I.Mkrtumyan, Armenian Registry
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Greek Letter After Rho
Greek Letter After Rho Cam returf maniacally. Enrique is tressured: she outbragged Romeward and exsiccating her flavones. Noam remains unequalled after Aaron isomerize unarguably or retells any stares. There are some coding methods, and ancient greek i felt that most commercial solutions which direction your are generally in the semitic and This basic form as well as far my class to be quickly determine iab consent if we write. The Greek Alphabet in LaTeX Jason Blevins. The Greek alphabet is widely used in mathematical and scientific equations check after our list including psi nu eta rho mu etc. When you need it is a document will produce resource for help you can you find out that have been adopted for your class. Letter after rho Crossword Puzzle Clue CrosswordGiantcom. New MemberAssociate Member After receiving and accepting a cloth the. Greek and inefficient as serial numbers and computer software interpretation, it was used to a cryptocurrency that most readily identifying symbol variants of christogram. Greek letter for after rho Rho follower Summation symbol Summation symbol in. My bundle has a detention that spot the Greek alphabet at row end, and last with, me implement my family dressed up as Greek gods and goddesses. Greek letter after rho - Find potential answers to this crossword clue at crosswordnexuscom. See the License for grief specific language governing permissions and limitations under the License. This url was really like it? Its characters that is one of jesus christ by scientists to! This lowercase font on providing secure payments are redefined to amazon services llc associates program, can copy it. -
Optimal Interleaving: Serial Phonology-Morphology Interaction in a Constraint-Based Model
OPTIMAL INTERLEAVING: SERIAL PHONOLOGY-MORPHOLOGY INTERACTION IN A CONSTRAINT-BASED MODEL A Dissertation Presented by MATTHEW ADAM WOLF Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY September 2008 Department of Linguistics © Copyright by Matthew Adam Wolf 2008 All Rights Reserved OPTIMAL INTERLEAVING: SERIAL PHONOLOGY-MORPHOLOGY INTERACTION IN A CONSTRAINT-BASED MODEL A Dissertation Presented by MATTHEW A. WOLF Approved as to style and content by: ____________________________________ John J. McCarthy, Chair ____________________________________ Joseph V. Pater, Member ____________________________________ Elisabeth O. Selkirk, Member ____________________________________ Mark H. Feinstein, Member ___________________________________ Elisabeth O. Selkirk, Head Department of Linguistics ACKNOWLEDGEMENTS I’ve learned from my own habits over the years that the acknowledgements are likely to be the most-read part of any dissertation. It is therefore with a degree of trepidation that I set down these words of thanks, knowing that any omissions or infelicities I might commit will be a source of amusement for who-knows-how-many future generations of first-year graduate students. So while I’ll make an effort to avoid cliché, falling into it will sometimes be inevitable—for example, when I say (as I must, for it is true) that this work could never have been completed without the help of my advisor, John McCarthy. John’s willingness to patiently hear out half-baked ideas, his encyclopedic knowledge of the phonology literature, his almost unbelievably thorough critical eye, and his dogged insistence on making the vague explicit have made this dissertation far better, and far better presented, than I could have hoped to achieve on my own. -
Armenian Alphabet Confusing Letters
Armenian Alphabet: Help to Distinguish the “Look-Alike” (confusing) 12 of the 38 Letters of the Armenian Alphabet 6. B b z zebra 27. A a j jet (ch) church 17. ^ 6 dz (adze) (ts) cats 25. C c ch church 19. ch unaspirated ch/j (j) jet Q q • 14. ts unaspirated ts/dz (dz) adze ) 0 • 21. & 7 h hot initial y Maya medial y final in monosyllable except verbs silent final elsewhere 35. W w p piano 36. @ 2 k kid 34. U u v violin 31. t step unaspirated t/d (d) dance K k • 38. ~ ` f fantastic ARMENIAN ALPHABET First created in the 5th c. by Mesrop Mashtots. Eastern Armenian Dialect Transliteration. (Western Dialect, when different, follows in parentheses). 1. a father 14. ts unaspirated ts/dz (dz) adze G g ) 0 • 2. E e b boy (p) piano 15. k skip unaspirated k/g (g) go I i • 3. D d g go (k) kid 16. L l h hot 4. X x d dance (t) ten 17. ^ 6 dz (adze) (ts) cats 5. F f ye yet initial e pen medial 18. * 8 gh Parisian French Paris e pen initial ft, fh, fh2, fr you are 19. ch unaspirated ch/j (j) jet Q q • y yawn before vowel 20. T t m meet 6. B b z zebra 21. h hot initial 7. e pen & 7 + = y Maya medial 8. O o u focus y final in monosyllable except verbs silent final elsewhere 9. P p t ten 22. H h n nut 10. -
Fonts for Latin Paleography
