I've Seen What an Impact the Union Can Make
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Equity Magazine Autumn 2020 in This Issue
www.equity.org.uk AUTUMN 2020 Filming resumes HE’S in Albert Square Union leads the BEHIND fight for the circus ...THE Goodbye, MASK! Christine Payne Staying safe at the panto parade FIRST SET VISITS SINCE THE LIVE PERFORMANCE TASK FORCE FOR COVID PANDEMIC BEGAN IN THE ZOOM AGE FREELANCERS LAUNCHED INSURANCE? EQUITY MAGAZINE AUTUMN 2020 IN THIS ISSUE 4 UPFRONT Exclusive Professional Property Cover for New General Secretary Paul Fleming talks Panto Equity members Parade, equality and his vision for the union 6 CIRCUS RETURNS Equity’s campaign for clarity and parity for the UK/Europe or Worldwide circus cameras and ancillary equipment, PA, sound ,lighting, and mechanical effects equipment, portable computer 6 equipment, rigging equipment, tools, props, sets and costumes, musical instruments, make up and prosthetics. 9 FILMING RETURNS Tanya Franks on the socially distanced EastEnders set 24 GET AN INSURANCE QUOTE AT FIRSTACTINSURANCE.CO.UK 11 MEETING THE MEMBERS Tel 020 8686 5050 Equity’s Marlene Curran goes on the union’s first cast visits since March First Act Insurance* is the preferred insurance intermediary to *First Act Insurance is a trading name of Hencilla Canworth Ltd Authorised and Regulated by the Financial Conduct Authority under reference number 226263 12 SAFETY ON STAGE New musical Sleepless adapts to the demands of live performance during the pandemic First Act Insurance presents... 14 ONLINE PERFORMANCE Lessons learned from a theatre company’s experiments working over Zoom 17 CONTRACTS Equity reaches new temporary variation for directors, designers and choreographers 18 MOVEMENT DIRECTORS Association launches to secure movement directors recognition within the industry 20 FREELANCERS Participants in the Freelance Task Force share their experiences Key features include 24 CHRISTINE RETIRES • Competitive online quote and buy cover provided by HISCOX. -
The Performance of Gender with Particular Reference to the Plays of Shakespeare
Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk Dixon, Luke (1998) The performance of gender with particular reference to the plays of Shakespeare. PhD thesis, Middlesex University. [Thesis] This version is available at: https://eprints.mdx.ac.uk/6384/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated. -
Aro Korol CV 2019:20
FILMMAKER Director / Producer / Editor / Cinematographer MEMBER OF Aro Korol Company Ltd. 71-75 Shelton Street Covent Garden LONDON WC2H 9JQ W: arokorol.com E: [email protected] T: 07729966555 Social Media: @arokorol All the Lonely People 2021 Feature Documentary (Post-Production) Battle of Soho, 2017. Produced, Directed, Filmed and Edited by Aro Korol. This Feature Documentary stars: Actors Stephen Fry and Jenny Runacre, UK club promoter Philip Sallon, UK human rights campaigner Peter Tatchell and, David Bowie and Kate Bush choreographer Lindsay Kemp in his final interview and performance. More at: www.battleofsoho.com Screen in Cinemas: Praise for the film: ★★★★ “Stunning and timely documentary.” Diva Magazine ★★★★ “A rousing documentary.” Total Film ★★★★ “Surprisingly Moving Documentary” The Upcoming Official selection: 33rd Warsaw Film Festival, 2017 Miami Independent Film Festival, 30th Galway Film Fleadh and Netia Off-Camera, 2018 Winner: Hollywood International Independent Documentary Awards, 2017 Available (UK & US) on demand and SVOD: 2021—2016 Freelance - Self Shooting Producer/Director and Editor at Activate Event Management - LONDON. Clients include: Santander, Hyundai, McLaren 2016—2014 Freelance - Self Shooting Producer/Director and Editor at D&D Conferences – LONDON. Clients include: BP, Energizer & Wilkinson. 2014—2009 Video Editor at Monkey AV – LONDON. Technical Skills, Software: Davinci Resolve Studio & Adobe Cameras: (Digital Cinema Cameras, DSLR, 35mm and 16mm Film) Languages: English, French, Polish Creative Credits: -
