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Lyrical Ballads
LYRICAL BALLADS Also available from Routledge: A SHORT HISTORY OF ENGLISH LITERATURE Second Edition Harry Blamires ELEVEN BRITISH POETS* An Anthology Edited by Michael Schmidt WILLIAM WORDSWORTH Selected Poetry and Prose Edited by Jennifer Breen SHELLEY Selected Poetry and Prose Edited by Alasdair Macrae * Not available from Routledge in the USA Lyrical Ballads WORDSWORTH AND COLERIDGE The text of the 1798 edition with the additional 1800 poems and the Prefaces edited with introduction, notes and appendices by R.L.BRETT and A.R.JONES LONDON and NEW YORK First published as a University Paperback 1968 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” Second edition published 1991 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Introduction and Notes © 1963, 1991 R.L.Brett and A.R.Jones All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data Wordsworth, William 1770–1850 Lyrical ballads: the text of the 1978 edition with the additional 1800 poems and the prefaces. -
Wordsworth's Lyrical Ballads, 1800
Butler University Digital Commons @ Butler University Scholarship and Professional Work - LAS College of Liberal Arts & Sciences 2015 Wordsworth's Lyrical Ballads, 1800 Jason N. Goldsmith Butler University, [email protected] Follow this and additional works at: https://digitalcommons.butler.edu/facsch_papers Part of the Comparative Literature Commons, Literature in English, British Isles Commons, and the Poetry Commons Recommended Citation Goldsmith, Jason N., "Wordsworth's Lyrical Ballads, 1800" The Oxford Handbook of William Wordsworth / (2015): 204-220. Available at https://digitalcommons.butler.edu/facsch_papers/876 This Book Chapter is brought to you for free and open access by the College of Liberal Arts & Sciences at Digital Commons @ Butler University. It has been accepted for inclusion in Scholarship and Professional Work - LAS by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. LYRICAL BALLADS, 1800 205 [tha]n in studying German' (CL, r. 459). Stranded by the weather, short on cash, and C H A P TER 11 unable to communicate with the locals, the poet turned inward, writing a series of auto biographical blank verse fragments meditating on his childhood that would become part one of the 1799 Prelude, as well as nearly a dozen poems that would appear in the second volume of the 1800 edition of Lyrical Ballads. WORDSWORTH'S L YRICAL Completed over the eighteen months following his return to England in May 1799, the 1800 Lyrical Ballads is the fruit of that long winter abroad. It marks both a literal and BALLADS, 1800 a literary homecoming. Living in Germany made clear to Wordsworth that you do not ....................................................................................................... -
Finding Meaning in the Poetry of William Wordsworth and Robert Frost
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 12-2002 Floating Away or Staying Put: Finding Meaning in the Poetry of William Wordsworth and Robert Frost Mary McMillan University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the English Language and Literature Commons Recommended Citation McMillan, Mary, "Floating Away or Staying Put: Finding Meaning in the Poetry of William Wordsworth and Robert Frost. " Master's Thesis, University of Tennessee, 2002. https://trace.tennessee.edu/utk_gradthes/2124 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Mary McMillan entitled "Floating Away or Staying Put: Finding Meaning in the Poetry of William Wordsworth and Robert Frost." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Arts, with a major in English. B.J. Leggett, Major Professor We have read this thesis and recommend its acceptance: Nancy M. Goslee, Mary E. Papke Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a thesis written by Mary McMillan entitled “Floating Away or Staying Put: Finding Meaning in the Poetry of William Wordsworth and Robert Frost.” I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in English. -
