An Introduction to Our First Peoples for Young Australians

Total Page:16

File Type:pdf, Size:1020Kb

An Introduction to Our First Peoples for Young Australians An introduction to our First peoples for young Australians Teachers’ notes edition by Melinda Sawers Welcome to Country teachers’ notes About these teachers’ notes These teachers’ notes have been written to align with each chapter of the bookWelcome to Country: Youth Edition and to assist teachers to prepare and present lessons and activities that draw on the main book. To use this material, teachers are advised to read the chapter in the main book, Welcome to Country: Youth Edition and then the associated material in these notes. Each chapter in the teachers’ notes follows the same format, and is designed to give teachers a summary of the chapter, background information helpful for teaching the content and then a list of the relevant Organising Ideas from the Cross-Curriculum Priority of Aboriginal and Torres Strait Islander Histories and Cultures. Following this are suggested teaching activities for a variety of subjects with references to resources, links to the relevant Content Descriptions and Content Elaborations for each subject and, finally, an extensive resource list. The Learning Activities range from short and simple, such as watching a three-minute YouTube video that presents new and interesting information to the students, to research topics that can fill an entire unit, such as understanding Australia’s Constitution. There are a wide variety of suggested student outcomes from singing, dancing, art and media productions, to debates, public presentations, scientific field explorations, conversations with historical figures and students producing their own webpage resources to assist others to learn about these topics. Teachers are encouraged to explore the resources listed at the end of each chapter to enrich their own knowledge and to develop their students’ understanding and enjoyment of learning about Australia’s First peoples. About the teacher Melinda Sawers BAMus(Hons) GradDipEd MEd is a primary and secondary classroom teacher who has taught at all year levels in four states and territories of Australia. Over the past twenty years, she has brought Indigenous Elders and musicians into her schools to help educate students about the rich intellectual and cultural traditions of Australia’s First peoples, and their languages, histories and cultures. She has worked as a Director of Performing Arts specialising in choral and orchestral conducting, and has written several books on music curriculum. She is currently the Director of Music for Wadhurst at Melbourne Grammar School. Any references to the Australian Curriculum are © Australian Curriculum, Assessment and Reporting Authority (ACARA) 2010 to present, unless otherwise indicated. Welcome to Country teachers’ notes 2 Author’s note to teachers Australia is alive with the long history of the Aboriginal and Torres Strait Islander people, our cultures and our stories. Nowhere else in the world can you see and experience the oldest living cultures of humankind. There are two Indigenous cultural groupings in Australia: Aboriginal peoples on the mainland and most islands; and the Torres Strait Islanders, whose homelands are in the Torres Strait, between the northern tip of Queensland and Papua New Guinea. People are believed to have settled on the Torres Strait islands about 20,000 years ago. Scientific research carried out in the past few decades has shown that Aboriginal people have been living on the mainland for more than 60,000 years. Archaeologists have uncovered evidence of people living in Arnhem Land, in the Northern Territory, 65,000 years ago. As new evidence and more advanced dating technologies become available, archaeologists in the future may discover that this number goes back much further. Learning about Aboriginal life and culture The impact of Aboriginal life can be found across the Australian continent and its islands, but it is often invisible until it is pointed out to you. In Welcome to Country, I hope to show how Indigenous people cared for this land and developed their knowledge, cultures and stories over thousands of years. Then you will begin to see the country around you differently. Indigenous people are finding ways to reach out to all Australians to tell them about their knowledge, cultures and histories. They want school students to know that the Indigenous communities are strong, resilient, rich and diverse. They want young Australians to go out into the world with a respect for the First peoples and everything they have achieved. Aboriginal and Torres Strait Islander parents, grandparents and great-grandparents have a burning desire for their young people to learn about their own rich cultures and achievements, so they can feel proud of them. Indigenous students should be able to learn about their cultures in every year at school. That way, they can take part fully in all their subjects and build their