Colonising Time, Recollecting Place: Steven Carroll's Reinvention Of
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Reflections on Some Recent Australian Novels ELIZABETH WEBBY
Books and Covers: Reflections on Some Recent Australian Novels ELIZABETH WEBBY For the 2002 Miles Franklin Award, given to the best Australian novel of the year, my fellow judges and I ended up with a short list of five novels. Three happened to come from the same publishing house – Pan Macmillan Australia – and we could not help remarking that much more time and money had been spent on the production of two of the titles than on the third. These two, by leading writers Tim Winton and Richard Flanagan, were hardbacks with full colour dust jackets and superior paper stock. Flanagan’s Gould’s Book of Fish (2001) also featured colour illustrations of the fish painted by Tasmanian convict artist W. B. Gould, the initial inspiration for the novel, at the beginning of each chapter, as well as changes in type colour to reflect the notion that Gould was writing his manuscript in whatever he could find to use as ink. The third book, Joan London’s Gilgamesh (2001), was a first novel, though by an author who had already published two prize- winning collections of short stories. It, however, was published in paperback, with a monochrome and far from eye-catching photographic cover that revealed little about the work’s content. One of the other judges – the former leading Australian publisher Hilary McPhee – was later quoted in a newspaper article on the Award, reflecting on what she described as the “under publishing” of many recent Australian novels. This in turn drew a response from the publisher of another of the short- listed novels, horrified that our reading of the novels submitted for the Miles Franklin Award might have been influenced in any way by a book’s production values. -
Download Program
Festival Guests Festival Information Sponsors Amanda Anastasi is an award-winning poet writer of the The Treehouse series and the in Residence at Melbourne University, Janet How to Book Festival Venues Major Partners Williamstown Literary whose work ranges from the introspective to BUM trilogy. Clarke Hall. willy All events held on Saturday 13 June the socio-political. Gideon Haigh has been an independent Susan Pyke teaches with the University of For detailed descriptions of sessions, David Astle is the Dictionary Guy on Letters journalist for almost 30 years. Melbourne, and her poetry, short stories and presenters and to book tickets, visit and Sunday 14 June are located at either the Williamstown Town Hall www.willylitfest.org.au or phone the ( and Numbers (SBS) and well-known crossword John Harms is a writer, publisher, broadcaster associative essays have appeared in various Festival lit compiler. and historian who appears on Offsiders (ABC) journals. Box Office on 9932 4074. or the Williamstown Library. ‘’ Kate Atkinson is an actor and one of the and runs footyalmanac.com.au Jane Rawson was formerly the Environment Book before midnight, Sunday 24 May Both are located at 104 Ferguson original founders of Actors for Refugees. & Energy Editor for news website, The Catherine Harris is an award-winning writer 2015 for special early bird pricing. Street, Williamstown. Please check 13 and 14 June 2015 fest Matt Blackwood has won multiple awards for and author of The Family Men. Conversation. She is the author of the novel, A Wrong Turn at the Office of Unmade Lists. your ticket for room details. -
Bwf.Org.Au Brisbane Writers Festival 2019 This Way
Thursday, 5 September–Sunday, 8 September 5 September–Sunday, Thursday, BOOK NOW bwf.org.au Brisbane Writers Festival 2019 this way Join the Conversation humanity #bwf19 Contents 1 2 3 4 Thank you to A message from A message Ticket our partners the Minister for from the information the Arts Artistic Director 6 7 8 9 Special Angel's Tirra Lirra Meet the Events Palace by the River Author 10 26 27 28 Program Love YA Free Events BWF in for Families Your Suburb 30 32 34 35 Events for Writers Timetable Getting to BWF Team the Festival and Board Brisbane Writers Festival Thanks its Supporters Government Partners Proudly supported by Major Partner Home of Brisbane Writers Festival Cultural Partner Supporting Partners Media Partners Marketing Partners Hospitality Partners Program Partners Consulate of Canada, Kindred: 12 Queer #LoveOzYA Stories, Queensland Writers Centre, Griffith Review, A Spectrum Connected and Inala Wangarra Providing Partners Grassroots IT and PKF Hacketts BWF acknowledges the generous support of our donors, with special thanks to the Taylor Family. We are a not-for-profit organisation and rely on the generosity of donors and partners to support our aim of bringing stories to life in Queensland communities. Brisbane Writers Festival is supported by the Queensland Government through Arts Queensland. Brisbane Writers Festival is assisted by the Australian Government through the Australia Council, its arts funding and advisory body. 1 Brisbane Writers Festival 2019 Welcome to Brisbane Writers Festival Welcome to Brisbane Writers The genuine sharing and receiving Festival 2019, one of Australia’s of our unique stories give us the leading literary events, celebrating tools to unpack information and the power of words through make sense of our ever-changing exceptional experiences that inspire, world. -
