2012-2013 School Programming
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Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
05 5 $4.99 DownBeat.com 09281 01493 0 MAY 2010MAY U.K. £3.50 001_COVER.qxd 3/16/10 2:08 PM Page 1 DOWNBEAT MIGUEL ZENÓN // RAMSEY LEWIS & KIRK WHALUM // EVAN PARKER // SUMMER FESTIVAL GUIDE MAY 2010 002-025_FRONT.qxd 3/17/10 10:28 AM Page 2 002-025_FRONT.qxd 3/17/10 10:29 AM Page 3 002-025_FRONT.qxd 3/17/10 10:29 AM Page 4 May 2010 VOLUME 77 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
The Good Swimmer
Brooklyn Academy of Music Adam E. Max, BAM Board Chair William I. Campbell and Nora Ann Wallace, BAM Board Vice Chairs Katy Clark, President Joseph V. Melillo, The Good Swimmer Executive Producer Music by Heidi Rodewald Lyrics by Donna Di Novelli Directed by Kevin Newbury DATES: NOV 28—DEC 1 at 7:30pm Season Sponsor: LOCATION: BAM Fisher (Fishman Space) Leadership support for music programs at RUN TIME: Approx 1hr 10min BAM provided by no intermission the Baisley Powell Elebash Fund This production is made possible with support from the Joseph V. Melillo Fund for Artistic Innovation Support for female choreographers and composers in the Next Wave Festival provided by the Virginia B. Toulmin Foundation #BAMNextWave BAM Fisher The Good Swimmer With World premiere commissioned by BAM. Special thanks to Joe Melillo and the Composer Lead Vocalist: David Driver Produced by KiWi Productions. entire staff at BAM; the staff from the Heidi Rodewald Drums: Marty Beller 2016 PROTOTYPE Festival and Keyboard: Marc Doten Support for the world premiere generously the HERE Arts Center staff; Lyricist Violin, Keyboard, Glockenspiel: Dana Lyn provided by: Terry Eder & Gene Kaufman, Stew, Terry Eder & Gene Kaufman, Donna Di Novelli Bass, Vocalist: Heidi Rodewald Steve Klein/Apple Core Holdings, Steve Klein, Kristy Edmunds, Guitar, Vocalist: Christian Gibbs Linda & Dennis Myers, Christine & Vasi Laurence, Lisa Philp & Bill Bragin, Director Cello, Vocalist: Clara Kennedy W. Michael Garner, Sherwin Goldman, and Liz McCann. Kevin Newbury Trumpet: Linda Briceño Jill & William Steinberg, Woodwinds: Gabrielle Garo Ann Shilling Harrison, David Henry Donna Di Novelli dedicates Music director Jacobs, Susan Bienkowski, Jamie deRoy, The Good Swimmer to the memory of Marty Beller Choral ensemble Dan Shaheen, Oskar Eustis, and Anthony Jack Carlucci, 1949—1969. -
Lounge Lizards Voice of Chunk Mp3, Flac, Wma
Lounge Lizards Voice Of Chunk mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Voice Of Chunk Country: France Released: 1989 Style: Contemporary Jazz MP3 version RAR size: 1867 mb FLAC version RAR size: 1107 mb WMA version RAR size: 1563 mb Rating: 4.9 Votes: 744 Other Formats: MP2 ADX DTS DMF AIFF VOX MP4 Tracklist A1 Bob The Bob 2:07 A2 Voice Of Chunk 5:25 A3 One Big Yes 6:23 A4 The Hanging 4:43 B1 Uncle Jerry 4:19 B2 A Paper Bag And The Sun 7:42 B3 Tarantella 4:06 B4 Bob The Bob (Home) 3:29 Companies, etc. Duplicated By – Disco / France Credits Bass – Erik Sanko Drums – Douglas Browne* Guitar, Trumpet – Marc Ribot Percussion – E.J. Rodriguez Piano – Evan Lurie Producer – John Lurie Saxophone [Alto, Soprano] – John Lurie Saxophone [Tenor, Alto, Soprano] – Roy Nathanson Trombone – Curtis Fowlkes Notes French cassette version (Milan). Same tracklisting than the LP "The Lounge Lizards - Voice of Chunk" Barcode and Other Identifiers Barcode: 3299031 050246 Rights Society: SACEM SACD SDRM SGDL Other versions Category Artist Title (Format) Label Category Country Year The Lounge Voice Of Chunk Lagarto LAGCD003 LAGCD003 