Male Madness in Victorian Fiction

Total Page:16

File Type:pdf, Size:1020Kb

Male Madness in Victorian Fiction M519 DREADFUL PRE M/UP 9/11/06 8:32 AM Page i Gary Gary's G4:Users:Gary:Public:Gary's Jobs: ‘THE MOST DREADFUL VISITATION’: MALE MADNESS IN VICTORIAN FICTION LIVERPOOL ENGLISH TEXTS AND STUDIES, M519 DREADFUL PRE M/UP 9/11/06 8:32 AM Page ii Gary Gary's G4:Users:Gary:Public:Gary's Jobs M519 DREADFUL PRE M/UP 9/11/06 8:32 AM Page iii Gary Gary's G4:Users:Gary:Public:Gary's Job ‘THE MOST DREADFUL VISITATION’: MALE MADNESS IN VICTORIAN FICTION VALERIE PEDLAR LIVERPOOL UNIVERSITY PRESS M519 DREADFUL PRE M/UP 9/11/06 8:32 AM Page iv Gary Gary's G4:Users:Gary:Public:Gary's Jobs First published by Liverpool University Press Cambridge Street Liverpool L ZU Copyright © Valerie Pedlar The right of Valerie Pedlar to be identified as the author of this work has been asserted by her in accordance with the Copyright, Design and Patents Act . All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. British Library Cataloguing-in-Publication data A British Library CIP record is available ISBN --- cased ISBN- ---- cased Typseset in Garamond by Servis Filmsetting Ltd, Manchester Printed and bound in the European Union by Biddles Ltd, King’s Lynn, Norfolk M519 DREADFUL PRE M/UP 9/11/06 8:32 AM Page v Gary Gary's G4:Users:Gary:Public:Gary's Jobs: To the memory of my parents, Geoffrey and Marjorie Robinson M519 DREADFUL PRE M/UP 9/11/06 8:32 AM Page vi Gary Gary's G4:Users:Gary:Public:Gary's Jobs M519 DREADFUL PRE M/UP 9/11/06 8:32 AM Page vii Gary Gary's G4:Users:Gary:Public:Gary's Job Contents Acknowledgements viii Introduction Insurrection and Imagination: Idiocy and Barnaby Rudge Thwarted Lovers: Basil and Maud Wrongful Confinement, Sensationalism and Hard Cash Madness and Marriage The Zoophagus Maniac: Madness and Degeneracy in Dracula Conclusion Bibliography Index M519 DREADFUL PRE M/UP 9/11/06 8:32 AM Page viii Gary Gary's G4:Users:Gary:Public:Gary's Jo Acknowledgements During the many years it has taken me to produce this book, which started life as a PhD thesis at the University of Liverpool, I have received help and encouragement from many friends and colleagues. I owe thanks to the anonymous reader for Liverpool University Press whose report suggested the focus on male insanity, and also to Robin Bloxsidge and Andrew Kirk for help and encouragement at critical points along the path to publica- tion. I am particularly grateful to Simon Dentith, Brean Hammond and David Seed (my PhD supervisor), who at various times read and com- mented on parts of my manuscript and I should like to express my appre- ciation of the stimulating and supportive conferences run by the British Association for Victorian Studies. Needless to say, I alone am responsible for the shortcomings of the book. Friends and family have sustained me when the going got tough, though there must have been times when I tested their patience with my complaints and anxieties. My greatest debt, as always, is to Arthur, my ever-supportive husband. M519 DREADFUL TXT M/UP 9/11/06 8:30 AM Page 1 Gary Gary's G4:Users:Gary:Public:Gary's Jobs: Introduction In , whilst he was staying in New York, Charles Dickens visited a lunatic asylum on Long Island or Rhode Island (‘I forget which’). He depicts the scene graphically: The moping idiot, cowering down with long, dishevelled hair; the gibbering maniac, with his hideous laugh and pointed finger; the vacant eye, the fierce wild face, the gloomy picking of the hands and lips, and munching of the nails; there they were all, without disguise, in naked ugliness and horror.1 In part his horror at the sight of these mad people is inspired by the dreary, dirty, ill-ordered conditions in which they are kept. These inmates are people on whose minds has fallen ‘the most dreadful visitation to which our nature is exposed’,2 and they need and deserve a wholesome and stim- ulating environment if they are to be restored to full humanity. Madness for nineteenth-century writers was both an alien state of mind and some- thing that could afflict ‘our nature’ at any time. Imaginatively, therefore, it offered opportunities to explore the extremities of human mental and emotional suffering, uniting the fascination of the strange and the abnor- mal with the familiarity of the known and the shared. Since madness denotes a dissonance between the individual and society, it provides a channel for the exploration of moral dilemmas, focusing on the issues of egoism and self-control. But since it also denotes individual suffering, moral judgement must be qualified by sympathy, respect and understand- ing. ‘Madness’ is a term