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La Nueva Alboreá
Año VIII. Número 31. Enero-marzo 2015 Edita: JUNTA DE ANDALUCÍA. Consejería de Educación, Cultura y Deporte Sumario ©JUNTA DE ANDALUCÍA. Consejería de Educación, Cultura y Deporte enero/marzo 2015 Producción: Agencia Andaluza de Instituciones Culturales 4 En presente Instituto Andaluz del Flamenco El Instituto Andaluz del Flamenco ha desarrollado una importante labor encaminada a la conservación, difusión y recuperación de nuestro arte más genuino. Consejero de Educación, Cultura y Deporte: Luciano Alonso 16 De actualidad Director de la Agencia Andaluza de Convocadas las sobvenciones al tejido profesional, Instituciones Culturales: al tejido asociativo y a los festivales de pequeño y José Francisco Pérez Moreno mediano formato. Directora del Instituto Andaluz del Flamenco: 28 El patrimonio María de los Ángeles Carrasco Hidalgo Incoado el expediente para declarar Bien de Interés Cultural la Zambomba de Jerez y Arcos. Dirección de ‘La Nueva Alboreá’: Aida Rodríguez Agraso 38 Educación Convocados los Premios Flamenco en el Aula a la Equipo de redacción: elaboración de materiales curriculares y recursos Aida Rodríguez Agraso didácticos y al reconocimiento de experiencias María José García Ramos y buenas prácticas docentes, y publicada la Mª Eusebia López Martínez Resolución que regula las medidas de aprobación y acreditación de proyectos de investigación e in- novación y desarrollo curricular, y de elaboración Diseño y maquetación: de materiales curriculares y recursos didácticos Oficina de Diseño. Gerencia Andaluza de Instituciones Patrimoniales para la inclusión del flamenco en el sistema edu- Carmen Fernández Montenegro cativo andaluz. Francisco José Romero Romero D.L.: CA-13/07 52 En el recuerdo En 2015 se cumplen cinco años del fallecimiento ISSN: 1887-5106 de Enrique Morente, cuyo legado y cuya trayectoria profesional, humana y vital siguen siendo homenajeados, reconocidos y recordados. -
062-075 LP103 Flamenco.Pdf
PatioDONDE de los NACE EL DUENDE Naranjos en la mezquita-catedral de Córdoba DERECHA Tablao en el Museo del Baile Flamenco de Cristina Hoyos, en Sevilla Dondenace el El flamencoduende siempre ha sido patrimonio de los andaluces, y desde que la Unesco lo protegiera, también de toda la humanidad. Recorremos los barrios que lo vieron nacer, hablamos con los artistas que le dan forma y vamos hasta los escenarios que tiemblan por los zapateados y la emoción TEXTO KRIS UBACH l FOTOGRAFÍAS RICARDO DE LA RIVA DONDE NACE EL DUENDE ARRIBA La Cuesta del Bailío conduce al famoso Cristo de Los Faroles PÁGINA SIGUIENTE, DE IZQUIERDA A DERECHA Y DE ARRIBA ABAJO El cantaor el Pele; menú en un restaurante cordobés; entrada al palacio de Viana; la catedrática Inmaculada Aguilar ecía el pintor cordobés Julio Romero de Cordobés bautizó como el Pele, llevaba el arte dentro y lo Torres que amaba el cante jondo más que sacó a pasear por los callejones de Córdoba. “A esta ciudad Córdobaa la propia pintura. De hecho, muchas de se lo debo todo. Ella me ha visto crecer y triunfar”. sus modelos –esas mujeres morenas a las Hay muchos que, como el Pele, se han hecho a sí mismos que se refería el famoso pasodoble– eran en este mundo. Nacieron con un don, mamaron el flamen- bailaoras y cantaoras de su época. Solo co en casa y lo perfeccionaron gracias a una pasión por el Dhay que echar un vistazo a los lienzos que cuelgan de su cante o por el baile que les tenía agarrada el alma. -
Estrella Morente Lead Guitarist: José Carbonell "Montoyita"
