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08 February 2010
14 February 2012 QPAC rounds off Brisbane’s St Patrick’s Day Celebrations with Damien Leith Round off the week-long Brisbane Irish Festival at the Queensland Performing Arts Centre (QPAC) on Saturday 17 March with Damien Leith and his Danny Boys. Immerse yourself in the spirit of St Patrick's Day at QPAC and celebrate with an energetic concert of traditional folk songs, Celtic tunes and rowdy melodies and enjoy a full celebration of the true spirit of the Emerald Isle in QPAC’s Concert Hall. Starring singer-songwriter and quintessential Irish-Australian Damien Leith, the Australian Idol winner and Dancing with the Stars finalist will take you through a night of sing-a-longs with his merry band, The Danny Boys, accompanied by the full resonance of the magnificent Queensland Pops Orchestra and the talent of local Irish dancers. Celebrations begin at 2pm on QPAC’s Melbourne Street Green with FREE Irish family day activities including pipe bands, fiddle ensembles, Irish dance and much more. Then party on into the night from 9pm to 11pm with a free performance in QPAC’s Cascade Court by Queensland’s premier Celtic group, Súnas. A fiery four-piece band featuring multi-instrumentalists and exquisite three-part vocal harmonies, Súnas have been delighting audiences around Australia and overseas with their fresh and exciting take on traditional Celtic music. Join us to pay tribute to Irish culture with this exciting program of popular and classic Celtic dance and music. Go on and have a ‘Craic’! http://www.damienleith.com.au/featuredInfo/home.do ---Ends--- QPAC Presents St Patrick’s Day Celebrations with Damien Leith Performing: Damien Leith The Danny Boys Eric Aranda - Guitar & Vox Steve Marin - Drums Cesar Marin - Bass & Vox Chris Alford - Keyboards Lara Goodridge - Violin Queensland Pops Orchestra Conductor: Barrie Gott The Watkins Academy of Irish Dance …cont …2 Date: Saturday 17 March 2012 Time: 7pm Venue: Concert Hall, QPAC, Cultural Centre, South Bank Tickets: $79 $69 Groups 10+ Bookings: www.qpac.com.au or 136 246 *Ticket price includes GST and Booking Fee. -
ARIA TOP 50 AUSTRALIAN ARTIST ALBUMS CHART 2011 TY TITLE Artist CERTIFIED COMPANY CAT NO
CHART KEY <G> GOLD 35000 UNITS <P> PLATINUM 70000 UNITS <D> DIAMOND 500000 UNITS TY THIS YEAR ARIA TOP 50 AUSTRALIAN ARTIST ALBUMS CHART 2011 TY TITLE Artist CERTIFIED COMPANY CAT NO. 1 MAKING MIRRORS Gotye <P>2 ELEV/UMA ELEVENCD101 2 REECE MASTIN Reece Mastin <P> SME 88691916002 3 THE BEST OF COLD CHISEL - ALL FOR YOU Cold Chisel <P> WAR 5249889762 4 ROY Damien Leith <P> SME 88697892492 5 MOONFIRE Boy & Bear <P> ISL/UMA 2777355 6 RRAKALA Geoffrey Gurrumul Yunupingu <G> SFM/MGM SFGU110402 7 DOWN THE WAY Angus & Julia Stone <P>3 CAP/EMI 6263842 8 SEEKER LOVER KEEPER Seeker Lover Keeper <G> DEW/UMA DEW9000330 9 THE LIFE OF RILEY Drapht <G> AYEM/SME AYEMS001 10 BIRDS OF TOKYO Birds Of Tokyo <P> CAP/EMI 6473012 11 WHITE HEAT: 30 HITS Icehouse <G> DIVA/UMA DIVAU1015C 12 BLUE SKY BLUE Pete Murray <G> SME 88697856202 13 TWENTY TEN Guy Sebastian <P> SME 88697800722 14 FALLING & FLYING 360 SMR/EMI SOLM8005 15 PRISONER The Jezabels <G> IDP/MGM JEZ004 16 YES I AM Jack Vidgen <G> SME 88697968532 17 ULTIMATE HITS Lee Kernaghan ABC/UMA 8800919 18 ALTIYAN CHILDS Altiyan Childs <P> SME 88697818642 19 RUNNING ON AIR Bliss N Eso <P> ILL/UMA ILL034CD 20 THE VERY VERY BEST OF CROWDED HOUSE Crowded House <G> CAP/EMI 9174032 21 GILGAMESH Gypsy & The Cat <G> SME 88697806792 22 SONGS FROM THE HEART Mark Vincent SME 88697927992 23 FOOTPRINTS - THE BEST OF POWDERFINGER 2001-2011 Powderfinger <G> UMA 2777141 24 THE ACOUSTIC CHAPEL SESSIONS John Farnham SME 88697969872 25 FINGERPRINTS & FOOTPRINTS Powderfinger UMA 2787366 26 GET 'EM GIRLS Jessica Mauboy <G> SME 88697784472 27 GHOSTS OF THE PAST Eskimo Joe WAR 5249871942 28 TO THE HORSES Lanie Lane IVY/UMA IVY121 29 GET CLOSER Keith Urban <G> CAP/EMI 9474212 30 LET'S GO David Campbell SME 88697987582 31 THE ENDING IS JUST THE BEGINNING REPEATING The Living End <G> DEW/UMA DEW9000353 32 THE EXPERIMENT Art vs. -
