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COCKEREL Education Guide DRAFT
VICTOR DeRENZI, Artistic Director RICHARD RUSSELL, Executive Director Exploration in Opera Teacher Resource Guide The Golden Cockerel By Nikolai Rimsky-Korsakov Table of Contents The Opera The Cast ...................................................................................................... 2 The Story ...................................................................................................... 3-4 The Composer ............................................................................................. 5-6 Listening and Viewing .................................................................................. 7 Behind the Scenes Timeline ....................................................................................................... 8-9 The Russian Five .......................................................................................... 10 Satire and Irony ........................................................................................... 11 The Inspiration .............................................................................................. 12-13 Costume Design ........................................................................................... 14 Scenic Design ............................................................................................... 15 Q&A with the Queen of Shemakha ............................................................. 16-17 In The News In The News, 1924 ........................................................................................ 18-19 -
Les Séjours D'euridice
Automne et hiver euridice opéra 2006-2007 séjours culturels 5 rue du 4 septembre - 13100 Aix-en-Provence Tél. +33 (0) 442 91 33 91 - Fax +33 (0) 442 91 33 90 [email protected] - www.euridice-opera.com heures d’ouverture culturels séjours du lundi au vendredi de 9 h à 12 h et de 14 h à 18 h Agence de voyages, licence n° LI 013 96 00 98 SARL au capital de 108 000 E - R.C.S Aix-en-Provence B 402 294 730 - NAF 633 Z euridice opéra Garantie financière 99 092 E - Deutsche Bank, 3 avenue de Friedland, 75008 Paris RC Professionnelle - Generali France, 5 rue de Londres, 75009 Paris, Police n° 56.204.843.V La quête éternelle du bonheur trouve son apaisement dans la musique… euridice Edito Calendrier . 4 desmatières Table opéra séjours culturels A feuilleter sans modération, voici notre sélection de Les séjours d’Euridice . 6 voyages lyriques pour l’automne et l’hiver 2006. Vous y Envolée luxueuse à Salzbourg et Vienne . 7 trouverez un large choix de séjours individuels inoubliables. Escapade à Valencia et en Andalousie . 8 Nos forfaits répondent à toutes vos exigences et vous Rembrandt à Amsterdam . 10 laissent la plus grande liberté sur place. Ils sont aussi un cadeau idéal pour fêter avec éclat toute grande occasion. Berlin, Staatsoper Unter den Linden, Nous vous proposons : Deutsche Oper . 11 D’excellentes places de spectacle Budapest, Opera . 18 Une sélection des plus beaux hôtels Copenhague, Det Kongelige Teater . 20 Un service personnalisé de qualité Une grande facilité de réservation Dresde, Semperoper . -
Press Information Eno 2013/14 Season
PRESS INFORMATION ENO 2013/14 SEASON 1 #ENGLISHENO1314 NATIONAL OPERA Press Information 2013/4 CONTENTS Autumn 2013 4 FIDELIO Beethoven 6 DIE FLEDERMAUS Strauss 8 MADAM BUtteRFLY Puccini 10 THE MAGIC FLUte Mozart 12 SATYAGRAHA Glass Spring 2014 14 PeteR GRIMES Britten 18 RIGOLetto Verdi 20 RoDELINDA Handel 22 POWDER HeR FAce Adès Summer 2014 24 THEBANS Anderson 26 COSI FAN TUtte Mozart 28 BenvenUTO CELLINI Berlioz 30 THE PEARL FISHERS Bizet 32 RIveR OF FUNDAMent Barney & Bepler ENGLISH NATIONAL OPERA Press Information 2013/4 3 FIDELIO NEW PRODUCTION BEETHoven (1770–1827) Opens: 25 September 2013 (7 performances) One of the most sought-after opera and theatre directors of his generation, Calixto Bieito returns to ENO to direct a new production of Beethoven’s only opera, Fidelio. Bieito’s continued association with the company shows ENO’s commitment to highly theatrical and new