DOCSLIB.ORG

Theatre UAF Offers a New Take on Cinderella with 'The Ash Girl'

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Theatre UAF Offers a New Take on Cinderella with 'The Ash Girl' Friday, April 16, 2015 by Gary Black Theatre UAF offers a new take on Cinderella with ‘The Ash Girl’ When “The Ash Girl” opens Friday, all eyes she contemplates death. I think suicide is still will be on Nicole Cowans. the ‘F’ word in society. People don’t want to talk about it.” It’s Cowans who’s carrying the titular role of Ashgirl, the young woman who wants to For Baker, who has served as Cowans’ go the prince’s ball but who’s thwarted by her mentor during her time at UAF, seeing her stepmother and evil stepsisters while finding grow from her first performance in “Speech & support — and distractions — from woodland Debate” to taking on the role of Ashgirl has creatures, a fairy godmother, and seven sinful been like watching a child grow and learn and entities. If it sounds familiar, it should. “The come into her own. Cowans first took acting Ash Girl” is a modern retelling of Cinderella, under Baker in fall 2012, and Baker knew then written by playwright Timberlake Wertenbaker that Cowans had “it.” and produced by Theatre UAF, opening Friday Paloma Polanco as Owl, left, and Nicole Cowans “It was one of those moments when you in the Lee H. Salisbury Theatre. It’s also the as Ashgirl are seen in the production, which opens instantly know she has something,” Baker Friday. Kade Mendelowitz, Theatre UAF Photos biggest role (to date) of Cowans’ burgeoning said of Cowans ability on stage. Baker cast theater career. IF YOU GO Cowans in “Speech & Debate,” and from What: “The Ash Girl,” by Timberlake Werten- “The Ash Girl” serves as Cowans’ thesis there Cowans went on to star in “Nickel and baker, produced by Theatre UAF role, meaning it’s required more work, study Dimed” and “Tartuffe.” Now, with “The Ash When: 7:30 p.m. Friday and Saturday; 7:30 and research than any role she’s played Girl,” Baker wanted to push Cowans even p.m. April 24 and 25; 2 p.m. April 26 before. That in-depth exploration of Ashgirl more. Where: Salisbury Theatre in the University of Alaska Fairbanks fine arts complex should come in handy when the Lathrop High “This is a big show and technically Cost: Tickets (if purchased ahead of time School grad leaves UAF with her bachelor’s complicated in a way she hasn’t experienced,” online at www.uaf.edu/theatrefilm) are $8 for degree this spring and starts working on her Baker said. “We wanted her to have the students; $12 for seniors, military and UAF; Masters of Fine Arts in the fall at University and $16 for adults. Tickets also available by experience of carrying a show that is very of California Irvine. calling the box office at 474-7751. At the door, technically complex.” tickets are an additional $2. “I’ve come a long way since ‘Speech & FYI: “The Ash Girl” should be considered Those technical executions are being left Debate’,” Cowans said of one of her earlier rated PG for some dark, thematic elements. up to the guidance of UAF theater professor roles at UAF, which won accolades within It’s suitable for ages 6 and older. Brian Cook, who’s directing the performance the Fairbanks theater community. “This is and acting as stage designer. For Cook, the Cast: a completely different experience. Having Carrie Baker as Sadness play is a layered piece that is a fairy tale meets Ashgirl as my thesis means more outside time Kellie Bernstein as Gluttontoad morality tale, coupled with special effects, delving into the playwright and the original Melissa Buchta as Fairy intricate costuming and countless hours of Molly Cable as Mouse 3 versions of the Cinderella story.” behind-the-scenes work. It’s something he Elsbeth Cheyne as Slothworm Amelia Cooper as Greedmonkey The play is a modern, slightly darker version knows will work with theater fans. Nicole Cowans as Ashgirl of the fairytale classic, a mix of Disney meets “The challenge of this show has been there Leilani Eames as Mouse 1 the Brothers Grimm. Yes, we have Ashgirl Freddy Gryder as Envysnake are lots of elements, lots of special effects,” he wanting to meet her prince and nasty step- Marley Horner as Prince Amir said. “We also have lots of people involved. siblings getting in the way, but we also have Cynthia Jones as Angerbird We’re a small department, and this show Brian Kerley as Man in the Forest the physical manifestations of the seven in some way or another has involved all the Katrina Kuharich as Ruth deadly sins who try their best to slow Ashgirl Jessica MacLeod as Stepmother