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Efnisyfirlit
Efnisyfirlit SKIPULAGSSKRÁ .............................................................................................................................................. 3 STJÓRN OG STARFSLIÐ .................................................................................................................................. 6 SKÓLANEFND ...................................................................................................................................................... 6 SKÓLASTJÓRI ...................................................................................................................................................... 6 YFIRKENNARI ..................................................................................................................................................... 6 ÁFANGASTJÓRI ................................................................................................................................................... 6 FJARNÁMSSTJÓRI ................................................................................................................................................ 6 VERKEFNASTJÓRAR ............................................................................................................................................ 6 DEILDARSTJÓRAR ............................................................................................................................................... 6 KENNARAR ........................................................................................................................................................ -
13. the Solar Antler in Sólarljóð
The Waning Sword E Conversion Imagery and Celestial Myth in Beowulf DWARD The Waning Sword Conversion Imagery and EDWARD PETTIT P The image of a giant sword mel� ng stands at the structural and thema� c heart of the Old ETTIT Celestial Myth in Beowulf English heroic poem Beowulf. This me� culously researched book inves� gates the nature and signifi cance of this golden-hilted weapon and its likely rela� ves within Beowulf and beyond, drawing on the fi elds of Old English and Old Norse language and literature, liturgy, archaeology, astronomy, folklore and compara� ve mythology. In Part I, Pe� t explores the complex of connota� ons surrounding this image (from icicles to candles and crosses) by examining a range of medieval sources, and argues that the giant sword may func� on as a visual mo� f in which pre-Chris� an Germanic concepts and prominent Chris� an symbols coalesce. In Part II, Pe� t inves� gates the broader Germanic background to this image, especially in rela� on to the god Ing/Yngvi-Freyr, and explores the capacity of myths to recur and endure across � me. Drawing on an eclec� c range of narra� ve and linguis� c evidence from Northern European texts, and on archaeological discoveries, Pe� t suggests that the T image of the giant sword, and the characters and events associated with it, may refl ect HE an elemental struggle between the sun and the moon, ar� culated through an underlying W myth about the the� and repossession of sunlight. ANING The Waning Sword: Conversion Imagery and Celesti al Myth in Beowulf is a welcome contribu� on to the overlapping fi elds of Beowulf-scholarship, Old Norse-Icelandic literature and Germanic philology. -
Volcanic Action and the Geosocial in Sigur Rós's “Brennisteinn”