US 1989 Lizards* (CD, Album) Productions The Lounge Voice Of Chunk vBr 25 veraBra Records vBr 25 Germany 1989 Lizards* (LP, Album) Lounge Voice of Chunk (LP, GLLP 91029 Gala Records GLLP 91029 Italy 1989 Lizards Album) The Lounge Voice Of Chunk vBr CD No. 25 veraBra Records vBr CD No. 25 Germany 1989 Lizards* (CD, Album) The Lounge Voice Of Chunk PCCY-00013 Agharta PCCY-00013 Japan 1989 Lizards* (CD, Album) Related Music albums to Voice Of Chunk by Lounge Lizards Guigou Chenevier / Denis Bernet-Rollande - Le Diapason Du Père Ubu Evan Lurie - Il Piccolo Diavolo - Ein Himmlischer Teufel (Original Soundtrack) Ed 'Chunk' Rodriguez - More Love (Remixes) Suzi Chunk And Groovy Uncle - Barefoot In The Car Park Chunk!, Chunk - Something For Nothing Lounge Lizards - Big Heart Lounge Lizards - No Pain For Cakes The Lounge Lizards - Live In Tokyo - Big Heart. -
Karen Mantler by Karen Mantler
Karen Mantler by Karen Mantler I was conceived by Carla Bley and Michael Mantler at the Newport Jazz Festival in 1965. Born in 1966, I was immediately swept into the musician's life on the road. After having checked me at the coatroom of the Berlin Jazz Festival, to the horror of the press, my parents realized that I was going to have to learn to play an instrument in order to be useful. But since I was still just a baby and they couldn't leave me alone, they had to bring me on stage with them and keep me under the piano. This is probably why I feel most at home on the stage. In 1971, when I was four, my mother let me have a part in Escalator Over The Hill and the next year I sang on another of her records, Tropic Appetites. By 1977 I had learned to play the glockenspiel, and I joined the Carla Bley Band. I toured Europe and the States with her several times and played on her Musique Mecanique album. After playing at Carnegie Hall in 1980, where I tried to steal the show by pretending to be Carla Bley, my mother fired me, telling me "get your own band". I realized that I was going to have to learn a more complicated instrument. After trying drums, bass, and flute, which I always lost interest in, I settled on the clarinet. I joined my elementary school band and quickly rose to the head of the clarinet section. The band director let me take the first improvised solo in the history of the Phoenicia (a small town near Woodstock, NY) elementary school. -
An Evening with Marc Ribot: Silent Movies (Solo) and Los Cubanos Postizos
An evening with Marc Ribot: Silent Movies (solo) and Los Cubanos Postizos Fri, Nov 21 PROGRAM Royce Hall Silent Movies—solo set 8pm Marc Ribot Guitar/Vocals Intermission RUNNING TIME: Approximately 2 hours; Marc Ribot y Los Cubanos Postizos Marc Ribot Guitar, Vocals One intermission Anthony Coleman Keys Brad Jones Bass EJ Rodriguez Percussion Roberto Rodiguez Drums ABOUT THE ARTISTS MARC RIBOT – GUITAR/VOCALS Marc Ribot, who the New York Times describes as “a deceptively articulate artist who uses inarticulateness as an expressive device,” has released over 20 albums under his own name over a 30-year career, exploring everything from the pioneering jazz of Albert Ayler to the Cuban son of Arsenio Rodríguez. His latest solo release, Silent Movies (Pi Recording 2010) has been described as a “down-in-mouth-near master piece” by the Village Voice and has MEDIA SPONSOR: landed on several Best of 2010 lists including the LA Times and critical praise across the board. 