Magic and Medicine Gems and the Power of Seals
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The Cambridge Companion to Greek Mythology (2007)
P1: JzG 9780521845205pre CUFX147/Woodard 978 0521845205 Printer: cupusbw July 28, 2007 1:25 The Cambridge Companion to GREEK MYTHOLOGY S The Cambridge Companion to Greek Mythology presents a comprehensive and integrated treatment of ancient Greek mythic tradition. Divided into three sections, the work consists of sixteen original articles authored by an ensemble of some of the world’s most distinguished scholars of classical mythology. Part I provides readers with an examination of the forms and uses of myth in Greek oral and written literature from the epic poetry of the eighth century BC to the mythographic catalogs of the early centuries AD. Part II looks at the relationship between myth, religion, art, and politics among the Greeks and at the Roman appropriation of Greek mythic tradition. The reception of Greek myth from the Middle Ages to modernity, in literature, feminist scholarship, and cinema, rounds out the work in Part III. The Cambridge Companion to Greek Mythology is a unique resource that will be of interest and value not only to undergraduate and graduate students and professional scholars, but also to anyone interested in the myths of the ancient Greeks and their impact on western tradition. Roger D. Woodard is the Andrew V.V.Raymond Professor of the Clas- sics and Professor of Linguistics at the University of Buffalo (The State University of New York).He has taught in the United States and Europe and is the author of a number of books on myth and ancient civiliza- tion, most recently Indo-European Sacred Space: Vedic and Roman Cult. Dr. -
Names of Botanical Genera Inspired by Mythology
Names of botanical genera inspired by mythology Iliana Ilieva * University of Forestry, Sofia, Bulgaria. GSC Biological and Pharmaceutical Sciences, 2021, 14(03), 008–018 Publication history: Received on 16 January 2021; revised on 15 February 2021; accepted on 17 February 2021 Article DOI: https://doi.org/10.30574/gscbps.2021.14.3.0050 Abstract The present article is a part of the project "Linguistic structure of binomial botanical denominations". It explores the denominations of botanical genera that originate from the names of different mythological characters – deities, heroes as well as some gods’ attributes. The examined names are picked based on “Conspectus of the Bulgarian vascular flora”, Sofia, 2012. The names of the plants are arranged in alphabetical order. Beside each Latin name is indicated its English common name and the family that the particular genus belongs to. The article examines the etymology of each name, adding a short account of the myth based on which the name itself is created. An index of ancient authors at the end of the article includes the writers whose works have been used to clarify the etymology of botanical genera names. Keywords: Botanical genera names; Etymology; Mythology 1. Introduction The present research is a part of the larger project "Linguistic structure of binomial botanical denominations", based on “Conspectus of the Bulgarian vascular flora”, Sofia, 2012 [1]. The article deals with the botanical genera appellations that originate from the names of different mythological figures – deities, heroes as well as some gods’ attributes. According to ICBN (International Code of Botanical Nomenclature), "The name of a genus is a noun in the nominative singular, or a word treated as such, and is written with an initial capital letter (see Art. -
The Greek and the Roman Novel. Parallel Readings