self-esteem. Understanding the present Many Australians think that the only ‘real’ Aboriginal people are those who live in the deserts. This idea is based on two centuries of racist views that were wrong and should have no place in modern Australia. The official population of Aboriginal and Torres Strait Islander people will reach one million in the next decade. Over the last century, Indigenous people, like many other Australians, have moved from the rural and remote areas and now the majority live in cities and towns. The rest mainly live in small towns and Aboriginal settlements and communities scattered across the country. Author’s note to teachers 3 Even in the largest cities, such as Sydney and Melbourne, many Aboriginal people have kept many of their traditional customs and, in some cases, have gained the right to own and manage their land and waters. Also, they have found ways to keep their languages and cultures alive and to remember their history. Hope for the future My generation of Aboriginal people want young Australians to be taught more about our history and culture than we were. I have met very few Australians in my generation, or even among younger people, who learnt anything in school about Aboriginal and Torres Strait Islander people. Many have told me that if they were taught anything at all about our peoples, it was inaccurate and often racist. In 2006, I wrote the Prologue for First Australians,1 the book that accompanied the award-winning television series on Aboriginal and Torres Strait Islander history produced, written and directed by Rachel Perkins. I explained in the Prologue how learning Australian history in school in Queensland, more than fifty years ago, was painful and boring: The occasional Aboriginal characters represented bore no resemblance to the people I knew and had grown up with. Gradually, there was a dawning realisation that I was seen by my teacher and classmates as one of ‘those’ Aborigines. History was for me a terrible burden, because it was in this class that I learnt that people like me were hated; and that the only stories that were told about us provided a steady stock of evidence about our supposedly shockingly violent tendencies, savagery, and most importantly – our innate tendency to steal and pilfer. When Rachel Perkins and I looked at how Australian history was taught in the past, we found that most textbooks made it seem that our people disappeared or died out completely in the early nineteenth century. If the writers of those books did say that there were a few survivors, they wrote about those Indigenous people in ways that were disrespectful and dehumanising. They did not acknowledge our ancient and important history. Gradually, the attitude started to change as new historians began to write our history. They understood that it was important to record the lives of ordinary, as well as extraordinary, people. Rachel Perkins is one of Australia’s most well-informed and creative television and film producers; she is also an award- winning director and writer. She was surprised that, while the school and university textbooks generally didn’t include anything about the Indigenous peoples’ cultures and knowledge, there are mountains of historical sources about our stories. That is, history books, journals and research documents, for example. When SBS first came to ask me if I were interested in doing a major documentary series on Indigenous history I enthusiastically agreed although I had no idea what it would be. In making First Australians it has been common for many to ask why hasn’t this story been told? The truth is these stories have been told, at least in print, by the historians we feature in our series. There is more being written all the time and there is a substantial body of work to be found in good libraries if you have the interest.2 Learning resources There are thousands of resources that can help you understand the great and positive impact the First peoples have had on this country. For information about some of these, go to the Resources section at the back of the book. 1 SBS, Blackfella Films, Screen Australia, First Australians; retrieved 18 February 2019; sbs.com.au/firstaustralians/ 2 SBS, First Australians, Producer’s Statement; retrieved 18 February 2019; sbs.com.au/firstaustralians/about Author’s note to teachers 4 Sharing our knowledge and stories While it is impossible to cover the wealth of Indigenous knowledge in one book, I want to show you that we have thousands of years of history, customs and stories that we are proud of and we are pleased to share with other Australians. I encourage you and your students to use the book as a way to begin to explore the world of Indigenous Australians, to learn about our important and fascinating past, and our many contributions to modern Australian life. Your own sense of pride for the Indigenous cultures that have made this country will grow, and you will be well-informed ambassadors for the long history of Australia, most of which was Aboriginal.
