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New England Reading Association
Volume 46 • Number 1 • 2010 New England Reading Association Mural in response to children’s and young adolescent literature N news E education R research A article The New England Reading JOURNAL Association Journal Volume 46 • Number 1 • 2010 EXECUTIVE BOARD DELEGATES Editor: Helen R. Abadiano PRESIDENT CONNECTICUT NEW HAMPSHIRE Judith Schoenfeld James Johnston Jennifer McMahon Associate Editors: Jesse P. Turner Rhode Island College Central CT State University The New Hampton School Lynda M. Valerie Providence, RI New Britain, CT New Hampton, NH Department Editors PRESIDENT-ELECT Linda Kauffmann Margaret Salt Spring Hermann Eileen B. Leavitt Capitol Region Education Council Plymouth Elementary School Julia Kara-Soteriou Institute on Disability/UCED Hartford, CT Plymouth, NH Diane Kern Durham, NH Sandip LeeAnne Wilson Miriam Klein Gerard Buteau 1st VICE PRESIDENT Sage Park Middle School Plymouth State University Editorial Board Kathleen Itterly Windsor, CT Plymouth, NH Margaret Salt, Chair Westfield State College Kathleen Desrosiers Westfield, MA MAINE RHODE ISLAND Miriam Klein Linda Crumrine Courtney Hughes Barbara Lovley 2nd VICE PRESIDENT Plummer Motz School Coventry Public Schools Nancy Witherell Lindy Johnson Falmouth, ME Coventry, RI Literacy Coordinator Journal Review Board East Montpelier, VT Barbara Lovley Kathleen Desrosiers Julie Coiro Fort Kent Elementary School Warwick Public Schools Ellen Fingeret PAST PRESIDENT Fort Kent, ME Warwick, RI Carol Reppucci Catherine Kurkjian Margaret Salt Central CT State University Jane Wellman-Little Lizabeth Widdifield Janet Trembly New Britain, CT University of Maine Coventry Public Schools Kenneth J. Weiss Orono, ME Coventry, RI Nancy Witherell SECRETARY _________________________ Subscription rate for Association members Angela Yakovleff MASSACHUSETTS VERMONT and institutions is $35.00 per year; Whitingham Elementary School Cynthia Rizzo Janet Poeton Retired educator membership is $20.00 Wilmington, VT Wheelock College Retired Classroom Teacher per year; Single issues are $20.00 each. -
Some Principles of the Use of Macro-Areas Language Dynamics &A
Online Appendix for Harald Hammarstr¨om& Mark Donohue (2014) Some Principles of the Use of Macro-Areas Language Dynamics & Change Harald Hammarstr¨om& Mark Donohue The following document lists the languages of the world and their as- signment to the macro-areas described in the main body of the paper as well as the WALS macro-area for languages featured in the WALS 2005 edi- tion. 7160 languages are included, which represent all languages for which we had coordinates available1. Every language is given with its ISO-639-3 code (if it has one) for proper identification. The mapping between WALS languages and ISO-codes was done by using the mapping downloadable from the 2011 online WALS edition2 (because a number of errors in the mapping were corrected for the 2011 edition). 38 WALS languages are not given an ISO-code in the 2011 mapping, 36 of these have been assigned their appropri- ate iso-code based on the sources the WALS lists for the respective language. This was not possible for Tasmanian (WALS-code: tsm) because the WALS mixes data from very different Tasmanian languages and for Kualan (WALS- code: kua) because no source is given. 17 WALS-languages were assigned ISO-codes which have subsequently been retired { these have been assigned their appropriate updated ISO-code. In many cases, a WALS-language is mapped to several ISO-codes. As this has no bearing for the assignment to macro-areas, multiple mappings have been retained. 1There are another couple of hundred languages which are attested but for which our database currently lacks coordinates. -
Copyrighted Material
02_149263 ftoc.qxp 10/25/07 9:08 PM Page ix Contents at a Glance Introduction 1 Practice 21: Editing Audio after Editing the Session 171 Part I: Planning Out a Podcast 7 Practice 22: Taking Your Audio File Practice 1: Selecting the Right Topic into the Home Stretch 177 for Your Podcast 9 Practice 23: Creating a Perfect mp3 File 180 Practice 2: Keeping Up with the Joneses 14 Practice 24: Enhanced Podcasting 185 Practice 3: Staffing Your Podcast for Success 22 Practice 4: Podcast Studio Considerations 29 Part IV: The Final Steps Before Practice 5: Stick to the Script! 36 Episode #0 203 Practice 25: Creating and Editing ID3 Tags 205 Practice 6: Transitions, Timing, and Cues 44 Practice 26: Adding a Blog to Your Podcast 213 Practice 7: Reviewing Your Podcast with a Critical Eye 49 Practice 27: Validating Your RSS Feed 225 Practice 8: T-Minus Five Episodes . 55 Practice 28: Submitting to Podcast Directories 237 Part II: Going for a Professional Sound 61 Practice 9: Upgrading Your Headphones 63 Part V: Building Your Audience 243 Practice 29: Creating a Promotional Plan 245 Practice 10: Selecting the Right Microphone 69 Practice 30: Tell Me About It: Recording Practice 11: Upgrading Your Software 79 Promos and Quickcasts 251 Practice 12: Creating a Quiet, Happy Place 89 Practice 31: Advertising to Attract Listeners 259 Practice 13: Eliminating Ambient Noise 94 Practice 32: Networking with Other Practice 14: One-Take Wonders 105 Podcasters and Bloggers 262 Practice 15: Multiplicity: Recording Practice 33: Spreading the Word Multiple Takes 110 -
