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Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity 2 Copyright © Sarah Thornton 1995 The right of Sarah Thornton to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. First published in 1995 by Polity Press in association with Blackwell Publishers Ltd. Reprinted 1996, 1997, 2001 Transferred to digital print 2003 Editorial office: Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Marketing and production: Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 1JF, UK All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any 3 form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. ISBN: 978-0-7456-6880-2 (Multi-user ebook) A CIP catalogue record for this book is available from the British Library. Typeset in 10.5 on 12.5 pt Palatino by Best-set Typesetter Ltd, Hong Kong Printed and bound in Great Britain by Marston Lindsay Ross International -
Arts and the City Abstract Booklet
Arts and the City International Conference Budapest, 23-24 May 2019 Booklet of Abstracts artsandthecity2019.wordpress.com Keynote Speakers BERNARDINE EVARISTO, writer, London (author of Lara, Soul Tourists and Blonde Roots, among other novels) “The Many Londons of Amazing London: The Capital as Muse & City of Experimentation for this Black Woman Writer” As a writer of fiction and verse fiction, London has been a muse in most of my eight books. I am constantly finding ways to narrativize it from multiple perspectives, and through different eras and generations, as well as creating imaginary versions of the capital city in two of my books where I invented parallel universes. In my talk I will investigate how London has manifested as a guiding light for my imagination, how my writing subverts the dominant narratives about the city today and in history, and how London’s rich multiculturalism presents never-ending possibilities for creativity and storytelling. ANDREW GIBSON, Royal Holloway, University of London “The City and the Historicity of Affect in European Art Cinema 1945-80” The city, the metropolis, the megalopolis is what is increasingly given us to think and think from. Cities are where we can pursue truth and reality. What exactly does the city, or, if you like, the planetary megalopolis gives us to think? For me, above all, a historical materialism; but a historical materialism that is sui generis, of its own kind, not to be confused with other historical materialisms, a historical materialism specifically of the city. On the one hand, self- evidently, cities are always material entities, cannot be otherwise. -
Copyright by Jessica Lyle Anaipakos 2012
Copyright by Jessica Lyle Anaipakos 2012 The Thesis Committee for Jessica Lyle Anaipakos Certifies that this is the approved version of the following thesis: Celebrity and Fandom on Twitter: Examining Electronic Dance Music in the Digital Age APPROVED BY SUPERVISING COMMITTEE: Supervisor: Shanti Kumar Janet Staiger Celebrity and Fandom on Twitter: Examining Electronic Dance Music in the Digital Age by Jessica Lyle Anaipakos, B.S. Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin December 2012 Dedication To G&C and my twin. Acknowledgements This thesis would not have been possible without the guidance, encouragement, knowledge, patience, and positive energy of Dr. Shanti Kumar and Dr. Janet Staiger. I am sincerely appreciative that they agreed to take this journey with me. I would also like to give a massive shout out to the Radio-Television-Film Department. A big thanks to my friends Branden Whitehurst and Elvis Vereançe Burrows and another thank you to Bob Dixon from Seven Artist Management for allowing me to use Harper Smith’s photograph of Skrillex from Electric Daisy Carnival. v Abstract Celebrity and Fandom on Twitter: Examining Electronic Dance Music in the Digital Age Jessica Lyle Anaipakos, M.A. The University of Texas at Austin, 2012 Supervisor: Shanti Kumar This thesis looks at electronic dance music (EDM) celebrity and fandom through the eyes of four producers on Twitter. Twitter was initially designed as a conversation platform, loosely based on the idea of instant-messaging but emerged in its current form as a micro-blog social network in 2009. -
Sooloos Collections: Advanced Guide