An Open Book David Malouf POETRY
LONDON BOOK FAIR 2019 UNIVERSITY OF QUEENSLAND PRESS PUBLICATION DETAILS ARE CORRECT AS OF MARCH 2019 BUT ARE SUBJECT TO CHANGE Kate McCormack Telephone +617 3365 2998 PO Box 6042 Fax +617 3365 7579 St Lucia Email [email protected] QLD 4067 Website www.uqp.com.au 1 The White Girl FICTION Tony Birch A searing new novel from leading Indigenous storyteller Tony Birch that explores the lengths we will go to in order to save the people we love. Odette Brown has lived her whole life on the fringes of a small country town. After her daughter disappeared and left her with her granddaughter Sissy to raise on her own, Odette has managed to stay under the radar of the welfare authorities who are removing fair-skinned Aboriginal children from their families. When a new policeman arrives in town, determined to enforce the law, Odette must risk everything to save Sissy and protect everything she loves. In The White Girl, Miles-Franklin-shortlisted author Tony Birch shines a spotlight on the 1960s and the devastating government policy of taking Indigenous children from their families. PRAISE FOR TONY BIRCH 'Birch evokes place and time with small details dropped in unceremoniously, and the stories are rife with social commentary. ''Well, who are we to judge?” Perhaps that is the point — Birch shows empathy so that we might find it.' Weekend Australian Tony Birch is the author of Ghost River, which won the Victorian Premier’s Literary Award for Indigenous Writing and Blood, which was shortlisted for the Miles Franklin Award. -
Nothing Will Silence It
LeadingWriters-FinalText.x 5/2/07 9:45 AM Page 3 Nothing Will Silence It By Alex Miller I don’t know that it’s making any difference, is it? And if it is making a difference, how do we begin to quantify the differ- ence it’s making? It’s rather like prayer. How can we know? Without poetry and drama and novels and music and art we know ourselves to be poorer. We know such things as these enrich our existence. But really that’s about all we can say. We can’t really say what it all means, or how it changes anything, at least not for other people, and perhaps not even for ourselves — unless we are book reviewers, of course, and no mysteries of the human soul are hidden from us. It is a rather elusive thing really, what creative writing or music mean. And this is one of their greatest charms. They elude our reason and give us respite from its tyrannies. What is this feeling of wonder that holds us in thrall as we read W.G. Sebald’s description of the decay of the Ashbury household in Ireland? Why are we so mesmerised? We don’t know these people. They are not our neighbours or our old friends. We are not learning anything useful. And Sebald is telling someone else’s story — the greatest source for all story- tellers, of course, other people’s stories. We are listening to Sebald’s own astonishment, to his sense of the melancholy and the inexplicable meaninglessness of the lives of this stricken family of forlorn exiles. -
A World-Ecological Reading of Drought in Thea Astley's
humanities Article Dry Country, Wet City: A World-Ecological Reading of Drought in Thea Astley’s Drylands Ashley Cahillane Discipline of English, National University of Ireland, Galway, Ireland; [email protected] Received: 6 January 2020; Accepted: 16 July 2020; Published: 11 August 2020 Abstract: Using a postcolonial and world-ecological framework, this article analyses the representation of water as an energy source in Thea Astley’s last and most critically acclaimed novel Drylands (1999). As environmental historians have argued, the colonial, and later capitalist, settlement of Australia, particularly the arid interior, was dependent on securing freshwater sources—a historical process that showed little regard for ecological impact or water justice until recent times. Drylands’ engagement with this history will be considered in relation to Michael Cathcart’s concept of ‘water dreaming’ (2010): the way in which water became reimagined after colonization to signify the prospect of economic growth and the consolidation of settler belonging. Drylands self-consciously incorporates predominant modes of ‘water dreaming’ into its narrative, yet resists reducing water to a passive resource. This happens on the level of both content and form: while its theme of drought-induced migration is critical of the past, present, and future social and ecological effects of the reckless extraction of freshwater, its nonlinear plot and hybrid form as a montage of short stories work to undermine the dominant anthropocentric colonial narratives that underline technocratic water cultivation. Keywords: Australian literature; world-ecology; blue humanities; world literature; ecocriticism; postcolonial ecocriticism 1. Introduction Water dictates Australia’s ecology, economy, and culture. Though surrounded by water, Australia is the world’s driest inhabited continent. -