departments’ students.” and those who surround her. For example, Sambit Misra as Paul While it is a fairy tale and morality tale Nancy Nguyen as Judith Sadness, played on stage by theater professor Charlotte Phillips as Mouse 2 Carrie Baker, tries to coax Ashgirl to suicide. mashup that fuses Cinderella and company Ariana Polanco as Princess Zehra That’s something that resonated with Cowans. with the seven deadly sins, it’s still a story of Paloma Polanco as Owl self-discovery, Cook said. Mallory Smyth as Pridefly “As a psychology student, I wanted a thesis Sierra Trinchet as Lust around attitudes toward suicide on campus,” “Like all fairy tales, you end up in the forest Ethan Whitfield as Otter said Cowans, who is graduating with a degree and go on this journey of finding yourself,” he Production Team in psychology as well as theater. “I feel like said. “I think we’re going to get a reward from Director and Scenic Designer: Brian Cook Timberlake kind of touches on those things in this. We will feel accomplished at the end of Costume Designer: Bethany Marx Lighting Designer: Kade Mendelowitz ‘The Ash Girl’ in a way. Ashgirl experiences this. I look forward to Friday to see what it’s Sound Designer: Chris John George extreme depression, almost to the point where going to look like. It will be good.” Stage Manager: Ian Buoncore Theatre UAF presents “An Inspector Calls,” opening tongith. From left are Ian Hendren, Marley Horner and Katrina Kuharich. Kade Mendelowitz, Theatre UAF Photos.
Load more

Recommended publications
  • Damsel in Distress Or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency
    Brigham Young University BYU ScholarsArchive Theses and Dissertations 2020-12-09 Damsel in Distress or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency Rylee Carling Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Education Commons BYU ScholarsArchive Citation Carling, Rylee, "Damsel in Distress or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency" (2020). Theses and Dissertations. 8758. https://scholarsarchive.byu.edu/etd/8758 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Damsel in Distress or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency Rylee Carling A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Paul Ricks, Chair Terrell Young Dawan Coombs Stefinee Pinnegar Department of Teacher Education Brigham Young University Copyright © 2020 Rylee Carling All Rights Reserved ABSTRACT Damsel in Distress or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency Rylee Carling Department of Teacher Education, BYU Master of Arts Retellings of classic fairy tales have become increasingly popular in the past decade, but little research has been done on the novelizations written for a young adult (YA) audience.
    [Show full text]
  • The Fairy-Tale Facade: Cinderella's Anti-Grotesque Dream
    The Fairy-Tale Facade: Cinderella’s Anti-grotesque Dream Alexandra Robbins Cinderella and the prince lived, they say, happily ever after, like two dolls in a museum case never bothered by diapers or dust, never arguing over the timing of an egg, never telling the same story twice, never getting a middle-aged spread, their darling smiles pasted on for eternity. Regular Bobbsey Twins. That story. (Anne Sexton, “Cinderella”) In “The Model,” a fictional tale in Joyce Carol Oates’ Haunted: Tales of the Grotesque, Oates employs the simile “as vague and unexam- ined as a childhood fairy tale” (Oates 111). Certainly, fairy tales can heavily influence early childhood, particularly regarding perceptions of those characteristics and demeanors traditionally considered “good” or “evil.” As Madonna Kolbenschlag details in Kiss Sleeping Beauty Good- bye, “Fairy tales are the bedtime stories of the collective conscious- ness .... They are shared wish fulfillment, abstract dreams that resolve conflicts and give meaning to experience” (3). Not just mere short sto- ries with marketable maxims, fairy tales can worm their way into a child’s subconsciousness, where images and attitudes can then perpetu- ate societal standards. “Often despised as silly or grotesque,” Alfred Corn writes, “fairy tale is the Cinderella among literary forms, going so much further than its humble origins seemed to promise and providing us with many sharply outlined archetypes and clichkd metaphors (like the Cinderella analogy in this very sentence)” (612). Cinderella repre- sents the quintessential fairy tale, with its chaste damsel in distress, wicked steprelatives, patriarchal royalty, and, of course, Prince Charming and the ever-trite wish come true.