Recommended publications
  • Into the Mainstream Guide to the Moving Image Recordings from the Production of Into the Mainstream by Ned Lander, 1988
    Descriptive Level Finding aid LANDER_N001 Collection title Into the Mainstream Guide to the moving image recordings from the production of Into the Mainstream by Ned Lander, 1988 Prepared 2015 by LW and IE, from audition sheets by JW Last updated November 19, 2015 ACCESS Availability of copies Digital viewing copies are available. Further information is available on the 'Ordering Collection Items' web page. Alternatively, contact the Access Unit by email to arrange an appointment to view the recordings or to order copies. Restrictions on viewing The collection is open for viewing on the AIATSIS premises. AIATSIS holds viewing copies and production materials. Contact AFI Distribution for copies and usage. Contact Ned Lander and Yothu Yindi for usage of production materials. Ned Lander has donated production materials from this film to AIATSIS as a Cultural Gift under the Taxation Incentives for the Arts Scheme. Restrictions on use The collection may only be copied or published with permission from AIATSIS. SCOPE AND CONTENT NOTE Date: 1988 Extent: 102 videocassettes (Betacam SP) (approximately 35 hrs.) : sd., col. (Moving Image 10 U-Matic tapes (Kodak EB950) (approximately 10 hrs.) : sd, col. components) 6 Betamax tapes (approximately 6 hrs.) : sd, col. 9 VHS tapes (approximately 9 hrs.) : sd, col. Production history Made as a one hour television documentary, 'Into the Mainstream' follows the Aboriginal band Yothu Yindi on its journey across America in 1988 with rock groups Midnight Oil and Graffiti Man (featuring John Trudell). Yothu Yindi is famed for drawing on the song-cycles of its Arnhem Land roots to create a mix of traditional Aboriginal music and rock and roll.
    [Show full text]
  • Art Gallery of New South Wales Annual Report 2012 – 13
    ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2012 – 13 1 CONTENTS 4 Vision and strategic direction 2010 – 15 5 President’s foreword 9 Director’s statement 13 At a glance 15 Access 15 Exhibitions and audience programs 19 Future exhibitions 21 Publishing 23 Engaging 23 Digital engagement 23 Community 30 Education 35 Outreach Regional NSW 40 Stewarding 40 Building and environmental management 42 Corporate Governance 58 Collecting 58 Major collection acquisitions 67 Other collection activity 70 Appendices 123 General Access Information 131 Financial statements 2 ART GALLERY OF NSW ANNUAL REPORT 12-13 The Hon George Souris MP Minister for Tourism, Major Events, Hospitality and Racing, and Minister for the Arts Parliament House Macquarie Street SYDNEY NSW 2000 Dear Minister It is our pleasure to forward to you for presentation to the NSW Parliament the annual report for the Art Gallery of NSW for the year ended 30 June 2013. This report has been prepared in accordance with the provisions of the Annual Report (Statutory Bodies) Act 1984 and the Annual Reports (Statutory Bodies) Regulations 2010. Yours sincerely Steven Lowy Michael Brand President Director Art Gallery of NSW Trust 21 October 2013 3 VISION AND STRATEGIC DIRECTION 2010 – 2015 Vision The Gallery is dedicated to serving the widest possible audience, both nationally and internationally, as a centre of excellence for the collection, preservation, documentation, . interpretation and display of Australian and international art. The Gallery is also dedicated to providing a forum for scholarship, art education and the exchange of ideas. Strategic Directions Access To continue to improve access to our collection, resources and expertise through exhibitions, publishing, programs, new technologies and partnerships.
    [Show full text]
  • Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
    COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Copyright Service. sydney.edu.au/copyright Land Rich, Dirt Poor? Aboriginal land rights, policy failure and policy change from the colonial era to the Northern Territory Intervention Diana Perche A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of Government and International Relations Faculty of Arts and Social Sciences University of Sydney 2015 Statement of originality This is to certify that to the best of my knowledge, the content of this thesis is my own work.