more common in literary than in medical usage, but the conditions it describes are not simply literary conditions. Imaginative representations of madness are inevitably influenced by cultural conceptions of insanity, whether they are medical, juridical, philo- sophical, or a composite that has entered into popular currency. In this book I shall be looking at a variety of fictional texts which figure mad men. My main focus is on the way that madness functions in the texts and on what the representation of madness in men reveals about contemporary M519 DREADFUL TXT M/UP 9/11/06 8:30 AM Page 2 Gary Gary's G4:Users:Gary:Public:Gary's Jobs: fears, insecurities and ambiguities concerning the state of manhood. This introductory chapter provides the background for that investigation, sum- marising the changes in nineteenth-century concepts and treatments of insanity, the gendering of madness and the way in which the representa- tion of madness is related to fictional genres. Nineteenth-century conceptions of insanity In John Haslam, who had been apothecary at the famous Bethlem Hospital, in London, published A Letter to the Right Honourable, the Lord Chancellor, on the Nature and Interpretation of Unsoundness of Mind, and Imbecility of Intellect in which he defined three types of insanity: idiocy, lunacy and unsoundness of mind. This threefold definition was given legal recognition in the important Lunatics Act of , the three classes being subsumed under the generic term ‘non compos mentis’. An idiot was described as a person ‘whose mind from his birth by a perpetual infirmity is so deficient as to be incapable of directing him in any matter which requires thought or judgement’. A lunatic was someone who enjoyed lucid intervals and sound memory, but sometimes was non compos mentis. A person of unsound mind was ‘every person, who, by reason of a morbid condition of intellect is incapable of managing himself and his affairs, not being an idiot or lunatic, or a person merely of weak mind’.3 Although there was a recognition by the early s of the need for specialist provi- sion for ‘idiots’, they were still being classed as ‘insane’ in, for instance, Forbes Winslow’s On Obscure Diseases of the Brain in .4 I shall be saying more about conceptions of idiocy (or idiotcy) in Chapter , but the main distinction between idiocy and other types of insanity was that it was a condition from birth and it was a perpetual infirmity. Although the other types of insanity may be the result of heredity, and may in fact show early signs in childhood, they only became established later in life and could, in theory at any rate, be cured. Different types of mental disorder might be classified according to symptoms or causes. Basing his nosology on symp- toms, Jean Etienne Esquirol, the influential French physician, recognises four categories in addition to idiocy: ‘lypemania’ or melancholy, ‘mania’, ‘dementia’ and ‘monomania’.5 Monomania, ‘in which delirium is limited to one or a small number of objects, with excitement, and predominance of a gay, and expansive passion’, was an important addition to the lexicon of madness and became a term that entered the general vocabulary.6 It M519 DREADFUL TXT M/UP 9/11/06 8:30 AM Page 3 Gary Gary's G4:Users:Gary:Public:Gary's Jobs: describes obsessive behaviour and thinking, such as could be seen in people who were otherwise conducting a normal life, and, since it was also described as ‘partial insanity’, it raises the endlessly difficult question of the borderline between madness and sanity. Nor is this question evaded in a nosology based on causes. Here, as Esquirol recognises, the situation is complex: ‘The causes of mental alienation are as numerous, as its forms are varied. They are general or special, physical or moral, primitive or sec- ondary, predisposing or exciting.’7 They included climate, the seasons, age, sex, temperament, profession and mode of life. I should like to focus par- ticularly on the distinction between physical and moral causes, which was adopted by many clinical writers in their taxonomies of mental disease. Moral causes had to do with the passions, which could be excited by unre- quited love, domestic troubles and grief, as well as economic hardship; madness lay in excessive response, in fact, to the trials of life. But the notion of excess already involved an appeal to normative standards and thus undermines any idea of diagnosis as a straightforward assessment of facts. The physical causes listed by early nineteenth century writers might encompass disease to the brain, but would also include drink, fever, mas- turbation, injury to the head and even over-study.
