CHRISTIAN THIELEMANN BRUCKNER SYMPHONY No. 4

Unitel and Classica present Christian Thielemann conducts Bruckner

Recorded at the Festspielhaus Baden-Baden Festspielhaus the at Recorded Symphony No. 4 in E flat major major “Romantic” Eflat 4in No. Symphony Directed by Conductor Orchestra in coproduction with CLASSICA CLASSICA with coproduction in Music by Length A production of UNITEL UNITEL of A production shot in HDTV 1080 HDTV in shot Christian Thielemann Christian Bruckner Anton 65' Philharmoniker Münchner Agnes Méth Agnes Cat.

no. A05512305no. Though Bruckner provided programmatic explanations to the the providedprogrammatic to explanations Bruckner Though E Vienna in 1881, which was a resounding success. Although Although success. 1881,resounding in a Vienna was which Vatican City in October 2005, which was also recorded by recorded also was 2005,which October in City Vatican +49-(0)3030306464 ·[email protected] WORLD SALES:CMajor Entertainment ipe on eoy f h oeig esrs sweeping measures, opening the of melody horn and simple conventions disregards which work, this in steeds” a sought-after interpreter of German opera. He debuted at at debuted He opera. German of interpreter sought-after Music a General as tenure his during operas Strauss and expectations. Monolithic blocks of sound derived from the the from derived sound of blocks Monolithic expectations. of applause. of Romantic music. Having mastered the repertoire of Wagner internationally known and admired above all as a specialist a as all maestro above admired and known internationally a Thielemann, Christian conductor principal its is UNITEL CLASSICA. UNITEL XVI in Benedict of Pope honor in given concert first the in is Bruckner’s Seventh Symphony and excerpts from Pfitzner’sfrom excerpts and Symphony Bruckner’sSeventh is Festspielhaus Baden-Baden, which was greeted with storms with greeted was which Baden-Baden, Festspielhaus years,versionrevise often the mostcontinuedto inlater it he “leaping and city” “medieval the vain in seeks one music, Director of the Deutsche Oper Berlin, Thielemann became became Thielemann Berlin, Oper Deutsche the of Director Münchner Münchner Philharmoniker and the Regensburger Domspatzen Philharmoniker, also in Thielemann Baden-Baden. also led the Münchner the with performed Thielemann which Palestrina, u rvsd t hruhy n 80 eoe t peir in premiere its before 1880 in thoroughly it revised but that suddenly break build-ups when off a climax is imminent – played today is the first revised version of of version revised first also 1880. This the is is today played regularly ever since. Also available from UNITEL CLASSICA CLASSICA UNITEL from available Also since. ever regularly the Fourth is Fourth amilestonethe in Bruckner’s symphonic oeuvre. long themselves, around revolve hypnotically that themes the the version featured on this recording of a held concert at the the the Bayreuth Festival in 2000 and has been conducting there “Romantic” Symphony No. Bruckner conducts Thielemann Christian Bruckner originally wrote the Fourth Symphony in 1874,in Symphony Fourth the wrote originally Bruckner Leading the Münchner Philharmoniker in this concert concert this in Philharmoniker Münchner the Leading which fully apply to his Fourth Symphony, the “Romantic.” lemental, metaphysical, primordial – these are some of the terms used to describe Bruckner’s nine symphonies and symphonies nineBruckner’s describe to used terms 4