Parallel Cults? Religion and Narrative in Apuleius’ Metamorphoses and Some Greek Novels STEPHEN HARRISON University of Oxford1 1 Introduction In this paper I want to compare the narrative function of the gods, their sanc- tuaries and oracles in the plot of Apuleius’ Metamorphoses with that of simi- lar elements in the plots of Greek novels, and to argue that Apuleius proba- bly knew most of the extant Greek novels and plays with their established literary uses of divine elements. This has additional relevance for the overall interpretation of the Metamorphoses, since it can be used to suggest that the religious element in Apuleius is more likely to have a literary, entertaining function rather than a serious, proselytising role.2 A recent investigation3 gives the following dates for the earlier Greek novels (all CE): Achilles Tatius before 164 Chariton 41–62 Xenophon 65–98 ————— 1 My thanks to the audience at Rethymnon for useful discussion, and to Michael Paschalis and Stavros Frangoulidis for organising a splendid conference. The text and translation of Apuleius are cited from Hanson 1989, the translations of Greek novels from those col- lected in Reardon 1989 (Reardon’s Chariton, Anderson’s Xenophon, Winkler’s Achilles, Gill’s Longus, and Sullivan’s Onos). 2 Here I add to the case made in Harrison 2000, 238–52 and 2000–1. 3 Bowie 2002. The Greek and the Roman Novel: Parallel Readings, 204–218 PARALLEL CULTS? 205 Of the other Greek extant novels, there is no doubt that either the Onos or the lost Greek Metamorphoses from which it derived -
Either a Daimon, Or a Hero, Or Perhaps a God:” Mythical Residents of Subterranean Chambers
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 15 | 2002 Varia “Either a Daimon, or a Hero, or Perhaps a God:” Mythical Residents of Subterranean Chambers Yulia Ustinova Electronic version URL: http://journals.openedition.org/kernos/1385 DOI: 10.4000/kernos.1385 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 2002 ISSN: 0776-3824 Electronic reference Yulia Ustinova, « “Either a Daimon, or a Hero, or Perhaps a God:” Mythical Residents of Subterranean Chambers », Kernos [Online], 15 | 2002, Online since 21 April 2011, connection on 01 May 2019. URL : http://journals.openedition.org/kernos/1385 ; DOI : 10.4000/kernos.1385 Kernos Kemos 15 (2002), p. 267-288. "Either a Daimon, or a Hero, or Perhaps a God:" Mythical Residents of Subterranean Chambers In his list of seers who uttered gods' orders and messages to mortals not only when alive, but also after their death, Strabo1 mentions "...Amphiaraos, Trophonios, Orpheus, Musaios, and the god of the Getae, formerly Zalmoxis, a Pythagorean, who is in our time Dekaineos, the diviner of Byrebistas... ,,2 Aristides groups together Trophonios, Amphiaraos, Amphilochos and the Asclepiads.3 Celsus includes Zalmoxis, Mopsos, Amphilochos, Amphiaraos, and Trophonios in his register of mortals who died and were nevertheless worshiped, whieh makes Origen wonder, "whether one of these is either a daimon, or a hero, or perhaps a god, more active than mortals" (ft ècr'tt nç èv 'toîç 'tOtQU'tOlÇ Eï'tE 8atllcov Eï'tE llPcoÇ Eï'tE Kat 8E6ç, èVEPYéOv 't!Va lldÇova ft Ka'teX av8pco1tov;).4 The bewilderment of Origen 'is reasonable, given the elusiveness of these figures. -
Honey Plays a Significant Role in the Mythology and History of Many
Rhododendron Ponticum Rhodora! if the sages ask thee why This charm is wasted on the earth and sky, Tell them, dear, that if eyes were made for seeing, Then beauty is its own excuse for being R.W. Emerson, ‘The Rhodora’ "The Delphic priestess in historical times chewed a laurel leaf but when she was a Bee surely she must have sought her inspiration in the honeycomb." Jane Ellen Harrison, Prologemena to Greek Religion Thy Lord taught the Bee To build its cells in hills, On trees and in man’s habitations; Then to eat of all The produce of the earth . From within their bodies comes a drink of varying colors, Wherein is healing for mankind. The Holy Koran 1 Mad Honey Contents Point of View and Introduction 4 A summary of the material 5 What the Substance is 7 A History of Honey a very short history of the relationship of humans and honey A Cultural History of Toxic Honey 9 mad honey in ancient Greece Mad Honey in the New World 10 the Americas and Australasia How the substance works 11 Psychopharmacology selected outbreaks symptoms external indicators and internal registers substances neurophysiological