William Wordsworth in Context
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Life in Old Loweswater
LIFE IN OLD LOWESWATER Cover illustration: The old Post Office at Loweswater [Gillerthwaite] by A. Heaton Cooper (1864-1929) Life in Old Loweswater Historical Sketches of a Cumberland Village by Roz Southey Edited and illustrated by Derek Denman Lorton & Derwent Fells Local History Society First published in 2008 Copyright © 2008, Roz Southey and Derek Denman Re-published with minor changes by www.derwentfells.com in this open- access e-book version in 2019, under a Creative Commons licence. This book may be downloaded and shared with others for non-commercial uses provided that the author is credited and the work is not changed. No commercial re-use. Citation: Southey, Roz, Life in old Loweswater: historical sketches of a Cumberland village, www.derwentfells.com, 2019 ISBN-13: 978-0-9548487-1-2 ISBN-10: 0-9548487-1-3 Published and Distributed by L&DFLHS www.derwentfells.com Designed by Derek Denman Printed and bound in Great Britain by Antony Rowe Ltd LIFE IN OLD LOWESWATER Historical Sketches of a Cumberland Village Contents Page List of Illustrations vii Preface by Roz Southey ix Introduction 1 Chapter 1. Village life 3 A sequestered land – Taking account of Loweswater – Food, glorious food – An amazing flow of water – Unnatural causes – The apprentice. Chapter 2: Making a living 23 Seeing the wood and the trees – The rewards of industry – Iron in them thare hills - On the hook. Chapter 3: Community and culture 37 No paint or sham – Making way – Exam time – School reports – Supply and demand – Pastime with good company – On the fiddle. Chapter 4: Loweswater families 61 Questions and answers – Love and marriage – Family matters - The missing link – People and places. -
Grasmere & the Central Lake District
© Lonely Planet Publications 84 Grasmere & the Central Lake District The broad green bowl of Grasmere acts as a kind of geographical junction for the Lake District, sandwiched between the rumpled peaks of the Langdale Pikes to the west and the gentle hummocks and open dales of the eastern fells. But Grasmere is more than just a geological centre – it’s a literary one too thanks to the poetic efforts of William Wordsworth and chums, who collectively set up home in Grasmere during the late 18th century and transformed the valley into the spiritual hub of the Romantic movement. It’s not too hard to see what drew so many poets, painters and thinkers to this idyllic corner LAKE DISTRICT LAKE DISTRICT of England. Grasmere is one of the most naturally alluring of the Lakeland valleys, studded with oak woods and glittering lakes, carpeted with flower-filled meadows, and ringed by a GRASMERE & THE CENTRAL GRASMERE & THE CENTRAL stunning circlet of fells including Loughrigg, Silver Howe and the sculptured summit of Helm Crag. Wordsworth spent countless hours wandering the hills and trails around the valley, and the area is dotted with literary landmarks connected to the poet and his contemporaries, as well as boasting the nation’s foremost museum devoted to the Romantic movement. But it’s not solely a place for bookworms: Grasmere is also the gateway to the hallowed hiking valleys of Great and Little Langdale, home to some of the cut-and-dried classics of Lakeland walking as well as one of the country’s most historic hiking inns. -
The River Duddon (End Underline)
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2007-11-29 Wordsworth's Evolving Project: Nature, the Satanic School, and (underline) The River Duddon (end underline) Kimberly Jones May Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the English Language and Literature Commons BYU ScholarsArchive Citation May, Kimberly Jones, "Wordsworth's Evolving Project: Nature, the Satanic School, and (underline) The River Duddon (end underline)" (2007). Theses and Dissertations. 1247. https://scholarsarchive.byu.edu/etd/1247 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. WORDSWORTH’S EVOLVING PROJECT: NATURE, THE “SATANIC SCHOOL,” AND THE RIVER DUDDON by Kimberly Jones May A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Department of English Brigham Young University December 2007 BRIGHAM YOUNG UNIVERSITY GRADUATE COMMITTEE APPROVAL of a thesis submitted by Kimberly Jones May This thesis has been read by each member of the following graduate committee and by majority vote has been found to be satisfactory. November 16, 2007 Date Nicholas Mason, Chair November 16, 2007 Date Dan Muhlestein, Reader November 16, 2007 Date Matthew Wickman, Reader -