Sooloos Collections: Advanced Guide Sooloos Collectiions: Advanced Guide Contents Introduction ...........................................................................................................................................................3 Organising and Using a Sooloos Collection ...........................................................................................................4 Working with Sets ..................................................................................................................................................5 Organising through Naming ..................................................................................................................................7 Album Detail ....................................................................................................................................................... 11 Finding Content .................................................................................................................................................. 12 Explore ............................................................................................................................................................ 12 Search ............................................................................................................................................................. 14 Focus .............................................................................................................................................................. -
Popular Culture, Migrant Youth, and the Making of 'World Class' Delhi
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2015 Aesthetic Citizenship: Popular Culture, Migrant Youth, and the Making of 'World Class' Delhi Ethiraj Gabriel Dattatreyan University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Social and Cultural Anthropology Commons Recommended Citation Dattatreyan, Ethiraj Gabriel, "Aesthetic Citizenship: Popular Culture, Migrant Youth, and the Making of 'World Class' Delhi" (2015). Publicly Accessible Penn Dissertations. 1037. https://repository.upenn.edu/edissertations/1037 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1037 For more information, please contact [email protected]. Aesthetic Citizenship: Popular Culture, Migrant Youth, and the Making of 'World Class' Delhi Abstract Delhi has nearly doubled in population since the early 1990s due to in-migration (censusindia.gov, 2011). These migrants, like migrants around the world, strive to adapt to their new surroundings by producing themselves in ways which make them socially, economically, and politically viable. My project examines how recent international and intranational immigrant youth who have come to Delhi to partake in its economic possibilities and, in some cases, to escape political uncertainty, are utilizing globally circulating popular cultural forms to make themselves visible in a moment when the city strives to recast its image as a world class destination for roaming capital (Roy, 2011). I focus on two super diverse settlement communities in South Delhi to explore the citizenship making claims of immigrant youth who, to date, have been virtually invisible in academic and popular narratives of the city. Specifically, I follow three groups of ethnically diverse migrant youth from these two settlement communities as they engage with hip hop, a popular cultural form originating in Black American communities in the 1970s (Chang, 2006; Morgan, 2009; Rose, 1994). -
DANCE the Wild Child Comes of Age H5p-H®Mse Mcay Bessk Gkefs
DANCE The wild child comes of age t H5p-h®Mse mcay Bessk gkefS® sred saBtieS pMsidits' |pS«aiadlS&s isnsS bki Emtop®, oirad ei@w the yS it's frast bee@m5Btg the peegsie's sh®5se I IP-HOUSE is the bas- Double Trouble & The Rebel tardmade good.offspring When that it ord,MCs isStreet the Tuff,biggest-ever a hip-house selling rec- phaticYo Yo rapGet setFunky, to aa greatsimple, house em- DJsK-Aiexi Julian Shelby, 'Jumpin' JMD; ChicagoPerez, hmcs.dismisses I dontthe likeidea that. of Thai'sHUITOliticol j comparedfirst to^ hip-hopemerged and it deepwas pressUK rap and record. radio Thehave fact chosen that the to theaeat. style That a namesame withyear the he record gave Mixmastersington's Doug & AACLazy Action. has had Wash- two cuminform of outpreiudice.prejudice. with black Those this rnk and uek : fad.house When and declaredFast Eddie a &shallow Kool musicalignore hip-housesub-genre ashas a not separate affect- otherHip House. way to It getwas, house blatantly, across an- to UKOther hits. acts who started off everybody.black that: There'sI make too music many forof i withRock TurnSteady Up Thehit bigBass in inEurope 1988 an indifferent US; hip-house away from hip-house, such as thethen! government doing it. I can'tain't helpdoina thol o | the musical snobs dismissed it as Thec wasn'twanted preaching bucks, a ghettogood politics,time. It Jive'sMr Lee, signings are now Mike working Dunn in andthat job Sere ain't no reason to pu, achart fluke. has Even been today, subject when to thea the rhyn . -