Theatre Archive Project Archive
University of Sheffield Library. Special Collections and Archives Ref: MS 349 Title: Theatre Archive Project: Archive Scope: A collection of interviews on CD-ROM with those visiting or working in the theatre between 1945 and 1968, created by the Theatre Archive Project (British Library and De Montfort University); also copies of some correspondence Dates: 1958-2008 Level: Fonds Extent: 3 boxes Name of creator: Theatre Archive Project Administrative / biographical history: Beginning in 2003, the Theatre Archive Project is a major reinvestigation of British theatre history between 1945 and 1968, from the perspectives of both the members of the audience and those working in the theatre at the time. It encompasses both the post-war theatre archives held by the British Library, and also their post-1968 scripts collection. In addition, many oral history interviews have been carried out with visitors and theatre practitioners. The Project began at the University of Sheffield and later transferred to De Montfort University. The archive at Sheffield contains 170 CD-ROMs of interviews with theatre workers and audience members, including Glenda Jackson, Brian Rix, Susan Engel and Michael Frayn. There is also a collection of copies of correspondence between Gyorgy Lengyel and Michel and Suria Saint Denis, and between Gyorgy Lengyel and Sir John Gielgud, dating from 1958 to 1999. Related collections: De Montfort University Library Source: Deposited by Theatre Archive Project staff, 2005-2009 System of arrangement: As received Subjects: Theatre Conditions of access: Available to all researchers, by appointment Restrictions: None Copyright: According to document Finding aids: Listed MS 349 THEATRE ARCHIVE PROJECT: ARCHIVE 349/1 Interviews on CD-ROM (Alphabetical listing) Interviewee Abstract Interviewer Date of Interview Disc no. -
How David Bowie Fans Transformed Brixton
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2020 “Something Happened on the Day He Died”: How David Bowie Fans Transformed Brixton Valerie Gritsch The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3546 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] “SOMETHING HAPPENED ON THE DAY HE DIED”: HOW DAVID BOWIE FANS TRANSFORMED BRIXTON by VALERIE GRITSCH A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2020 © 2020 VALERIE GRITSCH All Rights Reserved ii “Something Happened on the Day He Died”: How David Bowie Fans Transformed Brixton by Valerie Gritsch This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts. Date Edward D. Miller Thesis Advisor Date Elizabeth Macaulay-Lewis Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT “Something Happened on the Day He Died”: How David Bowie Fans Transformed Brixton by Valerie Gritsch Advisor: Edward D. Miller Following the death of David Bowie on January 10, 2016, his hometown of Brixton, South London, has become a pilgrimage and tourist destination for fans. On the 11th of January, the world discovered Bowie had succumbed to cancer and fans descended on Brixton to celebrate the life and legacy of their hometown hero, culminating in a spontaneous all-night street party attended by thousands. -
Radio 7 Listings for 23 – 29 January 2010 Page