Quaker Journey: Exploring the Roots of Quakerism in England's Lake
Quaker Journey: Exploring the Roots of Quakerism in England’s Lake District General Itinerary, www.cfsnc.org/QuakerJourney Friday, July 20~ Saturday, July 21 • Travel from the United States to Manchester, England • Overnight at Bewley’s Hotel or other lodging, Manchester, England Sunday, July 22 • Bus from Manchester Airport/Bewley’s Hotel to Glenthorne, www.glenthorne.org • Tea and orientation to Glenthorne and our week together • Open afternoon for rest/local exploration/activities Monday, July 23; Tuesday, July 24; Thursday, July 26; Friday, July 27 • Welcome and introductory talk by our British Quaker guide, Roy Stephenson • Brigflatts Meeting House, www.brigflatts.org • Colthouse Meeting House, www.visitcumbria.com/amb/colthouse-quaker-meeting-house • Fox’s Pulpit/Firbank Fell, www.brigflatts.org/firbankfell.html • Hawkshead Village, www.hawkshead-village.co.uk • Lancaster Castle/Prison, www.lancastercastle.com • Pendle Hill, www.visitlancashire.com/explore/pendle-hill • Preston Patrick Meeting House, www.kendal-and-sedbergh-quakers.org.uk/page16.html • Quaker Tapestry Exhibit, Kendal, www.quaker-tapestry.co.uk • Sawley Meeting House, http://sawley.pendlehillquakers.org.uk • Settle Meeting House, www.settlequakers.org.uk • St. Andrew’s Church, Sedbergh, www.sedbergh.org.uk/churches/anglican • Swarthmore Hall, www.swarthmoorhall.co.uk • Meeting for Worship and final thoughts Wednesday, July 25; Saturday, July 28 Open days for rest/local exploration/activities using local transport or on foot. Possibilities include: writer William -
Entre Classicismo E Romantismo. Ensaios De Cultura E Literatura
Entre Classicismo e Romantismo. Ensaios de Cultura e Literatura Organização Jorge Bastos da Silva Maria Zulmira Castanheira Studies in Classicism and Romanticism 2 FLUP | CETAPS, 2013 Studies in Classicism and Romanticism 2 Studies in Classicism and Romanticism is an academic series published on- line by the Centre for English, Translation and Anglo-Portuguese Studies (CETAPS) and hosted by the central library of the Faculdade de Letras da Universidade do Porto, Portugal. Studies in Classicism and Romanticism has come into being as a result of the commitment of a group of scholars who are especially interested in English literature and culture from the mid-seventeenth to the mid- nineteenth century. The principal objective of the series is the publication in electronic format of monographs and collections of essays, either in English or in Portuguese, with no pre-established methodological framework, as well as the publication of relevant primary texts from the period c. 1650–c. 1850. Series Editors Jorge Bastos da Silva Maria Zulmira Castanheira Entre Classicismo e Romantismo. Ensaios de Cultura e Literatura Organização Jorge Bastos da Silva Maria Zulmira Castanheira Studies in Classicism and Romanticism 2 FLUP | CETAPS, 2013 Editorial 2 Sumário Apresentação 4 Maria Luísa Malato Borralho, “Metamorfoses do Soneto: Do «Classicismo» ao «Romantismo»” 5 Adelaide Meira Serras, “Science as the Enlightened Route to Paradise?” 29 Paula Rama-da-Silva, “Hogarth and the Role of Engraving in Eighteenth-Century London” 41 Patrícia Rodrigues, “The Importance of Study for Women and by Women: Hannah More’s Defence of Female Education as the Path to their Patriotic Contribution” 56 Maria Leonor Machado de Sousa, “Sugestões Portuguesas no Romantismo Inglês” 65 Maria Zulmira Castanheira, “O Papel Mediador da Imprensa Periódica na Divulgação da Cultura Britânica em Portugal ao Tempo do Romantismo (1836-1865): Matérias e Imagens” 76 João Paulo Ascenso P. -