FONTS FOR LATIN PALEOGRAPHY Capitalis elegans, capitalis rustica, uncialis, semiuncialis, antiqua cursiva romana, merovingia, insularis majuscula, insularis minuscula, visigothica, beneventana, carolina minuscula, gothica rotunda, gothica textura prescissa, gothica textura quadrata, gothica cursiva, gothica bastarda, humanistica. User's manual 5th edition 2 January 2017 Juan-José Marcos [email protected] Professor of Classics. Plasencia. (Cáceres). Spain. Designer of fonts for ancient scripts and linguistics ALPHABETUM Unicode font http://guindo.pntic.mec.es/jmag0042/alphabet.html PALEOGRAPHIC fonts http://guindo.pntic.mec.es/jmag0042/palefont.html TABLE OF CONTENTS CHAPTER Page Table of contents 2 Introduction 3 Epigraphy and Paleography 3 The Roman majuscule book-hand 4 Square Capitals ( capitalis elegans ) 5 Rustic Capitals ( capitalis rustica ) 8 Uncial script ( uncialis ) 10 Old Roman cursive ( antiqua cursiva romana ) 13 New Roman cursive ( nova cursiva romana ) 16 Half-uncial or Semi-uncial (semiuncialis ) 19 Post-Roman scripts or national hands 22 Germanic script ( scriptura germanica ) 23 Merovingian minuscule ( merovingia , luxoviensis minuscula ) 24 Visigothic minuscule ( visigothica ) 27 Lombardic and Beneventan scripts ( beneventana ) 30 Insular scripts 33 Insular Half-uncial or Insular majuscule ( insularis majuscula ) 33 Insular minuscule or pointed hand ( insularis minuscula ) 38 Caroline minuscule ( carolingia minuscula ) 45 Gothic script ( gothica prescissa , quadrata , rotunda , cursiva , bastarda ) 51 Humanist writing ( humanistica antiqua ) 77 Epilogue 80 Bibliography and resources in the internet 81 Price of the paleographic set of fonts 82 Paleographic fonts for Latin script 2 Juan-José Marcos: [email protected] INTRODUCTION The following pages will give you short descriptions and visual examples of Latin lettering which can be imitated through my package of "Paleographic fonts", closely based on historical models, and specifically designed to reproduce digitally the main Latin handwritings used from the 3 rd to the 15 th century. -
How Children Learn to Write Words
How Children Learn to Write Words How Children Learn to Write Words Rebecca TReiman and bReTT KessleR 1 3 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trademark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016 © Oxford University Press 2014 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. A copy of this book’s Catalog-in-Publication Data is on file with the Library of Congress ISBN 978–0–19–990797–7 -
Ninidze, Mariam " a New Point of Vew on the Origin of the Georgian Alphabet"
Maia Ninidze A New Point of View on the Origin of the Georgian Alphabet The history of the development of different scripts shows that writing may assume the organized systemic appearance that Georgian asomtavruli (capital alphabet) had in the 5th century only as a result of reform. No graphic system has received such refined appearance through its independent evolution. Take, for example, the development of the Greek alphabet down to 403 B.C. In reconstructing the original script of the Georgian alphabet I was guided by the point of view that "the first features and the later developed or introduced foreign elements should be demarked and in this way comparative chronology be defined" (10, p. 50) and that "knowledge of the historical development of the outline of letters will enable us to form an idea of how the change of the outline of letters occurred and ... perceive the type of the preceding change, no imprints on monuments of which have come down to us" (12. p. 202). When one alphabet evinces similarity with another in the outline of corresponding graphemes of similar sounds, this suggests their common provenance or one's derivation from the other. But closeness existing at the level of general systemic peculiarities is a sign of later, artificial assimilation. The systemic similarity of Georgian asomtavruli with Greek would seem to suggest that it was reformed on the basis of the Greek counterpart. The earliest Georgian inscriptions in the asomtavruli are characterized by similarity to Greek in: 1) equal height of letters, 2) geometric roundness of graphemes and linearity-angularity, 3) the direction of writing from left to right, 4) the order of the alphabet and the numerical value of graphemes, but not similarity in the form of individual graphemes. -
Armenian Range: 0530–058F