    [Show full text]
  • RECONCILIATION ACTION PLAN Buŋgul Sydney Festival 2020
    RECONCILIATION ACTION PLAN Buŋgul Sydney Festival 2020 ACKNOWLEDGEMENT OF COUNTRY Sydney Festival would like to acknowledge the Traditional Owners of the land on which the Festival takes place, and pay respect to the 29 clans of the Eora Nation. We acknowledge that this land falls within the boundaries of the Metropolitan Local Aboriginal Land Council. We would also like to acknowledge our Darug neighbours in Parramatta. We pay respect to Elders both past and present, and all Aboriginal and Torres Strait Islander peoples whichever Aboriginal and Torres Strait Islander nation they come from. INTRODUCTION Originally launched in 2013, our Reconciliation Action Plan (RAP) outlines our commitment towards improving outcomes for Aboriginal and Torres Strait Islander peoples by creating and fostering an organisational environment that cherishes respect, creates opportunity and builds cultural awareness. Sydney Festival recognises that Sydney is a vast, complex and exuberant city of cultural contrasts and social diversity, that Sydney’s Aboriginal and Torres Strait Islander heritage and contemporary cultures lie deep within the city’s identity and are key to an enlightened and progressive festival. COVER IMAGE: ALWAYS Sydney Festival 2019 2 1 Four Thousand Fish Sydney Festival 2018 A MESSAGE FROM THE EXECUTIVE DIRECTOR The Sydney Festival Reconciliation Action Plan remains our organisation's commitment to ensure that we keep moving forward on this vital issue for our nation. We are committed to working towards improving outcomes for Aboriginal and Torres Strait Islander peoples by creating and fostering an organisational environment that cherishes respect, creates opportunity and builds cultural awareness. We will continue to set ourselves new measurable goals, at the same time as maintaining ongoing successful initiatives as part of the ongoing journey for this organisation and our community.
    [Show full text]
  • History of the Sea of Hands Significant Dates Suggested School Activities
    History of the Sea of Hands Significant Dates Suggested School Activities Sample School Program Worksheets The Sea of Hands is a great activity for students, particularlyThe Sea of if itHands supports is a community work being- baseddone in the Useful Reconciliationclassroom. Some activity schools which have can alsobe used incorporated to mark significant dates during the year, such as Sorry Day, Resources student’s own hand designs and artworks within the Nationalinstallations, Reconciliation enabling Week students and toNAIDOC make aweek. more Photo Gallery personal response to the event. ANTaR QLD can supply hands and poles which can be used free of charge if your school would like to create a Sea of Hands installation. The hands can be booked by phoning the ANTaR office on ph.0401 733359 or via email [email protected] We acknowledge the Turrubal, Jagera and Yuggera people, traditional owners of the land on which Brisbane is situated. About the Sea of Hands Sea of Hands, Canberra 1997 The first Sea of Hands was held on the 12 October 1997, in front of Parliament House, Canberra. The Sea of Hands was created as a powerful, physical representation of the Citizen's Statement on Native Title. The Citizen's Statement was a petition circulated by ANTaR to mobilise non- Indigenous support for native title and reconciliation. Plastic hands in the colours of the Aboriginal and Torres Strait Islander flags, each one carrying one signature from the Citizen's Statement, were installed in front of Parliament House in what was then the largest public art installation in Australia.
