The Cameo Murders
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Theater Souvenir Programs Guide [1881-1979]
Theater Souvenir Programs Guide [1881-1979] RBC PN2037 .T54 1881 Choose which boxes you want to see, go to SearchWorks record, and page boxes electronically. BOX 1 1: An Illustrated Record by "The Sphere" of the Gilbert & Sullivan Operas 1939 (1939). Note: Operas: The Mikado; The Goldoliers; Iolanthe; Trial by Jury; The Pirates of Penzance; The Yeomen of the Guard; Patience; Princess Ida; Ruddigore; H.M.S. Pinafore; The Grand Duke; Utopia, Limited; The Sorcerer. 2: Glyndebourne Festival Opera (1960). Note: 26th Anniversary of the Glyndebourne Festival, operas: I Puritani; Falstaff; Der Rosenkavalier; Don Giovanni; La Cenerentola; Die Zauberflöte. 3: Parts I Have Played: Mr. Martin Harvey (1881-1909). Note: 30 Photographs and A Biographical Sketch. 4: Souvenir of The Christian King (Or Alfred of "Engle-Land"), by Wilson Barrett. Note: Photographs by W. & D. Downey. 5: Adelphi Theatre : Adelphi Theatre Souvenir of the 200th Performance of "Tina" (1916). 6: Comedy Theatre : Souvenir of "Sunday" (1904), by Thomas Raceward. 7: Daly's Theatre : The Lady of the Rose: Souvenir of Anniversary Perforamnce Feb. 21, 1923 (1923), by Frederick Lonsdale. Note: Musical theater. 8: Drury Lane Theatre : The Pageant of Drury Lane Theatre (1918), by Louis N. Parker. Note: In celebration of the 21 years of management by Arthur Collins. 9: Duke of York's Theatre : Souvenir of the 200th Performance of "The Admirable Crichton" (1902), by J.M. Barrie. Note: Oil paintings by Chas. A. Buchel, produced under the management of Charles Frohman. 10: Gaiety Theatre : The Orchid (1904), by James T. Tanner. Note: Managing Director, Mr. George Edwardes, musical comedy. -
Of the Grand Cameo: a Holistic Approach to Understanding the Piece, Its Origins and Its Context Constantine Prince Sidamon-Eristoff Sotheby's Institute of Art
Sotheby's Institute of Art Digital Commons @ SIA MA Theses Student Scholarship and Creative Work 2018 The "Whys" of the Grand Cameo: A Holistic Approach to Understanding the Piece, its Origins and its Context Constantine Prince Sidamon-Eristoff Sotheby's Institute of Art Follow this and additional works at: https://digitalcommons.sia.edu/stu_theses Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Fine Arts Commons, and the Metal and Jewelry Arts Commons Recommended Citation Sidamon-Eristoff, Constantine Prince, "The "Whys" of the Grand Cameo: A Holistic Approach to Understanding the Piece, its Origins and its Context" (2018). MA Theses. 14. https://digitalcommons.sia.edu/stu_theses/14 This Thesis is brought to you for free and open access by the Student Scholarship and Creative Work at Digital Commons @ SIA. It has been accepted for inclusion in MA Theses by an authorized administrator of Digital Commons @ SIA. For more information, please contact [email protected]. The “Whys” of the Grand Cameo: A Holistic Approach to Understanding the Piece, its Origins and its Context by Constantine P. Sidamon-Eristoff A thesis submitted in conformity With the requirements for the Master’s Degree Fine and Decorative Art and Design Sotheby’s Institute of Art 2018 Word Count: 14,998 The “Whys” of the Grand Cameo: A Holistic Approach to Understanding the Piece, its Origins and its Context By: Constantine P. Sidamon-Eristoff The Grand Cameo for France is the largest cameo surviving from antiquity. Scholars have debated who is portrayed on the stone and what its scene means for centuries, often, although not always, limiting their interpretations to this narrow area and typically only discussing other causes in passing. -
Libertine Strategies