    [Show full text]
  • Into the Woods: Queer Natures in Malinda Lo's
    Research on Diversity in Youth Literature Volume 3 Issue 1 Minstrelsy and Racist Appropriation Article 11 (3.1) and General Issue (3.2) April 2021 Into the Woods: Queer Natures in Malinda Lo’s Ash Leah Van Dyk University of Calgary Follow this and additional works at: https://sophia.stkate.edu/rdyl Part of the Children's and Young Adult Literature Commons, and the Lesbian, Gay, Bisexual, and Transgender Studies Commons Recommended Citation Van Dyk, Leah (2021) "Into the Woods: Queer Natures in Malinda Lo’s Ash," Research on Diversity in Youth Literature: Vol. 3 : Iss. 1 , Article 11. Available at: https://sophia.stkate.edu/rdyl/vol3/iss1/11 This Article is brought to you for free and open access by SOPHIA. It has been accepted for inclusion in Research on Diversity in Youth Literature by an authorized editor of SOPHIA. For more information, please contact [email protected]. Van Dyk: Into the Woods: Queer Natures in Malinda Lo’s Ash It has been just over ten years since the release of Malinda Lo’s influential, queer young adult reimagining of the classic Cinderella story, Ash. This coming-of-age narrative uses fairy tale magic as a backdrop for the exploration of adolescence and queer identity, reinventing Cinderella as the young Aishling—who goes by Ash—a vocal and inquisitive young teen whose grief acts as a catalyst for her entry into the supernatural world. Much like the classic tale, Ash loses both of her parents within a few years and is left to the mercy of her stepmother and two stepsisters.
    [Show full text]
  • DVD Laser Disc Newsletter DVD Reviews Complete Index June 2008
    DVD Laser Disc Newsletter DVD Reviews Complete Index June 2008 Title Issue Page *batteries not included May 99 12 "10" Jun 97 5 "Weird Al" Yankovic: The Videos Feb 98 15 'Burbs Jun 99 14 1 Giant Leap Nov 02 14 10 Things I Hate about You Apr 00 10 100 Girls by Bunny Yaeger Feb 99 18 100 Rifles Jul 07 8 100 Years of Horror May 98 20 1000 Eyes of Dr. Mabuse Sep 00 2 101 Dalmatians Jan 00 14 101 Dalmatians Apr 08 11 101 Dalmatians (remake) Jun 98 10 101 Dalmatians II Patch's London Adventure May 03 15 10:30 P.M. Summer Sep 07 6 10th Kingdom Jul 00 15 11th Hour May 08 10 11th of September Moyers in Conversation Jun 02 11 12 Monkeys May 98 14 12 Monkeys (DTS) May 99 8 123 Count with Me Jan 00 15 13 Ghosts Oct 01 4 13 Going on 30 Aug 04 4 13th Warrior Mar 00 5 15 Minutes Sep 01 9 16 Blocks Jul 07 3 1776 Sep 02 3 187 May 00 12 1900 Feb 07 1 1941 May 99 2 1942 A Love Story Oct 02 5 1962 Newport Jazz Festival Feb 04 13 1979 Cotton Bowl Notre Dame vs. Houston Jan 05 18 1984 Jun 03 7 1998 Olympic Winter Games Figure Skating Competit May 99 7 1998 Olympic Winter Games Figure Skating Exhib. Sep 98 13 1998 Olympic Winter Games Hockey Highlights May 99 7 1998 Olympic Winter Games Overall Highlights May 99 7 2 Fast 2 Furious Jan 04 2 2 Movies China 9 Liberty 287/Gone with the West Jul 07 4 Page 1 All back issues are available at $5 each or 12 issues for $47.50.
