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Book History in Australia Since 1950 Katherine Bode Preprint: Chapter 1
Book History in Australia since 1950 Katherine Bode Preprint: Chapter 1, Oxford History of the Novel in English: The Novel in Australia, Canada, New Zealand and the South Pacific since 1950. Edited by Coral Howells, Paul Sharrad and Gerry Turcotte. Oxford: Oxford University Press, 2017. Publication of Australian novels and discussion of this phenomenon have long been sites for the expression of wider tensions between national identity and overseas influence characteristic of postcolonial societies. Australian novel publishing since 1950 can be roughly divided into three periods, characterized by the specific, and changing, relationship between national and non-national influences. In the first, the 1950s and 1960s, British companies dominated the publication of Australian novels, and publishing decisions were predominantly made overseas. Yet a local industry also emerged, driven by often contradictory impulses of national sentiment, and demand for American-style pulp fiction. In the second period, the 1970s and 1980s, cultural nationalist policies and broad social changes supported the growth of a vibrant local publishing industry. At the same time, the significant economic and logistical challenges of local publishing led to closures and mergers, and—along with the increasing globalization of publishing—enabled the entry of large, multinational enterprises into the market. This latter trend, and the processes of globalization and deregulation, continued in the final period, since the 1990s. Nevertheless, these decades have also witnessed the ongoing development and consolidation of local publishing of Australian novels— including in new forms of e-publishing and self-publishing—as well as continued government and social support for this activity, and for Australian literature more broadly. -
Meet Your New Council Glass Half Full
Greater Bendigo December 2020 Dine out!Glass half full Meet your new Council CONTENTS NEWS 4 'Tis the season to go swimming 5 Meet your new Council 8 A rewarding opportunity A new chapter begins 9 Working for Victoria, works for Greater Bendigo GB quiz! BUSINESS 10 Dine outdoors 12 To market, to market 13 Highlighting the benefits of hiring people with disability The success of your new home business is only a phone call away! COMMUNITY 14 Glass half full 16 Showcasing gratitude 17 Community spirit shines through COVID-19 projects 18 Surviving summer Is your summer emergency plan right to go? 19 Free green waste disposal Where to go as a last resort when bushfire Greater Bendigo 17 December 2020 threatens 16 Glass half full Dine out! 20 New plan to advance reconciliation Meet your new Council Video a love song to Bendigo 21 Libraries bringing people together A new dog park for Heathcote 22 Golden Square - what's not to love! 3 for free! 24 Bendigo and Maubisse - an enduring friendship since 2006 SERVICES 25 Seeing the bigger picture 26 Tips to reduce your waste this Christmas 27 What's in the works? 27 City to extend organics collections in 2021 ON THE COVER: Bendigo locals Jude and Rebecca Apokis enjoy outdoor dining at Ms Batterhams. PayStay parking now available throughout city Read more on page 10-11. centre 27 ACTIVE AND HEALTHY 29 Why you can't dig on Crown land Helping fitness groups and businesses to train 23 outdoors 30 Making healthy eating easy Local food systems LIFESTYLE 31 Greater Bendigo Great Bakery Trail 32 What I did Last Week 34 When one door closes, another opens 35 Merry Christmas COVID-19 DISCLAIMER GB Magazine was prepared by the City using all reasonable steps to ensure the safety of participants. -
City of Greater Bendigo Reconciliation Plan 2016–2019 Our Commitment Towards Advancing Reconciliation