Dossier de prensa ESTRELLA MORENTE Vocalist: Estrella Morente Lead Guitarist: José Carbonell "Montoyita" Second Guitarist: José Carbonell "Monty" Palmas and Back Up Vocals: Antonio Carbonell, Ángel Gabarre, Enrique Morente Carbonell "Kiki" Percussion: Pedro Gabarre "Popo" Song MADRID TEATROS DEL CANAL – SALA ROJA THURSDAY, JUNE 9TH AT 20:30 MORENTE EN CONCIERTO After her recent appearance at the Palau de la Música in Barcelona following the death of Enrique Morente, Estrella is reappearing in Madrid with a concert that is even more laden with sensitivity if that is possible. She knows she is the worthy heir to her father’s art so now it is no longer Estrella Morente in concert but Morente in Concert. Her voice, difficult to classify, has the gift of deifying any musical register she proposes. Although strongly influenced by her father’s art, Estrella likes to include her own things: fados, coplas, sevillanas, blues, jazz… ESTRELLA can’t be described described with words. Looking at her, listening to her and feeling her is the only way to experience her art in an intimate way. Her voice vibrates between the ethereal and the earthly like a presence that mutates between reality and the beyond. All those who have the chance to spend a while in her company will never forget it for they know they have been part of an inexplicable phenomenon. Tonight she offers us the best of her art. From the subtle simplicity of the festive songs of her childhood to the depths of a yearned-for love. The full panorama of feelings, the entire range of sensations and colours – all the experiences of the woman of today, as well as the woman of long ago, are found in Estrella’s voice. -
Alicante's Cultural Guide
Table of Contents Country Profile: Spain ..................................................................................................................................1-6 Country Overview: History, Quick Facts, Government, Educational System…………………..........................................2-4 Alicante Overview: History, Quick Facts, Economy....................................................................................................4-6 Practical Information ...................................................................................................................................6-9 Making Phone Calls .......................................................................................................................................................6 Emergency Numbers .....................................................................................................................................................7 Handling Money...........................................................................................................................................................7-8 Weather........................................................................................................................................................................8-9 Being a North American Abroad .................................................................................................................9-12 Culture Shock..................................................................................................................................................................9 -
Towards an Ethnomusicology of Contemporary Flamenco Guitar
Rethinking Tradition: Towards an Ethnomusicology of Contemporary Flamenco Guitar NAME: Francisco Javier Bethencourt Llobet FULL TITLE AND SUBJECT Doctor of Philosophy. Doctorate in Music. OF DEGREE PROGRAMME: School of Arts and Cultures. SCHOOL: Faculty of Humanities and Social Sciences. Newcastle University. SUPERVISOR: Dr. Nanette De Jong / Dr. Ian Biddle WORD COUNT: 82.794 FIRST SUBMISSION (VIVA): March 2011 FINAL SUBMISSION (TWO HARD COPIES): November 2011 Abstract: This thesis consists of four chapters, an introduction and a conclusion. It asks the question as to how contemporary guitarists have negotiated the relationship between tradition and modernity. In particular, the thesis uses primary fieldwork materials to question some of the assumptions made in more ‘literary’ approaches to flamenco of so-called flamencología . In particular, the thesis critiques attitudes to so-called flamenco authenticity in that tradition by bringing the voices of contemporary guitarists to bear on questions of belonging, home, and displacement. The conclusion, drawing on the author’s own experiences of playing and teaching flamenco in the North East of England, examines some of the ways in which flamenco can generate new and lasting communities of affiliation to the flamenco tradition and aesthetic. Declaration: I hereby certify that the attached research paper is wholly my own work, and that all quotations from primary and secondary sources have been acknowledged. Signed: Francisco Javier Bethencourt LLobet Date: 23 th November 2011 i Acknowledgements First of all, I would like to thank all of my supervisors, even those who advised me when my second supervisor became head of the ICMuS: thank you Nanette de Jong, Ian Biddle, and Vic Gammon. -