The Poetical Works of William Wordsworth
THE POETICAL WORKS OF WILLIAM WORDSWORTH. : THE POETICAL WORKS WILLIAM WORDSWORTH, D.C.L., POET ILAUREATE, HONORARY MEMBER OF THE ROYAL SOCIETY OF EDINBURGH, AND OF THE ROYAL IRISH ACADEMY, ETC. ETC. IN SEVEN VOLUMES. VOL. I. A NEW AND REVISED EDITION. LONDON EDWARD MOXON, DOVER STREET. MDCCCXLIX. — 1 f thou indeed derive thy light from Heaven, Then, to the measure of that heaven-born light, : Shine, Poet ! in thy place, and he content The stars pre-eminent in magnitude, And they that from the zenith dart their beams, (Visible though they be to half the earth, Though half a sphere be conscious of their brightness) Are yet of no diviner origin, No purer essence, than the one that burns, Like an untended watch-fire, on the ridge Of some dark mountain ; or than those which seem Humbly to hang, like twinkling winter lamps, Among the branches of the leafless trees ; All are the undying offspring of one Sire : Then, to the measure of the light vouchsafed, Shine, Poet ! in thy place, and be content. DEDICATION, PREFIXED TO THE EDITION OF 1815. TO SIR GEORGE HOWLAND BEAUMONT, BART. MY DEAR SIR GEORGE, Accept my thanks for the permission given me to dedicate these Volumes to you. In addition to a lively pleasure derived from general considerations, I feel a particular satisfaction ; for, by inscribing these Poems with your Name, I seem to myself in some degree to repay, by an appropriate honour, the great Vlll DEDICATION. obligation which I owe to one part of the Collection —as naving been the means of first making us per- sonally known to each other. -
The Longman Anthology of British Literature Third Edition
The Longman Anthology of British Literature Third Edition David Damrosch and Kevin J. H. Dettmar General Editors VOLUME TWO THE ROMANTICS AND THEIR CONTEMPORARIES Susan Wolfson and Peter Manning THE VICTORIAN AGE Heather Henderson and William Sharpe THE TWENTIETH CENTURY Kevin J. H. Dettmar and Jennifer Wicke New York San Francisco Boston London Toronto Sydney Tokyo Singapore Madrid Mexico City Munich Paris Cape Town Hong Kong Montreal CONTENTS List of Illustrations xxxix Additional Audio and Online Resources xlv Preface xlvii Acknowledgments Iv The Romantics and Their Contemporaries 3 PERSPECTIVES -£^ ' The Sublime, the Beautiful, and the Picturesque 30 EDMUND BURKE 33 from A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful 33 WILLIAM GILPIN 40 from Three Essays on Picturesque Beauty, on Picturesque Travel, and on Sketching Landscape 41 MARY WOLLSTONECRAFT 46 from A Vindication of the Rights of Men 47 JANE AUSTEN 48 from Pride and Prejudice 48 from Northanger Abbey 49 MARIA JANE JEWSBURY 51 A Rural Excursion 51 IMMANUEL KANT 56 from The Critique of Judgement 56 JOHN RUSKIN 59 from Modern Painters 59 ANNA LETITIA BARBAULD 63 The Mouse's Petition to Dr. Priestley 63 On a Lady's Writing 65 Inscription for an Ice-House 65 To a Little Invisible Being Who Is Expected Soon to Become Visible 66 To the Poor 61 Contents Washing-Day 61 Eighteen Hundred and Eleven 69 RESPONSE John Wilson Croker: from A Review of Eighteen Hundred and Eleven 78 The First Fire 79 On the Death of the Princess Charlotte 81 CHARLOTTE SMITH 82 ELEGIAC SONNETS AND OTHER POEMS 83 To the Moon 83 "Sighing I see yon little troop at play" 83 • To melancholy. -
The Poems of William Wordsworth Collected Reading Texts from the Cornell Wordsworth