Novel, Suburb, Cosmos
The View from Above from Below: Novel, Suburb, Cosmos Brigid Rooney HROUGH CONVERGENT TECHNOLOGIES OF CAMERA AND FLIGHT, THE VIEW FROM ABOVE directs the opening chapter of The Australian Ugliness (1960), Melbourne- T based Robin Boyd’s famous critique of urban and suburban aesthetic forms. By 1960, such aerial vision was nothing new, but the arrival in 1956 of the Boeing jet meant air-travel was about to eclipse the sea voyage, conquering what Australian historian Geoffrey Blainey famously termed ‘the tyranny of distance’, and ushering in the era of mass tourism. This development naturalised and popularised an aesthetics of panorama that also organises the representation of suburbia. Boyd re-stages the aerial view successively. The visitor’s first approach to Australia is from the north. Moving from Darwin to Bourke, the visitor crosses over country ‘burnt brown and patchy, like a tender sunburnt skin, with sections of darker brown and blood red and blisters of lighter ochre’; his camera-eye view takes in the ‘red backland of Australia’ which ‘looks from the air satisfyingly like its own maps’ (Boyd 18). The arrival of Boyd’s hypothetical visitor, as noted, is staged twice, in the second instance tracking the plane’s approach ‘from across the Pacific’ over 1950s pre- Opera-House Sydney. From the long high view, urban Australia presents a vision of ‘continuity, unity and the promise of comfort in the mushroom roofs and the bright background of tended green’. Momentarily, suburban sprawl figures the ‘love of home’, with ‘great speckled carpets spread wide around every © Australian Humanities Review 60 (November 2016). -
Senate Submission
Committee Secretary Senate Legal and Constitutional Affairs Committee Jacinda Woodhead Editor, Overland magazine VU – Footscray Park Campus PO Box 14428 Melbourne VIC 8001 17 July 2015 Dear Committee Secretary and Members, I edit one of Australia’s oldest literary magazines, Overland, founded in 1954 by Stephen Murray-Smith. Overland has a long and distinguished history, and it’s list of published authors reads like a catalogue of influential Australian writers, from Patrick White, Frank Hardy and Dorothy Hewett to Peter Carey, Alexis Wright and Christos Tsiolkas. Overland’s mission is to foster new, original and progressive work exploring the relationship between politics and culture, especially literature, and to bring that work to as many people as possible. In its sixty-first year of publication, Overland continues to be artistically vibrant, making significant contributions to Australian cultural life on a daily basis. Much of Overland’s current success has been enabled by the infrastructure the organisation has been able to build over the years through subscriber, philanthropic and government support, including the critical funding the Australia Council has offered the magazine at the various stages of its existence. Overland publishes four print issues of 96 pages a year, each edition consisting of original fiction, poetry, nonfiction and artwork of the highest standard. Recent editions have included work by Germaine Greer, Cate Kennedy, Rodney Hall, Alexis Wright, Christos Tsiolkas and Alison Croggon. Overland is also committed to finding new talent: writers whose early work featured in the journal include Nam Le, Jennifer Mills, Stephen Amsterdam, Ali Alizadeh, Maxine Beneba Clarke, Anwen Crawford (who has started recently writing for the New Yorker) and artist Megan Cope. -
ABR Favourite Australian Novels
Announcing the top ten ABR Favourite Australian Novels Of the 290 individual novels that were nominated in the ABR FAN Poll, below we list the top ten. At the foot of page 25 we simply name the ten titles that followed. We don’t have room to list all of your favourites. A complete alphabetical listing now appears on our website: www.australian- bookreview.com – a fillip to further reading and to a deeper appreciation of the range of Australian fiction, which was our shy hope when we polled our readers. Cloudstreet im Winton’s books attract international kudos, pres- 1 tigious awards and massive sales. Winton won the Australian/Vogel National Award with his first novel andT last year became only the second person to win the Miles Franklin Award four times. Cloudstreet, published in 1991, holds a unique place in Australian readers’ affections. Winton’s tale of the Lambs and the Pickles from the end of World War II to the 1960s won the 1992 Miles Franklin Award and was dramatised by Nick Enright and Justin Monjo. Presciently, in 1994, The Oxford Companion to Australian Literature predicted that ‘it seems certain to establish itself as one of Australia’s best novels’. Countless voters agreed. One of them, Carla Ziino, described it as ‘the quintessential Australian novel’. The Fortunes Voss of Richard atrick White, 2 3 Australia’s first Mahony Nobel Laureate Pfor Literature, dominat- enry Handel’s ed Australian literature grand trilogy from the 1950s to his – Australia death in 1990. Voss, his HFelix (1917), The Way fifth novel, published Home (1925) and Ultima in 1957, won the first Thule (1929), first col- Miles Franklin Award. -