City of Greater Bendigo Reconciliation Plan 2016–2019 Our commitment towards advancing reconciliation Our Reconciliation Plan 2016-2019 Final Progress Report 2019-2020 The Reconciliation Plan adopted a ‘whole of Council’ approach to delivering its actions, and built on previous initiatives delivered by the City of Greater Bendigo as Our commitment towards advancing part of its early reconciliation journey. reconciliation Following the framework of Reconciliation Australia and its Reconciliation Action Plan program, the Plan focused The City of Greater Bendigo Reconciliation Plan 2016- on the three themes of Relationships, Respect and 2019 provided Council, the local Aboriginal community Opportunities. and the broader community with a clear understanding of the City of Greater Bendigo’s commitment to Under each theme were a series of practical actions reconciliation and the local Aboriginal community. driving the organisation’s contribution to reconciliation both internally and within the Greater Bendigo This is the third and final progress report for the community. Reconciliation Plan 2016-2019 which came to an end in January 2020. The City’s new Reconciliation Plan 2021- The City worked in partnership with the Traditional 2025: Barpangu was developed in 2020 in consultation Owners (Dja Dja Wurrung and Taungurung), the broader with Traditional Owners and the Aboriginal and Torres Aboriginal and Torres Strait Islander community and Strait Islander community, and was adopted by Council a range of local organisations to deliver its multiple on September 16, 2020. actions and objectives. City of Greater Bendigo Reconciliation Plan 2016–2019 | Our commitment towards advancing reconciliation Whole of Organisation Action Plan - Summary Progress Report The Reconciliation Plan identified 22 objectives and 93 ‘whole of Council’ actions. -
Writing the Uncanny Into the Australian Suburban Home
The Mirror House: Writing the Uncanny into the Australian Suburban Home K.L. Munnery A thesis submitted in fulfilment of the requirements for the degree of Master of Arts School of Media and Communication RMIT University May 2012 Declaration I certify that except where due acknowledgement has been made, the work is that of the author alone; the work has not been submitted previously, in whole or in part, to qualify for any other academic award; the content of the thesis is the result of work which has been carried out since the official commencement date of the approved research program; any editorial work, paid or unpaid, carried out by a third party is acknowledged; and, ethics procedures and guidelines have been followed. ______________________ Kerry L Munnery Date: -ii- Acknowledgements I would like to thank my supervisors, Professor Catherine Cole and Dr. Francesca Rendle-Short, for their assistance and advice. Thank you to Bronwyn Lay for reading and commenting on a draft of the novel. Special thanks to Laila Fanebust for her support and encouragement and for her careful reading of a final draft. Finally, thanks to Michael, for his care, patience, and constant faith in my capabilities, and to Mia and Zoe, my sources of energy, inspiration and delight. This Masters was completed with the generous assistance of an Australian Postgraduate Award. -iii- Table of Contents Abstract………………………………………………………………..1 Volume 1………………………………………………………………3 Volume 2……………………………………………………………..52 -iv- Abstract This thesis explores the role of the uncanny as a means of situating a gothic haunted house story in a contemporary Australian suburban home. -
Novel, Suburb, Cosmos
The View from Above from Below: Novel, Suburb, Cosmos Brigid Rooney HROUGH CONVERGENT TECHNOLOGIES OF CAMERA AND FLIGHT, THE VIEW FROM ABOVE directs the opening chapter of The Australian Ugliness (1960), Melbourne- T based Robin Boyd’s famous critique of urban and suburban aesthetic forms. By 1960, such aerial vision was nothing new, but the arrival in 1956 of the Boeing jet meant air-travel was about to eclipse the sea voyage, conquering what Australian historian Geoffrey Blainey famously termed ‘the tyranny of distance’, and ushering in the era of mass tourism. This development naturalised and popularised an aesthetics of panorama that also organises the representation of suburbia. Boyd re-stages the aerial view successively. The visitor’s first approach to Australia is from the north. Moving from Darwin to Bourke, the visitor crosses over country ‘burnt brown and patchy, like a tender sunburnt skin, with sections of darker brown and blood red and blisters of lighter ochre’; his camera-eye view takes in the ‘red backland of Australia’ which ‘looks from the air satisfyingly like its own maps’ (Boyd 18). The arrival of Boyd’s hypothetical visitor, as noted, is staged twice, in the second instance tracking the plane’s approach ‘from across the Pacific’ over 1950s pre- Opera-House Sydney. From the long high view, urban Australia presents a vision of ‘continuity, unity and the promise of comfort in the mushroom roofs and the bright background of tended green’. Momentarily, suburban sprawl figures the ‘love of home’, with ‘great speckled carpets spread wide around every © Australian Humanities Review 60 (November 2016). -