Recommended publications
  • Bestand Neuware(34563).Xlsx
    Best.‐Nr. Künstler Album Preis release 0001 123 minut Les 19,00 € 0002 123 minut Les 19,00 € 0003 17 Hippies Anatomy 23,00 € 0004 A day to remember You're welcome (ltd.) 31,50 € Mrz. 21 0005 A day to remember You're welcome 23,00 € Mrz. 21 0006 Abba The studio albums 138,00 € 0007 Aborted Retrogore 20,00 € 0008 Abwärts V8 21,00 € Mrz. 21 0009 AC/DC Black Ice 20,00 € 0010 AC/DC Live At River Plate 28,50 € 0011 AC/DC Who made who 18,50 € 0012 AC/DC High voltage 19,00 € 0013 AC/DC Back in black 17,50 € 0014 AC/DC Who made who 15,00 € 0015 AC/DC Black ice 20,00 € 0016 AC/DC Power Up 55,00 € Nov. 20 CD Box 0017 AC/DC Power Up 55,00 € Nov. 20 CD Box 0018 AC/DC Power Up 55,00 € Nov. 20 CD Box 0019 AC/DC Power Up Limited red 31,50 € Nov. 20 0020 AC/DC Power Up Limited red 31,50 € Nov. 20 0021 AC/DC Power Up Limited red 31,50 € Nov. 20 0022 AC/DC Power Up 27,50 € Nov. 20 0023 AC/DC Power Up 27,50 € Nov. 20 0024 AC/DC Power Up 27,50 € Nov. 20 0025 AC/DC Power Up 27,50 € Nov. 20 0026 AC/DC Power Up 27,50 € Nov. 20 0027 AC/DC High voltage 19,00 € Dez. 20 0028 AC/DC Highway to hell 20,00 € Dez. 20 0029 AC/DC Highway to hell 20,00 € Dez.
    [Show full text]
  • Theater Souvenir Programs Guide [1881-1979]
    Theater Souvenir Programs Guide [1881-1979] RBC PN2037 .T54 1881 Choose which boxes you want to see, go to SearchWorks record, and page boxes electronically. BOX 1 1: An Illustrated Record by "The Sphere" of the Gilbert & Sullivan Operas 1939 (1939). Note: Operas: The Mikado; The Goldoliers; Iolanthe; Trial by Jury; The Pirates of Penzance; The Yeomen of the Guard; Patience; Princess Ida; Ruddigore; H.M.S. Pinafore; The Grand Duke; Utopia, Limited; The Sorcerer. 2: Glyndebourne Festival Opera (1960). Note: 26th Anniversary of the Glyndebourne Festival, operas: I Puritani; Falstaff; Der Rosenkavalier; Don Giovanni; La Cenerentola; Die Zauberflöte. 3: Parts I Have Played: Mr. Martin Harvey (1881-1909). Note: 30 Photographs and A Biographical Sketch. 4: Souvenir of The Christian King (Or Alfred of "Engle-Land"), by Wilson Barrett. Note: Photographs by W. & D. Downey. 5: Adelphi Theatre : Adelphi Theatre Souvenir of the 200th Performance of "Tina" (1916). 6: Comedy Theatre : Souvenir of "Sunday" (1904), by Thomas Raceward. 7: Daly's Theatre : The Lady of the Rose: Souvenir of Anniversary Perforamnce Feb. 21, 1923 (1923), by Frederick Lonsdale. Note: Musical theater. 8: Drury Lane Theatre : The Pageant of Drury Lane Theatre (1918), by Louis N. Parker. Note: In celebration of the 21 years of management by Arthur Collins. 9: Duke of York's Theatre : Souvenir of the 200th Performance of "The Admirable Crichton" (1902), by J.M. Barrie. Note: Oil paintings by Chas. A. Buchel, produced under the management of Charles Frohman. 10: Gaiety Theatre : The Orchid (1904), by James T. Tanner. Note: Managing Director, Mr. George Edwardes, musical comedy.