action medical treatment How the substance was used 13 Honied Consciousness: the use of toxic honey as a consciousness altering substance ancient Greece Daphne and Delphi Apollo and Daphne Rhododendron and Laurel Appendix 1 21 Classical References (key selections from the texts) -Diodorus Siculus -Homeric Hymns -Longus -Pausanias -Pliny The Elder -Xenephon Appendix II 29 More on Mellissa Appendix lll 30 Source of the Substances Botany and Sources of Grayanotoxin 2 Appendix lV 32 Honey and Medicine Ancient and Modern Appendix V 34 The Properties of Ethelyne Appendix Vl 36 Entrances: Food, Drink and Enemas Bibliography 39 3 Mad Honey Point of View and Introduction It’s no surprise to discover that honey, and the bees that produce it, play a notable role in mythology and religion throughout the world. -
North Sails Superyacht Clients
NORTH SAILS SUPERYACHT CLIENTS We have been proud to work with and deliver sails for the following projects, which either already are sailing or will be launched in the year to come. If you know any of the crews of these yachts please do not hesitate to contact them to see how they feel about the sails and service they have received from us. Adela Dykstra 55m Schooner Pendennis Meteor Dykstra 50m Schooner Huisman Adele Hoek 55m Ketch Vitters Mia Cara Dubois 39m Sloop Fitzroy Anatta Dubois 66m Sloop Vitters Missy Mckeon 33m Sloop Vitters Anemoi Dubois 37m Sloop Fitzroy My Song Baltic 40m Sloop Baltic Anne Hoek 53m Sloop Vitters Mystere Tripp 43m Sloop Vitters Antares Dixon 40m Ketch Huisman Nariida Wally/Brenta 32m Ketch Wally Aquijo Tripp 85m Ketch Vitters / Oceanco Ngoni Dubois 58m Sloop Huisman Badis Briand 70m Ketch Perini Navi Nikata Nauta 35m Sloop Baltic Barong D Wally/ Frers 33m Sloop Wally Nilaya Nauta 34m Sloop Baltic Bayesian Holland 56m Sloop Perini Navi Ningaloo Dubois 45m Sloop Vitters Bella Regazza Dubois 43m Sloop Vitters Nirvana Dubois 53m Ketch Vitters Better Place Tripp/Wally 50m Sloop Wally Odin IV Frers 35m Sloop Nautor's Swan Bristolian Briand 36m Sloop CNB Panacea Frers 28m Sloop Nautor's Swan Canovo 2 Farr 42m Sloop Baltic Panthalassa Holland 56m Ketch Perini Navi Catalina Dubois 44m Ketch Vitters Path 2 J/V 34m Sloop Baltic Chimera Ted Fontaine 31m Sloop Alloy Yachts Pink Gin J/V 53m Sloop Baltic Dahlak Briand 38m Sloop Perini Navi Piropo Holland 56m Ketch Perini Navi Danneskjold Dixon 30.5m Sloop Southern Ocean -
L'indovino Poliido. Eschilo, Le Cretesi. Sofocle, Manteis. Euripide, Poliido (Pleiadi 17; Roma 2014)
Finglass, P. J. (2016). Review of L. Carrara (ed., comm.), L'indovino Poliido. Eschilo, Le Cretesi. Sofocle, Manteis. Euripide, Poliido (Pleiadi 17; Roma 2014). Rivista di Filologia e Istruzione Classica, 144(2), 469–470. Peer reviewed version Link to publication record in Explore Bristol Research PDF-document This is the author accepted manuscript (AAM). The final published version (version of record) is available via Loescher editore . Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ Laura Carrara, L’indovino Poliido. Eschilo, Le Cretesi. Sofocle, Manteis. Euripide, Poliido (Pleiadi 17; Rome 2014). Among all the figures of Greek myth, Polyidus is not exactly a household name. In Apollodorus’ account (Bibl. 3.17-20), he was a seer who came to the aid of Minos, after Minos’ son Glaucus had fallen into a vat of honey while chasing a mouse; Minos was then told by the Curetes that his son would be brought back to life by the person who came up with the best comparison for a three-coloured cow that Minos had in his herds. Polyidus compared it to a blackberry, and was then told by Minos that he had to revivify his son. After being shut up with the corpse, he killed a snake that was making its way towards the dead boy, only to see a second snake bring its fellow back to life by spreading a herb over its body; Polyidus applied the same herb to Glaucus and achieved the same result. -
The Plague of Athens and the Cult of Asclepius: a Case Study of Collective Behavior and a Social Movement