The Poems of William Wordsworth Collected Reading Texts from The Cornell Wordsworth Edited by Jared Curtis In Three Volumes A Complimentary Addendum HEB ☼ Humanities-Ebooks For advice on use of this ebook please scroll to page 2 Using this Ebook t * This book is designed to be read in single page view, using the ‘fit page’ command. * To navigate through the contents use the hyperlinked ‘Bookmarks’ at the left of the screen. * To search, click the search symbol. * For ease of reading, use <CTRL+L> to enlarge the page to full screen, and return to normal view using < Esc >. * Hyperlinks (if any) appear in Blue Underlined Text. Permissions You may print a copy of the book for your own use but copy and paste functions are disabled. No part of this publication may be otherwise reproduced or transmitted or distributed without the prior written permission of both the copyright owner and the publisher. Making or distributing copies of this book would constitute copyright infringement and would be liable to prosecution. Thank you for respecting the rights of the author. An Addendum to The Poems of William Wordsworth Collected Reading Texts from The Cornell Wordsworth Series In Three Volumes Edited by Jared Curtis HEB ☼ Humanities-Ebooks, LLP © Jared Curtis, 2012 The Author has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. First published by Humanities-Ebooks, LLP, Tirril Hall, Tirril, Penrith CA10 2JE. Cover image, Sunburst over Martindale © Richard Gravil The reading texts of Wordsworth’s poems used in this volume are from the Cornell Wordsworth series, published by Cornell University Press, Sage House, 512 East State Street, Ithaca, NY 14850. -
Tintern Abbey" and the Immortality Ode
Reading Wordsworth after McGann: Moments of Negativity in "Tintern Abbey" and the Immortality Ode PETER SIMONSEN Is it not possible, under certain conditions and at certain times, for very important things to betray themselves in very slight indications? ... So let us not under-value small signs: perhaps from them it may be possible to come upon the tracks of greater things. (Freud: 31) Since the mid 1980s, Jerome J. McGann has been the "most influential critic of Romanticism" (Cronin: 5). McGann's interventions in this field have been decisive in opening and revising the Romantic canon as well as in altering our approach to Romantic texts. Due in large part to McGann many more very different poets from the period are today being read in the historical, contextual manner he has theorised and advocated. As such his work has been and is a salutary source of inspiration for most contemporary Romanticists. Yet one serious problem remains: in book after book, essay after essay, McGann features William Wordsworth in the role of the partly cunning reactionary, partly deluded idealist, who wrongly suppresses particular socio-historical or psychic actualities from the surface of his poetry. In his major work in Romantic criticism, The Romantic Ideology, which provided the script and set the stage for Anglo- American Romantic criticism well into the 1990s, one of McGann's central premises is that Wordsworth's poetry enacts "a strategy of displacement" whereby "The poem annihilates its history, biographical and socio-historical alike, and replaces these particulars with a record of pure consciousness" (90). Here it only remains for McGann to add "that Wordsworth's .. -
WORDSWORTH F F [ F^
SELECTIONS FROM THE POETS .'t'*..*^. \ WORDSWORTH f f [ f^ ANDRJiVV LANG ' "'' "^. '"' '' " t / ."^^'^-i'^''' JH MgMORhV FOR MAMY YEAJiSATEAO^ER. IW THIS Cr>LLEGE5r55Ss.£K THIS B(2?K IS ONECTANUMB^? FROM THE bl I5RARY ?/>L« HOLMES RRESEMTED TO THE QMTARIO OOliEGE OFAPI BY HIS RELATIVES SELECTIONS FROM WORDSWORTH ONTARIO CeilESE OF ART 100 McCAUL ST. TORONTO 2B> ONTARIO J , AUTR.!:; ?/-\: ^^^y /yu^u/i.'/o ..^^jn- (^/kcifi^^ S-r>a-m*'t^t^ fvf Selections from the Poets Wordsworth By Andrew Lang ^& Illustrated by Alfred Parsons, A.R.A. Longmans, Green, and Co 39 Paternoster Row, London New York and Bombay 1897 112)1 lot> Printed by Bai.lantynk, Hanson 6^ Co. At the Ballantyne Press CONTENTS PAGE Introduction ix-xxxii Extract from the Conclusion of a Poem, composed in antici- pation of leaving School i Written in very early Youth ....... 