C. R. B. Blackburn M.D., F.R.C.P., F.R.A.C.P
Postgrad Med J: first published as 10.1136/pgmj.46.534.250 on 1 April 1970. Downloaded from Postgraduate Medical Journal (April 1970) 46, 250-256. Medicine in New Guinea: three and a half centuries of change C. R. B. BLACKBURN M.D., F.R.C.P., F.R.A.C.P. Department of Medicine, University of Sydney, Sydney, New South Wales 2006, Australia In 1502, Ludovico di Varthema set out from Italy, Peru for the west. When mutiny threatened after a joined a Persian merchant and sailed to India and landing at Espiritu Santo in the New Hebrides, de then through the Straits of Malacca to the Moluccas, Quiros and his ship turned back, but de Prado and the Spice Islands and Java, returning to India in others transferred to Torres' ship and visited the 1506 when the Portuguese had just defeated the Louisade Archipelago, Doini Islands, Bona Bona Arabian fleet. In Calicut he told three Portuguese and other islands and went on to the Philippines. captains who were friends, Antonio d'Abreu, They sailed along the southern coast of New Guinea Francisco Serrano and Ferdinand Magellan, about because of adverse winds and passed through the the Spice Islands. strait between Australia and New Guinea which was D'Abreu and Serrano after the conquest of named after Torres. The details of this voyage were Malacca in 1511-12 sailed to the Moluccas. lost for 150 They years. copyright. then coasted New Guinea, but did not land, and Diego de Ribera was surgeon on Torres' ship and seem to be the first Europeans to see it although was joined by Alonso Sanchez de Aranda of Seville, the Chinese and Malays knew New Guinea at least surgeon and doctor, who, with de Prado, transferred from the eighth century. -
C. Hartley Grattan
C. Hartley Grattan: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Grattan, C. Hartley (Clinton Hartley), 1902-1980 Title: C. Harley Grattan Papers Dates: circa 1920-1978 Extent: 30 record cartons (30 linear feet), 5 galley folders (gf) Abstract: Correspondence, research materials, typescript drafts, published materials, lectures and speeches, broadcast scripts, and personal items document Hartley Grattan's career from his days as a free-lance writer through his tenure as Professor of History and Curator of the Grattan Collection of Southwest Pacificana at the University of Texas at Austin, circa 1920-1978. Call Number: Manuscript Collection MS-1700 Language: English Access: Open for research. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. Part or all of this collection is housed off-site and may require up to three business days’ notice for access in the Ransom Center’s Reading and Viewing Room. Please contact the Center before requesting this material: [email protected] Use Policies: Ransom Center collections may contain material with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in the collections without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the Ransom Center and The University of Texas at Austin assume no responsibility. -
Reflections on Some Recent Australian Novels ELIZABETH WEBBY
Books and Covers: Reflections on Some Recent Australian Novels ELIZABETH WEBBY For the 2002 Miles Franklin Award, given to the best Australian novel of the year, my fellow judges and I ended up with a short list of five novels. Three happened to come from the same publishing house – Pan Macmillan Australia – and we could not help remarking that much more time and money had been spent on the production of two of the titles than on the third. These two, by leading writers Tim Winton and Richard Flanagan, were hardbacks with full colour dust jackets and superior paper stock. Flanagan’s Gould’s Book of Fish (2001) also featured colour illustrations of the fish painted by Tasmanian convict artist W. B. Gould, the initial inspiration for the novel, at the beginning of each chapter, as well as changes in type colour to reflect the notion that Gould was writing his manuscript in whatever he could find to use as ink. The third book, Joan London’s Gilgamesh (2001), was a first novel, though by an author who had already published two prize- winning