    [Show full text]
  • Call Number Title F ELEVE 11:14 F EIGHT 8 1/2 F TEN 10 F FIFTY 54 F
    Mississauga Library System DVD Library - A to E 08/08 Call Number Title F ELEVE 11:14 F EIGHT 8 1/2 F TEN 10 F FIFTY 54 F THREE 300 F FOURT 1408 F NINET 1941 HINDI F NINET 1947 SF NINET 1984 F TWENT 2046 616.834 BUT "But you still look so well--" living with multiple sclerosis / X 636. 2142 F "F" is for farm do you know where the milk comes from? 914.39 GOO The "good life" in Hungary 620.5 N "N" is for nanotechnology 822.33 T7 "O" 784.54 WEI "Weird Al" Yankovic live! 747 YOU "You can do it!" home decorating series. 7 layers of design & Color courage 747 YOU "You can do it!" home decorating series. Nurturing spaces & Double duty 362.1 AND & thou shalt honor 302.23 HAT (Hate) machine 782. 42166 NSY *NSYNC Popodyssey live. F AND ...And give my love to the swallows 613.71 EIG :08 min. abs and arms CHINESE F ONE 1 litre of tears 973 TEN 10 days that unexpectedly changed America. 1 973 TEN 10 days that unexpectedly changed America. 2 973 TEN 10 days that unexpectedly changed America. 3 613.71 TEN 10 minute solution 613.71 TEN 10 minute solution carb burner 613.71 TEN 10 minute solution kickbox bootcamp. 613.71 TEN 10 minute solution Pilates 613.71 TEN 10 minute solution target toning for beginners 613. 7046 TEN 10 minute solution Yoga F TEN 10 things I hate about you F TEN 10,000 black men named George CHINESE F ONE 100 ways to murder your wife 629.13 ONE 100 years of flight J ONE 101 Dalmatians J ONE 101 Dalmatians II Patch's London adventure / 636.
    [Show full text]
  • A Sarjana Sastra Undergraduate Thesis
    THE IMPORTANCE OF ANIMAL CHARACTERS TOWARD THE PLOT IN PERRAULT’S AND DISNEY’S CINDERELLA (A COMPARISON) AN UNDERGRADUATE THESIS Presented as Partial Fulfilment of the Requirements for the Degree of Sarjana Sastra in English Letters By: PAULUS DANAR SUGIHARTO Student Number: 984214054 Student Registration Number: 980051120106120054 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2006 ii iii Have faith in your dreams and someday your rainbow will come smiling through No matter how your heart is grieving If you keep on believing the dream that you wish will come true (A Dream is A Wish Your Heart Makes, Original Sound Track Disney’s Cinderella) iv Dedicated to Stefanus Subardi & MM Kasni Bernadetta Kuswardhani & Bagus Musharyo v ACKNOWLEMENTS My special gratitude goes to God Almighty. You have given chance to learn the way of living and all the greatest for me: I dedicate the best for You. Also my parents, Stefanus Subardi and MM Kasni, my sisters and brothers: Sr. Agnesh Santi K, Bernadetta Kuswardhani – Bagus Musharyo, and CP Yudhi Martono. Thank you for your everlasting love and support. For the most part, I am grateful to Dra. Th. Enny Anggraini, M.A., my advisor, for her great understanding and support, as well to my co-advisor Dewi Widyastuti, S.Pd., M.Hum. I also express my gratitude for all lecturers and secretariat staff in English Letters Program Sanata Dharma University. The ‘98ers of English Letters Program, especially Endah SW, my walking dictionary; thanks for sharing me your magnificent idea and references. My friends: Damar, Lina, Yanu, Donny, Sinang, thanks for the motivation: burn that building from below so people at the top will be restless.
    [Show full text]
  • Fairy Tale Films
    Utah State University DigitalCommons@USU All USU Press Publications USU Press 2010 Fairy Tale Films Pauline Greenhill Sidney Eve Matrix Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the Folklore Commons Recommended Citation Greenhill, P., & Matrix, S. E. (2010). Fairy tale films: Visions of ambiguity. Logan, Utah: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Fairy Tale Films Visions of Ambiguity Fairy Tale Films Visions of Ambiguity Pauline Greenhill and Sidney Eve Matrix Editors Utah State University Press Logan, Utah 2010 Copyright © 2010 Utah State University Press All rights reserved Utah State University Press Logan, Utah 84322-7800 Cover photo adapted from The Juniper Tree, courtesy of the Wisconsin Center for Film and Theater Research, Nietzchka Keene papers, 1979-2003, M2005-051. Courtesy of Patrick Moyroud and Versatile Media. ISBN: 978-0-87421-781-0 (paper) ISBN: 978-0-87421-782-7 (e-book) Manufactured in the United States of America Printed on acid-free, recycled paper Library of Congress Cataloging-in-Publication Data Fairy tale films : visions of ambiguity / Pauline Greenhill and Sidney Eve Matrix, editors. p. cm. Includes bibliographical references and index. ISBN 978-0-87421-781-0 (pbk. : alk. paper) -- ISBN 978-0-87421-782-7 (e-book) 1. Fairy tales in motion pictures. 2. Fairy tales--Film adaptations. I. Greenhill, Pauline.