Joan Dejean LIBERTINE STRATEGIES Freedom and the Novel in Seventeenth-Century France $17.50 LIBERTINE STRATEGIES Freedom and the Novel in Seventeenth-Century France By Joan DeJean This book is an important contribution to the vigorous and growing revival of interest in the seventeenth-century French novel as the progenitor of what has become the dominant literary genre in our ow n time. In a brilliant discussion of a group of compelling works of prose fiction by freethinking authors whose flamboyant life styles, radical ideas, and auda cious attacks on the established order made their literary productions suspect, Joan De Jean demonstrates that the issues at the heart of the libertine enterprise—autobiography, madness, fragmentation, and dialogue—are precisely those that define the problematic modernity of these works. In detailed analyses of Theophile de Viau's Fragments d'une his toire comique, Charles SorePs Francion, Tris tan L'Hermite's Lepage disgracie, Cyrano de Bergerac's L'Autre Monde and Estats et empires du soleil, D'Assoucy's Avantures, and Chapelle's Voyage a Encausse, Professor DeJean explores the complex nonfictional literary genres with which they have tradi tionally been associated. Occupying an unstable middle ground be tween autobiography and the novel, the works of the libertines are, with one exception, all written in the first person, a marked departure from the dominant literary tradition of the ro man heroique. They reflect both structurally and thematically the problems of an existence that is at once lived and invented. Investigat ing these problems, DeJean provides an ori ginal interpretation of the libertines* obsession with naming, analyzes their perchant for fic tionalizing history, and studies their peculiar ambivalence about persecution. -
Viewed One of the First “Films Parlants” in 1930 in London
FROM GOLDEN AGE TO SILVER SCREEN: FRENCH MUSIC-HALL CINEMA FROM 1930-1950 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Rebecca H. Bias, M.A. * * * * * The Ohio State University 2005 Dissertation Committee: Approved by Professor Judith Mayne, Advisor Professor Diane Birckbichler _________________________ Advisor Professor Charles D. Minahen Graduate Program in French and Italian Copyright by Rebecca H. Bias 2005 ABSTRACT This dissertation examines French music-hall cinema from 1930-1950. The term “music-hall cinema” applies to films that contain any or all of the following: music-hall performers, venues, mise en scène, revues, and music- hall songs or repertoire. The cinema industry in France owes a great debt to the music-hall industry, as the first short films near the turn of the century were actually shown as music-hall acts in popular halls. Nonetheless, the ultimate demise of the music hall was in part due to the growing popularity of cinema. Through close readings of individual films, the dynamics of music-hall films will be related to the relevant historical and cultural notions of the period. The music-hall motif will be examined on its own terms, but also in relation to the context or genre that underlies each particular film. The music-hall motif in films relies overwhelmingly on female performers and relevant feminist film theory of the 1970s will help support the analysis of female performance, exhibition, and relevant questions of spectatorship. Music-hall cinema is an important motif in French film, and the female performer serves as the prominent foundation in these films. -
A Screenplay Adaptation of Francis Brooke's the Excursion
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2011 The Excursion: A Screenplay Adaptation of Francis Brooke’s The Excursion. Jennifer Sim Daniel East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the English Language and Literature Commons Recommended Citation Daniel, Jennifer Sim, "The Excursion: A Screenplay Adaptation of Francis Brooke’s The Excursion." (2011). Electronic Theses and Dissertations. Paper 2254. https://dc.etsu.edu/etd/2254 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. The Excursion: A Screenplay Adaptation of Francis Brooke’s The Excursion ___________________________________ A thesis presented to the faculty of the Department of Literature and Language East Tennessee State University In partial fulfillment of the requirements for the degree Master of Arts ___________________________________ by Jennifer Sim Daniel May 2011 ___________________________________ Dr. Jennifer Barker, Chair Dr. Judith Slagle Dr. Frederick Waage Keywords: Brooke, The Excursion, Screenplay Adaptation, Eighteenth Century Theatre ABSTRACT The Excursion: A Screenplay Adaptation of Francis Brooke’s The Excursion by Jennifer Sim Daniel My master’s thesis consists of a screenplay adaptation of the Eighteenth Century novel The Excursion by Francis Brooke, as well as an Introduction that details the writing process of the main text. In order to prepare this manuscript, I began with a study of both Francis Brooke and her novel as part of Dr. -