``Even More Or Less'': a Data-Rich Interactive Podcast Player
“Even More or Less”: A data-rich interactive podcast player Dr. Chris Baume BBC Research and Development London, UK [email protected] ABSTRACT Podcast players make poor use of the capabilities of the screen-based devices people use to listen. We present a podcast playback interface that displays charts, links, topics and contributors on an interactive transcript-based interface. We describe how we used paper prototyping to design the interface and what we learnt by doing so. We share preliminary results from a public online evaluation of the interface, which indicate that it was well-received. The new features were considered interesting, informative and useful, with charts and transcripts emerging as the most popular features. CCS CONCEPTS • Human-centered computing → Hypertext / hypermedia. KEYWORDS podcasts; radio; player; transcripts; data ACM Reference Format: Dr. Chris Baume. 2019. “Even More or Less”: A data-rich interactive podcast player. In Proceedings of ACM International Conference on Interactive Experiences for Television and Online Video (TVX2019). ACM, New York, NY, USA, 10 pages. https://doi.org/10.5281/zenodo.2654885 Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the owner/author(s). TVX2019, June 5–7, 2019, Manchester, UK © 2019 Copyright held by the owner/author(s). -
Bloom's Digital Taxonomy
Andrew Churches 1 01/04/09 Table of Contents Synopsis:...................................................................3 Key Terms: ...................................................48 Introduction and Background:...................................4 Introduction:..................................................48 Bloom's Taxonomy...............................................4 Collaboration using online collaboration Bloom's Revised Taxonomy.................................5 environments......................................................49 Bloom's Revised Taxonomy Sub Categories........6 Key Terms - Applying: ...................................49 Bloom's as a learning process...................................6 Introduction:..................................................49 Bloom's Digital Taxonomy.........................................7 Collaborative Editing using an Online Word Bloom's revised digital taxonomy map.................7 Processor...........................................................51 Bloom's Digital Taxonomy and Collaboration.......8 Key Terms: ...................................................51 Is knowledge or content important?.....................9 Introduction:..................................................51 Thinking skills..................................................9 Skype (Audio/Video Conferencing) Rubric.........52 Remembering..........................................................10 Key Terms - Applying: ...................................52 Anderson and Krathwohl's taxonomy – Key Words: -
•Chadic Classification Master
Paul Newman 2013 ò ê ž ŋ The Chadic Language Family: ɮ Classification and Name Index ɓ ō ƙ Electronic Publication © Paul Newman This work is licensed under a Creative Commons Attribution-NonCommercial License CC BY-NC Mega-Chad Research Network / Réseau Méga-Tchad http://lah.soas.ac.uk/projects/megachad/misc.html http://lah.soas.ac.uk/projects/megachad/divers.html The Chadic Language Family: Classification and Name Index Paul Newman I. CHADIC LANGUAGE CLASSIFICATION Chadic, which is a constituent member of the Afroasiatic phylum, is a family of approximately 170 languages spoken in Nigeria, Cameroon, Chad, and Niger. The classification presented here is based on the one published some twenty-five years ago in my Nominal and Verbal Plurality in Chadic, pp. 1–5 (Dordrecht: Foris Publications, 1990). This current paper contains corrections and updates reflecting the considerable amount of empirical research on Chadic languages done since that time. The structure of the classification is as follows. Within Chadic the first division is into four coordinate branches, indicated by Roman numerals: I. West Chadic Branch (W-C); II. Biu-Mandara Branch (B-M), also commonly referred to as Central Chadic; III. East Chadic Branch (E-C); and IV. Masa Branch (M-S). Below the branches are unnamed sub-branches, indicated by capital letters: A, B, C. At the next level are named groups, indicated by Arabic numerals: 1, 2.... With some, but not all, groups, subgroups are distinguished, these being indicated by lower case letters: a, b…. Thus Miya, for example, is classified as I.B.2.a, which is to say that it belongs to West Chadic (I), to the B sub-branch of West Chadic, to the Warji group (2), and to the (a) subgroup within that group, which consists of Warji, Diri, etc., whereas Daba, for example, is classified as II.A.7, that is, it belongs to Biu-Mandara (II), to the A sub-branch of Biu-Mandara, and within Biu-Mandara to the Daba group (7). -