    [Show full text]
  • DARKWOODS MAILORDER CATALOGUE October 2016
    DARKWOODS MAILORDER CATALOGUE October 2016 DARKWOODS PAGAN BLACK METAL DI STRO / LABEL [email protected] www.darkwoods.eu Next you will find a full list with all available items in our mailorder catalogue alphabetically ordered... With the exception of the respective cover, we have included all relevant information about each item, even the format, the releasing label and the reference comment... This catalogue is updated every month, so it could not reflect the latest received products or the most recent sold-out items... please use it more as a reference than an updated list of our products... CDS / MCDS / SGCDS 1349 - Beyond the Apocalypse [CD] 11.95 EUR Second smash hit of the Norwegians 1349, nine outstanding tracks of intense, very fast and absolutely brutal black metal is what they offer us with “Beyond the Apocalypse”, with Frost even more a beast behind the drum set here than in Satyricon, excellent! [Released by Candlelight] 1349 - Demonoir [CD] 11.95 EUR Fifth full-length album of this Norwegian legion, recovering in one hand the intensity and brutality of the fantastic “Hellfire” but, at the same time, continuing with the experimental and sinister side of their music introduced in their previous work, “Revelations of the Black Flame”... [Released by Indie Recordings] 1349 - Hellfire [CD] 11.95 EUR Brutal third full-length album of the Norwegians, an immense ode to the most furious, powerful and violent black metal that the deepest and flaming hell could vomit... [Released by Candlelight] 1349 - Liberation [CD] 11.95 EUR Fantastic
    [Show full text]
  • New Labour, Old Morality
    New Labour, Old Morality. In The IdeasThat Shaped Post-War Britain (1996), David Marquand suggests that a useful way of mapping the „ebbs and flows in the struggle for moral and intellectual hegemony in post-war Britain‟ is to see them as a dialectic not between Left and Right, nor between individualism and collectivism, but between hedonism and moralism which cuts across party boundaries. As Jeffrey Weeks puts it in his contribution to Blairism and the War of Persuasion (2004): „Whatever its progressive pretensions, the Labour Party has rarely been in the vanguard of sexual reform throughout its hundred-year history. Since its formation at the beginning of the twentieth century the Labour Party has always been an uneasy amalgam of the progressive intelligentsia and a largely morally conservative working class, especially as represented through the trade union movement‟ (68-9). In The Future of Socialism (1956) Anthony Crosland wrote that: 'in the blood of the socialist there should always run a trace of the anarchist and the libertarian, and not to much of the prig or the prude‟. And in 1959 Roy Jenkins, in his book The Labour Case, argued that 'there is a need for the state to do less to restrict personal freedom'. And indeed when Jenkins became Home Secretary in 1965 he put in a train a series of reforms which damned him in they eyes of Labour and Tory traditionalists as one of the chief architects of the 'permissive society': the partial decriminalisation of homosexuality, reform of the abortion and obscenity laws, the abolition of theatre censorship, making it slightly easier to get divorced.
    [Show full text]
  • Best-Nr. Künstler Album Preis Release 0001 100 Kilo Herz Weit Weg Von Zu Hause 17,50 € Mai
    Best-Nr. Künstler Album Preis release 0001 100 Kilo Herz Weit weg von zu Hause 17,50 € Mai. 21 0002 100 Kilo Herz Stadt Land Flucht 19,00 € Jun. 21 0003 100 Kilo Herz Stadt Land Flucht 19,00 € Jun. 21 0004 100 Kilo Herz Weit weg von Zuhause 17,50 € Jun. 21 0005 100 Kilo Herz Weit weg von Zuhause 17,50 € Jun. 21 0006 123 minut Les 19,00 € 0007 123 minut Les 19,00 € 0008 17 Hippies Anatomy 23,00 € 0009 187 Straßenbande Sampler 5 26,00 € Mai. 21 0010 187 Straßenbande Sampler 5 26,00 € Mai. 21 0011 A day to remember You're welcome (ltd.) 31,50 € Mrz. 21 0012 A day to remember You're welcome 23,00 € Mrz. 21 0013 Abba The studio albums 138,00 € 0014 Aborted Retrogore 20,00 € 0015 Abwärts V8 21,00 € Mrz. 21 0016 AC/DC Black Ice 20,00 € 0017 AC/DC Live At River Plate 28,50 € 0018 AC/DC Who made who 18,50 € 0019 AC/DC High voltage 19,00 € 0020 AC/DC Back in black 17,50 € 0021 AC/DC Who made who 15,00 € 0022 AC/DC Black ice 20,00 € 0023 AC/DC Power Up 55,00 € Nov. 20 0024 AC/DC Power Up 55,00 € Nov. 20 0025 AC/DC Power Up 55,00 € Nov. 20 0026 AC/DC Power Up Limited red 31,50 € Nov. 20 0027 AC/DC Power Up Limited red 31,50 € Nov. 20 0028 AC/DC Power Up Limited red 31,50 € Nov. 20 0029 AC/DC Power Up 27,50 € Nov.