The Armstrong Browning Library Newsletter God Is the Perfect Poet
The Armstrong Browning Library Newsletter God is the perfect poet. – Paracelsus by Robert Browning NUMBER 51 SPRING/SUMMER 2007 WACO, TEXAS Ann Miller to be Honored at ABL For more than half a century, the find inspiration. She wrote to her sister late Professor Ann Vardaman Miller of spending most of the summer there was connected to Baylor’s English in the “monastery like an eagle’s nest Department—first as a student (she . in the midst of mountains, rocks, earned a B.A. in 1949, serving as an precipices, waterfalls, drifts of snow, assistant to Dr. A. J. Armstrong, and a and magnificent chestnut forests.” master’s in 1951) and eventually as a Master Teacher of English herself. So Getting to Vallombrosa was not it is fitting that a former student has easy. First, the Brownings had to stepped forward to provide a tribute obtain permission for the visit from to the legendary Miller in Armstrong the Archbishop of Florence and the Browning Library, the location of her Abbot-General. Then, the trip itself first campus office. was arduous—it involved sitting in a wine basket while being dragged up the An anonymous donor has begun the cliffs by oxen. At the top, the scenery process of dedicating a stained glass was all the Brownings had dreamed window in the Cox Reception Hall, on of, but disappointment awaited Barrett the ground floor of the library, to Miller. Browning. The monks of the monastery The Vallombrosa Window in ABL’s Cox Reception The hall is already home to five windows, could not be persuaded to allow a woman Hall will be dedicated to the late Ann Miller, a Baylor professor and former student of Dr. -
Anna Seward and the Poetics of Sensibility and Control Andrew O
Criticism Volume 58 | Issue 2 Article 9 2016 Anna Seward and the Poetics of Sensibility and Control Andrew O. Winckles Adrian College, [email protected] Follow this and additional works at: http://digitalcommons.wayne.edu/criticism Recommended Citation Winckles, Andrew O. (2016) "Anna Seward and the Poetics of Sensibility and Control," Criticism: Vol. 58 : Iss. 2 , Article 9. Available at: http://digitalcommons.wayne.edu/criticism/vol58/iss2/9 ANNA SEWARD At the 2011 meeting of the North American Society for the Study AND THE POETICS of Romanticism, Anne K. Mellor OF SENSIBILITY reflected on how the field has AND CONTROL changed since her foundational Andrew O. Winckles 1993 study Romanticism and Gender. She commented that, though women writers such as Anna Seward and the End of the Mary Wollstonecraft, Jane Austen, Eighteenth Century by Claudia and Mary Shelley have cemented Thomas Kairoff. Baltimore, MD: themselves as legitimate objects Johns Hopkins University Press, of study, this has largely been at 2012. Pp. 328. $58 cloth. the expense of a broader under- standing of how women writers were working during the period. In addition to the Big Six male Romantics, we have in many cases simply added the Big Three female Romantics.1 Though this has begun to change in the last ten years, with important studies appearing about women like Anna Letitia Barbauld, Mary Robinson, Joanna Baillie, and Hannah More, we still know shockingly little about women writers’ lives, cultural con- texts, and works. A case in point is Anna Seward, a poet and critic well known and respected in her own lifetime, but whose critical neglect in the nineteenth and twentieth centu- ries has largely shaped how recent critics interact with her work. -
Abbreviations Used in the Notes