Series 1. Actors, Actresses, Entertainers
Theatre Collection Illustrations / chiefly collected by Miss Angel Symon MSS 792 T37428 Series 1 A-D Yellow cells = Oversize, stored separately Grey = Missing? 1A. Actors and Actresses – individuals No. Details Year Notes 1a Abington, Mrs Frances 1815 Engraving 1b Abington, Mrs. As “Charlotte” in “The Hypocrite” 1786 Engraving 1c Abington, Mrs. as “Lady Polly?” [1812] Engraving 1d Abington, Mrs. as “Olivia” 1779 Engraving 2a Alexander, George Photograph 2b Alexander, George as “Orlando” 1896 Photo 3a Allan, Maud 2 postcards from photographs 1-2 4 Anderson, Miss Mary as “Hermione” Photograph 5 Anthony, Miss Hilda Postcard from photo, Hand-coloured. Addressed to Lenore Symon from Aube (?) Amos. Dated 11 January 1907 6 Asche, Oscar as “Petrichio” Photograph (Edinburgh Folio) 7 Atkins, Mrs Elizabeth as “Selima” in “Selima & Azor” Print 8 Baddely [Baddeley]. Mr Robert. Engraving 9 Baird, Dorothea as “Rosalind” Photograph (Edinburgh Folio) 10 Bandmann, Daniel E Photograph 11 Bandmann, Mrs Millicent Photograph 12a Bannister Junior, Mr John. as “Ben the Sailor” Engraving 12b Bannister, Mr. - as “Dick” in “Apprentice” Print 12c Bannister, Mr. John – Comedian 1795 Engraving 13 Baratti Photo 14 Barry, Spranger (1719-1777) as “Macbeth” Postcard of a Mezzotint by J. Gwinn (Harry Beard Collection) 15 Beattie [Beatty], May? Photo 16 Beattie [Beatty], Miss May 1906 Hand-coloured postcard from a photograph. Addressed to Miss Symon, from L. S. [Lenore Symon?] 17 Beaumont [Armes] Photograph 18 missing 19 Bellamy, Mrs. George Anne Engraving 20 Bellew, Kyrle as “Romeo” [1896] Photograph 21a Bennett, Mr George as “Lucius Cataline” Engraving 21b Bennet, Mr George as “Hubert” in “King John” Hand-coloured engraving 21c Bennett, Mr George. -
HERR LUBITSCH GOES to HOLLYWOOD KRISTIN THOMPSON Trouble in Paradise and Ninotchka, Featuring Greta FILM FILM Garbo
Ernst Lubitsch, the German film director who left Berlin for Hollywood in 1923, is best remembered for the famous “Lubitsch touch” in such masterpieces as KRISTIN THOMPSON GOES TO HOLLYWOOD HERR LUBITSCH Trouble in Paradise and Ninotchka, featuring Greta FILM FILM Garbo. Kristin Thompson’s study focuses on Lubitsch’s FILM FILM silent films from the years between 1918 and 1927, CULTURE CULTURE tracing the impact this director had on consolidating IN TRANSITION IN TRANSITION classical Hollywood filmmaking. She gives a new assessment of the stylistic two-way traffic between the American and the German film industries, after World War I each other’s strongest rival in Europe. By 1919, Lubitsch had emerged as the finest pro- ponent of the German studio style: sophisticated, urbane and thorough- ly professionalized. He was quick to absorb ‘American’ innovations and stylistic traits, becoming the unique master of both systems and contrib- uting to the golden ages of the Ame- rican as well as the German cinema. Utilizing Lubitsch’s silent films as a Herr Lubitsch key to two great national cinemas, Herr Lubitsch Thompson's extensively illustrated and meticulously researched book goes beyond an authorial study and GGooeess ttoo breaks new ground in cinema history. Kristin Thompson is an honorary HHoollllyywwoooodd fellow at the Department of Commu- nications Arts at the University of Wisconsin, Madison. She is the author of Storytelling in Film and Television. GermanGerman andand AmericanAmerican FilmFilm afterafter ISBN 90-5356-708-9 WorldWorld -
The Business of Show Business for Creatives Film Business Essentials for Getting Your Film to Market