    [Show full text]
  • The Conservative Agenda for Constitutional Reform
    UCL DEPARTMENT OF POLITICAL SCIENCE The Constitution Unit Department of Political Science UniversityThe Constitution College London Unit 29–30 Tavistock Square London WC1H 9QU phone: 020 7679 4977 fax: 020 7679 4978 The Conservative email: [email protected] www.ucl.ac.uk/constitution-unit A genda for Constitutional The Constitution Unit at UCL is the UK’s foremost independent research body on constitutional change. It is part of the UCL School of Public Policy. THE CONSERVATIVE Robert Hazell founded the Constitution Unit in 1995 to do detailed research and planning on constitutional reform in the UK. The Unit has done work on every aspect AGENDA of the UK’s constitutional reform programme: devolution in Scotland, Wales, Northern Ireland and the English regions, reform of the House of Lords, electoral reform, R parliamentary reform, the new Supreme Court, the conduct of referendums, freedom eform Prof FOR CONSTITUTIONAL of information, the Human Rights Act. The Unit is the only body in the UK to cover the whole of the constitutional reform agenda. REFORM The Unit conducts academic research on current or future policy issues, often in collaboration with other universities and partners from overseas. We organise regular R programmes of seminars and conferences. We do consultancy work for government obert and other public bodies. We act as special advisers to government departments and H parliamentary committees. We work closely with government, parliament and the azell judiciary. All our work has a sharply practical focus, is concise and clearly written, timely and relevant to policy makers and practitioners. The Unit has always been multi disciplinary, with academic researchers drawn mainly from politics and law.
    [Show full text]
  • DARKWOODS MAILORDER CATALOGUE March 2018
    DARKWOODS MAILORDER CATALOGUE March 2018 DARKWOODS PAGAN BLACK METAL DI STRO / LABEL [email protected] www.darkwoods.eu Next you will find a full list with all available items in our mailorder catalogue alphabetically ordered... With the exception of the respective cover, we have included all relevant information about each item, even the format, the releasing label and the reference comment... This catalogue is updated every month, so it could not reflect the latest received products or the most recent sold-out items... please use it more as a reference than an updated list of our products... CDS / MCDS / SGCDS 1349 - Beyond the Apocalypse [CD] 11.95 EUR Second smash hit of the Norwegians 1349, nine outstanding tracks of intense, very fast and absolutely brutal black metal is what they offer us with “Beyond the Apocalypse”, with Frost even more a beast behind the drum set here than in Satyricon, excellent! [Released by Candlelight] 1349 - Demonoir [CD] 11.95 EUR Fifth full-length album of this Norwegian legion, recovering in one hand the intensity and brutality of the fantastic “Hellfire” but, at the same time, continuing with the experimental and sinister side of their music introduced in their previous work, “Revelations of the Black Flame”... [Released by Indie Recordings] 1349 - Liberation [CD] 11.95 EUR Fantastic debut full-length album of the Nordic hordes 1349 leaded by Frost (Satyricon), ten tracks of furious, violent and merciless black metal is what they show us in "Liberation", ten straightforward tracks of pure Norwegian black metal, superb! [Released by Candlelight] 1349 - Massive Cauldron of Chaos [CD] 11.95 EUR Sixth full-length album of the Norwegians 1349, with which they continue this returning path to their most brutal roots that they started with the previous “Demonoir”, perhaps not as chaotic as the title might suggested, but we could place it in the intermediate era of “Hellfire”..