Armenian Range: 0530–058F This file contains an excerpt from the character code tables and list of character names for The Unicode Standard, Version 14.0 This file may be changed at any time without notice to reflect errata or other updates to the Unicode Standard. See https://www.unicode.org/errata/ for an up-to-date list of errata. See https://www.unicode.org/charts/ for access to a complete list of the latest character code charts. See https://www.unicode.org/charts/PDF/Unicode-14.0/ for charts showing only the characters added in Unicode 14.0. See https://www.unicode.org/Public/14.0.0/charts/ for a complete archived file of character code charts for Unicode 14.0. Disclaimer These charts are provided as the online reference to the character contents of the Unicode Standard, Version 14.0 but do not provide all the information needed to fully support individual scripts using the Unicode Standard. For a complete understanding of the use of the characters contained in this file, please consult the appropriate sections of The Unicode Standard, Version 14.0, online at https://www.unicode.org/versions/Unicode14.0.0/, as well as Unicode Standard Annexes #9, #11, #14, #15, #24, #29, #31, #34, #38, #41, #42, #44, #45, and #50, the other Unicode Technical Reports and Standards, and the Unicode Character Database, which are available online. See https://www.unicode.org/ucd/ and https://www.unicode.org/reports/ A thorough understanding of the information contained in these additional sources is required for a successful implementation. -
Vocabularies in the VO Version 2.0
International Virtual Observatory Alliance Vocabularies in the VO Version 2.0 IVOA Working Draft 2020-03-26 Working group Semantics This version http://www.ivoa.net/documents/Vocabularies/20200326 Latest version http://www.ivoa.net/documents/Vocabularies Previous versions WD-20190905 Author(s) Markus Demleitner Editor(s) Markus Demleitner Abstract In this document, we discuss practices related to the use of RDF-based vocabularies in the VO. This primarily concerns the creation, publication, and maintenance of vocabularies agreed upon within the IVOA. To cover the wide range of use cases envisoned, we define three flavours of such vo- cabularies: SKOS for informal knowledge organisation on the one hand, and strict hierarchies of classes and properties on the other. While the framework rests on the solid foundations of W3C RDF, provisions are made to facili- tate using IVOA vocabularies without specific RDF tooling. Non-normative appendices detail the current vocabulary-related tooling. Status of this document This is an IVOA Working Draft for review by IVOA members and other interested parties. It is a draft document and may be updated, replaced, or obsoleted by other documents at any time. It is inappropriate to use IVOA Working Drafts as reference materials or to cite them as other than “work in progress”. A list of current IVOA Recommendations and other technical documents can be found at http://www.ivoa.net/documents/. Contents 1 Introduction4 1.1 Role within the VO Architecture................5 1.2 Relationship to Vocabularies in the VO Version 1.......6 1.3 Reading Guide..........................7 1.4 Terminology, Conventions, Typography.............7 2 Derivation of Requirements (Non-Normative)8 2.1 Use Cases.............................8 2.1.1 Controlled Vocabulary in VOResource.........8 2.1.2 Controlled Vocabularies in VOTable..........8 2.1.3 Datalink Link Selection.................8 2.1.4 VOEvent Filtering, Query Expansion..........9 2.1.5 Vocabulary Updates in VOResource..........9 2.1.6 Discovering Meanings................. -
Interações Digitais: Uma Proposta De Ensino De Radiojornalismo Por Meio Das Tic
UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ARTES TESE DE DOUTORADO INTERAÇÕES DIGITAIS: UMA PROPOSTA DE ENSINO DE RADIOJORNALISMO POR MEIO DAS TIC MIRNA TONUS CAMPINAS 2007 i ii MIRNA TONUS INTERAÇÕES DIGITAIS: UMA PROPOSTA DE ENSINO DE RADIOJORNALISMO POR MEIO DAS TIC Tese apresentada ao Programa de Pós- Graduação em Multimeios do Instituto de Artes da Universidade Estadual de Campinas para obtenção do título de Doutor em Multimeios. Orientador: Prof. Dr. José Armando Valente CAMPINAS 2007 iii FICHA CATALOGRÁFICA ELABORADA PELA BIBLIOTECA DO INSTITUTO DE ARTES DA UNICAMP Tonus, Mirna. T616i Interações digitais: uma proposta de ensino de radiojornalismo por meio das TIC / Mirna Tonus – Campinas, SP: [s.n.], 2007. Orientador: José Armando Valente. Tese(doutorado) - Universidade Estadual de Campinas, Instituto de Artes. 1. Interação 2. Interatividade. 3. Tecnologias da informação 4. Comunicação e tecnologia 5. Som- registro e reprodução-Técnicas digitais 6. Educação a distância 7. Radiojornalismo - I. Valente, José Armando. II. Universidade Estadual de Campinas. Instituto de Artes. III. Título. (em/ia) Título em ingles:“Digital interactions: a teaching radiojournalism proposal mediated by ICT” Palavras-chave em inglês (Keywords): Interaction; Interactivity; Information , Tecnology and communication. Sound-Recording and reproducing-Digital techniques. Distance education. Radiojournalism Titulação: Doutor em Multimeios Banca examinadora: Prof. Dr. José Armando Valente Prof. Dr. Hermes Renato Hildebrand Prof. Dr. Adilson José Ruiz Prof. Dr. Francisco Cock Fontanella Profa. Dra. Marta Regina Maia Prof. Dr. Fernando de Tacca Prof. Dr. Osvando José de Morais Data da Defesa: 16-08-2007 Programa de Pós-Graduação: Multimeios iv v vi Dedico esta tese a meus pais Neusa e Juvenal, pelo apoio, encorajamento, amor e pelos ensinamentos que formaram os alicerces de minha história. -