Australian Literature: Culture, Identity and English Teachingi
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals online Australian literature: culture, identity and English teachingi ANNETTE PATTERSON Queensland University of Technology The development of the Australian Curriculum has reignited a debate about the role of Australian literature in the contexts of curricula and classrooms. A review of the mechanisms for promoting Australian literature including literary prizes, databases, surveys and texts included for study in senior English classrooms in New South Wales and Victoria provides a background for considering the purpose of Australian texts and the role of literature teachers in shaping students’ engagement with literature. In taking the pulse of Australian literature generally it is worth pausing to think about some of Australia’s literary prizes and their accompanying guidelines and criteria. Many texts set for study in classrooms first appear on our radar through these prize lists. One of the most prestigious and oldest awards is the Miles Franklin Award which commenced in 1957. The winner of that year was Patrick White for his novel Voss. In the 54 years since the prize was established it has been won by female writers on 12 occasions, including four-time winner Thea Astley. Given Thea Astley’s repeat performances, the prize has been awarded to nine individual female authors. Male authors have won the award on 39 occasions including repeat wins by Patrick White (2) Kim Scott (2) Alex Miller (2) Tim Winton (4) Thomas Keneally (2) and Peter Carey (3). Overall, the award went to 30 individual male authors. -
Publications for Brigid Rooney 2020 2019 2018 2017 2016 2015 2014
Publications for Brigid Rooney 2020 Australian Print Cultures and Modernity' by David Carter. Rooney, B. (2020). Stream System, Salient Image and Feeling: Southerly, 27(1), 174-181. Between Barley Patch and Inland. In Anthony Uhlmann (Eds.), Rooney, B., Olubas, B. (2015). Australian Literature / World Gerald Murnane: Another World in This One, (pp. 63-84). Literature: Borders, Skins, Mappings. JASAL, 15(3), 1-5. <a Sydney: Sydney University Press. <a href="http://www.nla.gov.au/openpublish/index.php/jasal/article href="http://dx.doi.org/10.2307/j.ctvx5w926.11">[More /view/4116/4753">[More Information]</a> Information]</a> Rooney, B. (2015). Serial Cities: Australian Literary Cities and 2019 the Rhetoric of Scale. Cultural Studies Review, 21(1), 262-282. <a href="http://dx.doi.org/10.5130/csr.v21i1.4345">[More Rooney, B. (2019). Interior History, Tempered Selves: David Information]</a> Malouf, Modernism, and Imaginative Possession. In Richard Begam,Michael Valdez Moses (Eds.), Modernism, Rooney, B. (2015). Time and Its Fellow Conspirator Space: Postcolonialism, and Globalism: Anglophone Literature, 1950 Patrick White's 'A Fringe of Leaves'. In Ian Henderson, to the Present, (pp. 258-276). New York: Oxford University Anouk Lang (Eds.), Patrick White Beyond the Grave: New Press. <a Critical Perspectives, (pp. 163-177). London: Anthem Press. <a href="http://dx.doi.org/10.1093/oso/9780199980963.003.0013" href="http://www.anthempress.com/patrick-white-beyond-the- >[More Information]</a> grave">[More Information]</a> 2018 2014 Rooney, B. (2018). Suburban Space, the Novel and Australian Rooney, B. (2014). "No-one Had Thought of Looking Close to Modernity. -
Adult Titles
and Subsidiary Rights Guide April 2010 Adult Titles What happens when our prayers are answered? A dazzling novel of the miraculous… It is strange and fascinating to me to think of people ― Avila in particular ― praying me into existence. Sydney Peony Kent is nineteen years old. She was a longed-for IVF baby, ‘product of an unknown egg and unknown sperm’ implanted in her mother, Avila. Avila not only used the latest scientific techniques to conceive Sydney, but also prayed to the Bambinello, a small carved and jewelled statue of the infant Jesus housed in the church of Santa Maria in Aracoeli in Rome and said to have miraculous properties. Avila’s distant relative, Father Roland Bruccoli, was conceived in a more conventional manner, but his mother too prayed to the Bambinello before his birth ― and that of his twin sister Eleena. It is when the adult Roland is visiting the church of Santa Maria one Child of the evening that the Bambinello is stolen. Roland hopes that Father Cosimo, an archivist, Twilight poet and riddler said to speak in the ancient green language of the troubadours, can CARMEL BIRD assist in discovering what has happened to the Bambinello. But when matters of belief Fiction are involved, nothing is straightforward, as Sydney discovers herself when she too February 2010 becomes caught up in tracing the Bambinello’s fate. 9780732284541 210 x 135mm PB Deftly weaving together religion, science, pregnancies wanted and unwanted, love, loss 368pp and belief, Carmel Bird has created a luminous novel that both questions and celebrates Rights: World the miraculous.