Senate Submission
Committee Secretary Senate Legal and Constitutional Affairs Committee Jacinda Woodhead Editor, Overland magazine VU – Footscray Park Campus PO Box 14428 Melbourne VIC 8001 17 July 2015 Dear Committee Secretary and Members, I edit one of Australia’s oldest literary magazines, Overland, founded in 1954 by Stephen Murray-Smith. Overland has a long and distinguished history, and it’s list of published authors reads like a catalogue of influential Australian writers, from Patrick White, Frank Hardy and Dorothy Hewett to Peter Carey, Alexis Wright and Christos Tsiolkas. Overland’s mission is to foster new, original and progressive work exploring the relationship between politics and culture, especially literature, and to bring that work to as many people as possible. In its sixty-first year of publication, Overland continues to be artistically vibrant, making significant contributions to Australian cultural life on a daily basis. Much of Overland’s current success has been enabled by the infrastructure the organisation has been able to build over the years through subscriber, philanthropic and government support, including the critical funding the Australia Council has offered the magazine at the various stages of its existence. Overland publishes four print issues of 96 pages a year, each edition consisting of original fiction, poetry, nonfiction and artwork of the highest standard. Recent editions have included work by Germaine Greer, Cate Kennedy, Rodney Hall, Alexis Wright, Christos Tsiolkas and Alison Croggon. Overland is also committed to finding new talent: writers whose early work featured in the journal include Nam Le, Jennifer Mills, Stephen Amsterdam, Ali Alizadeh, Maxine Beneba Clarke, Anwen Crawford (who has started recently writing for the New Yorker) and artist Megan Cope. -
Publications for Brigid Rooney 2020 2019 2018 2017 2016 2015 2014
Publications for Brigid Rooney 2020 Australian Print Cultures and Modernity' by David Carter. Rooney, B. (2020). Stream System, Salient Image and Feeling: Southerly, 27(1), 174-181. Between Barley Patch and Inland. In Anthony Uhlmann (Eds.), Rooney, B., Olubas, B. (2015). Australian Literature / World Gerald Murnane: Another World in This One, (pp. 63-84). Literature: Borders, Skins, Mappings. JASAL, 15(3), 1-5. <a Sydney: Sydney University Press. <a href="http://www.nla.gov.au/openpublish/index.php/jasal/article href="http://dx.doi.org/10.2307/j.ctvx5w926.11">[More /view/4116/4753">[More Information]</a> Information]</a> Rooney, B. (2015). Serial Cities: Australian Literary Cities and 2019 the Rhetoric of Scale. Cultural Studies Review, 21(1), 262-282. <a href="http://dx.doi.org/10.5130/csr.v21i1.4345">[More Rooney, B. (2019). Interior History, Tempered Selves: David Information]</a> Malouf, Modernism, and Imaginative Possession. In Richard Begam,Michael Valdez Moses (Eds.), Modernism, Rooney, B. (2015). Time and Its Fellow Conspirator Space: Postcolonialism, and Globalism: Anglophone Literature, 1950 Patrick White's 'A Fringe of Leaves'. In Ian Henderson, to the Present, (pp. 258-276). New York: Oxford University Anouk Lang (Eds.), Patrick White Beyond the Grave: New Press. <a Critical Perspectives, (pp. 163-177). London: Anthem Press. <a href="http://dx.doi.org/10.1093/oso/9780199980963.003.0013" href="http://www.anthempress.com/patrick-white-beyond-the- >[More Information]</a> grave">[More Information]</a> 2018 2014 Rooney, B. (2018). Suburban Space, the Novel and Australian Rooney, B. (2014). "No-one Had Thought of Looking Close to Modernity. -
Colonising Time, Recollecting Place: Steven Carroll's Reinvention Of