The Business of Show Business for Creatives Film Business Essentials for Getting Your Film to Market Edited by Anne Marie Gillen Focal Press Has the Business Side of Show Business Covered Use discount code SHOW for 20% off Focal Press titles www.focalpress.com Business of Show Business 1 The Business of Show Business is proudly brought to you by Focal Press and AFM® In August 2013, the American Film Market® (AFM), the largest motion picture market in the world, signed a long-term agreement with Focal Press to collaborate on a series of books on the business of motion picture production and distribution. The series, entitled “American Film Market Presents” will include books on industry topics such as financing, distribution, pitching, law, and marketing. “Our goal is to provide the independent production community with resources and information that helps films get made,” stated Jonathan Wolf, AFM Managing Director. “Partnering the world’s largest film market with the leading publisher for filmmakers is a perfect match.” “It’s truly an honor to partner with the world’s premiere motion picture market, and we place enormous value in this relationship,” stated Jeff Dean, Focal Press Publisher. “AFM and Focal Press both strive to make a significant difference in the careers of filmmakers, producers, writers, and film -in dustry executives, and I’m certain the exceptional content we’ll create together will help us achieve this goal.” The Business of Show Business is a free resource intended to help educate and inform independent filmmakers -
Download Trilby, George Du Maurier, Dennis Denisoff, Oxford
Trilby, George Du Maurier, Dennis Denisoff, Oxford University Press, 1998, 0192833510, 9780192833518, 339 pages. First published in 1894, the story of the diva Trilby O'Ferrall and her mentor, Svengali, has entered the mythology of that period alongside Dracula and Sherlock Holmes. Immensely popular for years, the novel led to a hit play, a series of popular films, Trilby products from hats to ice-cream, and streets in Florida named after characters in the book. The setting reflects Du Maurier's bohemian years as an art student in Paris before he went to London to make a career in journalism. A celebrated caricaturist for Punch magazine, Du Maurier's drawings for the novel--of which his most significant are included here--form a large part of its appeal.. DOWNLOAD HERE Southampton Gateway to the British Empire, Miles Taylor, Oct 15, 2007, History, 248 pages. Using the lens of empire, Miles Taylor looks at the modern history of Southampton. He examines some of the international celebrities associated with the region such as David .... Intrepid Women Victorian Artists Travel, Jordana Pomeroy, 2005, Art, 144 pages. Drawing upon sketches, paintings, and photographs, Intrepid Women is a groundbreaking study that examines the art that women produced while travelling, as well as the .... The Art of Reflection Women Artists' Self-portraiture in the Twentieth Century, Marsha Meskimmon, 1996, Art, 236 pages. Few aspects of American military history have been as vigorously debated as Harry Truman's decision to use atomic bombs against Japan. In this carefully crafted volume, Michael .... Feminism, Marriage, and the Law in Victorian England , Mary Lyndon Shanley, 1993, History, 213 pages. -
Maurice Tourneur Elokuva Lista (Elokuvat)
Maurice Tourneur Elokuva Lista (Elokuvat) Clothes Make the Pirate https://fi.listvote.com/lists/film/movies/clothes-make-the-pirate-5135553/actors The Pawn of Fate https://fi.listvote.com/lists/film/movies/the-pawn-of-fate-8850304/actors Barbary Sheep https://fi.listvote.com/lists/film/movies/barbary-sheep-3634725/actors The Butterfly on the Wheel https://fi.listvote.com/lists/film/movies/the-butterfly-on-the-wheel-13423720/actors The Bait https://fi.listvote.com/lists/film/movies/the-bait-7715351/actors Jealous Husbands https://fi.listvote.com/lists/film/movies/jealous-husbands-16028397/actors The Undying Flame https://fi.listvote.com/lists/film/movies/the-undying-flame-7771429/actors The Law of the Land https://fi.listvote.com/lists/film/movies/the-law-of-the-land-7746419/actors Exile https://fi.listvote.com/lists/film/movies/exile-16028436/actors