    [Show full text]
  • {Download PDF} Kingdom of Ash and Briars Kindle
    KINGDOM OF ASH AND BRIARS PDF, EPUB, EBOOK Hannah West | 358 pages | 30 Aug 2016 | Holiday House | 9780823436514 | English | United States Books similar to Kingdom of Ash and Briars (The Nissera Chronicles, #1) I doubt their stories are anywhere near as exciting as those in the Kingdom of Ash and Briers, but their nice escapades keep old grandpa out of trouble. Like Liked by 1 person. Like Like. You are commenting using your WordPress. You are commenting using your Google account. You are commenting using your Twitter account. You are commenting using your Facebook account. Notify me of new comments via email. Notify me of new posts via email. This site uses Akismet to reduce spam. Learn how your comment data is processed. January 31, July 20, Katy. By Katy Goodwin-Bates Playing with my daughter is, for the uninitiated, a confusing experience. I won this advanced reading copy from a website hosting a YA book giveaway. Very exciting! It took me awhile to finish due to May being the craziest month ever for me. This book is told in Acts. Strong world building, jumped right into the action, likable protagonist, interesting magic system. Act 2 was not as good in comparison. The author introduced two storylines that were based on Sleeping Beauty and Cinderella. I didn't I won this advanced reading copy from a website hosting a YA book giveaway. I didn't like that. I felt like the author did a wonderful job drawing me into a very unique and expertly told story of her own and then this reimagining of old fairytales was inserted into it.
    [Show full text]
  • Ashputtel Fairy Tale Reappears Into Dystopian Cinder
    Ashputtel Fairy Tale Reappears Into Dystopian Cinder THESIS Submitted as Partial Fulfillment of the Requirements for the Sarjana Degree of English Department Faculty of Arts and Humanities UIN Sunan Ampel Surabaya By: Aulia Kartika Sari Reg. Number: A93214138 ENGLISH DEPARTMENT FACULTY OF ARTS AND HUMANITIES STATE ISLAMIC UNIVERSITY SUNAN AMPEL SURABAYA 2018 ii iii iv v ABSTRACT Sari, Aulia Kartika. 2018. Ashputtel Fairy Tale Reappears Into Dystopian Cinder. English Department, faculty of Arts and Humanities. State Islamic University of Sunan Ampel Surabaya. Thesis Advisor: Sufi Ikrima Sa’adah M. Hum This study examines the elements and several concepts on Ashputtel by Brothers Grimm that have been modified and rewritten into Cinder by Marissa Meyer. This study focuses on the way characters on Ashputtel are reflected into Cinder and the way Fairy tale’s concept of Ashputtel is reappeared in dystopian’s novel in Cinder. This study uses the qualitative method and applies intertextuality as the main theory and new criticism as the supporting theory. The result of the study shows that both Cinder and Ashputtel exhibit some differences in the attitude and characteristics of the main characters, the characterization of the life-saver characters, and the prince’s personality. Moreover, some of the fairy tale concepts in Ashputtel reappear in Cinder in the concepts of good versus evil, magical hero, the setting of place and time, and the ending of the story. Keywords: fairy tale, dystopian novel, intertextuality, modification. vi digilib.uinsby.ac.id digilib.uinsby.ac.id digilib.uinsby.ac.id digilib.uinsby.ac.id digilib.uinsby.ac.id digilib.uinsby.ac.id digilib.uinsby.ac.id INTISARI Sari, Aulia Kartika.