    [Show full text]
  • Schuler Dissertation Final Document
    COUNSEL, POLITICAL RHETORIC, AND THE CHRONICLE HISTORY PLAY: REPRESENTING COUNCILIAR RULE, 1588-1603 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Anne-Marie E. Schuler, B.M., M.A. Graduate Program in English The Ohio State University 2011 Dissertation Committee: Professor Richard Dutton, Advisor Professor Luke Wilson Professor Alan B. Farmer Professor Jennifer Higginbotham Copyright by Anne-Marie E. Schuler 2011 ABSTRACT This dissertation advances an account of how the genre of the chronicle history play enacts conciliar rule, by reflecting Renaissance models of counsel that predominated in Tudor political theory. As the texts of Renaissance political theorists and pamphleteers demonstrate, writers did not believe that kings and queens ruled by themselves, but that counsel was required to ensure that the monarch ruled virtuously and kept ties to the actual conditions of the people. Yet, within these writings, counsel was not a singular concept, and the work of historians such as John Guy, Patrick Collinson, and Ann McLaren shows that “counsel” referred to numerous paradigms and traditions. These theories of counsel were influenced by a variety of intellectual movements including humanist-classical formulations of monarchy, constitutionalism, and constructions of a “mixed monarchy” or a corporate body politic. Because the rhetoric of counsel was embedded in the language that men and women used to discuss politics, I argue that the plays perform a kind of cultural work, usually reserved for literature, that reflects, heightens, and critiques political life and the issues surrounding conceptions of conciliar rule.
    [Show full text]
  • THE RISE and FALL of NEW YORK MURDER Zero Tolerance Or Crack’S Decline?
    BRIT. J. CRIMINOL. VOL. 39 NO. 4 AUTUMN 1999 THE RISE AND FALL OF NEW YORK MURDER Zero Tolerance or Crack’s Decline? BENJAMIN BOWLING* The striking reduction in homicide in New York City between 1991 and 1997 has been claimed as a great success for a ‘new’ policing tactic dubbed ‘zero tolerance’—the aggressive enforcement of minor offences. The evidence that changes in policing made ‘all the difference’ is largely circumstantial, however. Homicide rates were at an all-time high in 1990–91 and had begun to decline before any radical changes in policing policy were instituted. The 1985–91 ‘murder spike’ has been attributed largely to the simultaneous expanding crack cocaine ‘epidemic’ so the subsequent reduction in murder is related logically to the contraction of crack cocaine markets in the 1990s. There is some tentative support for the impact of policing on an already falling crime rate, but the changes in policing between 1991 and 1997 cannot adequately be described as ‘zero tolerance’. The author argues that the ‘New York story’ has been over-simplified and over-sold, and that ‘zero tolerance’ is an inappropriate language for police policy or practice. ‘New York made me do it’ (spray paint graffiti, anonymous, New Cross, London) On 6 January 1997, Tony Blair, then Prime Minister-in-Waiting, was asked whether he agreed with ‘so called Zero-Tolerance policies—practised in New York and being experimented with in London’s King’s Cross—in which every minor law is clamped down on hard by police’. His affirmative answer, ‘Yes I do’, married New Labour to zero tolerance.1 The romance between the Labour party and ‘New York-style policing’ began in the summer of 1995 when shadow Home Secretary Jack Straw visited New York to meet police Commissioner William Bratton and his deputy Jack Maple.
    [Show full text]
  • TV Invited to Put EU in Spotlight After Britain Drops Opposition
    TV invited to put EU in spotlight after Britain drops opposition By Stephen Castle and Andrew Grice in Brussels The Independent 17 June 2006 A British volte-face over openness in the EU has ended in humiliation as Tony Blair failed to water down moves to throw open law-making sessions to TV cameras and public scrutiny. At a summit in Brussels yesterday EU leaders agreed to plans, originally put forward in the European constitution, to make public all debates and votes by ministers on mainstream European legislation. Britain put forward very similar proposals last year during its six-month presidency of the EU when it called for the beginning and end of the procedures to be held in public. But when Austria, which now holds the presidency, proposed opening up all the process, the new Foreign Secretary, Margaret Beckett, came out against the plan. Arguing that this would push real decision-making into the corridors, she insisted that detailed discussions are, "not in the public domain and are never likely to be". Yesterday Mr Blair failed to back his minister, agreeing to the provisions and winning only the smallest of concessions - a review of the scheme in six months time. The summit's decision was an embarrassing rebuff for Mrs Beckett at her first major European meeting since succeeding Jack Straw. But British officials insisted she was happy to see a pilot scheme go ahead. Wolfgang Schüssel, the Chancellor of Austria and summit chairman, praised Britain for "withdrawing its concerns" about televising proceedings. "We are going to try to get a breath of fresh air into the European house and stimulate better public awareness," he said.