Andalucía Flamenca: Music, Regionalism and Identity in Southern Spain
Andalucía flamenca: Music, Regionalism and Identity in Southern Spain A thesis submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Matthew Machin-Autenrieth © Matthew Machin-Autenrieth 2013 Tables of Contents Table of Contents i List of Plates iv List of Examples iv List of Figures v Conventions vi Acknowledgments viii Abstract x Introduction 1 PART ONE Chapter One: An Overview of Flamenco 6 The Identities of Flamenco 9 The Materials of Flamenco 12 The Geographies of Flamenco 19 The Scholars of Flamenco 25 Chapter Two: Music, Regionalism and Political Geography 36 Political Geography and Music 37 Region, Regionalisation and Regionalism 43 Regionalism and Music 51 The Theoretical Framework 61 Conclusions 68 Chapter Three: Methodology 70 Virtual Ethnography: In Theory 70 Virtual Ethnography: In Practice 79 Field Research in Granada 86 Conclusions 97 Chapter Four: Regionalism, Nationalism and Ethnicity in the History of Flamenco 98 Flamenco and the Emergence of Andalucismo (1800s–1900s) 99 Flamenco and the Nation: Commercialisation, Salvation and Antiflamenquismo 113 Flamenco and Political Andalucismo (1900–1936) 117 Flamenco during the Franco Regime (1939–75) 122 Flamenco since the Transition to Democracy (1975 onwards) 127 Conclusions 131 i Chapter Five: Flamenco for Andalusia, Flamenco for Humanity 133 Flamenco for Andalusia: The Statute of Autonomy 134 Flamenco for Humanity: Intangible Cultural Heritage 141 The Regionalisation of Flamenco in Andalusia 152 Conclusions 169 PART -
DOSSIER CASA PATAS 2013 Ingles.Indd
CASA PATAS BAR AND RESTAURANT: LIVE FLAMENCO The city of Madrid, capital of Spain, is not only the economic, but also the cultural centre of the country. Above all, it is a place where people from around the world meet who want to maintain their traditions and at the same time share and enrich them. In this sense, one can defi ne Madrid as the world capital of fl amenco, despite the fact that it is an art mainly tied to Andalusian culture. Casa Patas Bar and Restaurant was founded in 1985 in the Lavapies dis- trict, which is, without a doubt, the heart of the fl amenco world in Ma- drid. Important families belonging to the world of fl amenco have lived in this district for more than 150 years. Casa Patas, closely tied to the cha- racteristic idiosyncrasy of the district, has steadily been making a place for itself within the world of fl amenco, and has today become a globally recognised point of reference for this art. In order to a have a better understanding of the business, the activities of Casa Patas can be divided into two parts. On one hand those that are related to its restaurant business, which offers meals and dinners, and on the other, the ones related to the performance stage. Both activities share the common ground of Spanish culture and the world of fl amenco. THE RESTAURANT The restaurant is located at number 10 Cañizares Street, on the ground fl oor of a restored building originally built in the late 19th century. -
Estrella Morente Zellerbach Hall
CAL PERFORMANCES PRESENTS PROGRAM Friday, March 14, 2014, 8pm Estrella Morente Zellerbach Hall Focus on Flamenco PROGRAM Pregón Estrella Morente Requiem Habañera Tangos Toreros Granaína Seguiriya Instrumental En un sueño vinistes La Estrella Sevillanas a Lola Bulería de la corriente The program is subject to change. artists Estrella Morente vocals José Carbonell (“Montoyita”) guitar José Carbonell Serrano (“Monti”) guitar Antonio Carbonell palmas, chorus Gregori Civera Enrique Morente Carbonell (“Kiki”) palmas, chorus Autorretrato Angel Gabarre palmas, chorus Pedro Gabarre (“Popo”) percussion Estrella Morente’s 2014 tour is produced by Flamenco Festival USA, which is sponsored by the Instituto Andaluz del Flamenco; the Regional Ministry of Education, Culture, and Sports, Junta de Andalucía; and INAEM, Ministry of Culture, Government of Spain. technical staff Joan Fornés sound Bea Vega road manager Macande management Cal Performances’ 2013–2014 season is sponsored by Wells Fargo. 