Second Revised Proposal to Encode Characters for the English
JTC1/SC2/WG2 N4079 Universal Multiple-Octet Coded Character Set International Organization for Standardization Organisation Internationale de Normalisation Международная организация по стандартизации Doc Type: Working Group Document Title: Second Revised Proposal to encode characters for the English Phonotypic Alphabet (EPA) in the UCS Source: German NB Author: Karl Pentzlin Status: National Body Contribution Action: For consideration by JTC1/SC2/WG2 and UTC Date: 2011-05-23 Supersedes: WG2 N3981 = L2/11-040, and L2/11-153 Major changes compared with WG2 N3981 = L2/11-040: – Some characters are dropped, as UTC #126 requested unification with existing characters. Accordingly, to close the gaps, most code points are adjusted. – Other feedback received from UCT #126 is considered, either by integrating it or by addressing the raised issues. – The proposed character LATIN CAPITAL LETTER REVERSED SCRUPLE is renamed LATIN CAPITAL LETTER LUNATE EPSILON, to keep it in line with an unifiable character proposed in L2/11-136 and the successor document of L2/11-137. Changes compared with L2/11-153 dated 2011-05-05: – The source is identified again as "Gernan NB", and the status now again is "National Body Contribution". – In the ISO/IEC JTC 1/SC 2/WG 2 form at the end of the document, the answer to question C.2. "Has contact been made to members of the user community?" is answered with "Yes", and some contacts are listed. This is done in response to the concerns of the UTC expressed in WG2 N4059 = L2/11-198. – Otherwise, the text is unchanged. 1. Introduction The English Phonotypic Alphabet is one attempt to give the English language a phonetic spelling and an alphabet which accomplishes this in a way that every sound is represented by a single letter (the words "phonetic" and "sound" translate in today's language roughly as "phone- mic" and "phoneme"). -
Co 2017 Vera Dvoráková ALL RIGHTS RESERVED
c 2017 Vˇera Dvoˇr´akov´a ALL RIGHTS RESERVED GENERIC AND INDEFINITE NULL OBJECTS BY VERAˇ DVORˇ AKOV´ A´ A dissertation submitted to the Graduate School—New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in Linguistics Written under the direction of Mark Baker and approved by Mark Baker (Rutgers University) Ken Safir (Rutgers University) Roger Schwarzschild (MIT) Radek Sim´ıkˇ (Humboldt-Universit¨at zu Berlin) New Brunswick, New Jersey October, 2017 ABSTRACT OF THE DISSERTATION Generic and indefinite null objects by Vˇera Dvoˇr´akov´a Dissertation Director: Mark Baker This thesis is concerned with the syntactic and syntactico-semantic properties of two types of non-overt internal arguments: the so-called generic null objects (GNO), as in Lars von Trier’s movies always shock , and indefinite null objects (INO) as in John reads / is reading . In addition to the known data on GNO and INO, coming mainly from English, Italian, and French, it utilizes data from Czech, a Slavic language with rich inflectional morphology, which enables a novel perspective on how these invisible objects are derived in language. I argue against the predominant view that GNO are syntactically pronouns (Rizzi 1986; Authier 1992a,b), consisting of a D-feature and/or a set of ϕ-features (Landau 2010), and possibly receiving case. Evidence is provided that albeit syntactically represented, GNO consist of a single syntactic node, little n, bearing just the interpretable gender feature, but no number or person features. Rather than pronouns with a fully developed nominal functional projection, GNO should be conceived as conceptually impoverished nouns (i.e. -
The Unicode Standard, Version 3.0, Issued by the Unicode Consor- Tium and Published by Addison-Wesley
The Unicode Standard Version 3.0 The Unicode Consortium ADDISON–WESLEY An Imprint of Addison Wesley Longman, Inc. Reading, Massachusetts · Harlow, England · Menlo Park, California Berkeley, California · Don Mills, Ontario · Sydney Bonn · Amsterdam · Tokyo · Mexico City Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and Addison-Wesley was aware of a trademark claim, the designations have been printed in initial capital letters. However, not all words in initial capital letters are trademark designations. The authors and publisher have taken care in preparation of this book, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode®, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. If these files have been purchased on computer-readable media, the sole remedy for any claim will be exchange of defective media within ninety days of receipt. Dai Kan-Wa Jiten used as the source of reference Kanji codes was written by Tetsuji Morohashi and published by Taishukan Shoten. ISBN 0-201-61633-5 Copyright © 1991-2000 by Unicode, Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or other- wise, without the prior written permission of the publisher or Unicode, Inc.