    [Show full text]
  • Sexuality Construction in Cinderella Story: Ash Novel
    BAHTERA: Jurnal Pendidikan Bahasa dan Sastra, Volume 19 Nomor 2 Juli 2020 http://journal.unj.ac.id/unj/index.php/bahtera/ P-ISSN : 0853-2710 E-ISSN : 2540-8968 SEXUALITY CONSTRUCTION IN CINDERELLA STORY: ASH NOVEL Nafisa Zafira Universitas Negeri Jakarta, Indonesia [email protected] Eva Leiliyanti Universitas Negeri Jakarta, Indonesia [email protected] Accepted: 2020-04-27 , Approved: 2020-07-06 , Published: 2020-07-20 ABSTRACT Recently, there has been a huge increase of sexuality construction studies in literature field including in Young Adult genre. Ash novel is one of young adult genre retelling the classic fairy tale story of Cinderella with the gendering plot twist of the main female character. Instead of construct the main characters to heterosexual, Malinda Lo deconstructs her gender and sexual identity. The aim of this research will focuses on investigating the relationship between the elements of psychosexual development and sexuality construction in the narratives that change the main character’s gender and sexual identity. This research are using 5 stages of development theory by Sigmund Freud and performativity theory by Judith Butler. To analyze the narratives, this research is using deconstruction theory by Jaques Derrida as methodology approach. The gendering process and sexuality construction to lesbian appears in several events that bring the main character questioning the masculine role and construct her identity by the dominant stepmother. Keywords: Sexuality Construction; Cinderella; Young - Adult Literature; Lesbian; Psychosexual Development; Performativity, Deconstruction. INTRODUCTION (Meyer & Helis, 2016). According to LGBTQ (Lesbian, Gay, Meyer and Helis (2016), one of the Bisexual Transgender and Queer) is tool that used to promotes the a community groups that consist of LGBTQ movements is Media.
    [Show full text]
  • Ash Bramble Online
    TFlGK [Get free] Ash Bramble Online [TFlGK.ebook] Ash Bramble Pdf Free Sarah Prineas DOC | *audiobook | ebooks | Download PDF | ePub Download Now Free Download Here Download eBook #719475 in Books Prineas Sarah 2016-09-13 2016-09-13Original language:EnglishPDF # 1 8.00 x 1.08 x 5.31l, .0 #File Name: 0062337955480 pagesAsh Bramble | File size: 65.Mb Sarah Prineas : Ash Bramble before purchasing it in order to gage whether or not it would be worth my time, and all praised Ash Bramble: 0 of 0 people found the following review helpful. That was brilliant. How did Prineas come up with the idea ...By Rachel NeumeierWhoever would have thought of making the Godmother the villain? That was brilliant.How did Prineas come up with the idea of zapping everybodyrsquo;s memory, occasionally multiple times, so that no one in the book knows their own histories or names? By the second half of the book, the main protagonist doesnrsquo;t even remember the first half of the story. That was brilliant.What a great notion, making so many of the secondary characters who might have been bad guys into sympathetic characters ndash; the stepsisters especially; even the stepmother by the end. So clever to show how these fundamentally decent people are being misshapen into petty tyrants by the way theyrsquo;re all trapped in the Cinderella story. And Prineas pulled this off with just a line here and a line there. That was brilliant.What an interesting stylistic choice, making Pinrsquo;s pov chapters first person present and Shoersquo;s pov chapters third person present.
    [Show full text]
  • Cinderella Without the Ashes
    Linguistic Communication CINDERELLA WITHOUT THE ASHES Noemi BOMHER1 1. Prof., Phd, Dept. of Communication, Public Relations and Journalism, “Apollonia” University of Ia[i Corresponding author: [email protected] Abstract who (after having accepted humiliation) will get The modern success in advertising and in narrative social compensation –marriage with a prince – structure of fairytales starts from the way the mythical owing to her qualities: hard-working and universe is being organized regarding the tests that the obedience. characters have to pass and by which their humble initial This demonstration points out that any condition changes into a marvelous final condition with the help of love, fate and hard-working and their poor communication can be verbal (when information clothes become gorgeous. is transmitted in written or spoken form) or non- Keywords: fairytale, Cinderella, advertisement verbal (when this form of language is not used). With the help of emblems4 , we can semantically Fairytales belong to a world of fantasy, they understand many cultures and also the systems are part of our childhood, and in time we that are enclosed in them, we can see the discover that they are mirrors of the real life. transgressions of dynamic distances and When we talk about Cinderella, we should think furthermore, different social attitudes that are not only of an imaginary character, but also of a linked together, by means of a device used in the real one. She is a character that has survived over story. centuries in space, time and modernity.
    [Show full text]