 363). Still, despite huge public and critical acclaim during most of his career, Golding is remembered chiefly for that one book, which has become a massive cultural influence. This explains the subtitle of the present work. John Carey had already edited a commemorative volume on the novelist (Carey 1987). In his attempt to show that Golding was much more than a one-hit wonder, he now unearths a wealth of written documents which comprises “unpublished novels . early drafts of published novels . two autobiographical works . and a 5,000-page journal”, together with “the correspondence between Golding and his editor at Faber and Faber, Charles Monteith” (ix). So far this kind of information had only been available through Golding’s own essays and reviews, some of them collected in The Hot Gates (1965) and A Moving Target (1982), and through such biographical sketches as the one written by his daughter, Judy Carver, and appended to the last edition of Kinkead- Weekes and Gregor’s Critical Study (2002).
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