2 Remembrance of Collins 3 Lines left upon a Seat in a Yew-tree which stands near the Lake of Esthwaite, on a desolate part of the shore com- manding a beautiful prospect 4 My heart leaps up when I behold 9 To a Butterfly 10 The Sparrow's Nest 11 Alice Fell ; or, Poverty 13 Lucy Gray ; or, Solitude 16 We are Seven 19 The Pet Lamb . .23 To H. C. Six Years old 28 Influence of Natural Objects in calling forth and strengthen- ing the imagination in Boyhood and Early Youth . 30 To a Butterfly 33 A Farewell 35 Stanzas written in my Pocket-Copy of Thomson's Castle of Indolence . ^ 38 Lucy 42 She dwelt among the untrodden ways 44 Among unknown men 47 The Last of the Flock 48 The Affliction of Margaret 53 V CONTENTS PACE Michael. -
Wordsworth Translated in Cottas Ausland 2015-10-11
Dietrich H. Fischer: Wordsworth in Cotta’s Literary Journal Blätter zur Kunde der Literatur des Auslands, 1836 – 1840 Dietrich H. Fischer 31 January 2015 Wordsworth in Cotta’s Literary Journal Blätter zur Kunde der Literatur des Auslands, 1836 – 1840 1. Introduction This enquiry was motivated by an entry in Henry Crabb Robinson’s (HCR) diary, as ex- cerpted by Edith J. Morley. In July 1837, on their way back from Italy HCR and William Wordsworth stayed for some days at Munich, where HCR visited the office of the pub- lisher Cotta. HCR writes: ‘I looked over the translations from Wordsworth in the Ausland by Freiligrath. They seem in general done with feeling and talent. By the bye, Freiligrath has translated The Ancient Mariner. Wordsworth’s translations are anonymous. .’ (HCR/Morley, 531, mark of ellipsis by Morley). The short title Ausland is homonymous even in the context of Cotta’s business. In the year 1828 Cotta founded the journal Das Ausland. Ein Tag(e)blatt für Kunde des geis- tigen und sittlichen Lebens der Völker. Let us call it for now the General Ausland. In 1836 Cotta added to his portfolio a further journal dedicated to literature, which for the sub- scribers of the General Ausland in the first half of 1836 was a free supplement to it. Its title was Blätter zur Kunde der Literatur des Auslands. Let us call it for now the Literary Ausland. We may assume that HCR refers to the Literary Ausland, and this may be sup- ported by the fact that the translation of the ‘Ancient Mariner’, signed by Freiligrath, can be found in the first year’s volume of it, 1836. -
Moral Expectations of Human-Nature Interactions in the Poetry of William
ABSTRACT Managed Arboreal Spaces: Moral Expectations of Human-Nature Interactions in the Poetry of William Wordsworth and Gary Snyder Daniel Taylor Adams Director: Julia E. Daniel, Ph.D. In the face of the environmental difficulties plaguing 21st century America, poetry from across the Anglo-American literary tradition can provide useful ways to understand how we should interact with nature. While facing different historical, cultural, and environmental circumstances, both William Wordsworth and Gary Snyder help us think through moral human management of nature. I examine the treatment of both poets’ treatment of managed arboreal spaces from Wordsworth’s Lyrical Ballads, The Prelude, and other collections, and from Snyder’s Turtle Island and danger on peaks. These interactions lead us to a moral law which binds humans to respect nature’s ability to survive. If humans follow this moral law, then, according to both authors, humans will become equal participants in geocentric human-nature communities. I argue that these poetic representations of both ideal and immoral human management provide us with tools to determine the morality of contemporary land management and logging practices. APPROVED BY DIRECTOR OF HONORS THESIS: ______________________________________________ Dr. Julia E. Daniel, Department of English APPROVED BY THE HONORS PROGRAM: ______________________________________________ Dr. Elizabeth Corey, Director DATE: __________________________ MANAGED ARBOREAL SPACES: MORAL EXPECTATIONS IN THE POETRY OF GARY SNYDER AND WILLIAM WORDSWORTH A Thesis Submitted to the Faculty of Baylor University In Partial Fulfillment of the Requirements for the Honors Program By Daniel Adams Waco, Texas May 2017 TABLE OF CONENTS Acknowledgements . iii Chapter One: Introduction and the Morality of Human Treatment of Trees . -