Sociology and Anthropology 4(12): 1048-1053, 2016 http://www.hrpub.org DOI: 10.13189/sa.2016.041203 The Plague of Athens and the Cult of Asclepius: A Case Study of Collective Behavior and a Social Movement Harry Perlstadt Department of Sociology, Michigan State University, East Lansing, MI 48824, United States Copyright©2016 by authors, all rights reserved. Authors agree that this article remains permanently open access under the terms of the Creative Commons Attribution License 4.0 International License Abstract During the Peloponnesian War between in the port city of Piraeus. This marks the beginning of a new Athens and Sparta, several waves of a plague killed an belief system that dealt with the failure to combat the plague. estimated one-third of the civilian Athenian population and Asclepius whose name means “to cut open,” was cut from one-fourth of its army. Thucydides account of the plague his dead mother’s womb by his father Apollo. He was (430-426 BCE) and the subsequent rise of the cult of raised by the centaur Chiron who taught him the healing arts. Asclepius can be examined as perhaps the earliest case study His sons included Machaon and Podalirius, who served as of collective behavior and a social movement. In his account surgeons and physicians during the Trojan War and among of the plague, Thucydides reveals a sociological imagination his daughters were Hygieia (health and sanitation) and and concepts including anomie and escalating stages of Panacea (cure all). The cult of Asclepius was established collective behavior. Social movements often arise in times of towards end of the 6th century at Epidaurus, located in the sudden changes and social unrest, becoming a source of Peloponnesus across the Saronic Gulf from Athens. -
EEL Round 3 (Pdf)
EEL Certamen Round 3 Moderator should say: “I will now read one test question for no points. This question does not necessarily reect the diculty of the round that follows.” TU 0: This tossup will be an extremely unique format. These types of tossups can be called "blank" tossups, where any signicant piece of info is replaced with the word "blank" and purely relies on one being able to recognize the entry being read to them without any proper nouns, identiers, and the like. For example if you were to hear: [blank], determined on a dangerous course in order to benet [blank], [blanked] [blank] from [blank] and [blanked] it secretly down to [blank]. [blank], enraged at the [blank's] [blank], ordered [blank] to nail [blank] to a cli in the [blank] [blank]. You might realize that this blank tossup is talking about Prometheus. Using this recently acquired knowledge, answer the following blank tossup by determining whose Tripp entry is being obliquely rendered. [blank] was said by [blank] to be the eldest of the [blanks] of [blank] and [blank]. Most later writers accepted the view of [blank] that he was the youngest, born after his [blank] had swallowed his [blanks], [blank] and [blank], and his [blanks], [blank], [blank], and [blank]. ZEUS B1: Now, answer the following blank bonus by determining whose Conte entry is being obliquely rendered. We do not know [blank's] dates of [blank] and [blank]. He came to [blank] at the end of the war between [blank] and [blank], probably from [blank] and, according to some, in the entourage of [blank blank]. -
Iliad</Italic>
300 Jim Marks Jim Marks Context as Hypertext: Divine Rescue Scenes in the Iliad A number of factors determine the fates of individual characters during battlefield scenes in the Iliad. In terms of sheer body count, most of those that perish in battle seem to have been created simply in order for others to kill them.1 Typical of this group is the Trojan Cleoboulus, who receives neither dying words nor patronymic nor homeland, and appears only long enough to fall to Oileian Ajax (16.330–334). As for the more developed characters, life or death in battle is, to begin with, a function of the plot: major heroes by definition survive through most or all of the narrative, and lesser ones at least until they have performed their