22 CAL PERFORMANCES CAL PERFORMANCES 23 PROGRAM NOTES ABOUT THE ARTIST estrella morente: autorretrato Estrella Morente was of Mujeres (EMI), her new álbum, Autorretrato born in Granada. She is (EMI), was released last October. The record he first time I saw Estrella Morente live was at a concert at the Madrid College of Medicine the eldest daughter of includes collaborations with Michael Nyman, Tin 1998. I was speechless. No other artist had ever impressed me as much on stage. Never. the legendary Enrique Pat Metheny, Ketama, and Vicente Amigo, Not even my idol Georges Brassens, nor my beloved Leonard Cohen or Bruce Springsteen. Morente and the danc- among others. Estrella was something new, something different. The first thing that impressed me was her er Aurora Carbonell. -
BAM 2003 Next Wave Festival
November 2003 BAM 2003 Next Wave Festival Roy Kortlck, ear arch with fountain, 2003 BAM 2003 Next Wave Festival ENCORE Is sponsored by: Altria 2003 ~ext Wa')Le FesfuLaJ,----- Brooklyn Academy of Music Alan H. Fishman William I. Campbell Chairman of the Board Vice Chairman of the Board Karen Brooks Hopkins Joseph V. Melillo President Executive Producer presents Omega Enrique Morente Lagartija Nick Approximate BAM Howard Gilman Opera House running time: Nov 5, 7 & 8, 2003 at 7:30pm 1 hour and 30 minutes with Performers no intermission Enrique Morente si nger Nino Josele guitar Bandolero percussion Angel Gabarre vocals and clapping Rafael Jimenez "Falo" vocals and clapping Pedro Gabarre dancer Lagartija Nick Antonio Arias bass and vocals Lorena Enjuto bass David Fernandez dru ms Jesus Requeno guitar Presented in association with the Instituto Cervantes Sponsored by Consejerfa de Cultura, Junta de Andalucfa U.S. Tour Produced by Miguel Marin Productions BAM 2003 Next Wave Festival is sponsored by Altria Group, Inc. Bloomberg is the presenting sponsor for Omega. The opening night reception for Omega is sponsored by Suba Restaurant. I. ErogramL--- ------.;, Part one Omega represents a path from traditional flamenco (heard in the first part) into a different musical style, based on Poeta en Nueva York by Federico Garda Lorca (heard in the second part), Rueda de bulerias Alegrias Tangos Cabales Taranta del reloj Canciones de romeria Enrique Morente singer Nino Josele guitar Bandolero percussion Angel Gabarre vocals and clapping Rafael Jimenez "Falo" vocals and clapping Pedro Gabarre dancer Technicians Juan Carlos Menor, Arturo Ignacio Fernandez, Oscar Espfn Road Managers Angel Garcia-Hidalgo, Francisco Manas Erogram'---- _ Part two "EI Pastor Bobo" Lyrics: Federico Garcia Lorca; music: Juan Antonio Salazar 1I0mega" Lyrics: Federico Garda Lorca; music: Enrique Morente and Lagartija Nick "Aleluya" (lIHallelujah no. -
Carreras De Caballos En La Playa Flamenco Música
AGENDA DE EVENTOS Actualizado: 13 de agosto 2021 CARRERAS DE CABALLOS EN LA PLAYA Días 3, 6, 18, 19 y 20 de agosto de 2021: CARRERAS DE CABALLOS EN LA PLAYA DE SANLÚCAR. FLAMENCO BODEGÓN DE ARTE ‘A CONTRATIEMPO’________________________________________________________________________ TABLAO FLAMENCO. TEMPORADA DE VERANO 2021. De miércoles a sábado por mediación de reserva. (Abierto desde las 20:00h.) 1er PASE: 21:00h. // 2º PASE: 23:00h. Para grupos concertados se organizan espectáculos cualquier día de la semana con reserva previa. Info y reservas: 653071099. PROGRAMACIÓN: o Viernes, 13 de agosto. CUADRO FLAMENCO. Hora: A partir de las 21:00h. con: Noelia Vilches, José Carlos Marchante y Raquel Villegas (baile), Diego Villegas (instrumentos de viento), Manuel Soto (cante) y Miguel Ramos (guitarra). Entrada anticipada: 15€. Día de la actuación: 20€. Info y reservas: 653071099. Aforo muy reducido. o Jueves, 19 de agosto. FLAMENCO. Baile: Raquel Villegas y Noelia Vilches. Cante: Jesús