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Equity Magazine Autumn 2020 in This Issue
www.equity.org.uk AUTUMN 2020 Filming resumes HE’S in Albert Square Union leads the BEHIND fight for the circus ...THE Goodbye, MASK! Christine Payne Staying safe at the panto parade FIRST SET VISITS SINCE THE LIVE PERFORMANCE TASK FORCE FOR COVID PANDEMIC BEGAN IN THE ZOOM AGE FREELANCERS LAUNCHED INSURANCE? EQUITY MAGAZINE AUTUMN 2020 IN THIS ISSUE 4 UPFRONT Exclusive Professional Property Cover for New General Secretary Paul Fleming talks Panto Equity members Parade, equality and his vision for the union 6 CIRCUS RETURNS Equity’s campaign for clarity and parity for the UK/Europe or Worldwide circus cameras and ancillary equipment, PA, sound ,lighting, and mechanical effects equipment, portable computer 6 equipment, rigging equipment, tools, props, sets and costumes, musical instruments, make up and prosthetics. 9 FILMING RETURNS Tanya Franks on the socially distanced EastEnders set 24 GET AN INSURANCE QUOTE AT FIRSTACTINSURANCE.CO.UK 11 MEETING THE MEMBERS Tel 020 8686 5050 Equity’s Marlene Curran goes on the union’s first cast visits since March First Act Insurance* is the preferred insurance intermediary to *First Act Insurance is a trading name of Hencilla Canworth Ltd Authorised and Regulated by the Financial Conduct Authority under reference number 226263 12 SAFETY ON STAGE New musical Sleepless adapts to the demands of live performance during the pandemic First Act Insurance presents... 14 ONLINE PERFORMANCE Lessons learned from a theatre company’s experiments working over Zoom 17 CONTRACTS Equity reaches new temporary variation for directors, designers and choreographers 18 MOVEMENT DIRECTORS Association launches to secure movement directors recognition within the industry 20 FREELANCERS Participants in the Freelance Task Force share their experiences Key features include 24 CHRISTINE RETIRES • Competitive online quote and buy cover provided by HISCOX. -
Lyrics and Music
Soundtrack for a New Jerusalem Lyrics and Music By Lily Meadow Foster and Toliver Myers EDITED by Peter Daniel The 70th Anniversary of the National Health Service 1 Jerusalem 1916 England does not have a national anthem, however unofficially the beautiful Jerusalem hymn is seen as such by many English people. Jerusalem was originally written as a preface poem by William Blake to his work on Milton written in 1804, the lyrics were added to music written by Hubert Parry in 1916 during the gloom of WWI when an uplifting new English hymn was well received and needed. Blake was in- spired by the mythical story Jesus, accompanied by Joseph of Arimathea, once came to England. This developed its major theme that of creating a heaven on earth in En- galnd, a fairer more equal country that would abolish the exploitation of working people that was seen in the ‘dark Satin mills’ of the Industrial revolution. The song was gifted by Hubert Parry to the Suffragette movement who were inspired by this vi- sion of equality. 2 Jerusalem William Blake lyrics Hubert Parry Music 1916 And did those feet in ancient time Walk upon England's mountains green? And was the holy Lamb of God On England's pleasant pastures seen? And did the countenance divine Shine forth upon our clouded hills? And was Jerusalem builded here Among those dark Satanic Mills? Bring me my bow of burning gold! Bring me my arrows of desire! Bring me my spear! O clouds, unfold! Bring me my chariot of fire! I will not cease from mental fight Nor shall my sword sleep in my hand Till we have built Jerusalem In England's green and pleasant Land Hubert Parry 1916 Words by William Blake 1804 3 Jerusalem 1916 4 Jerusalem 1916 5 Jerusalem 1916 William Blake imagined a time when Britain would be a fairer more equal society. -
The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’S