8/2019 PETER J. MANNING CURRICULUM VITAE 46 Hillside Road Department of English Stony Brook, N.Y. 11790 Stony Brook University
8/2019 PETER J. MANNING CURRICULUM VITAE 46 Hillside Road Department of English Stony Brook, N.Y. 11790 Stony Brook University (631) 751-4436 Stony Brook, N.Y. 11794-5350 (631) 632-7400 e-mail: [email protected] EDUCATION Ph.D. Yale University 1968 English Language and Literature M. A. Yale University 1965 English Language and Literature A. B. Harvard University 1963 English (magna cum laude) APPOINTMENTS 2000-- Stony Brook University: Professor; Chair of English 2000–06 1975-2000 University of Southern California: Associate Professor of English, 1977; Professor, 1985; chair, 1986-89 1967-75 University of California, Berkeley: Assistant Professor of English 2006-07 Scholar in residence, Obermann Center for Advanced Studies, University of Iowa 1993 Memphis State University (now University of Memphis): Moss Chair of Excellence in English (visiting: spring semester) COURSES TAUGHT Undergraduate: survey of British Literature, lectures and seminars in eighteenth-century British literature and art, lectures and seminars in the Romantic period, epic and its heirs, Athenian drama and its afterlife, methods and materials of literary criticism, seminars in satire, the Age of Revolutions (1789-1848), critical theory, and honors seminars. Interdisciplinary freshman honors programs. Graduate: introduction to graduate studies (literary theory; textual questions, professional issues), seminar in autobiographical fictions, Mellon interdisciplinary doctoral seminar on the concept of the frame, seminars in literary theory (e.g.: Barthes and Benjamin, Benjamin and Bakhtin), introductory and advanced seminars in the Romantics and transatlantic and global romanticism. Eighteen dissertations directed. PUBLICATIONS BOOKS Reading Romantics. New York: Oxford University Press, 1990. Pp. 326. Rpt. 2001. Byron and His Fictions. -
Wordsworth As Pastoral Poet Wordsworth As Pastoral Poet
WORDSWORTH AS PASTORAL POET WORDSWORTH AS PASTORAL POET By ALEXANDER EDWARD SPALDING, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Doctor of Philosophy McMaster University May 1974 DOCTOR OF PHILOSOPHY (1974) McMASTER UNIVERSITY {English) Hamilton, Ontario. TITLE: Wordsworth as Pastoral Poet AUTHOR: Alexander Edward Spalding, B.A. (Manitoba) M.A. (Manitoba) SUPERVISOR: Professor J. Sigman NUMBER OF PAGES: xi, 325. ABSTRACT Wordsworth is a mythopoeic or mythmaking poet. While the fell-sides, sheep-folds, and mountain roads of Cumberland-Westmorland provide an external reality in which his dramas can unfold, and while the shepherds, fell-folk, and travellers offer him the dramatis personae to people this natural stage, the drama is also, and perhaps even moreso, an inner psychological ritual played upon the stage of Wordsworth's psyche, and the actors are just as much gods and goddesses and titans, represent ing the psychic forces which come into play in the various stages of his spiritual progress, as they are people. If one is to see this drama clearly, then, one must adjust one's eyesight as well to the dark inner land scape of the psyche in order to realize the full scope and quality of Wordsworth's pastoral. As he plainly warns us in the Preface to the 1814 Excursion, we must look Into our Minds, into the Mind of Man- My haunt, and the main region of my song. Those people who, by their own unwitting habit, see only the outer landscape--the outer light of consciousness is so bright that they fail to see the shadows--will have only a one-dimensional view of his poetry, for, like all Titans, Wordsworth is a creature of the caves and mountain bases, ii and a good portion of him is inside and underground.