The Man of the Hour https://fi.listvote.com/lists/film/movies/the-man-of-the-hour-16029007/actors The Rise of Jennie Cushing https://fi.listvote.com/lists/film/movies/the-rise-of-jennie-cushing-3989029/actors The Velvet Paw https://fi.listvote.com/lists/film/movies/the-velvet-paw-15973232/actors The Hand of Peril https://fi.listvote.com/lists/film/movies/the-hand-of-peril-8850053/actors The Sparrow https://fi.listvote.com/lists/film/movies/the-sparrow-3511721/actors The Ivory Snuff Box https://fi.listvote.com/lists/film/movies/the-ivory-snuff-box-16028344/actors The Secret of the Well https://fi.listvote.com/lists/film/movies/the-secret-of-the-well-3226077/actors The Cameo https://fi.listvote.com/lists/film/movies/the-cameo-3220777/actors -
Male Madness in Victorian Fiction
M519 DREADFUL PRE M/UP 9/11/06 8:32 AM Page i Gary Gary's G4:Users:Gary:Public:Gary's Jobs: ‘THE MOST DREADFUL VISITATION’: MALE MADNESS IN VICTORIAN FICTION LIVERPOOL ENGLISH TEXTS AND STUDIES, M519 DREADFUL PRE M/UP 9/11/06 8:32 AM Page ii Gary Gary's G4:Users:Gary:Public:Gary's Jobs M519 DREADFUL PRE M/UP 9/11/06 8:32 AM Page iii Gary Gary's G4:Users:Gary:Public:Gary's Job ‘THE MOST DREADFUL VISITATION’: MALE MADNESS IN VICTORIAN FICTION VALERIE PEDLAR LIVERPOOL UNIVERSITY PRESS M519 DREADFUL PRE M/UP 9/11/06 8:32 AM Page iv Gary Gary's G4:Users:Gary:Public:Gary's Jobs First published by Liverpool University Press Cambridge Street Liverpool L ZU Copyright © Valerie Pedlar The right of Valerie Pedlar to be identified as the author of this work has been asserted by her in accordance with the Copyright, Design and Patents Act . All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. British Library Cataloguing-in-Publication data A British Library CIP record is available ISBN --- cased ISBN- ---- cased Typseset in Garamond by Servis Filmsetting Ltd, Manchester Printed and bound in the European Union by Biddles Ltd, King’s Lynn, Norfolk M519 DREADFUL PRE M/UP 9/11/06 8:32 AM Page v Gary Gary's G4:Users:Gary:Public:Gary's Jobs: To the memory of my parents, Geoffrey and Marjorie Robinson M519 DREADFUL PRE M/UP 9/11/06 8:32 AM Page vi Gary Gary's -
Humour and Irony in Dutch Post-War Fiction Film FRAMING FILM
HUMOUR AND IRONY IN DUTCH POST-WAR FICTION FILM FRAMING FILM FRAMING FILM is a book series dedicated to theoretical and analytical studies in restoration, collection, archival, and exhibition practices in line with the existing archive of EYE Filmmuseum. With this series, Amsterdam University Press and EYE aim to support the academic research community, as well as practitioners in archive and restoration. SERIES EDITORS Giovanna Fossati, EYE Filmmuseum & University of Amsterdam, the Netherlands Leo van Hee, EYE Filmmuseum Frank Kessler, Utrecht University, the Netherlands Patricia Pisters, University of Amsterdam, the Netherlands Dan Streible, New York University, United States Nanna Verhoeff, Utrecht University, the Netherlands EDITORIAL BOARD Richard Abel, University of Michigan, United States Jane Gaines, Columbia University, United States Tom Gunning, University of Chicago, United States Vinzenz Hediger, Goethe University Frankfurt, Germany Martin Koerber, Deutsche Kinemathek, Germany Ann-Sophie Lehmann, University of Groningen, the Netherlands Charles Musser, Yale University, United States Julia Noordegraaf, University of Amsterdam, the Netherlands William Uricchio, Massachusetts Institute of Technology, United States Linda Williams, University of California at Berkeley, United States PETER VERSTRATEN HUMOUR AND IRONY IN DUTCH POST-WAR FICTION FILM AMSTERDAM UNIVERSITY PRESS This publication is made possible by grants from the Nederlands Filmfonds and the Netherlands Society of Cinematographers. Published by EYE Filmmuseum / Amsterdam University Press Cover illustration: Borgman © Drafthouse Films. Design: Brandon Schaefer. Cover design and lay-out: Magenta Ontwerpers, Bussum Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 90 8964 943 0 e-isbn 978 90 4852 837 0 doi 10.5117/9789089649430 nur 670 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) P.