Journal of Aesthetics & Culture ISSN: (Print) 2000-4214 (Online) Journal homepage: https://www.tandfonline.com/loi/zjac20 Musical aesthetics below ground: volcanic action and the geosocial in Sigur Rós’s “Brennisteinn” Tore Størvold To cite this article: Tore Størvold (2020) Musical aesthetics below ground: volcanic action and the geosocial in Sigur Rós’s “Brennisteinn”, Journal of Aesthetics & Culture, 12:1, 1761060, DOI: 10.1080/20004214.2020.1761060 To link to this article: https://doi.org/10.1080/20004214.2020.1761060 © 2020 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. Published online: 04 May 2020. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=zjac20 JOURNAL OF AESTHETICS & CULTURE 2020, VOL. 12, 1761060 https://doi.org/10.1080/20004214.2020.1761060 Musical aesthetics below ground: volcanic action and the geosocial in Sigur Rós’s “Brennisteinn” Tore Størvold Department of Musicology, University of Oslo, Oslo, Norway ABSTRACT KEYWORDS This article presents a musicological and ecocritical close reading of the song “Brennisteinn” Sigur Rós; anthropocene; (“sulphur” or, literally, “burning rock”) by the acclaimed post-rock band Sigur Rós. The song— ecomusicology; ecocriticism; and its accompanying music video—features musical, lyrical, and audiovisual means of popular music; Iceland registering the turbulence of living in volcanic landscapes. My analysis of Sigur Rós’s music opens up a window into an Icelandic cultural history of inhabiting a risky Earth, a condition captured by anthropologist Gísli Pálsson’s concept of geosociality, which emerged from his ethnography in communities living with volcanoes. -
Anne Meiring
UWE EBEL DARBIETUNGSFORMEN UND DARBIETUNGSABSICHT IN FORNALDARSAGA UND VERWANDTEN GATTUNGEN VORBEMERKUNG Der folgende Beitrag erschien zuerst 1982. Die mit ihm verfolgte Intention war es, ausgehend von den Graden der Fiktionalisierung des jeweils entfalteten Geschehens eine Differenz zwischen Íslendingasaga und Fornaldarsaga zu erarbeiten. Dabei hatte sich gezeigt, dass die Íslendingasaga trotz all der Momente, die sie als 'realistisch' erlebbar macht, das literarische Phänomen der Semantisierung von Form- elementen kennt, und dass die Fornaldarsaga trotz ihrer Phantastik solche Seman- tisierung nicht oder kaum aufweist. Ohne die mittelalterlichen Texte über jüngere und unangemessene Kriterien und Kategorien beschreiben zu wollen, ließe sich also ein Differenzmerkmal darin erblicken, dass die Íslendingasaga strukturell der Fiktion und die Fornaldarsaga strukturell dem Tatsachenbericht zuzuordnen sind. Erst im Verlauf der Gattungsgeschichte tritt in der Fornaldarsaga der Aspekt der Unter- haltung in den Vordergrund. Mit alledem soll nicht gesagt sein, dass der moderne Begriff der 'Literatur' dem originären Kontext gerecht wird, auch nicht, dass die Intention der Redaktoren und Traditoren damit beschrieben wäre. Das strukturelle Differenzmerkmal ist dennoch nicht zu verkennen und es gälte auszuwerten, was das über die fiktionale Gestaltung von Geschehen im isländischen Mittelalter besagt. Man sollte insgesamt berücksichtigen, dass eine als 'realistisch' erlebbare Literatur die sprachkünstlerische, oder besser die epische Ausdrucksform einer -
Norse Mythology
^^^m,'^^^' Section .tP 231922 NORSE OB, THE RELIGION OF OUR FOREFATHERS, CONTAINING ALL THE MYTHS OF THE EDDAS, SYSTEMATIZED AND INTEEPEETED. AN INTRODUCTION, VOCABULARY AND INDEX. By E. B. ANDERSON, A.M., PROFESSOR OF THE SCANDINAVIAN LANGUAGES IN THE UNIVERSITY OP WISCONSIN, AUTHOR OP "AMERICA NOT DISCOVERED BY COLUMBUS," "den NORSKE MAALSAG," ETC. CHICAGO: S. C. GKIGGS AND COMPANY. LONDON. TRUBNER & CO. 1875. COPTKIGHT 1875. By 8. C, GRIGGS AND COMPANY. I KMIGHT St LEONARD I ELECTROTYPED BY A. ZEESE <tl CO. TO HENRY WADSWORTH LONGFELLOW, THE AMERICAN POET, WHO HAS NOT ONLY REFRESHED HIMSELF AT THE CASTALIAN FOUNTAIN, BUT ALSO COMMUNED WITH BRAGE, AND TAKEN DEEP DRAUGHTS FROM THE WELLS OF URD AND MIMER, THIS VOLUME IS DEDICATED, WITH THE GRATEFUl. REVERENCE OF THE AUTHOR. I think Scandinavian Paganism, to us here, is more interesting than any other. It is, for one thing, the latest ; it continued in these regions of Europe till the eleventh century : eight hundred years ago the Norwegians were still worshipers of Odin. It is interesting also as the creed of our fathers ; the men whose blood still runs in our veins, whom doubtless we still resemble in so many ways. Strange : they did believe that, while we believe so differently. Let us look a little at this poor Norse creed, for many reasons. We have tolerable means to do it ; for there is another point of interest in these Scandinavian mythologies : that they have been preserved so well. Neither is there no use in knowing something about this old Paganism of our fathers. Unconsciously, and combined with higher things, it is in us yet, that old faith withal. -