2013 saw the release of “Your Turn” (Northern Spy), the sophomore effort from Ribot’s post-rock/noise trio Ceramic Dog, and 2014 saw the monumental release: “Marc Ribot Trio Live at the Village Vanguard” (Pi Recordings), documenting Marc’s first headline and the return of Henry Grimes at the historical venue in 2012 already included on Best of 2014 lists including Downbeat Magazine. Rolling Stone points out that “Guitarist Marc Ribot helped Tom Waits refine a new, weird Americana on 1985’s Rain Dogs, and since MESSAGE FROM THE CENTER: then he’s become the go-to guitar guy for all kinds of roots-music adventurers: Robert Plant and Alison Krauss, Elvis Costello, John We are extremely fortunate here at the Center to Mellencamp.” Additional recording credits include Neko Case, regularly present, collaborate with and support artists Diana Krall, Elton John/Leon Russell’s The Union, Solomon Burke, who defy simple categorization, who often cannot be John Lurie’s Lounge Lizards, Marianne Faithful, Joe Henry, Allen confined to a single presentation format. -
It Was Sometime in 1974 That a Number of Composition Students Were
It was sometime in 1974 that a number of composition students were sitting at a table in the cafeteria of the New England Conservatory discussing the various musical issues of the day when Donald Martino, one of our Faculty Fearless Leaders, turned to Anthony Coleman and said “You know, Anthony, you are a truly literate musician.” Over the years, this condition has only intensified. I remember this quote now, in 2007, not only because it was true at the time, but also because after listening to the music on this CD I am deeply impressed that Anthony is able to draw from so many varied, disparate, and even contradictory sources, and still emerge with such a singular and consistent voice. It takes a truly literate and sophisticated mind to perceive the common threads of many languages and to sense their underlying unity. Listening to any of the five works on this CD is to enter into a particular world, highly specific in material but nearly hallucinatory in formal development. The music starts, becomes linear, suspends, goes vertical, goes backward, goes forward, produces vague memories, and ends. What happened? Something. Anthony was born in New York City in 1955 and is a pure product of that city’s musical energy. In high school he obsessed over Duke Ellington (a not-so-common thing for a high school kid in the late sixties and early seventies), hearing the band live for the first time on his fourteenth birthday. He subsequently got to know Ellington and the band personally, hanging out with them at gigs, and attending a workshop that they gave at the University of Wisconsin in the summer of 1972. -
Jazz Passengers Music Projects, Inc
jpmp 2018 Annual Report JAZZ PASSENGERS MUSIC PROJECTS INC SUBWAY MOON • HOME PHOTO: EVAN LAUBER contents 1. jpmp • About • Mission & Core Beliefs • Strategic Priorities • Team Members • Board Member Bios 2. projects Subway Moon HOME • Mission • What is Home? • About • Performance • History • Curriculum • Future 3. business • Financials • Fundraising • Partners • Acknowledgements • How to Find Us 1.1. jpmpjpmp ABOUT Jazz Passengers Music Projects, Inc. (JPMP) is a registered 501(c)3 non-profit arts organization born from the multimedia performance projects of the Jazz Passengers—a downtown New York City jazz en- semble, founded in 1987, once described as a fantastical fusion of post-bop and musical comedy. The Jazz Passengers, through the cre- ative genius of band co-founder Roy Nathanson, have offered several unique performance projects over the decades, including The Rock Concert, a music/theatre piece inspired by the world’s oldest geologi- cal