subsidiary roles. Hec- tor, for instance, must remain alive until the dramatic climax of the plot in Book 22, while the Trojan ally Pandarus is killed soon after he performs the necessary function of restarting the war following the duel between Menelaus and Paris in Book 3 (4.85–222, 5.243–296). The fates of at least some of these more developed characters are also influenced by the fact that they were already or were becoming established in other contexts at the time when the Iliad was taking shape. Odysseus, to take an obvious example, cannot die in the Iliad because he was a widely recognized figure best known for a successful return from Troy, as is at- tested in the Homeric Odyssey and non-Homeric poetry, artistic represen- tations, cult activity on his native Ithaca, and so on. -
REGISTER of SPONSORS (Tiers 2 & 5 and Sub Tiers Only)
REGISTER OF SPONSORS (Tiers 2 & 5 and Sub Tiers Only) DATE: 08-February-2019 Register of Sponsors Licensed Under the Points-based System This is a list of organisations licensed to sponsor migrants under Tiers 2 & 5 of the Points-Based System. It shows the organisation's name (in alphabetical order), the sub tier(s) they are licensed for, and their rating against each sub tier. A sponsor may be licensed under more than one tier, and may have different ratings for each tier. No. of Sponsors on Register Licensed under Tiers 2 and 5: 29,567 Organisation Name Town/City County Tier & Rating Sub Tier ?What If! Ltd London Tier 2 (A rating) Tier 2 General Tier 2 (A rating) Intra Company Transfers (ICT) @ Home Accommodation Services Ltd London Tier 2 (A rating) Tier 2 General Tier 5 (A rating) Creative & Sporting ]performance s p a c e [ Folkestone Kent Tier 5 (A rating) Creative & Sporting 0-two Maintenance London Tier 2 (A rating) Tier 2 General 1 minus 1 Limited Farnham Surrey Tier 2 (A rating) Tier 2 General 1 Stop Halal Limited Eye Suffolk Tier 2 (A rating) Tier 2 General 1 Stop Print Ltd Ilford Tier 2 (A rating) Tier 2 General 1 Tech LTD London Tier 2 (A rating) Tier 2 General 10 Europe Limited Edinburgh Tier 2 (A rating) Tier 2 General Tier 2 (A rating) Intra Company Transfers (ICT) 10 GROUP LTD T/A THE 10 GROUP LONDON Tier 2 (A rating) Tier 2 General Page 1 of 1951 Organisation Name Town/City County Tier & Rating Sub Tier 100 SHAPES LTD LONDON Tier 2 (A rating) Tier 2 General 1000heads Ltd London Tier 2 (A rating) Tier 2 General 1000mercis -
I Swear by Apollo the Healer, by Asclepius, by Hygieia, by Panacea
I swear by Apollo the Healer, by Asclepius, by Hygieia, by Panacea, and by all the gods and goddesses, making them my witnesses, that I will carry out, according to my ability and judgment, this oath and this indenture. To hold my teacher in this art equal to my own parents; to make him partner in my livelihood; when he is in need of money to share mine with him; to consider his family as my own brothers, and to teach them this art, if they want to learn it, without fee or indenture; to impart precept, oral instruction, and all other instruction to my own sons, the sons of my teacher, and to indentured pupils who have taken the physician’s oath, but to nobody else. I will use treatment to help the sick according to my ability and judgment, but never with a view to injury and wrong-doing. Neither will I administer a poison to anybody when asked to do so, nor will I suggest such a course. Similarly I will not give to a woman a pessary to cause abortion. But I will keep pure and holy both my life and my art. I will not use the knife, not even, verily, on sufferers from stone, but I will give place to such as are craftsmen therein. Into whatsoever houses I enter, I will enter to help the sick, and I will abstain from all intentional wrong-doing and harm, especially from abusing the bodies of man or woman, bond or free. And whatsoever I shall see or hear in the course of my profession, as well as outside my profession in my intercourse with men, if it be what should not be published abroad, I will never divulge, holding such things to be holy secrets.