interpretations of core repertoire. Following the success of his Carmen at ENO in 2012, described by The Guardian as ‘a cogent, gripping piece of work’, Bieito’s production of Fidelio comes to the London Coliseum after its 2010 premiere in Munich. Working with designer Rebecca Ringst, Bieito presents a vast Escher-like labyrinth set, symbolising the powerfully claustrophobic nature of the opera. Edward Gardner, ENO’s highly acclaimed Music Director, 2013 Olivier Award-nominee and recipient of an OBE for services to music, conducts an outstanding cast led by Stuart Skelton singing Florestan and Emma Bell as Leonore. Since his definitive performance of Peter Grimes at ENO, Skelton is now recognised as one of the finest heldentenors of his generation, appearing at the world’s major opera houses, including the Metropolitan Opera, New York, and Opéra National de Paris. -
CHAN 3000 FRONT.Qxd
CHAN 3000 FRONT.qxd 22/8/07 1:07 pm Page 1 CHAN 3000(2) CHANDOS O PERA IN ENGLISH David Parry PETE MOOES FOUNDATION Puccini TOSCA CHAN 3000(2) BOOK.qxd 22/8/07 1:14 pm Page 2 Giacomo Puccini (1858–1924) Tosca AKG An opera in three acts Libretto by Giuseppe Giacosa and Luigi Illica after the play La Tosca by Victorien Sardou English version by Edmund Tracey Floria Tosca, celebrated opera singer ..............................................................Jane Eaglen soprano Mario Cavaradossi, painter ..........................................................................Dennis O’Neill tenor Baron Scarpia, Chief of Police................................................................Gregory Yurisich baritone Cesare Angelotti, resistance fighter ........................................................................Peter Rose bass Sacristan ....................................................................................................Andrew Shore baritone Spoletta, police agent ........................................................................................John Daszak tenor Sciarrone, Baron Scarpia’s orderly ..............................................Christopher Booth-Jones baritone Jailor ........................................................................................................Ashley Holland baritone A Shepherd Boy ............................................................................................Charbel Michael alto Geoffrey Mitchell Choir The Peter Kay Children’s Choir Giacomo Puccini, c. 1900 -
Wagnerskt Orgelbrus
CG9010 Självständigt arbete, kyrkomusik, 15 hp Kandidatprogram, musiker, kyrkomusik 2021 Institutionen för klassisk musik (KK) Handledare: Incca Rasmusson Ludvig Käll Wagnerskt orgelbrus Att transkribera Richard Wagners musik för orgel Till dokumentationen hör följande inspelning: Morgenpracht inspelad i Sankt Görans kyrka Sammanfattning I orgeltranskriberingens historia så har Richard Wagners musik fått en särställning genom organisten Edwin H. Lemares massiva transkriptionsarbete. I det här arbetet undersöks hur Lemares transkriptionskonst är utformad och hur hans metoder kan appliceras på eget transkriptionsarbete. Lemares och andras transkriptioner jämförs med Wagners originalpartitur för att metoder och verktyg ska kunna observeras. Dessa appliceras på en egen transkription, vars skapelseprocess redogörs för. Detta arbete visar att Lemare använder sig av en metodisk teknik som i stora drag grundar sig på det klangliga resultatets slutliga kvalitet. I det här arbetet beskrivs denna teknik relativt ingående, för att om möjligt bidra med insikter och metoder för den av transkriptioner intresserade. Nyckelord: Wagner, Lemare, transkription, orgel, Parsifal, orkester, Gesamtkunstwerk, opera, musikdrama Innehållsförteckning 1 Inledning och bakgrund ..................................................................................................... 1 5.1 Richard Wagners musik ............................................................................................. 1 5.2 Om Wagner-transkription ......................................................................................... -