An Encapsulation of Óðinn: Religious Belief and Ritual Practice Among The
An Encapsulation of Óðinn: Religious belief and ritual practice among the Viking Age elite with particular focus upon the practice of ritual hanging 500 -1050 AD A thesis presented in 2015 for the degree of Doctor of Philosophy in Scandinavian Studies at the University of Aberdeen by Douglas Robert Dutton M.A in History, University of Aberdeen MLitt in Scandinavian Studies, University of Aberdeen Centre for Scandinavian Studies The University of Aberdeen Summary The cult surrounding the complex and core Old Norse deity Óðinn encompasses a barely known group who are further disappearing into the folds of time. This thesis seeks to shed light upon and attempt to understand a motif that appears to be well recognised as central to the worship of this deity but one rarely examined in any depth: the motivations for, the act of and the resulting image surrounding the act of human sacrifice or more specifically, hanging and the hanged body. The cult of Óðinn and its more violent aspects has, with sufficient cause, been a topic carefully set aside for many years after the Second World War. Yet with the ever present march of time, we appear to have reached a point where it has become possible to discuss such topics in the light of modernity. To do so, I adhere largely to a literary studies model, focussing primarily upon eddic and skaldic poetry and the consistent underlying motifs expressed in conjunction with descriptions of this seemingly ritualistic act. To these, I add the study of legal and historical texts, linguistics and contemporary chronicles. -
The Religion of Ancient Scandinavia Religions : Ancient and Modern
RELIGION OF ANCIENT SCANDINAVIA LIBRARY UNIVERSITY OF CALIFORNIA SAN DIEGO RELIGIONS ANCIENT AND MODERN THE RELIGION OF ANCIENT SCANDINAVIA RELIGIONS : ANCIENT AND MODERN. ANIMISM. By EDWARD CLODD, Author of The Story of Creation. PANTHEISM. By JAMES ALLAN SON PICTON, Author of The Religion of the universe. THE RELIGIONS OF ANCIENT CHINA. By Professor GILES, LL.D., Professor of Chinese in the University of Cambridge. THE RELIGION OF ANCIENT GREECE. By JANE HARRISON, Lecturer at Newnham College, Cambridge, Author of Prolegomena to Study of Greek Religion. ISLAM. By AMEER An SYED, M.A., C.I.E., late of H.M.'s High Court of Judicature in Bengal, Author of The Spirit of Iflam and The Ethics of Islam. MAGIC AND FETISHISM. By Dr. A. C. H ADDON, F.R.S., Lecturer on Ethnology at Cam- bridge University. THE RELIGION OF ANCIENT EGYPT. By Professor W. M. FLINDERS PETRIE, F.R.S. THE RELIGION OF BABYLONIA AND ASSYRIA. By THEOPHILUS G. PINCHES, late of the British Museum. EARLY BUDDHISM. By Professor RHYS DAVIDS, LL.D., late Secretary of The Royal Asiatic Society. HINDUISM. By Dr. L. D. BAR NEXT, of the Department of Oriental Printed Books and MSS. , British Museum. SCANDINAVIAN RELIGION. By WILLIAM A. CRAIGIE, Joint Editor of the Oxford English Dictionary. CELTIC RELIGION. By Professor ANWYL, Professor of Welsh at University College, Aberystwyth. THE MYTHOLOGY OF ANCIENT BRITAIN AND IRELAND. By CHARLES SQUIRE, Author of The Mythology of the British Islands. JUDAISM By ISRAEL ABRAHAMS, Lecturer in Talmudic Literature in Cambridge University, Author of Jewish Life in the Middle Ages. -
Gylfaginning Codex Regius, F