collections of short stories. It, however, was published in paperback, with a monochrome and far from eye-catching photographic cover that revealed little about the work’s content. One of the other judges – the former leading Australian publisher Hilary McPhee – was later quoted in a newspaper article on the Award, reflecting on what she described as the “under publishing” of many recent Australian novels. This in turn drew a response from the publisher of another of the short- listed novels, horrified that our reading of the novels submitted for the Miles Franklin Award might have been influenced in any way by a book’s production values. -
Reminiscences of George E. Morrison; and Chinese Abroad
REMINISCENCES OF GEORGE E. MORRISON; AND CHINESE ABROAD Wu Lien-Teh, M.A., M.D. (Cantab.) Director, National Quarantine Service, China Fifth Morrison Lecture The fifth Annual Morrison Lecture departed from precedent in that it was delivered on 2nd September, 1935, instead of during the follow ing May, This ante-dating was agreed upon to take advantage of the presence in Australia of Dr. Wu Lien-teh, M.A., M.D. (Cantab). It was felt that an opportunity of hearing such a distinguished Chinese gentle man should not be missed if attendant difficulties could be surmounted. With the active co-operation of Dr. W.P. Chen arrangements were made for Dr. Wu Lien-teh to visit Canberra on Monday, 2nd September, and deliver the Morrison Lecture from 5 to 6 p.m. To a large and appreciative audience Dr. Wu gave his reminiscences of George Ernest Morrison, whom he knew intimately, and dealt with the present-day position of Chinese residents in foreign countries. Accompanying Dr. Wu to Canberra were Dr. W.P. Chen, and Mr. Narme of Sydney. Sir Colin MacKenzie, Director of the Australian Institute of Anatomy, occupied the Chair, and at the conclusion of the Lecture called on Dr. W.P. Chen to move a vote of thanks to Dr. Wu Lien teh. This was carried in the usual manner, and the audience dispersed. Owing to the alteration of the hour of the Lecture to permit Dr. Wu Lien teh to return to Sydney that night, it was not possible to hold the usual reception. 61 62 WU LIEN-TEH Address Permit me first to thank you for the honour you have done me in asking me to deliver this fifth George Ernest Morrison Lecture and even in advancing it one year so as to suit my present arrangements. -
Download Program
Festival Guests Festival Information Sponsors Amanda Anastasi is an award-winning poet writer of the The Treehouse series and the in Residence at Melbourne University, Janet How to Book Festival Venues Major Partners Williamstown Literary whose work ranges from the introspective to BUM trilogy. Clarke Hall. willy All events held on Saturday 13 June the socio-political. Gideon Haigh has been an independent Susan Pyke teaches with the University of For detailed descriptions of sessions, David Astle is the Dictionary Guy on Letters journalist for almost 30 years. Melbourne, and her poetry, short stories and presenters and to book tickets, visit and Sunday 14 June are located at either the Williamstown Town Hall www.willylitfest.org.au or phone the ( and Numbers (SBS) and well-known crossword John Harms is a writer, publisher, broadcaster associative essays have appeared in various Festival lit compiler. and historian who appears on Offsiders (ABC) journals. Box Office on 9932 4074. or the Williamstown Library. ‘’ Kate Atkinson is an actor and one of the and runs footyalmanac.com.au Jane Rawson was formerly the Environment Book before midnight, Sunday 24 May Both are located at 104 Ferguson original founders of Actors for Refugees. & Energy Editor for news website, The Catherine Harris is an award-winning writer 2015 for special early bird pricing. Street, Williamstown. Please check 13 and 14 June 2015 fest Matt Blackwood has won multiple awards for and author of The Family Men. Conversation. She is the author of the novel, A Wrong Turn at the Office of Unmade Lists. your ticket for room details. -
An Open Book David Malouf POETRY