Castilla. Vientos: Diego Villegas. Guitarra: Niño Manuel. Hora: A partir de las 21:00h. Entradas anticipadas: 15€. Día de la actuación: 20€. Info y reservas: 653071099. Aforo muy reducido. o Viernes, 27 de agosto. RECITAL DE CANTE FLAMENCO. Alba Bazán, con la guitarra de Manuel Lin. Artista invitada al baile: Raquel Villegas. A partir de las 21:00h. Entradas anticipadas: 7€. Entradas en taquilla: 10€. Info y reservas: 653071099. Aforo muy reducido. PEÑA CULTURAL FLAMENCA ‘PUERTO LUCERO’________________________________________________________________ II BIENAL DE FLAMENCO Dedicada a Alonso Núñez ‘Rancapino’. -PROGRAMA DE CONCIERTOS _____________________________________________________ o Martes, 24 de agosto. CONCIERTO DE DIEGO VILLEGAS. Presentación de su disco ‘CINCO’. o Miércoles, 25 de agosto. -
Postmodern Shifts in Flamenco Dance Illeana Gomez
University of New Mexico UNM Digital Repository Theatre & Dance ETDs Electronic Theses and Dissertations 6-28-2010 La Nueva Escuela De La Danza Flamenca: Postmodern Shifts in Flamenco Dance Illeana Gomez Follow this and additional works at: https://digitalrepository.unm.edu/thea_etds Recommended Citation Gomez, Illeana. "La Nueva Escuela De La Danza Flamenca: Postmodern Shifts in Flamenco Dance." (2010). https://digitalrepository.unm.edu/thea_etds/15 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Theatre & Dance ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. i ii LA NUEVA ESCUELA DE LA DANZA FLAMENCA: POSTMODERN SHIFTS IN FLAMENCO DANCE BY ILLEANA GOMEZ B.A., Cultural Anthropology, University of Texas at Austin, 2005 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts Dance The University of New Mexico Albuquerque, New Mexico May, 2010 iii LA NUEVA ESCUELA DE LA DANZA FLAEMNCA: POSTMODERN SHIFTS IN FLAMENCO DANCE BY ILLEANA GOMEZ ABSTRACT OF DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts Dance The University of New Mexico Albuquerque, New Mexico May, 2010 iv LA NUEVA ESCUELA DE LA DANZA FLAMENCA: POSTMODERN SHIFTS IN FLAMENCO DANCE By Illeana Gomez B.A., Cultural Anthropology, University of Texas at Austin, 2005 Master of Fine Arts Dance ABSTRACT Within the past ten years flamenco, the musical genera from Andalusia, the southernmost region of Spain, has gone through a very evident transformation. -
Catálogo Catalogue
this is european cinema esto es cine europeo Es un proyecto de: Catálogo A project by: Catalogue Es un proyecto de: A project by: esto es Una publicación del ICAS, cine Instituto de la Cultura y las Artes de Sevilla A publication of the europeo Institute of Culture and Arts of Seville (ICAS) 6-14 noviembre 2020 this is european cinema November 6-14, 2020 FESTIVALES SEGUROS C M Y CM MY CY CMY K #YO EL INSTITUTO DE LA CINEMATOGRAFÍA Y DE LAS ARTES AUDIOVISUALES DE ESPAÑA EN SU OBJETIVO VOY DE PROMOCIÓN DEL CINE ESPAÑOL APOYA ESTE FESTIVAL AL CON LA FINANCIACIÓN DEL GOBIERNO DE ESPAÑA CINE FESTIVALES SEGUROS 17 FESTIVAL DE SEVILLA 17 FESTIVAL Como alcalde de la ciudad de Sevilla, es un ho- En este escenario marcado por la pandemia, nor escribir estas líneas para el catálogo del tenemos claro que la cultura deber ser uno de festival, pero, sin duda alguna, es un motivo los motores de la reactivación económica con de orgullo que estas palabras sirvan de salu- el objetivo de seguir construyendo entre todos do en una edición que, pese a las circunstan- una ciudad abierta al futuro y a la diversidad. cias en el contexto de la Covid19, se celebra En este sentido, el festival es uno de los pro- de manera presencial y en salas. Sevilla ha yectos que promueve el Ayuntamiento de Se- demostrado en los últimos años que la cultura villa más sólidos y cargados de futuro capaz es clave para la generación de riqueza y opor- de proyectar la compleja condición humana, tunidades con una apuesta decidida y sosteni- el pasado del viejo continente y los retos a los da en el tiempo de proyectos que se encuen- que nos enfrentamos como sociedad en lo re- tran, por derecho propio, en la agenda cultural ferente a la igualdad, a la emergencia climá- de todo el país, como la Bienal de Flamenco, tica, a la inmigración o al empleo.