The Big Picture - Welte’S Instruments, Rolls, Recording, Digital Editing
The big picture - Welte’s instruments, rolls, recording, digital editing by David Rumsey The Welte Philharmonie - or Philharmonic to most English-speakers - was an ingenious musical instrument. Its origins lay in both the pneumatics and acoustics of the ancient Greeks, to say nothing of their mechanics, hydraulics or music. In the 20th century, both the “Phil”, as it is affectionately known in some circles, and aeronautical engineering, brought human arts and sciences of using air to their zenith. Pneumatic organ actions were then transformed to electric actions although there was a later reaction back to mechanics. For the aviation industry it was seminal: aircraft now replaced steam engines and organs as the most complex technology known to civilisation. The many ages and stages between the ancient Greeks, and Welte’s early 20th century automatic instruments, produced a train of incremental invention. Each epoch found ways of making organs play and sound the way it wanted them to. That changed with every new aesthetic from gothic, renaissance, baroque, “neo- classical” late 18th century, through the romantic era and on to a second, “neo- classical” phase, in the 20th century. It differed from country to country, culture to culture, even language to language: whether French, German, Italian, English or Netherlands, organs were also expressions of national ethos. By the early 19th century, the means of controlling the aesthetic qualities of organ pipes had long been established by empirical means: if it sounded good, then that was the way it was done. Sounding good, of course, differed according to Welte’s original proposal for the appearance of whether you were a medieval Britannic’s Philharmonie on board Netherlander, a renaissance Spaniard, a baroque Saxon, or your language and culture were “classical” French. -
Welton Hall & Organ
The PipeLine Journal of the YDOA June Edition Patron: Dr Francis Jackson CBE (Organist Emeritus, York Minster) President: Nigel Holdsworth, 01904 640520 Secretary: Renate Sangwine, 01904 781387 Treasurer: Cynthia Wood, 01904 795204 Membership Secretary: Helen Roberts, 01904 708625 The PipeLine Editor, Webmaster and YDOA Archivist: Maximillian Elliott www.ydoa.co.uk The York & District Organists’ Association is affiliated to the Incorporated Association of Organists (IAO) and serves all who are interested in the organ and its music. Contents 1. Introduction ................................................................................ 3 2. YDOA Events ............................................................................... 4 3. The Ebor Organ Album……………………………………………… ............... 5 4. Previous Event ............................................................................ 6 5. Next Event ................................................................................... 8 6. Upcoming Recitals & Concerts…………………………………………………. 9 7. Gallery ...................................................................................... 11 8. Article I ...................................................................................... 12 9. Article II ..................................................................................... 21 10. Organ of the Month .................................................................. 25 11. The Trivia Section ...................................................................... 27 The Caption -
Playbill Jan
UNIVERSITY OF MASSACHUSETTS AMHERST FINE ARTS CENTER 2012 Center Series Playbill Jan. 31 - Feb. 22 2 3 4 5 6 7 8 9 Skill.Smarts.Hardwork. That’s how you built your wealth. And that’s how we’ll manage it. The United Wealth Management Group is an independent team of skilled professionals with a single mission: to help their clients fulfill their financial goals. They understand the issues you face – and they can provide tailored solutions to meet your needs. To arrange a confidential discussion, contact Steven Daury, CerTifieD fiNANCiAl PlANNer™ Professional, today at 413-585-5100. 