LONDON BOOK FAIR 2019 UNIVERSITY OF QUEENSLAND PRESS PUBLICATION DETAILS ARE CORRECT AS OF MARCH 2019 BUT ARE SUBJECT TO CHANGE Kate McCormack Telephone +617 3365 2998 PO Box 6042 Fax +617 3365 7579 St Lucia Email [email protected] QLD 4067 Website www.uqp.com.au 1 The White Girl FICTION Tony Birch A searing new novel from leading Indigenous storyteller Tony Birch that explores the lengths we will go to in order to save the people we love. Odette Brown has lived her whole life on the fringes of a small country town. After her daughter disappeared and left her with her granddaughter Sissy to raise on her own, Odette has managed to stay under the radar of the welfare authorities who are removing fair-skinned Aboriginal children from their families. When a new policeman arrives in town, determined to enforce the law, Odette must risk everything to save Sissy and protect everything she loves. In The White Girl, Miles-Franklin-shortlisted author Tony Birch shines a spotlight on the 1960s and the devastating government policy of taking Indigenous children from their families. PRAISE FOR TONY BIRCH 'Birch evokes place and time with small details dropped in unceremoniously, and the stories are rife with social commentary. ''Well, who are we to judge?” Perhaps that is the point — Birch shows empathy so that we might find it.' Weekend Australian Tony Birch is the author of Ghost River, which won the Victorian Premier’s Literary Award for Indigenous Writing and Blood, which was shortlisted for the Miles Franklin Award. -
The Objects of the Foundation of the Lectureship, and a Review of Dr Morrison's Life in China
East Asian History NUMBER 34 . DECEMBER 2007 \\ Institute of Advanced Studies The Australian National University Editor Benjamin Penny Editorial Assistant Lindy Shultz Editorial Board B0rge Bakken John Clark Helen Dunstan Louise Edwards Mark Elvin Colin Jeffcott Li Tana Kam Louie Lewis Mayo Gavan McCormack David Marr Tessa Morris-Suzuki Kenneth Wells Design and Production Oanh Collins Printed by Goanna Print, Fyshwick, ACT This is the thirty-fourth issue of East Asian History, printed in July 2009, dated 2007. It continues the series previously entitled Papers on Far Eastern History. This externally refereed journal is published twice per year. Contributions to The Editor, East Asian History Division of Pacific and Asian History Research School of Pacific and Asian Studies The Australian National University Canberra ACT 0200, Australia Phone: +61 26125 5098 Fax +61 2 6125 5525 Email: [email protected] Subscription Enquiries to East Asian History, at the above address Website http://rspas.anu.edu.au/eah/ Annual Subscription Australia A$50 (including GST) Overseas US$45 (GST free) (for two issues) ISSN 1036-6008 � CONTENTS 1 The Early Days of the Morrison Lecture Benjamin Penny 9 The Objects of the Foundation of the Lectureship, and a Review of Dr Morrison's Life in China WP. Chen 19 Eastern Thought, With More Particular Reference to Confucius William Ah Ket 31 The History and Development of Chinese Art James s. MacDonald 47 The New Culture Movement in China WP. Chen 61 Reminiscences of George E. Morrison; and Chinese Abroad Wu Lien-Teh 79 China To-day: With Special Reference to Higher Education Chun-Jien Pao 93 The Impact of Western Industrialism on China Aldred F. -
Nothing Will Silence It
LeadingWriters-FinalText.x 5/2/07 9:45 AM Page 3 Nothing Will Silence It By Alex Miller I don’t know that it’s making any difference, is it? And if it is making a difference, how do we begin to quantify the differ- ence it’s making? It’s rather like prayer. How can we know? Without poetry and drama and novels and music and art we know ourselves to be poorer. We know such things as these enrich our existence. But really that’s about all we can say. We can’t really say what it all means, or how it changes anything, at least not for other people, and perhaps not even for ourselves — unless we are book reviewers, of course, and no mysteries of the human soul are hidden from us. It is a rather elusive thing really, what creative writing or music mean. And this is one of their greatest charms. They elude our reason and give us respite from its tyrannies. What is this feeling of wonder that holds us in thrall as we read W.G. Sebald’s description of the decay of the Ashbury household in Ireland? Why are we so mesmerised? We don’t know these people. They are not our neighbours or our old friends. We are not learning anything useful. And Sebald is telling someone else’s story — the greatest source for all story- tellers, of course, other people’s stories. We are listening to Sebald’s own astonishment, to his sense of the melancholy and the inexplicable meaninglessness of the lives of this stricken family of forlorn exiles. -