1 The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’s Francesca Mary Greatorex Theatre and Performance Department Goldsmiths University of London A thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) 2 I hereby declare that the work presented in this thesis is my own. Signed: ……………………………………………. 3 Acknowledgements This thesis could not have been written without the generosity of many individuals who were kind enough to share their knowledge and theatre experience with me. I have spoken with actors, musical directors, set designers, directors, singers, choreographers and actor-musicians and their names and testaments exist within the thesis. I should like to thank Emily Parsons the archivist for the Liverpool Everyman for all her help with my endless requests. I also want to thank Jonathan Petherbridge at the London Bubble for making the archive available to me. A further thank you to Rosamond Castle for all her help. On a sadder note a posthumous thank you to the director Robert Hamlin. He responded to my email request for the information with warmth, humour and above all, great enthusiasm for the project. Also a posthumous thank you to the actor, Robert Demeger who was so very generous with the information regarding the production of Ninagawa’s Hamlet in which he played Polonius. Finally, a big thank you to John Ginman for all his help, patience and advice. 4 The Development of the Role of the Actor-Musician in Britain by British Directors During the Period 1960 to 2000. -
MARJORIE BEEBE—Ian
#10 silent comedy, slapstick, music hall. CONTENTS 3 DVD news 4Lost STAN LAUREL footage resurfaces 5 Comedy classes with Britain’s greatest screen co- median, WILL HAY 15 Sennett’s comedienne MARJORIE BEEBE—Ian 19 Did STAN LAUREL & LUPINO LANE almost form a team? 20 Revelations and rarities : LAUREL & HARDY, RAYMOND GRIFFITH, WALTER FORDE & more make appearances at Kennington Bioscope’s SILENT LAUGHTER SATURDAY 25The final part of our examination of CHARLEY CHASE’s career with a look at his films from 1934-40 31 SCREENING NOTES/DVD reviews: Exploring British Comedies of the 1930s . MORE ‘ACCIDENTALLY CRITERION PRESERVED’ GEMS COLLECTION MAKES UK DEBUT Ben Model’s Undercrank productions continues to be a wonderful source of rare silent comedies. Ben has two new DVDs, one out now and another due WITH HAROLD for Autumn release. ‘FOUND AT MOSTLY LOST’, presents a selection of pre- LLOYD viously lost films identified at the ‘Mostly Lost’ event at the Library of Con- gress. Amongst the most interesting are Snub Pollard’s ‘15 MINUTES’ , The celebrated Criterion Collec- George Ovey in ‘JERRY’S PERFECT DAY’, Jimmie Adams in ‘GRIEF’, Monty tion BluRays have begun being Banks in ‘IN AND OUT’ and Hank Mann in ‘THE NICKEL SNATCHER’/ ‘FOUND released in the UK, starting AT MOSTLY LOST is available now; more information is at with Harold Lloyd’s ‘SPEEDY’. www.undercrankproductions.com Extra features include a com- mentary, plus documentaries The 4th volume of the ‘ACCIDENTALLY PRESERVED’ series, showcasing on Lloyd’s making of the film ‘orphaned’ films, many of which only survive in a single print, is due soon. -
Theatre Archive Project Archive
University of Sheffield Library. Special Collections and Archives Ref: MS 349 Title: Theatre Archive Project: Archive Scope: A collection of interviews on CD-ROM with those visiting or working in the theatre between 1945 and 1968, created by the Theatre Archive Project (British Library and De Montfort University); also copies of some correspondence Dates: 1958-2008 Level: Fonds Extent: 3 boxes Name of creator: Theatre Archive Project Administrative / biographical history: Beginning in 2003, the Theatre Archive Project is a major reinvestigation of British theatre history between 1945 and 1968, from the perspectives of both the members of the audience and those working in the theatre at the time. It encompasses both the post-war theatre archives held by the British Library, and also their post-1968 scripts collection. In addition, many oral history interviews have been carried out with visitors and theatre practitioners. The Project began at the University of Sheffield and later transferred to De Montfort University. The archive at Sheffield contains 170 CD-ROMs of interviews with theatre workers and audience members, including Glenda Jackson, Brian Rix, Susan Engel and Michael Frayn. There is also a collection of copies of correspondence between Gyorgy Lengyel and Michel and Suria Saint Denis, and between Gyorgy Lengyel and Sir John Gielgud, dating from 1958 to 1999. Related collections: De Montfort University Library Source: Deposited by Theatre Archive Project staff, 2005-2009 System of arrangement: As received Subjects: Theatre Conditions of access: Available to all researchers, by appointment Restrictions: None Copyright: According to document Finding aids: Listed MS 349 THEATRE ARCHIVE PROJECT: ARCHIVE 349/1 Interviews on CD-ROM (Alphabetical listing) Interviewee Abstract Interviewer Date of Interview Disc no. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Three Men in a Boat the Passionate Stranger Dreaming