Snorri Sturluson Edda Prologue and Gylfaginning Codex Regius, f. 7v (reduced) (see pp. 26/34–28/1) Snorri Sturluson Edda Prologue and Gylfaginning Edited by ANTHONY FAULKES SECOND EDITION VIKING SOCIETY FOR NORTHERN RESEARCH UNIVERSITY COLLEGE LONDON 2005 © Anthony Faulkes 1982/2005 Second Edition 2005 First published by Oxford University Press in 1982 Reissued by Viking Society for Northern Research 1988, 2000 Reprinted 2011 ISBN 978 0 903521 64 2 Printed by Short Run Press Limited, Exeter Contents Codex Regius, fol. 7v ..........................................................Frontispiece Abbreviated references ....................................................................... vii Introduction ..........................................................................................xi Synopsis ..........................................................................................xi The author ..................................................................................... xii The title ....................................................................................... xvii The contents of Snorri’s Edda ................................................... xviii Models and sources ........................................................................ xx Manuscripts .............................................................................. xxviii Bibliography ...............................................................................xxxi Text ....................................................................................................... -
Pedigree of the Wilson Family N O P
Pedigree of the Wilson Family N O P Namur** . NOP-1 Pegonitissa . NOP-203 Namur** . NOP-6 Pelaez** . NOP-205 Nantes** . NOP-10 Pembridge . NOP-208 Naples** . NOP-13 Peninton . NOP-210 Naples*** . NOP-16 Penthievre**. NOP-212 Narbonne** . NOP-27 Peplesham . NOP-217 Navarre*** . NOP-30 Perche** . NOP-220 Navarre*** . NOP-40 Percy** . NOP-224 Neuchatel** . NOP-51 Percy** . NOP-236 Neufmarche** . NOP-55 Periton . NOP-244 Nevers**. NOP-66 Pershale . NOP-246 Nevil . NOP-68 Pettendorf* . NOP-248 Neville** . NOP-70 Peverel . NOP-251 Neville** . NOP-78 Peverel . NOP-253 Noel* . NOP-84 Peverel . NOP-255 Nordmark . NOP-89 Pichard . NOP-257 Normandy** . NOP-92 Picot . NOP-259 Northeim**. NOP-96 Picquigny . NOP-261 Northumberland/Northumbria** . NOP-100 Pierrepont . NOP-263 Norton . NOP-103 Pigot . NOP-266 Norwood** . NOP-105 Plaiz . NOP-268 Nottingham . NOP-112 Plantagenet*** . NOP-270 Noyers** . NOP-114 Plantagenet** . NOP-288 Nullenburg . NOP-117 Plessis . NOP-295 Nunwicke . NOP-119 Poland*** . NOP-297 Olafsdotter*** . NOP-121 Pole*** . NOP-356 Olofsdottir*** . NOP-142 Pollington . NOP-360 O’Neill*** . NOP-148 Polotsk** . NOP-363 Orleans*** . NOP-153 Ponthieu . NOP-366 Orreby . NOP-157 Porhoet** . NOP-368 Osborn . NOP-160 Port . NOP-372 Ostmark** . NOP-163 Port* . NOP-374 O’Toole*** . NOP-166 Portugal*** . NOP-376 Ovequiz . NOP-173 Poynings . NOP-387 Oviedo* . NOP-175 Prendergast** . NOP-390 Oxton . NOP-178 Prescott . NOP-394 Pamplona . NOP-180 Preuilly . NOP-396 Pantolph . NOP-183 Provence*** . NOP-398 Paris*** . NOP-185 Provence** . NOP-400 Paris** . NOP-187 Provence** . NOP-406 Pateshull . NOP-189 Purefoy/Purifoy . NOP-410 Paunton . NOP-191 Pusterthal . -
Gods, Heroes, & Kings: the Battle for Mythic Britain
Gods, Heroes, & Kings: The Battle for Mythic Britain Christopher R. Fee OXFORD UNIVERSITY PRESS gods, heroes, & kings This page intentionally left blank Gods, Heroes, & Kings The Battle for Mythic Britain Christopher R. Fee with David A. Leeming 1 2001 3 Oxford New York Auckland Bangkok Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi São Paulo Shanghai Taipei Tokyo Toronto Copyright © 2001 by Oxford University Press Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 First published as an Oxford University Press paperback in 2004 Oxford is a registered trademark of Oxford University Press. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Fee, Christopher R. Gods, heroes, and kings: the battle for mythic Britain / by Christopher R. Fee with David A. Leeming. p. cm. Includes bibliographical references (p.) and index. ISBN 0-19-513479-6; 0-19-517403-8 (pbk.) 1. Mythology, British. 2. Christianity and other religions—Great Britain. 3. Literature, Medieval—History and criticism. 4. British literature—History and criticism. I. Leeming, David Adams, 1937– II. Title. BL980.G7 F44 2001 820.9′15—dc21 00-068156 987654321 Printed in the United States of America on acid-free paper for emma and morgan This page intentionally left blank ACKNOWLEDGMENTS Thanks are due to the Provost’s Office of Gettysburg College, which provided me with paid leave for a semester at a crucial time. -