ABBREVIATIONS USED IN THE NOTES The following list is for use in connection with the short-form citations in Notes to the Introduction (beginning at p. 148 below) and Notes to the Poems (beginning at p. 150 below). BL S. T. Coleridge, Biographia Literaria, 2 vols (London, 1817); ed. J. Shawcross, 2 vols (Oxford, 1907). EY The Letters of William and Dorothy Wordsworth: The Early Years, 1787-1805, ed. Ernest de Selincourt (Oxford, 1935); 2nd edn rev. Chester L. Shaver (Oxford, 1967). See also LY and MY, below. HD William Wordsworth, Poems in Two Volumes, ed. Helen Darbishire (Oxford, 1914; 2nd edn, 1952). Hutchinson William Wordsworth, Poems in Two Volumes, ed. Thomas Hutchinson, 2 vols (London, 1897). IF Notes dictated by Wordsworth to Isabella Fenwick. JDW Journals of Dorothy Wordsworth, ed. Mary Moorman (Oxford, 1971) - notably the Alfoxden and Grasmere Journals. LSTC Collected Letters of Samuel Taylor Coleridge, ed. E. L. Griggs, 6 vols (Oxford, 1956-71). LY I, II The Letters of William and Dorothy Wordsworth: The Later Years, 1821-1834, ed. Ernest de Selincourt (Oxford, 1938-9); 2nd edn rev. Alan G. Hill (Oxford, 1978-9). See also EY above, and MY below. MS.L. Longman MS, British Library Add. MS. 47864. [Cf. A Description of the Wordsworth and Coleridge Manuscripts in the Possession of Mr T. Norton Longman, ed. W. Hale White (London, 1897).] MYI The Letters of William and Dorothy Wordsworth: The Middle Years, Part I, 1806-1811, ed. Ernest de Selincourt (Oxford, 1936); 2nd edn rev. Mary Moorman (Oxford, 1969). MY II The Letters of William and Dorothy Wordsworth: The Middle Years, Part II, 1812-1820, ed. -
The English Lake District
La Salle University La Salle University Digital Commons Art Museum Exhibition Catalogues La Salle University Art Museum 10-1980 The nE glish Lake District La Salle University Art Museum James A. Butler Paul F. Betz Follow this and additional works at: http://digitalcommons.lasalle.edu/exhibition_catalogues Part of the Fine Arts Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation La Salle University Art Museum; Butler, James A.; and Betz, Paul F., "The nE glish Lake District" (1980). Art Museum Exhibition Catalogues. 90. http://digitalcommons.lasalle.edu/exhibition_catalogues/90 This Book is brought to you for free and open access by the La Salle University Art Museum at La Salle University Digital Commons. It has been accepted for inclusion in Art Museum Exhibition Catalogues by an authorized administrator of La Salle University Digital Commons. For more information, please contact [email protected]. T/ie CEnglisti ^ake district ROMANTIC ART AND LITERATURE OF THE ENGLISH LAKE DISTRICT La Salle College Art Gallery 21 October - 26 November 1380 Preface This exhibition presents the art and literature of the English Lake District, a place--once the counties of Westmorland and Cumber land, now merged into one county, Cumbria— on the west coast about two hundred fifty miles north of London. Special emphasis has been placed on providing a visual record of Derwentwater (where Coleridge lived) and of Grasmere (the home of Wordsworth). In addition, four display cases house exhibits on Wordsworth, on Lake District writers and painters, on early Lake District tourism, and on The Cornell Wordsworth Series. The exhibition has been planned and assembled by James A. -
Anna Seward and the End of the Eighteenth Century Kairoff, Claudia T
Anna Seward and the End of the Eighteenth Century Kairoff, Claudia T. Published by Johns Hopkins University Press Kairoff, Claudia T. Anna Seward and the End of the Eighteenth Century. Johns Hopkins University Press, 2012. Project MUSE., <a href=" https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/12865 Access provided at 24 Oct 2019 11:50 GMT with no institutional affiliation This work is licensed under a Creative Commons Attribution 4.0 International License. Bibliography Adams, Malise Forbes, and Mary Mauchline. “Kauffman’s Decorative Work.” In Angelica Kauffman: A Continental Artist in Georgian England, edited by Wendy Wassyng Roworth, 113–40. London: Reaktion, 1993. Alexander, David. “Chronological Checklist of Singly Issued English Prints after Angelica Kauffman.” In Angelica Kauffman: A Continental Artist in Georgian En- gland, edited by Wendy Wassyng Roworth, 179–89. London: Reaktion, 1993. ———. “Kauffman and the Print Market in Eighteenth-century