    [Show full text]
  • Bwf.Org.Au Brisbane Writers Festival 2019 This Way
    Thursday, 5 September–Sunday, 8 September 5 September–Sunday, Thursday, BOOK NOW bwf.org.au Brisbane Writers Festival 2019 this way Join the Conversation humanity #bwf19 Contents 1 2 3 4 Thank you to A message from A message Ticket our partners the Minister for from the information the Arts Artistic Director 6 7 8 9 Special Angel's Tirra Lirra Meet the Events Palace by the River Author 10 26 27 28 Program Love YA Free Events BWF in for Families Your Suburb 30 32 34 35 Events for Writers Timetable Getting to BWF Team the Festival and Board Brisbane Writers Festival Thanks its Supporters Government Partners Proudly supported by Major Partner Home of Brisbane Writers Festival Cultural Partner Supporting Partners Media Partners Marketing Partners Hospitality Partners Program Partners Consulate of Canada, Kindred: 12 Queer #LoveOzYA Stories, Queensland Writers Centre, Griffith Review, A Spectrum Connected and Inala Wangarra Providing Partners Grassroots IT and PKF Hacketts BWF acknowledges the generous support of our donors, with special thanks to the Taylor Family. We are a not-for-profit organisation and rely on the generosity of donors and partners to support our aim of bringing stories to life in Queensland communities. Brisbane Writers Festival is supported by the Queensland Government through Arts Queensland. Brisbane Writers Festival is assisted by the Australian Government through the Australia Council, its arts funding and advisory body. 1 Brisbane Writers Festival 2019 Welcome to Brisbane Writers Festival Welcome to Brisbane Writers The genuine sharing and receiving Festival 2019, one of Australia’s of our unique stories give us the leading literary events, celebrating tools to unpack information and the power of words through make sense of our ever-changing exceptional experiences that inspire, world.
    [Show full text]
  • Meet Your New Council Glass Half Full
    Greater Bendigo December 2020 Dine out!Glass half full Meet your new Council CONTENTS NEWS 4 'Tis the season to go swimming 5 Meet your new Council 8 A rewarding opportunity A new chapter begins 9 Working for Victoria, works for Greater Bendigo GB quiz! BUSINESS 10 Dine outdoors 12 To market, to market 13 Highlighting the benefits of hiring people with disability The success of your new home business is only a phone call away! COMMUNITY 14 Glass half full 16 Showcasing gratitude 17 Community spirit shines through COVID-19 projects 18 Surviving summer Is your summer emergency plan right to go? 19 Free green waste disposal Where to go as a last resort when bushfire Greater Bendigo 17 December 2020 threatens 16 Glass half full Dine out! 20 New plan to advance reconciliation Meet your new Council Video a love song to Bendigo 21 Libraries bringing people together A new dog park for Heathcote 22 Golden Square - what's not to love! 3 for free! 24 Bendigo and Maubisse - an enduring friendship since 2006 SERVICES 25 Seeing the bigger picture 26 Tips to reduce your waste this Christmas 27 What's in the works? 27 City to extend organics collections in 2021 ON THE COVER: Bendigo locals Jude and Rebecca Apokis enjoy outdoor dining at Ms Batterhams. PayStay parking now available throughout city Read more on page 10-11. centre 27 ACTIVE AND HEALTHY 29 Why you can't dig on Crown land Helping fitness groups and businesses to train 23 outdoors 30 Making healthy eating easy Local food systems LIFESTYLE 31 Greater Bendigo Great Bakery Trail 32 What I did Last Week 34 When one door closes, another opens 35 Merry Christmas COVID-19 DISCLAIMER GB Magazine was prepared by the City using all reasonable steps to ensure the safety of participants.
    [Show full text]
  • City of Greater Bendigo Reconciliation Plan 2016–2019 Our Commitment Towards Advancing Reconciliation
    City of Greater Bendigo Reconciliation Plan 2016–2019 Our commitment towards advancing reconciliation Our Reconciliation Plan 2016-2019 Final Progress Report 2019-2020 The Reconciliation Plan adopted a ‘whole of Council’ approach to delivering its actions, and built on previous initiatives delivered by the City of Greater Bendigo as Our commitment towards advancing part of its early reconciliation journey. reconciliation Following the framework of Reconciliation Australia and its Reconciliation Action Plan program, the Plan focused The City of Greater Bendigo Reconciliation Plan 2016- on the three themes of Relationships, Respect and 2019 provided Council, the local Aboriginal community Opportunities. and the broader community with a clear understanding of the City of Greater Bendigo’s commitment to Under each theme were a series of practical actions reconciliation and the local Aboriginal community. driving the organisation’s contribution to reconciliation both internally and within the Greater Bendigo This is the third and final progress report for the community. Reconciliation Plan 2016-2019 which came to an end in January 2020. The City’s new Reconciliation Plan 2021- The City worked in partnership with the Traditional 2025: Barpangu was developed in 2020 in consultation Owners (Dja Dja Wurrung and Taungurung), the broader with Traditional Owners and the Aboriginal and Torres Aboriginal and Torres Strait Islander community and Strait Islander community, and was adopted by Council a range of local organisations to deliver its multiple on September 16, 2020. actions and objectives. City of Greater Bendigo Reconciliation Plan 2016–2019 | Our commitment towards advancing reconciliation Whole of Organisation Action Plan - Summary Progress Report The Reconciliation Plan identified 22 objectives and 93 ‘whole of Council’ actions.