Colonising time, recollecting place: Steven Carroll’s reinvention of suburbia BRIGID ROONEY University of Sydney Australian suburbs—like suburbs elsewhere1—are attracting renewed scholarly attention during the latest phase of urban transformation. As work by Fiona Allon (2008), Amanda Wise (2010) and others shows, the lived experience, spatial contours and cultural demographics of contemporary suburbia are in flux. It is no coincidence that representations of suburbia are also changing in character and detail, as seen in recent literary fiction. Christos Tsiolkas’s The Slap (2008), for instance, reinvents suburban terrain precisely through its engagement with Australia’s diversifying demography and changing urban/suburban modes, in turn conditioned by global capitalism’s fluid and precarious present, in what Zygmunt Bauman influentially terms ‘liquid modernity’ (Bauman 1-15). Yet literary critics and scholars of Australian literature are yet to move far from what has been, since the 1990s, a governing focus on an anti-suburban literary tradition. Critics have used ‘pro- or anti-suburbia’ as the key—if not sole—rubric for reading fictions of suburbia. Conditioned by the fiction itself, this approach was influentially introduced by Robin Gerster (1990), theoretically honed by Andrew McCann and others (1997; 1998), and continues into the present, albeit with modification and updating (Burns; O’Reilly). Fictions of postwar suburbia depicting the entrapment or flight of their protagonists are routinely read as anti- suburban, as a function of cosmopolitan habitus or artistic elitism. Even such an elusive work as David Malouf’s Johnno (1975) has been positioned as anti-suburban:2 there has been no escaping the dominance of this paradigm. -
Friends Unite to Create New Teaching Space
July 2017 Friends unite to create University Librarian’s new teaching space Message ‘I thank Alumni Friends deeply for the Thank you so much to donation of $50 000 toward this project. our valuable circle of It will be a place where we can incorporate friends and donors for your support. rare treasures into hands-on teaching, whilst also utilising digital technologies in It was a wonderful discovery and assessment outcomes. end to the year with our staff, ‘We are currently working with Senior Lecturer students and friends in English Literature, Dr Jennifer Clement celebrating at our from the UQ School of Communication and inaugural Awards and Arts, on her course, The Text in Time, that will Acquisitions Evening. incorporate our rare books, many of which This memorable occasion allowed us the opportunity Alumni Friends have helped us acquire over the to honour our 2016 award winners, pictured on UQ student Marcella Fox looking at an album years. page 5 of this report. We were also very pleased to of original 19th century photographs as part of ‘The space will provide the perfect setting for announce two new Fellowships for 2017, the Rae MSTU2140, Studies in Photography. object based learning,’ he said. and George Hammer Memorial Visiting Research Fellowship, established by Dr Margaret Hammer in The study space will be themed around memory of her parents Rae and George Hammer, Alumni Friends of The University of Queensland architecture, and will include large, interactive and our Creative Writing Fellowship, funded through Inc. have donated $50 000 to launch the digital screens that will allow students and the Copyright Agency Cultural Fund. -
Finalist Catalogue & Voting Form
Finalist Catalogue & Voting Form Finalist Exhibition 9–23 November 2015 Federation Square melbourneprize.org Melbourne Melbourne Prize Best Writing Writers Prize for Literature Award 2015 2015 finalists 2015 finalists finalists Robyn Annear Steven Carroll James Button Nick Gadd Brenda Niall Patricia Cornelius Kate Ryan Christos Tsiolkas Andrea Goldsmith David Sornig Chris Wallace- Gideon Haigh Maria Tumarkin Crabbe AM Daniel Keene Alexis Wright Alex Miller John Safran Maria Takolander Abigail Ulman Don Watson 06 Our 2015 Partners and Patrons 08 Finalists Exhibition Location Map 10 Prize and Awards 13 Civic Choice Award 2015 Voting Slip 15 Government Partners 16 2015 Judges 18 2005–2014 annual Melbourne Prize Alumni 20 Melbourne Prize for Literature 2015 28 Best Writing Award 2015 40 Writers Prize 2015 48 Acknowledgements 50 About the Melbourne Prize Trust 06 Melbourne Prize for Literature 2015 Public exhibition 9 to 23 November 2015 Federation Square, Melbourne melbourneprize.org Our Partners The Melbourne Prize for Literature 2015 is made possible by the generous support of the following partners and patrons Thank you to the Melbourne Prize for Literature 2015 partners and patrons Melbourne