USLM NEWSLETTER 3619.Cdr
U N I V E R S I T Y Aqib Pathan, Semester 4, USLM EDITORIAL TEAM CHIEF EDITOR ASSOCIATE EDITORS SROTASWINI BHOWMICK KUNJ GANATRA – UWSB KUMUD KEDIA – UID MANAGING EDITORS SANDHYA SRINIVASAN – UID LOLITA DUTTA – UID USLM – ARIJIT DAS SAUMYA BANDOPADHYAY – UID UWSL – UDAYPRAKASH SHARMA JAI DAVE – KSD UID – JUI PIMPLE ARVIND KUMAR – USLM UWSB – PRATIK PILLAI DEBARATI HALDER – UWSL KSD – ANIRBAN BANDYOPADHYAY SUDHANYA MUKHERJEE – UID SAGAR JOSHI – UID COPY EDITORS CHIEF DESIGNER SHYNO BABY ARVIND KUMAR HARDIK PATEL – UNIVATION ASSISTANT EDITORS CHITRA UNNITHAN PREETI DAS Editor’s Note elcome to the rst edition of the monthly newsletter of Unitedworld WSchool of Liberal Arts and Mass Communications. This newsletter has been born out of the vision of the President of Karnavati University, Mr. Ritesh Hada. He believes that many of us from separate elds, departments and colleges must get out of our separate cubicles, break the shackles of daily life and share our best ideas, thoughts and practices through this newsletter. Reading through the rst edition of the newsletter, you will nd some expert opinions shared by faculty members and some creative thoughts by students. But most of all, you will nd an opportunity to tell your stories, inspire and get inspired and raise awareness on issues you care for! We sincerely hope these are reasons enough to contribute towards and look forward to the future editions. We hope you enjoy the read! Also, remember that this is a digital magazine so please be sure to share, tweet, repost, refer and recommend any articles that you like! We look forward to your feedback and await contributions at [email protected] Internet is the most addictive thing ever: Mr. -
Ambient Music the Complete Guide
Ambient music The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 05 Dec 2011 00:43:32 UTC Contents Articles Ambient music 1 Stylistic origins 9 20th-century classical music 9 Electronic music 17 Minimal music 39 Psychedelic rock 48 Krautrock 59 Space rock 64 New Age music 67 Typical instruments 71 Electronic musical instrument 71 Electroacoustic music 84 Folk instrument 90 Derivative forms 93 Ambient house 93 Lounge music 96 Chill-out music 99 Downtempo 101 Subgenres 103 Dark ambient 103 Drone music 105 Lowercase 115 Detroit techno 116 Fusion genres 122 Illbient 122 Psybient 124 Space music 128 Related topics and lists 138 List of ambient artists 138 List of electronic music genres 147 Furniture music 153 References Article Sources and Contributors 156 Image Sources, Licenses and Contributors 160 Article Licenses License 162 Ambient music 1 Ambient music Ambient music Stylistic origins Electronic art music Minimalist music [1] Drone music Psychedelic rock Krautrock Space rock Frippertronics Cultural origins Early 1970s, United Kingdom Typical instruments Electronic musical instruments, electroacoustic music instruments, and any other instruments or sounds (including world instruments) with electronic processing Mainstream Low popularity Derivative forms Ambient house – Ambient techno – Chillout – Downtempo – Trance – Intelligent dance Subgenres [1] Dark ambient – Drone music – Lowercase – Black ambient – Detroit techno – Shoegaze Fusion genres Ambient dub – Illbient – Psybient – Ambient industrial – Ambient house – Space music – Post-rock Other topics Ambient music artists – List of electronic music genres – Furniture music Ambient music is a musical genre that focuses largely on the timbral characteristics of sounds, often organized or performed to evoke an "atmospheric",[2] "visual"[3] or "unobtrusive" quality. -
Full Text (PDF)