    [Show full text]
  • A Bibliography of the Walter Scott Publishing House
    A Bibliography of the Walter Scott Publishing House by John R. Turner Department of Information and Library Studies University of Wales, Aberystwyth Contents Introduction 1 Bibliography Books and Pamphlets 8 Periodicals 413 Books in Series 414 Remainders 459 Agency 459 Titles Published but Not Seen 460 Titles Announced but Not Published 463 Index of Editors, Translators and Contributors 466 Index of Authors 469 Index of Titles 478 Introduction The following bibliography lists the total output of Walter Scott's publishing department. An attempt has been made to include all titles with a Walter Scott imprint in either separate publications, joint publications, or works published on behalf of some-one else (usually Vanity' publishing for the author). There were some significant moves in the company’s history which can be used to date publications. For example, the London publishing office moved from 14 Paternoster Square to 24 Warwick Lane, Paternoster Row, in July 1885 and moved again in October 1894 to 1 Paternoster Buildings (which appeared on title-page imprints as Paternoster Square). The firm became a limited company in 1892 changing its title to Walter Scott Limited, and finally changed its title to the Walter Scott Publishing Co Ltd in 1901. These and other changes are summarised in Table 1. The entries are arranged in chronological order by year and then alphabetically by author within each year. Anonymous works, along with anthologies and similar compilations without an obvious author, appear in the same alphabetical sequence under their titles. Each entry is given a number followed by a heading line consisting of the author's name (if known), the short title, and the date of publication: 635 ARNOLD, Matthew Strayed Reveller [1896] A large number of Scott’s books were issued without any indication of the date of publication.
    [Show full text]
  • Bullough Collection.Doc
    Special Collections and Archives: Bullough Collection This collection comprises around 550 nineteenth-century novels, and was assembled specifically for the purpose of studying dialogue. It was donated to the National Centre for English Cultural Tradition at the University of Sheffield in July 1981 by Professor Geoffrey Bullough, Professor of English Literature at the University of Sheffield from 1933 to 1946, and transferred to the University Library’s Special Collections department in 2007. Abbott, Edwin A. (Edwin Abbott), 1838-1926 Silanus the Christian ; by Edwin A. Abbott. - London : Adam and Charles Black, 1906. [x4648933] BULLOUGH COLLECTION 1 200350616 Abbott, Jacob Rollo at work and Rollo at play ; by Jacob Abbott. - London : Dent, [19--?]. - (Everyman's library). [z1799732] BULLOUGH COLLECTION 2 200350617 Alain-Fournier, 1886-1914 The wanderer = (le grand meaulnes) ; (by) Alain-Fournier ; translated from the French by Françoise Delisle. - London : Constable, [19--]. [M0010805SH] BULLOUGH COLLECTION 3 200350618 Alcott, Louisa M. (Louisa May), 1832-1880 Little women, and, Little women wedded = or, Meg, Jo, Beth, and Amy ; by Louisa M. Alcott. - London : Sampson Low, Marston, [19--?]. [M0010807SH] BULLOUGH COLLECTION 4 200350619 Allen, Grant, 1848-1899 The woman who did ; by Grant Allen. - London : John Lane, 1895. [x5565072] BULLOUGH COLLECTION 5 200350620 Ashford, Daisy, 1881-1972 The young visiters or, Mr. Salteenas plan ; by Daisy Ashford. - London : Chatto & Windus, 1919. [x360339x] BULLOUGH COLLECTION 6 200350621 Atherton, Gertrude American wives and English husbands ; (by) Gertrude Atherton. - London : Collins, [190-?]. [x7458073] BULLOUGH COLLECTION 7 200350622 Atherton, Gertrude The Californians ; by Gertrude Atherton. - Leipzig : Bernhard Tauchnitz, 1899. [M0010817SH] BULLOUGH COLLECTION 8 200350623 1 Bullough Collection Austen, Jane, 1775-1817 Emma : a novel ; by Jane Austen.
    [Show full text]