Creating Enhanced Podcast Virtual Lectures Using Enhanced Podcasts and Powerpoint to Deliver Online Modular Lectures
Creating Enhanced Podcast Virtual Lectures Using Enhanced Podcasts and PowerPoint to Deliver Online Modular Lectures Michael A. Russell AC 2568 503.491.7348 [email protected] Abstract: This report proposes a methodology that can be used to create enhanced podcast lectures using PowerPoint and audio podcasting tools. Podcasting is a new and exciting multimedia Web delivery protocol accessible to anyone with an Internet connection. Enhanced podcasts can be created on both Windows and Macintosh platforms by anyone with a microphone and an audio input, and one does not require an iPod to view or listen to a podcast (listening and viewing is possible through the free cross-platform iTunes program.) The process starts by digitally recording audio lectures (using a wireless Lavaliere microphone and a boundary microphone connected to a MAudio MicroTrack recorder.) Relevant PowerPoint slides from the recorded lecture can be converted into static graphic files (.png or .jpg) then combined with the audio recordings to create an enhanced podcast. Posting the podcasts to the Web makes the content accessible to anyone. I plan to slice my normal 50-minute lectures into more manageable "learning modules" of no more than ten minutes length. Students would need to listen to a lecture module on "electrons" only instead of listening to the entire lecture on "atoms", for example. Instructions and examples of creating enhanced podcasts from my PowerPoint lectures will be provided. This methodology is applicable towards all faculty and staff interested in podcasting and creating podcast lectures. Note that this document may be viewed on the World Wide Web: http://gst-d2L.com/TLC Contents: I. -
The Organizational Level 31 the Identity Level 32 the Experiential Level 33 Leadership Involvement in Each Level 34 Measuring and Assessing Brandraising’S Impact 35
ftoc.indd x 10/20/09 3:28:08 PM “Brandraising is a timely, critically important contribution for all nonprofi ts. As ‘competition’ intensifi es, resources dwindle, and senior executives are drawn to react in short-term crisis mode, it becomes even more vital that external (and internal!) communications stay as strategic as possible. The ultimate perception of ‘brand’ will be the extent to which the audience clearly understands the organization’s vision, and Sarah Durham gets this ironclad principle. With step-by- step sage guidance, Brandraising should be a dog-eared resource for perceptive chief executives in the sector.” —Mark Lipton, consultant on nonprofi t board strat- egy and professor of management, Milano: The New School for Management and Urban Policy “Brandraising is a must-read for any organization operating in the noisy and crowded nonprofi t arena today. Sarah Durham ‘fl ips the switch’ on our understanding of a holistic communications strategy. Like the architecture of the planning and implementation she encour- ages, the architecture of this book delivers a clear and smart message. Finally, in one volume we can fi nd the structure and the techniques any institution can use to place itself above the din.” —Nancy Schwartz Sternoff, director, Dobkin Family Foundation “Sarah Durham presents her considerable expertise with a smart com- bination of authority and accessibility that makes Brandraising a must- read for fundraisers and nonprofi t communications and marketing staff—no matter how long they’ve been in the business or the size -
Expert Podcasting Practices for Dummies (ISBN
01_149263 ffirs.qxp 10/25/07 9:07 PM Page iii Expert Podcasting Practices FOR DUMmIES‰ by Tee Morris, Evo Terra, and Ryan Williams 01_149263 ffirs.qxp 10/25/07 9:07 PM Page ii 01_149263 ffirs.qxp 10/25/07 9:07 PM Page i Expert Podcasting Practices FOR DUMmIES‰ 01_149263 ffirs.qxp 10/25/07 9:07 PM Page ii 01_149263 ffirs.qxp 10/25/07 9:07 PM Page iii Expert Podcasting Practices FOR DUMmIES‰ by Tee Morris, Evo Terra, and Ryan Williams 01_149263 ffirs.qxp 10/25/07 9:07 PM Page iv Expert Podcasting Practices For Dummies® Published by Wiley Publishing, Inc. 111 River Street Hoboken, NJ 07030-5774 www.wiley.com Copyright © 2008 by Wiley Publishing, Inc., Indianapolis, Indiana Published by Wiley Publishing, Inc., Indianapolis, Indiana Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600. Requests to the Publisher for permission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, (317) 572-3447, fax (317) 572-4355, or online at http://www.wiley.com/go/permissions. Trademarks: Wiley, the Wiley Publishing logo, For Dummies, the Dummies Man logo, A Reference for the Rest of Us!, The Dummies Way, Dummies Daily, The Fun and Easy Way, Dummies.com, and related trade dress are trade- marks or registered trademarks of John Wiley & Sons, Inc. -
Case Studies of Transitional Korean Adolescents' Literacy Practices