Document generated on 09/30/2021 9:03 p.m. Cahiers de recherche sociologique Entre résistance et commercialisation : à la recherche du renouveau politique Présentation Marie Nathalie LeBlanc Dilemmes hip-hop Number 49, Winter 2010 URI: https://id.erudit.org/iderudit/1001409ar DOI: https://doi.org/10.7202/1001409ar See table of contents Publisher(s) Athéna éditions ISSN 0831-1048 (print) 1923-5771 (digital) Explore this journal Cite this document LeBlanc, M. N. (2010). Entre résistance et commercialisation : à la recherche du renouveau politique : présentation. Cahiers de recherche sociologique, (49), 5–15. https://doi.org/10.7202/1001409ar Tous droits réservés © Athéna éditions, 2010 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Entre résistance et commercialisation : à la recherche du renouveau politique Présentation Marie Nathalie LeBlanc e terrain de la culture populaire nord-américaine s’est redéfini grâce Là l’essor et à la mondialisation du hip-hop à la fin des années 1980. De nos jours, la culture hip-hop continue d’évoluer au sein du marché mon- dial de la musique populaire. Les premiers artistes hip-hop aux États-Unis témoignaient de leurs conditions de vie à travers divers modes d’expression – musicaux avec les rappeurs et les DJ qui pratiquent le platinisme, le turn- tabalism ou le scratching ; corporels par le breakdancing des b-boys et b-girls ou graphiques chez les graffitistes ou les bombeurs. -
Look for the Fall Activity & Program Guide on August
Summer 2011 Hours of Operation 3 FITNESS & HEALTH PROGRAMS 46 Activity & Locations 4 Fitness 46 Program Guide Facility Rates & Passes 5 Yoga 49 Schedules 6 Hikes & Walks 51 We are offering advertising space in the 2011 Activity & Program Guide to both profit AQUATICS PROGRAMS 10 SPORTS PROGRAMS and non-profit organizations. Parent & Tot 11 & LEAGUES 52 More than 39,000 copies are Preschool 11 Golf 52 distributed seasonally, free Red Cross Swim Kids 12 Tennis 52 of charge. Space is limited and all advertisements must meet Private Swim Lessons 13 Beach Volleyball 55 City guidelines. Teen & Adult Swim Lessons 14 Slo-Pitch Leagues 56 Lifeguard Training 15 Contact Tanya Terrace at the Capital News Instructor Training 16 SPORT DEVELOPMENT 57 (250 763-3212) PacificSport 57 to place your ad in our next issue FIRST AID PROGRAMS 17 Community Sport Organizations 59 Advertising herein does not 6 & UNDER PROGRAMS 18 ACCESSING RECREATION 63 constitute an endorsement. Dance 18 General Interest 18 PROGRAMS FOR PERSONS For concerns regarding guide WITH A DISABILITY 65 distribution please call PlaySchool Summer Camps 19 Martial Arts 20 250-763-7575 VOLUNTEERING 67 Sports 20 SENIORS INFORMATION 68 Prices subject to change ParK & PLAY in Your NeigHBourHood 22 ARTS, CULTURE & HERITAGE 70 Look for CHILDREN PROGRAMS 23 CITY INFORMATION 77 the Fall Art 23 Community Advertising 80 Dance 24 Community Directory 90 Activity & General Interest 24 Martial Arts 25 Program Music 25 Guide on Sports 26 August 7th Summer Camps 26 ADULT / YOUTH PROGRAMS 41 Art 41 Cooking 42 Dance 42 General Interest 44 Languages 44 Music 45 Wellness 45 PRICES SUBJECT TO CHANGE PRICES SUBJECT TO 2 REGISTRATION WE ARE pleaseD TO ANNOUNCE our registration system has been upgraded to make registration easier There are 3 easy for you. -
Digital Sampling and Appropriation As Approaches to Electronic Music Composition and Production Gene Shill
Digital Sampling and Appropriation as Approaches to Electronic Music Composition and Production Author Shill, Gene Published 2016-12 Thesis Type Thesis (PhD Doctorate) School Queensland Conservatorium DOI https://doi.org/10.25904/1912/3631 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/370569 Griffith Research Online https://research-repository.griffith.edu.au Digital Sampling and Appropriation as Approaches to Electronic Music Composition and Production Gene Shill BA, MA (Distinction) Queensland Conservatorium Arts, Education & Law Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy December 2016 “The most beautiful experience we can have is the mysterious - the fundamental emotion which stands at the cradle of true art and true science.” Albert Einstein Abstract Through analysis, observation, critical listening, interviews and creative practice, this study explores how techniques of appropriation via digital music sampling are used for electronic musical composition and production. Included is an examination of literature and creative work focused on the Golden Age of Hip-Hop that explores early sampling processes and techniques. Through original compositions and an exegesis, the study provides unique and significant contributions to the field including the identification of four approaches to the design and construction of sample-based composition and associated techniques for achieving them using contemporary music technologies. The Golden Age of Hip-Hop is presented as a historical period of musical significance, not only for defining new genres and sub genres of music, but because of the influencing factors that emerging technologies had on new compositional processes and outcomes.