140 Main Street, Suite 400 • Northampton, MA 01060 413-585-5100 unitedwealthmanagementgroup.com tSecurities and Investment Advisory Services offered through NFP Securities, Inc., Member FINRA/SIPC. NFP Securities, Inc. is not affiliated with United Wealth Management Group. NOT FDIC INSURED • MAY LOSE VALUE • NOT A DEPOSIT• NO BANK GUARANTEE NO FEDERAL GOVERNMENT AGENCY GUARANTEES 10 4.875" x 3.75" UMASS FAC Playbill Skill.Smarts.Hardwork. That’s how you built your wealth. And that’s how we’ll manage it. The United Wealth Management Group is an independent team of skilled professionals with a single mission: to help their clients fulfill their financial goals. They understand the issues you face – and they can provide tailored solutions to meet your needs. To arrange a confidential discussion, contact Steven Daury, CerTifieD fiNANCiAl PlANNer™ Professional, today at 413-585-5100. 140 Main Street, Suite 400 • Northampton, MA 01060 413-585-5100 unitedwealthmanagementgroup.com tSecurities and Investment Advisory Services offered through NFP Securities, Inc., Member FINRA/SIPC. -
Wagnerkalender – Sluitingsdatum Van Deze Kalender 1 December 2017
Wagnerkalender – sluitingsdatum van deze kalender 1 december 2017 Amsterdam Tristan und Isolde, 18, 22, 25, 30 januari, 4, 7, 10 en 14 februari 2018 Pierre Audi regie, Christof Hetzer decor, Marc Albrecht dirigent, Stephen Gould (Tristan), Ricarda Merbeth (Isolde), Günther Groisböck (Marke), Ian Paterson (Kurwenal), Michelle Breedt (Brangäne), Roger Smeets (Ein Steuermann), Marc Lachner (Ein Hirt/Ein Junger Seemann) Tannhäuser light, 26 mei, Muziekgebouw aan het IJ Pocketversie van Tannhäuser, samengesteld door Carel Alphenaar. Michael Gieler dirigent, zangers: Laetitia Gerards, Gustavo Peña, Aylin Sezer, Michael Wilmering, orkest: leden van het Koninklijk Concertgebouworkest. Der Ring ohne Worte (arr. Lorin Maazel), Concertgebouw 13 juni 2018 UVA-orkest J.Pzn. Sweelinck Fragmenten uit de Ring, 20, 21 en 22 juni 2018, Concertgebouw Concertant, Koninklijk Concertgebouworkest o.l.v. Daniele Gatti, met medewerking van Eva-Maria Westbroek. Antwerpen Parsifal, 18, 21, 24, 27, 29 maart, 1 en 4 april 2018 Tatjana Gürbaca regie, Henrik Ahr decor, Cornelius Meister dirigent, Erin Caves (Parsifal), Tanja Ariane Baumgartner (Kundry), Stefan Kocan (Gurnemanz), Christoph Pohl (Amfortas), Károly Szemerédy (Klingsor), Markus Suihkonen (Titurel) Baden Baden - Festspielhaus Parsifal, 24 en 30 maart, 2 april 2018 Dieter Dorn regie, Magdalena Gut decor, Simon Rattle dirigent, Stephen Gould (Parsifal), Franz-Josef Selig (Gurnemanz), Ruxandra Donose (Kundry), Evgeny Nikitin (Klingsor), Gerald Finley (Amfortas) Der fliegende Holländer, 18 mei 2018 (concertant) -
Orpheus Opernreisen Gmbh, München Betreuung & Grafik: Qolmamit, Marseille Monte-Carlo
Orpheus OPERNSAISON 2017 / 2018 INTERNATIONALE OPERN- UND KONZERTREISEN Ich will leben in dem Traume, der mich wiegte Liebe & Tragik - Reisen in die Welt der Oper Oper preMIereN 2017-2018 BaLLeTT preMIereN 2017-2018 Wolfgang Amadeus Mozart Christian Spuck Le NOzze dI FIgarO aNNa KareNINa Christof Loy – Constantinos Carydis 19 Nov 2017 26 Okt 2017 Wayne McGregor Giacomo Puccini pOrTraIT WaYNe MCgregOr IL TrITTICO 14 Apr 2018 Lotte de Beer – Kirill petrenko 17 Dez 2017 BaLLeTTaBeNd JuNge ChOreOgrapheN Giuseppe Verdi 04 Jul 2018 Les Vêpres sICILIeNNes antú romero Nunes – Omer Meir Wellber 11 Mär 2018 MüNChNer OperNFesTspIeLe Leoš Janáček 24 Jun – 31 Jul 2018 aus eINeM TOTeNhaus Frank Castorf – simone Young BaLLeTTFesTWOChe 21 Mai 2018 14 – 22 Apr 2018 Richard Wagner parsIFaL InformatIon / Karten zeIg MIr pierre audi – Kirill petrenko tageskasse der deINe 28 Jun 2018 Bayerischen Staatsoper marstallplatz 5 WuNde Joseph Haydn 80539 münchen OrLaNdO paLadINO t +49.(0)89.21 85 19 20 Georg Baselitz axel ranisch – Ivor Bolton [email protected] 23 Jul 2018 www.staatsoper.de Motiv © Ken Howard, Metropolitan Opera Howard, © Ken Liebe Freunde von Orpheus, Ihre Ansprechpartner Barbara Eisenschmid eines der großen Werke der Weltliteratur, „Romeo und Julia" von +49 (0) 89 38 39 39 - 51 William Shakespeare, hat mit der gleichnamigen Vertonung durch [email protected] Charles Gounod sein kongeniales musikalisches Spiegelbild erhalten. Baden-Baden, Barcelona, Berlin, Dresden, Frankfurt, Die weltberühmte Liebesgeschichte der beiden jungen Sprosse Hamburg, Leipzig, London, New York, Zürich verfeindeter mittelalterlicher Adelsgeschlechter fasziniert bis heute und Sona Gupta hat in ihrer Tragik, ausgelöst durch fehlende Toleranz, Vorurteile und +49 (0) 89 38 39 39 - 14 Missverständnisse, nichts von ihrer Aktualität eingebüßt. -