formation and performed at the University of Wisconsin Science Museum; Jazz Passengers in Egypt, a vaudevillian/jazz romp at La Mama Theatre in the early 90s; a live performance of original music MISSION & to screenings of Universal’s Creature of the Black Lagoon; and Trashed Out, a musical adaptation of Paul Reyes’ book, Exiles In Eden, on the 2008 foreclosure crisis in Florida. CORE BELIEFS Jazz Passengers Music Projects, Inc. welcomes earth- JPMP was incorporated in 2012 when our group explored the idea of lings on a journey to strengthen and bridge commu- developing the song book “Imitation Of A Kiss,” with vocalist Deb- nities through the transformative power of music, orah Harry, into a into a concert opera with symphony orchestra. -
Steve Davis Sextet “Correlations” Released March 2019 Last Updated May 2019
Steve Davis Sextet “Correlations” released March 2019 last updated May 2019 "Steve Davis is the Poet Laureate of the trombone." - Chick Corea STEVE DAVIS CORRELATIONS STEVE'S 20TH ALBUM AS "A SET OF INSPIRED NEW N.1 EDITOR’S PICK REVIEW LEADER TUNES AND CLASSIC COMPOSITIONS FROM JAZZ MASTERS" A REVIEW OF THE LATEST ALBUM FROM HEAR TROMBONIST STEVE Steve Davis shows his trombone 10 NEW JAZZ ALBUMS YOU DAVIS’ NEW ALBUM, and composition skills on this rich NEED TO HEAR THE TROMBONIST ‘CORRELATIONS’ collection of bop and post bop www.stevedavismusic.com Booking inquiries: [email protected] Steve Davis Sextet “Correlations” MARCH 2019—ISSUE 203 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM VIEW three horn players, as well as xavier Davis. “Bautista’s Revenge” (it’s a baseball reference) is built on an irresistible Latin beat and adds the great percussionist Cyro Baptista for even more fire while “Song for My Love” is a simple, gorgeously romantic tune written for Davis’ wife. Among the covers, the leader turns in an especially moving performance on the classic Horace Silver ballad, “Peace” while the entire group turns up the heat on McCoy Tyner’s “Inner Glimpse”, Correlations with Escoffery and Bruneau delivering memorable, Steve Davis (Smoke Sessions) high-energy solos. by Joel Roberts Steve Davis’ new sextet is a tight, crisp, nuanced group, exceedingly well-schooled in the art of hardbop As the title suggests, Steve Davis’ new album, his 20th and carries on the tradition of Blakey, McLean, Silver, as a leader, is all about relationships—and the 51-year- et al., with power and panache. -
The New York City Jazz Record
BEST OF 2018 BEST OF 2018 BEST OF 2018 BEST OF 2018 BEST OF 2018 BEST OF 2018 THE NEW YORK CITY JAZZ RECORD BEST OF 2018 BEST OF 2018 BEST OF 2018 BEST OF 2018 BEST OF 2018 BEST OF 2018 ALBUMS OF THE YEAR CONCERTS OF THE YEAR MISCELLANEOUS CATEGORIES OF THE YEAR IDRIS ACKAMOOR & THE PYRAMIDS— NELS CLINE TRIO PETER EVANS/AMBROSE AKINMUSIRE An Angel Fell (Strut) Chris Lightcap, Tom Rainey January 16th, The Stone UNEARTHED GEMS BOXED SETS TRIBUTES SYLVIE COURVOISIER TRIO—D’Agala (Intakt) January 3rd, Bar Lunàtico JOHN COLTRANE— ART ENSEMBLE OF CHICAGO— FRANK KIMBROUGH—Monk’s Dreams: The Complete DON MENZA QUARTET Both Directions At Once: The Lost Album (Impulse-Verve) And Associated Ensembles (ECM) Compositions of Thelonious Sphere Monk (Sunnyside) DAVE HOLLAND—Uncharted Territories (Dare2) JAMES BRANDON LEWIS UNRULY NOTES Frank Kimbrough, Ed Howard, Bernd Reiter LEE KONITZ/DAN TEPFER—Decade (Impulse) Jaimie Branch, Anthony Pirog, Luke Stewart, Warren Trae Crudup January 20th, Jazz at Kitano JOHNNY MBIZO DYANI—African Bass (Solo Concert: FRANK KIMBROUGH—Monk’s Dreams: The Complete GREGORY LEWIS—Organ Monk Blue (s/r) Willisau Jazz Festival 1978) (Sing a Song Fighter) Compositions of Thelonious Sphere Monk (Sunnyside) MICHAEL LEONHART ORCHESTRA— January 12th, Winter Jazzfest, Zinc Bar DAVE LIEBMAN/JOHN STOWELL— The Painted Lady Suite (Sunnyside) JOHN ABERCROMBIE “TIMELESS, A TRIBUTE” THELONIOUS MONK—Mønk (Gearbox) DON RENDELL/IAN CARR QUINTET— Petite Fleur: The Music of Sidney Bechet (Origin) KRIS DAVIS/CRAIG TABORN Joey Baron, Randy Brecker, -