Radio 7 Listings for 23 – 29 January 2010 Page 1 of 6 SATURDAY 23 JANUARY 2010 There? (b007k48z) SUNDAY 24 JANUARY 2010 Episode 5 SAT 00:00 Terry Pratchett (b00b1p28) Concluding her own biography, campaigner Claire Rayner SUN 00:00 The Scarifyers (b008kl16) Small Gods recalls how she became an agony aunt, and her experience of [Repeat of broadcast at 18:00 on Saturday] Episode 1 cancer. SUN 00:30 Arthur C Clarke Stories (b007jv5s) Set in a complex state of beliefs, Great God Om appears before SAT 05:00 23/01/2010 (b00qb3bn) [Repeat of broadcast at 18:30 on Saturday] a novice monk - and is soon coming out of his shell... Join all your CBeebies friends for songs, rhymes and stories on SUN 01:00 The Other Side of the Hill (b007jz3h) There are gods everywhere on Discworld - you can't swing a BBC Radio 7. [Repeat of broadcast at 13:00 on Saturday] simian librarian without hitting one - except, of course, only a SAT 08:00 Big Toe Books (b00q9ym5) SUN 02:30 Anton Chekov's Uncle Vanya (b00q91yp) few people can see them. Each small god lies in wait, Kirsten O'Brien presents an hour of children's stories featuring The comic tragedy of lost hopes and stifled passion set in 1890s desperately seeking to make someone believe in him. On Corby Flood by Paul Stewart and Chris Riddell, read by Rosie Russia. Christopher Hampton's adaptation stars Robert Discworld, gods need people more than people need gods, for Wilkinson. Stephens. belief is the food of the gods. -
Shakespeare on Audio (CD, Vinyl & Cassette)
Shakespeare on Audio (CD, Vinyl & Cassette) Historical Recordings & Anthologies Shakespeare recordings have been in evidence from the earliest days of the wax cylinder, through the short-playing 78 rpm shellac discs of the 1930s and the long-playing 33 1/3 rpm vinyl discs (LPs) and reel-to-reel tapes of the 1950s, to the widely available audio cassettes, compact discs (CDs), videotapes, and digital recordings of the present. Before Orson Welles’s innovative Mercury Text Records series issued by Columbia Records in 1938, no one had attempted to record full-length audio versions of Shakespeare. Previously only isolated passages from the plays had been available, performed by fabled stage actors such as E.H. Sothern and Julia Marlowe, Herbert Beerbohm-Tree, Ellen Terry and a few others and recorded between 1890 and the First World War. Between the wars, Hamlet’s “O what a rogue and peasant slave…” and “How all occasions do inform…” and Macbeth’s “Is this a dagger…?” were recorded on 78s by such stars as Henry Ainley and John Barrymore, and included with other famous soliloquies and educational intent on Johnston Forbes-Robertson’s two-disc How to Speak Shakespeare (Columbia, 1928). These recordings existed almost entirely for the purpose of preserving a famous actor’s reading of a set speech. The custom of recording speeches and brief duologues by great actors, although partly a matter of technology and packaging (a speech can fill one side of a 78 rpm disk), reflects a cultural reality as well, an attitude toward Shakespeare that sees his plays as predominantly a collection of purple passages and wise saws. -
The Performance of Gender with Particular Reference to the Plays Of
The Performance of Gender with particular reference to the plays of Shakespeare A thesis submitted to Middlesex University in partial fulfilment of the requirements for the degree of Doctor of Philosophy Luke Dixon School of Drama and Theatre Arts Middlesex University April 1998 MX 7309012 3 IIIýýWII IIIIIXVýýýwýýllllýý ABSTRACT An analytical history of the representation of gender on the English stage from Shakespeare to modern times is followed by a detailed examination of the National Theatre of Great Britain's production of `As You Like It' in 1967, the first production of a play by Shakespeare for over three hundred years in which the female parts were played by male actors. Subsequent cross-cast productions of Shakespeare's plays by Glasgow Citizen's Theatre, Prospect theatre Company, Lindsay Kemp, Theatre du Soleil and Goodman Theatre Chicago are discussed and the views of directors and critics of those productions analysed. The thesis then presents the results of a series of workshops with actors into the playing of gender and examines, by means of an experiment employing Gender