A World-Ecological Reading of Drought in Thea Astley's
humanities Article Dry Country, Wet City: A World-Ecological Reading of Drought in Thea Astley’s Drylands Ashley Cahillane Discipline of English, National University of Ireland, Galway, Ireland; [email protected] Received: 6 January 2020; Accepted: 16 July 2020; Published: 11 August 2020 Abstract: Using a postcolonial and world-ecological framework, this article analyses the representation of water as an energy source in Thea Astley’s last and most critically acclaimed novel Drylands (1999). As environmental historians have argued, the colonial, and later capitalist, settlement of Australia, particularly the arid interior, was dependent on securing freshwater sources—a historical process that showed little regard for ecological impact or water justice until recent times. Drylands’ engagement with this history will be considered in relation to Michael Cathcart’s concept of ‘water dreaming’ (2010): the way in which water became reimagined after colonization to signify the prospect of economic growth and the consolidation of settler belonging. Drylands self-consciously incorporates predominant modes of ‘water dreaming’ into its narrative, yet resists reducing water to a passive resource. This happens on the level of both content and form: while its theme of drought-induced migration is critical of the past, present, and future social and ecological effects of the reckless extraction of freshwater, its nonlinear plot and hybrid form as a montage of short stories work to undermine the dominant anthropocentric colonial narratives that underline technocratic water cultivation. Keywords: Australian literature; world-ecology; blue humanities; world literature; ecocriticism; postcolonial ecocriticism 1. Introduction Water dictates Australia’s ecology, economy, and culture. Though surrounded by water, Australia is the world’s driest inhabited continent. -
Our Brothers Across the Ocean?
Our Brothers Across the Ocean? Unionist Diplomacy, the Lansdowne Foreign Office, and the Anglo-American 'Special Relationship', 1900-1905 BY Iestyn Michael Adams Submitted in accordance with the requirements for the degree of PhD. The University of Leeds Department of History February 2002 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. ACKNOWLEDGEMENTS During the conception and preparation of this thesis, I have received valuable assistance from my postgraduate supervisor, Dr. Keith Wilson, who has offered me encouragement and guidance throughout the last four years. He clearly understood my goals and interests, and has frequently given me much needed advice. Without his help, needless to say, this book would not exist I am also indebted to the staff of the Public Record Office, the British Library and the Brotherton Library of the University of Leeds. I particularly wish to thank Robert Smith - the Curator of the as yet uncatalogued Lansdowne collection in the British Library - who gave me his time, and who suggested further research avenues. On a personal note, I gratefully acknowledge the support from friends and family, especially my parents and Colette Maher. My final words of thanks go Andrea Myers, Peter Myers and Richie Lane who, together, helped to provide accomodation during my frequent trips to London. 1 ABSTRACT This study is intended as a detailed exploration of British diplomacy with the United States in the first five years of the twentieth century, that is, the period during which the Marquis of Lansdowne presided at the Foreign Office.