    [Show full text]
  • SCOPIC Design and Overview
    Language Documentation & Conservation Special Publication No. 12 Social Cognition Parallax Interview Corpus (SCOPIC) ed. by Danielle Barth and Nicholas Evans, pp. 1–21 http://nflrc.hawaii.edu/ldc/sp12 1 http://hdl.handle.net/10125/24742 SCOPIC Design and Overview Danielle Barth and Nicholas Evans Australian National University and the ARC Centre of Excellence for the Dynamics of Language This paper provides an overview of the design and motivation for creating the Social Cognition Parallax Interview Corpus (SCOPIC), an open-end- ed, accessible corpus that balances the need for language-specific annota- tion with typologically-calibrated markup. SCOPIC provides richly anno- tated data, focusing on functional categories relevant to social cognition, the social and psychological facts that place people and others within an interconnected social context and allow people to interact with one an- other. By ‘parallax corpus’ we mean ‘broadly comparable formulations resulting from a comparable task’, to avoid the implications of ‘parallel corpus’ that there will be exact semantic equivalence across languages. We describe the data structure of the corpus and the language functions being annotated, and provide an example of a typological analysis using recursive partitioning, a modern statistical technique. The current paper should be seen as the introductory chapter of an open-ended special issue of LDC whose goal is to make available both the original corpus, the evolving annotated versions, and analyses coming from them, so that any investigator can examine the corpus with their own questions in mind. A range of new papers, linked to the evolv- ing corpus, will be added to this special issue over time.
    [Show full text]
  • Surrealism-Revolution Against Whiteness
    summer 1998 number 9 $5 TREASON TO WHITENESS IS LOYALTY TO HUMANITY Race Traitor Treason to whiteness is loyaltyto humanity NUMBER 9 f SUMMER 1998 editors: John Garvey, Beth Henson, Noel lgnatiev, Adam Sabra contributing editors: Abdul Alkalimat. John Bracey, Kingsley Clarke, Sewlyn Cudjoe, Lorenzo Komboa Ervin.James W. Fraser, Carolyn Karcher, Robin D. G. Kelley, Louis Kushnick , Kathryne V. Lindberg, Kimathi Mohammed, Theresa Perry. Eugene F. Rivers Ill, Phil Rubio, Vron Ware Race Traitor is published by The New Abolitionists, Inc. post office box 603, Cambridge MA 02140-0005. Single copies are $5 ($6 postpaid), subscriptions (four issues) are $20 individual, $40 institutions. Bulk rates available. Website: http://www. postfun. com/racetraitor. Midwest readers can contact RT at (312) 794-2954. For 1nformat1on about the contents and ava1lab1l1ty of back issues & to learn about the New Abol1t1onist Society v1s1t our web page: www.postfun.com/racetraitor PostF un is a full service web design studio offering complete web development and internet marketing. Contact us today for more information or visit our web site: www.postfun.com/services. Post Office Box 1666, Hollywood CA 90078-1666 Email: [email protected] RACE TRAITOR I SURREALIST ISSUE Guest Editor: Franklin Rosemont FEATURES The Chicago Surrealist Group: Introduction ....................................... 3 Surrealists on Whiteness, from 1925 to the Present .............................. 5 Franklin Rosemont: Surrealism-Revolution Against Whiteness ............ 19 J. Allen Fees: Burning the Days ......................................................3 0 Dave Roediger: Plotting Against Eurocentrism ....................................32 Pierre Mabille: The Marvelous-Basis of a Free Society ...................... .40 Philip Lamantia: The Days Fall Asleep with Riddles ........................... .41 The Surrealist Group of Madrid: Beyond Anti-Racism ......................