Schema Theory, how actors construct gender in a production of `Twelfth Night'. The final part of the thesis describes a controlled experiment into audience perception of gender using a scene from `Hamlet'. Theories are presented about the nature of the performance of gender on stage and the use of theatrical conventions, the relationship between social conventions and stage conventions, about the way in which an actor builds a character, the influence of biological sex on actors' creativity, and about audience perception. TABLE OF CONTENTS Chapter I Contexts, methodology, terminology. -
Taylorian Productions Presents
Taylorian Productions presents A musical celebration of the lives of Flanagan & Allen and The Crazy Gang 23rd August 2007 to 1st September 2007 Gaiety Theatre, Isle of Man Programme sponsored by Bishopswood Trust Ltd The key to comfortable living Our new sales and marketing suite is now open on Victoria Street, Douglas. The brand new state of the art offices Pop in for friendly professional advice offer a one-stop shop for residential on all your property requirements. and investment property sales. We’re here 7 days a week. Winners of The Daily Express British House Builders Gold Award 2006 Sales Offices open: Call 615000 Monday - Friday 9am-5.30pm Saturday 9am-4pm 22-24 Victoria Street, Douglas Sunday 11am-4pm Heritage Homes - laying solid foundations by investment in youth sports TAPR1810/0807 Heritage Homes - a member of the Dandara Group Performances from 21st December 2007 to 5th January 2008 Tickets on sale from 1st September 2007 with family tickets (2 adult 2 children) available from £45 Taylorian Productions presents A musical celebration of the lives of Flanagan & Allen and The Crazy Gang Written by Patrick Garland, Brian Glanville and Roy Hudd in association with Chesney Allen Directed and Staged by John Cumberlidge Musical Director – Julian Power Assistant Director – Emma Gleave Lighting design by Paul Seed for PSC Productions Sound Design by Alex Linney The Amateur rights for this production given by arrangement with Josef Weinberger Ltd. Wash and Go Window Cleaners Professional, reliable and friendly service All island coverage Domestic and commercial work undertaken Conservatory roofs and internal windows cleaned All work fully insured Tel: Aaron 305835 SESSION TIMES 9AM TO 1PM MONDAY TO FRIDAY CHILDREN AGED 2 TO 5 YEARS WELCOME WILLASTON PLAYGROUP TELEPHONE 493435 or 420918 OPEN ALL YEAR ROUND INC SCHOOL HOLIDAYS & BANK HOLIDAYS ST JOSEPHS CHURCH HALL SNAEFELL ROAD WILLASTON BUD FLANAGAN & CHESNEY ALLEN The East End had to put up with plenty during World War II. -
LOCANTRO Theatre
Tony Locantro Programmes – Theatre MSS 792 T3743.L Theatre Date Performance Details Albery Theatre 1997 Pygmalion Bernard Shaw Dir: Ray Cooney Roy Marsden, Carli Norris, Michael Elphick 2004 Endgame Samuel Beckett Dir: Matthew Warchus Michael Gambon, Lee Evans, Liz Smith, Geoffrey Hutchins Suddenly Last Summer Tennessee Williams Dir: Michael Grandage Diana Rigg, Victoria Hamilton 2006 Blackbird Dir: Peter Stein Roger Allam, Jodhi May Theatre Date Performance Details Aldwych Theatre 1966 Belcher’s Luck by David Mercer Dir: David Jones Helen Fraser, Sebastian Shaw, John Hurt Royal Shakespeare Company 1964 (The) Birds by Aristophanes Dir: Karolos Koun Greek Art Theatre Company 1983 Charley’s Aunt by Brandon Thomas Dir: Peter James & Peter Wilson Griff Rhys Jones, Maxine Audley, Bernard Bresslaw 1961(?) Comedy of Errors by W. Shakespeare Christmas Season R.S.C. Diana Rigg 1966 Compagna dei Giovani World Theatre Season Rules of the Game & Six Characters in Search of an Author by Luigi Pirandello Dir: Giorgio de Lullo (in Italian) 1964-67 Royal Shakespeare Company World Theatre Season Brochures 1964-69 Royal Shakespeare Company Repertoire Brochures 1964 Royal Shakespeare Theatre Club Repertoire Brochure Theatre Date Performance Details Ambassadors 1960 (The) Mousetrap Agatha Christie Dir: Peter Saunders Anthony Oliver, David Aylmer 1983 Theatre of Comedy Company Repertoire Brochure (including the Shaftesbury Theatre) Theatre Date Performance Details Alexandra – Undated (The) Platinum Cat Birmingham Roger Longrigg Dir: Beverley Cross Kenneth -