Ladda Ner Ladda Ned
ARKIV FÖR NORDISK FILOLOGI UTGIVET MED UNDERSTÖD AV AXEL KOCKS FOND FÖR NORDISK FILOLOGI SAMT STATSBIDRAG FRÅN DANMARK FINLAND NORGE OCH SVERIGE GENOM SVEN BENSON UNDER MEDVERKAN AV SIGURD FRIES KRISTIAN HALD EYVIND FJELD HALVORSEN JÓN HELGASON LUDVIG HOLM-OLSEN VALTER JANSSON PETER SKAUTRUP t REDAKTIONSSEKRETERARE BENGT PAMP NITTIOSJUNDE BANDET SJUNDE FÖLJDEN, FJÄRDE BANDET MCMLXXXII CWK GLEERUP CWK Gleerup är produktlinjenamnet för vetenskapliga skrifter utgivna av LiberLäromedel, Lund Tryckt med bidrag från Statens humanistiske forskningsråd, Danmark Statens humanistiska kommission, Finland Norges almenvitenskapelige forskningsråd. Norge Humanistisk-samhällsvetenskapliga forskningsrådet, Sverige Axel Kocks fond för nordisk filologi, Sverige ISSN 0066-7668 ISBN 91-40-04809-8 32 Berlings, Arlöv 1982, 9052 Innehåll Amory, Frederic, assistant professor, Berkeley, Cal.: Towards a Grammatical Classification of Kennings as Compounds ............... 67-80 Benson, Sven, professor, Göteborg: ANF 100 år ............................. 199-204 Benson, Sven, professor, Göteborg,Ejder, Bertil, professor, Lund, och Pamp, Bengt, arkivchef, Lund: Litteraturkrönika 1981 ......... 205-233 Ejder, Bertil, se Benson, Sven Hallberg, Peter, professor, Göteborg: Some Aspects of the Forn- aldarsögur as a Corpus ............................................................................ 1-35 Haskå, Inger, docent, Lund: Några synpunkter på Carin Sandqvists avhandling ”Studier över meningsbyggnaden i färöiskt skrift språk” ........................................................................................................ -
Art Bulletin of Nationalmuseum Stockholm Volume 26:1
The Danish Golden Age – an Acquisitions Project That Became an Exhibition Magnus Olausson Director of Collections Art Bulletin of Nationalmuseum Stockholm Volume 26:1 Art Bulletin of Nationalmuseum, Stockholm, © Copyright Musei di Strada Nuova, Genova Martin van Meytens’s Portrait of Johann is published with generous support from the (Fig. 4, p. 17) Michael von Grosser: The Business of Nobility Friends of the Nationalmuseum. © National Gallery of Art, Washington D.C. Open © Österreichisches Staatsarchiv 2020 (Fig. 2, Access image download (Fig. 5, p. 17) p. 92) Nationalmuseum collaborates with Svenska Henri Toutin’s Portrait of Anne of Austria. A © Robert Wellington, Canberra (Fig. 5, p. 95) Dagbladet, Bank of America Merrill Lynch, New Acquisition from the Infancy of Enamel © Wien Museum, Vienna, Peter Kainz (Fig. 7, Grand Hôtel Stockholm, The Wineagency and the Portraiture p. 97) Friends of the Nationalmuseum. © Rijksmuseum, Amsterdam/Public Domain (Fig. 2, p. 20) Graphic Design Cover Illustration © Christies, 2018 (Fig. 3, p. 20) BIGG Daniel Seghers (1590–1661) and Erasmus © The Royal Armoury, Helena Bonnevier/ Quellinus the Younger (1607–1678), Flower CC-BY-SA (Fig. 5, p. 21) Layout Garland with the Standing Virgin and Child, c. Four 18th-Century French Draughtsmen Agneta Bervokk 1645–50. Oil on copper, 85.5 x 61.5 cm. Purchase: © The Metropolitan Museum of Art, New York, Wiros Fund. Nationalmuseum, NM 7505. NY/Public Domain (Fig. 7, p. 35) Translation and Language Editing François-André Vincent and Johan Tobias Clare Barnes and Martin Naylor Publisher Sergel. On a New Acquisition – Alcibiades Being Susanna Pettersson, Director General. Taught by Socrates, 1777 Publishing © The Metropolitan Museum of Art, New York, Ludvig Florén, Magnus Olausson, and Martin Editors NY/Public Domain (Fig.