Prize for Literature 2015 Principal Patron Founding Partners Patrons Partners Dr. Ronald Benson Government Partners Corporate Partners Best Writing Award Exhibition & Event Partner 2015 Patron Associate Writers Prize 2015 Partner Professional Services Exhibition Consultant Media Communications In association with Banners Trophies Broadcast Partner Civic Choice Award Print Partners 2015 Partners IT Services Exhibition Signage & AV Wine Partner Residency e-Book Partner With the support of the City A Message from of Melbourne through its 2015 Arts Grants Program, and our the Executive partners and patrons this year, we are delighted to provide opportunities for writers and Director of demonstrate the importance of literature in a vibrant and the Melbourne creative community. -
North Australian Festival of Arts
NORTH AUSTRALIAN FESTIVAL OF ARTS 2 July - 1 August 2021 PROGRAM OF EVENTS PROGRAM OF Acknowledgement of Country Townsville City Council acknowledges the Wulgurukaba of Gurambilbarra and Yunbenun, Bindal, Gugu Badhun and Nywaigi as the Traditional Owners of this land. We pay our respects to their cultures, their ancestors and their Elders – past and present – and all future generations. NORTH AUSTRALIAN FESTIVAL OF ARTS OF FESTIVAL AUSTRALIAN NORTH Image: Sitarr Wyles Working together and moving forward [detail] 2019 2 Acylic on canvas 59 x 50cm Photo: Andrew Rankin Photography FUNDING PARTNER PRESENTING PARTNERS MEDIA PARTNERS SECURITY PARTNER IN-KIND SUPPLIERS ACCOMODATION PARTNER NORTH AUSTRALIAN FESTIVAL OF ARTS OF FESTIVAL AUSTRALIAN NORTH TRANSPORT PARTNER ACTIVE TRANSPORT PARTNER ENERGY PARTNER 3 MESSAGE FROM MESSAGE THE MINISTER FROM FOR TOURISM INDUSTRY THE MAYOR DEVELOPMENT AND INNOVATION AND MINISTER FOR SPORT CR THE HON. JENNY STIRLING HILL HINCHLIFFE MP The North Australian Festival of Arts is back! Welcome to the North Australian Festival of Bigger, better and even more outrageous than Arts, a wonderful opportunity to immerse before. yourself in Townsville, North Queensland’s local culture and community, and hopefully With over 400 events locked in across a explore some of the superb tourism number of genres and locations around our experiences on offer here. city, Townsville City Council is once again proud to present the wonders of NAFA The impacts of the pandemic have provided throughout the month of July. incredible challenges, but thanks to the hard work of Queenslanders our state was As a Council we made a commitment to the one of the first to put in place a COVID Safe people of Townsville to create an annual arts Event Framework which paved the way for and culture festival our community could be events such as this one to take place. -
Tim Winton, Cloudstreet and the Field of Australian Literature
<<Please read the copyright notice at the end of this article>> Robert Dixon: Tim Winton, Cloudstreet and the field of Australian Literature Author: Robert Dixon Title: Tim Winton, Cloudstreet and the field of Australian Literature Journal: Westerly Imprint: 2005, Volume 50, November, Pages 240-260 Let me begin by saying what I'm not going to do in this paper: I'm not going to do what used to be called a “close reading” of Tim Winton's Cloudstreet. I'm not going to wheel out a theoretical approach through which to interpret the text, as if the reading I could produce by that means were somehow more authoritative than any other. Instead, what I will do is situate Winton's career and this particular novel in what can be called the field of Australian literature. In using this term field, I mean to indicate the whole system involved in the production and reception of Australian literature. This is now a very broad spectrum of institutions, personnel, practices and values that is surprisingly complex and diverse. It is now so extensive that it isn't even confined to Australia. And academic literary criticism — in the sense of theoretically-driven textual analysis — is only one part of that field. Many would say that it's not even the most important part. This idea of a “field” derives from the work of the French sociologist Pierre Bourdieu.1 Much of Bourdieu's work was done on French art culture of the nineteenth century, but it has been widely used in recent years as a tool for thinking about how other culture industries work, including print culture, cinema and music.