Louise Cross Casting Director 128A North View Road London N8 7LP 020 8 341 2200 07930 923553 [email protected]
Louise Cross Casting Director 128a North View Road London N8 7LP 020 8 341 2200 07930 923553 [email protected] www.louisecrosscasting.com 2020 ‘The Chelsea Detective’ (4 x 90 mins). Expectation for Acorn Streaming. Executive Producer: Peter Fincham. Producer: Ella Kelly. Director TBC. IN DEVELOPMENT. ‘Queens of Mystery’ Series II (3 x 90 mins). Sly Fox Productions for Acorn Streaming. Producer Linda James. ‘The Pembrokeshire Murders’ (3 x 60 mins) World Productions for ITV. Executive Producer: Simon Heath. Producer: Ed Talfan. Director: Marc Evans. Cast includes: Luke Evans, Alexandria Riley, Keith Allen, Owen Teale, Anastasia Hille, David Fynn, Charles Dale ‘Midsomer Murders’ Series XXII (4 x 2 hour). Producer Carol-Ann Docherty, Exec Producer: Michele Buck (Company Pictures). Directors Audrey Cooke, Matt Carter, Toby Frow Starring Neil Dudgeon, Nick Hendrix, Fiona Dolman, Annette Badland. 2019 ‘Penance’ (3 x 60 mins) West Road Pictures for Channel 5. Jonathan Fisher Producer: Maurice Sweeney Director. Cast Includes: Julie Graham, Nico Mirallegro, Neil Morrissey, Art Malik, Talullah Greive, Wanda Ventham. ‘The Tuckers’ (6 x 30 mins) BBC Comedy. Producer Owen Bell. Cast includes: Steve Speirs, Robert Pugh, Lynn Hunter, Alexandria Riley, Jams Thomas, Ben McGregor & Joshua McCord. ‘Hidden’ / ‘Craith’ series II (6 x 1 hour tv) – Producers Hannah Thomas & Ed Talfan (Severn Screen). Directors Gareth Bryn & Chris Forster. S4C / BBC Wales / BBC4. Cast includes Sian Reese-Williams, Sion Alun Davies, Nia Roberts, Annes Elwy, Steffan Cennydd ‘Midsomer Murders’ Series XXI (4 x 2 hour) Producer Guy Hescott, Exec Producer Michele Buck Company Pictures. Directors Audrey Cooke, Matt Carter, Toby Frow, Jennie Darnell Starring Neil Dudgeon, Nick Hendrix, Fiona Dolman, Annette Badland. -
From the Love Ball to Rupaul: the Mainstreaming of Drag in the 1990S
FROM THE LOVE BALL TO RUPAUL: THE MAINSTREAMING OF DRAG IN THE 1990S by JEREMIAH DAVENPORT Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Music CASE WESTERN RESERVE UNIVERSITY August, 2017 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of Jeremiah Davenport candidate for the degree of PhD, Musicology. Committee Chair Daniel Goldmark Committee Member Georgia Cowart Committee Member Francesca Brittan Committee Member Robert Spadoni Date of Defense April 26, 2017 *We also certify that written approval has been obtained for any proprietary material contained therein. 2 Acknowledgements Thank you from the bottom of my heart to everyone who helped this dissertation come to fruition. I want to thank my advisor Dr. Daniel Goldmark, the Gandalf to my Frodo, who has guided me through the deepest quandaries and quagmires of my research as well as some of the darkest times of my life. I believe no one understands the way my mind works as well as Daniel and I owe him a tremendous debt of gratitude for helping me find the language and tools to write about my community and the art form I love. I also want to thank Dr. Georgia Cowart for helping me find my voice and for her constant encouragement. I am grateful to Dr. Francesca Brittan for her insights that allowed me to see the musicologist in myself more clearly and her unwavering support of this project. I also would like to thank Dr. Robert Spadoni for expanding my analytical skills and for constantly allowing me to pick his brain about drag, movies, and life.