Different Literacies in Different Contexts of Use: Case Studies of Transitional Korean Adolescents’ Literacy Practices DISSERTATION Presented in partial fulfillment of the requirements for the Degree doctor of Philosophy in the Graduate School of The Ohio State University Jeongsoo Pyo, MA TESL Graduate Program in Education The Ohio State University 2015 Dissertation Committee: Professor Alan Hirvela, advisor Professor Youngjoo Yi Professor Francis Troyan ii Copyright by Jeongsoo Pyo 2015 iii Abstract As new technology has changed adolescents’ literate life pathways outside school in remarkable ways, new uses of terminology, such as “mutiliteracies” (The New London Group, 1996), are necessary to capture the multi-dimensional nature of current encounters with what was long called “literacy,” a term that reflects a more limited presence in a print- mediated environment. However, there has been relatively little interest in the multliteracies experiences of Korean adolescents in the U.S., especially I the framing of them as transitional youth. This study asserts that the term “transitional youth” best captures the nature of their movement from the native language and culture they are moving from to a very new language and culture. This study examined the literacy practices of transitional Korean adolescents across three contexts—school, home, and community— from a sociocultural perspective. I conducted multiple case studies of three transitional Korean adolescents in a Midwestern city in the U.S. Over a six month period, I used multiple approaches -
Creating Content for Ipod + Itunes
Apple Education Creating Content for iPod + iTunes This guide provides information about the file formats you can use when creating content compatible with iTunes and iPod. This guide also covers using and editing metadata. To prepare for creating content, you should know a few basics about file formats and metadata. Knowing about file formats will guide you in choosing the correct format for your material based on your needs and the content. Knowing how to use metadata will help you provide your audience with information about your content. In addition, metadata makes browsing and searching easier. This guide also includes recommended tools for creating content. Understanding File Formats To create and distribute materials for playback on iPod and in iTunes, you need to get the materials (primarily audio or video) into compatible file formats. Understanding file formats and how they compare with each other will help you decide the best way to prepare your materials. Apple recommends using the following file formats for iPod and iTunes content: • AAC (Advanced Audio Coding) for audio content AAC is a state-of-the-art, open (not proprietary) format. It is the audio format of choice for Internet, wireless, and digital broadcast arenas. AAC provides audio encoding that compresses much more efficiently than older formats, yet delivers quality rivaling that of uncompressed CD audio. • H.264 for video content H.264 uses the latest innovations in video compression technology to provide incredible video quality from the smallest amount of video data. This means you see crisp, clear video in much smaller files, saving you bandwidth and storage costs over previous generations of video codecs. -
A History of Domestic Animals in Northeastern Nigeria
A history of domestic animals in Northeastern Nigeria Roger M. BLENCH * PREFATORY NOTES Acronyms, toponyms, etc. Throughout this work, “Borna” and “Adamawa” are taken ta refer to geographical regions rather than cunent administrative units within Nigeria. “Central Africa” here refers to the area presently encompas- sed by Chad, Cameroun and Central African Republic. Orthography Since this work is not wrîtten for specialised linguists 1 have adopted some conventions to make the pronunciation of words in Nigerian lan- guages more comprehensible to non-specialists. Spellings are in no way “simplified”, however. Spellings car-rbe phonemic (where the langua- ge has been analysed in depth), phonetic (where the form given is the surface form recorded in fieldwork) or orthographie (taken from ear- lier sources with inexplicit rules of transcription). The following table gives the forms used here and their PA equivalents: This Work Other Orthographie IPA 11989) j ch tî 4 d3 zl 13 hl, SI Q Words extracted from French sources have been normalised to make comparison easier. * Anthropologue, African Studies Cenfer, Universify of Cambridge 15, Willis Road, Cambridge CB7 ZAQ, Unifed Kingdom. Cah. Sci. hum. 37 (1) 1995 : 787-237 182 Roger BLENCH Tone marks The exact significance of tone-marks varies from one language to ano- ther and 1 have used the conventions of the authors in the case of publi- shed Ianguages. The usual conventions are: High ’ Mid Unmarked Low \ Rising ” Falling A In Afroasiatic languages with vowel length distinctions, only the first vowel of a long vowel if tone-marked. Some 19th Century sources, such as Heinrich Barth, use diacritics to mark stress or length.