Triumph Für Thielemann
Triumph für Thielemann Halbzeit beim Ring-Zyklus an der Dresdner Semperoper In Dresden findet erstmals seit acht Jahren wieder eine komplette Aufführung des Opern-Zyklus „Ring des Nibelungen“ von Richard Wagner statt. Christian Thielemann am Pult der Sächsischen Staatskapelle galten die größten Ovationen nach den ersten beiden Abenden, dem „Rheingold“ und der „Walküre“. Ein absolut herausragendes Sängerensemble machte die Aufführungen zu einem Fest. Wagnerianer und solche, die es werden wollen, haben in diesem Jahr spannende logistische Aufgaben zu lösen. Obwohl das Wagner-Jahr 2013 schon lange zurückliegt, haben sich für 2018 viele Opernhäuser Richard Wagners an vier Abenden aufzuführendem Bühnenfestspiel „Ring des Nibelungen“, verschrieben. Und man muss gar nicht erst zu den anstehenden oder schon in Aufführung begriffenen Zyklen nach Hamburg, Kiel oder München fahren, denn in Sachsen stemmen die Häuser in Dresden, Chemnitz und Leipzig ihren eigenen Ring. Die Semperoper Dresden macht nun den Anfang mit einer zyklischen Gesamtaufführung – nicht in einer Neuinszenierung, sondern in der bislang in der Nachkriegszeit einzigen Darstellung durch Willy Decker, die 2001-2003 Premiere hatte und seitdem eine wechselvolle Aufführungsgeschichte durchlebte. Ursprünglich noch für Giuseppe Sinopoli geplant, übernahm Semyon Bychkov nur die Premieren von Rheingold und Walküre, dann setzte die Flut 2002 eine Zäsur. Bychkov entfernte sich, Michael Boder dirigierte die Premieren von Siegfried und der Götterdämmerung 2003. Eine wirklich runde Sache wurde der Decker-Zyklus nie, auch wenn Fabio Luisi 2006 gleich drei Serien dirigierte. Bei der letzten Serie 2010 stand das Orchester dann ohne festen Ring-Dirigent da und man ging Kompromisse ein. Es keimte Hoffnung, als Dresdenden Wagner-Dirigenten schlechthin an sich binden konnte: Schon zu Beginn von Christian Thielemanns erster Amtszeit war klar, dass er dem „Ring des Nibelungen“ zu neuem Leben verhelfen würde. -
A Little Night Music
WELCOME It is a real pleasure to welcome you to the Quarry before last, and who share the role of Fredrika in Theatre for the first time in many months for our A Little Night Music. It’s a thrill to be able to perform co-production of Stephen Sondheim’s A Little Night Sondheim’s work in Jonathan Tunick’s original Music. This latest collaboration between Leeds orchestrations, with the brilliant Orchestra of Opera Playhouse and Opera North represents a significant North conducted by one of the world’s leading step for both organisations on the road back to a full interpreters of classic musical theatre, Jim Holmes. programme of performances for live audiences. Behind the scenes, our staff have been working The partnership between our two companies has incredibly hard to ensure a safe environment flourished since our work together five years ago for performers and audiences alike, and that on another Sondheim musical, Into the Woods, and will continue to be a top priority as we plan for has grown all the stronger during the pandemic. performances without restrictions in the coming Against the odds we made an all too brief return months. There is much to look forward to from to live performance together last October with both companies, with Pam Gems’ sensational play the Connecting Voices season, which included about the life of Edith Piaf at the Playhouse later Orpheus in the Record Shop, an extraordinary new this summer, and an autumn season that includes work by Leeds-based artist Testament, which was the magical Christmas show Wendy and Peter subsequently filmed for BBC4’s Lights Up festival.