Ike Sturm John Clayton Ed Cherry Roseanna Vitro
165201_HH_Jan_0 12/24/15 9:04 AM Page 1 THE LATIN SIDE OF HOT HOUSE P39 January 2016 www.hothousejazz.com Jazz at Kitano Page 21 The 9th Note Page 25 Roseanna Vitro Ed Cherry John Clayton Ike Sturm APAP Page 10 Saint Peter's Church Page 10 Where To Go & Who To See Since 1982 165201_HH_Jan_0 12/24/15 9:04 AM Page 2 2 165201_HH_Jan_0 12/24/15 9:04 AM Page 3 3 165201_HH_Jan_0 12/24/15 9:04 AM Page 4 4 165201_HH_Jan_0 12/24/15 9:04 AM Page 5 5 165201_HH_Jan_0 12/24/15 9:04 AM Page 6 WWW.BLUENOTEJAZZ.COM 6 165201_HH_Jan_0 12/24/15 9:04 AM Page 7 7 165201_HH_Jan_0 12/24/15 9:30 AM Page 8 8 165201_HH_Jan_0 12/24/15 9:04 AM Page 9 9 165201_HH_Jan_0 12/24/15 9:04 AM Page 10 WINNING SPINS By George Kanzler ITH MANY WAYS TO APPROACH tional spiritual at all, but Jerome Kern's the spiritual impulse in music, two "Old Man River" from the Broadway musi - bWassists take very different routes to reli - cal Showboat. Jones fashions an impro - gion-based music on the albums compris - vised intro over a repeating high range ing this Winning Spins. One is quite litur - ostinato from Clayton's bass, easing into gical, the other more homespun and folksy, the familiar melody in octaves and chords; but both are rooted in jazz. then the two weave improvised lines John Clayton enlists the late pianist around the tune in a fast repartee, each Hank Jones for a duet session dominated soloing before returning for a more skeletal by traditional Negro Spirituals, while Ike rendering of the refrain. -
Recorded Jazz in the Early 21St Century
Recorded Jazz in the Early 21st Century: A Consumer Guide by Tom Hull Copyright © 2016 Tom Hull. Table of Contents Introduction................................................................................................................................................1 The Consumer Guide: People....................................................................................................................7 The Consumer Guide: Groups................................................................................................................119 Reissues and Vault Music.......................................................................................................................139 Introduction: 1 Introduction This book exists because Robert Christgau asked me to write a Jazz Consumer Guide column for the Village Voice. As Music Editor for the Voice, he had come up with the Consumer Guide format back in 1969. His original format was twenty records, each accorded a single-paragraph review ending with a letter grade. His domain was rock and roll, but his taste and interests ranged widely, so his CGs regularly featured country, blues, folk, reggae, jazz, and later world (especially African), hip-hop, and electronica. Aside from two years off working for Newsday (when his Consumer Guide was published monthly in Creem), the Voice published his columns more-or-less monthly up to 2006, when new owners purged most of the Senior Editors. Since then he's continued writing in the format for a series of Webzines -- MSN Music, Medium,