    [Show full text]
  • 14 Annu a L Repo
    20 t R l Repo A 14 Annu The Centre of Excellence for the Dynamics of Language is an ARC funded centre of excellence (CE140100041). College of Asia and the Pacifc The Australian National Unviersity H.C. Coombs Building Fellows Road, Acton ACT 2601 Email: [email protected] Phone: (02) 6125 9376 www.dynamicsofanguage.edu.au www.facebook.com/CoEDL © ARC Centre of Excellence for the Dynamics of Language 2014 Design: Sculpt Communications ARC Centre of excellence for the Dynamics of language Annual Report 2014 table of contents Section 1: The Centre 7 Section 2: People 25 Section 3: Research 49 Section 4: Education, Training and Mentoring 75 Section 5: Outreach and Engagement 81 Section 6: Outputs 90 Section 7: Financials 103 Section 8: Performance indicators 105 7 one on I t C e S 01tHe CentRe HEADING HEADING Introducing the ARC Centre of excellence for the Dynamics of language 8 Using language is as natural as breathing, and almost as important, for using language transforms every aspect of human experience. But it has been extraordinarily diffcult to understand its evolution, diversifcation, and use: a vast array of incredibly different language systems are found across the planet, all representing different solutions to the problem of evolving a fexible, all-purpose communication system, and all in constant fux. The ARC Centre of Excellence for the To achieve this transformation of the Dynamics of Language (CoEDL) will shift language sciences and the fow-on the focus of the language sciences from the translational outcomes for the public and long-held dominant view that language is a end-users, we have assembled a team which static and genetically constrained system — makes surprising and bold connections to a dynamic model where diversity, variation, between areas of research that until now plasticity and evolution, along with complex have not been connected: linguistics, interactions between language-learning and speech pathology, psychology, anthropology, perceptual and cognitive processes, lie at the philosophy, bioinformatics and robotics.
    [Show full text]
  • 2011 Census Definitions and Output Classifications
    2011 Census Definitions and Output Classifications December 2012 Last Updated April 2015 Contents Section 1 – 2011 Census Definitions 6 Section 2 – 2011 Census Variables 49 Section 3 – 2011 Census Full Classifications 141 Section 4 – 2011 Census Footnotes 179 Footnotes – Key Statistics 180 Footnotes – Quick Statistics 189 Footnotes – Detailed Characteristics Statistics 202 Footnotes – Local Characteristics Statistics 280 Footnotes – Alternative Population Statistics 316 SECTION 1 2011 CENSUS DEFINITIONS 2011 Census Definitions and Output Classifications 1 Section 1 – 2011 Census Definitions 2011 Resident Population 6 Absent Household 6 Accommodation Type 6 Activity Last Week 6 Adaptation of Accommodation 6 Adult 6 Adult (alternative classification) 7 Adult lifestage 7 Age 7 Age of Most Recent Arrival in Northern Ireland 8 Approximated social grade 8 Area 8 Atheist 9 Average household size 9 Carer 9 Cars or vans 9 Catholic 9 Census Day 10 Census Night 10 Central heating 10 Child 10 Child (alternative definition) 10 Children shared between parents 11 Civil partnership 11 Cohabiting 11 Cohabiting couple family 11 Cohabiting couple household 12 Communal establishment 12 Communal establishment resident 13 Country of Birth 13 Country of Previous Residence 13 Current religion 14 Daytime population 14 Dependent child 14 Dwelling 15 Economic activity 15 Economically active 16 Economically inactive 16 Employed 16 2011 Census Definitions and Output Classifications 2 Section 1 – 2011 Census Definitions Employee 17 Employment 17 Establishment 17 Ethnic
    [Show full text]