England.” In Angelica Kauffman: A Continental Artist in Georgian England, edited by Wendy Wassyng Roworth, 141–78. London: Reaktion, 1993. Ashmun, Margaret. The Singing Swan: An Account of Anna Seward and Her Acquain- tance with Dr. Johnson, Boswell, and Others of Their Time. New Haven, CT: Yale University Press, 1931. Austen, Jane. Letters. Edited by Deirdre Le Faye. 3rd ed. Oxford: Oxford University Press, 1995. ———. Sense and Sensibility. Oxford: Oxford University Press, 1990. Backscheider, Paula R. Eighteenth-Century Women Poets and Their Poetry: Inventing Agency, Inventing Genre. Baltimore, MD: Johns Hopkins University Press, 2005. Backscheider, Paula R., and Catherine E. Ingrassia, eds. British Women Poets of the Long Eighteenth Century: An Anthology. -
Bishop Sarapion's Prayer-Book : an Egyptian Pontifical Dated Probably
6 ti\>t<xty ofChe 'theological ^mimvy PRINCETON . NEW JERSEY PRESENTED BY B.B. Warfield's Library 1922 BR 45 .E36 v. Serapion, Bishop Sarapion ' s prayer- Idook BISHOP SARAPION'S PRAYER-BOOK : J/ £arli? Cburcb Classice BISHOP SARAPIONS PRAYER-BOOK AN EGYPTIAN PONTIFICAL DATED PROBABLY ABOUT A.D. 350—356 TRANSLATED FROM THE EDITION OF DR. G. WOBBERMIN WITH INTRODUCTION, NOTES, AND INDICES / BY JOHN WORDSWORTH, D.D. HISHOP OF SALISBURY LONDON SOCIETY FOR PROMOTING CHRISTIAN KNOWLEDGE, W.C. NORTHUMBERLAND AVENUE, CHARING CROSS, ; STREET, E.C. 43, QUEEN VICTORIA Stkhet. Brighton : 129, North B. YOUNG & CO. New York : E. J. 1899 PUBIJSHED UNDER THE DIRECTION OF THE TRACT COMMITTEE. CONTENTS Introduction :— § I. Date and importance of the book. Descrip- tion of the MS 7 § 2. Personality and character of Sarapion of Thmuis, His orthodoxy in regard to the doctrine of the holy Spirit. Question of the Doxology . lo " § 3. Was Sarapion author of the Letter Con- " cerning Father and Son ? . -19 § 4. The Collection of Prayers. Their general contents, style, and character. Unity of their style. Evidence of Egyptian origin 23 § 5. The Eucharistic Liturgy. The Pro-Anaphora. Prayers 19—30. Division into two Books. The Laodicene Canons. Tabular view cf the Liturgy of Sarapion 3- §6. The Eucharistic Liturgy (<:?«//«^/). Tabular view of the Anaphora. Prayers i — 5. Points of importance in the Consecration Prayer. " Like- ness." Position of the " Institution." Eucharistic Sacrifice. Invocation of the Logos. Traces of it elsewhere ......••• 4° §7. The Baptismal Prayers, 7— II. Hallowing of the Waters. Confirmation a separate rite . • 49 — 6 CONTENTS PAGE § 8. -
\¥ Ads Worth Family
"The thought of our past years in me doth breed perpetual benediction."- TVordswort/1. TWO HUNDRED. AND FIFTY YEARS -OF THE--- \¥ ADS WORTH FAMILY IN AMERICA. (WITH ILLUSTRATIONS.) CONTAINING AN ACCOUNT OF THE FAMILY REUNION, AT DUXBURY, MASS,, SEPTEMBER 13, 1882, AND A GENEALOGICAL REGISTER, PREPARED EXPRESSLY FOR THIS WORK, ---BY--- HORACE ANDREW WADSWORTH, AUTHOR OF "QUARTER-CENTENNIAL HISTORY OF LAWRENCE, AND PUBLISHER OF THE LAWRENCE DAILY AND ESSEX WEEKLY EAGLE, LAWRENCE,.MASS, LAWRENCE, MASS.: p, , . D AT THE EAGLE STEAM JOB PRlNTrNG ROOMS, 1883. PREFACE. It is not without misgivings that this volume is handed to my kinsmen and namesakes, as a History of'' Two Hundred and Fifty Years of the \Vadsworth Family in America." The subject covers a great deal, and could be extended · ad infinitum. To collect, edit and publish, what really should find a place in the family history, would be the work of at least twenty years, and I find that the family historians of many well known names have been busy at least that time, and still the task is not completed. But the author of this history cannot delay twenty years, ten years, or even five years. The demand for the work will not admit of it. Letters have been received, almost daily, with the question, " How soon will the history be completed?" Not a few of our people who are deeply interested in this work, have reached, or passed, the ripe age of three score years anrl ten, and for their benefit, if for no other reason the promised work should be forthcoming.