Only hard men wear cravats! See These Dangerous Years! Also on release this month: Three Men in a Boat This is My Street The Passionate Stranger The Bailiffs Dreaming The Flying Squad Elstree Calling Drake of England Laburnum Grove Loyalties Death is a Woman King’s Rhapsody The Comedy Man Mister Ten Per Cent All The Way Up Dead Men Are Dangerous Murder in Soho Hide and Seek Legendary crooner Frankie Vaughan stars with George Ian Hendry, June Ritchie, John Hurt, Annette Andre Baker, Kenneth Cope and Thora Hird in this 1957 and Mike Pratt feature among an outstanding cast drama directed by Herbert Wilcox. The first of four films in this mid-sixties realist drama from noted director produced by Wilcox’s wife Anna Neagle and starring Sidney Hayers. This Is My Street is presented Vaughan, These Dangerous Years is presented here in here in a brand-new transfer from the original film a brand-new transfer from the original film elements in elements in its as-exhibited theatrical aspect ratio. its as-exhibited theatrical aspect ratio. Jubilee Close, a drab street of decaying houses in Dave, a young Liverpudlian gang-leader and would-be London’s Battersea, is home to a cross-section of rock ‘n’ roll star, is conscripted into the army where, to working-class families. Yearning to escape from this everyone’s surprise, the rebellious youth makes good. depressing environment is the pretty, ambitious But then he is tricked by the camp bully into crossing Margery Graham; the victim of an enforced marriage... a minefield, causing the death of his best friend. -
8330 Jewish History Book
Cultural Exploring the vanishing Walks 1&2 Jewish East End night ‘hang out’. ‘The Waste’, as it was called, along Introduction Whitechapel, was another place of adventure and I worked there for a while for a man who called himself the ‘Pen By Steven Berkoff, King’. I worked for him occasional Saturdays and I believe still resident in the East End it was here that I first got my taste for acting. Eventually The East End, as I knew it from our family was re-housed to a council flat in Manor House, the brief time I spent there after N4. But for years I would take the No. 653 bus back to the the war, was a place of constant East End. I somehow found it hard to get away. activity. In the summer, my street mates and I would go swimming © Steven Berkoff 2003 by Tower Bridge; tons of sand had been placed on the shore Walk 1 and it became the Cockney’s Riviera. After a vigorous swim, it would be a treat to go to the Lyon’s teashop in Aldgate and avail ourselves of the Aldgate to Whitechapel Library goodies to be had there, tomato soup with mashed potatoes being the favourite. Artists, Cigarmakers and Markets Naturally Sunday morning in the ‘Lane’ was a must and a Starting point St. Botolph’s, Aldgate place to haggle with stamp collectors, since I was an avid Finishing point Whitechapel Library philatelist in those days. Weeknights were spent at the Oxford and St. George’s Boys Club in Berner Street, where I Estimate time 2.25 hours acquired high skills in ‘ping pong’, the working man’s tennis. -
Radio 7 Listings for 23 – 29 January 2010 Page
Radio 7 Listings for 23 – 29 January 2010 Page 1 of 6 SATURDAY 23 JANUARY 2010 There? (b007k48z) SUNDAY 24 JANUARY 2010 Episode 5 SAT 00:00 Terry Pratchett (b00b1p28) Concluding her own biography, campaigner Claire Rayner SUN 00:00 The Scarifyers (b008kl16) Small Gods recalls how she became an agony aunt, and her experience of [Repeat of broadcast at 18:00 on Saturday] Episode 1 cancer. SUN 00:30 Arthur C Clarke Stories (b007jv5s) Set in a complex state of beliefs, Great God Om appears before SAT 05:00 23/01/2010 (b00qb3bn) [Repeat of broadcast at 18:30 on Saturday] a novice monk - and is soon coming out of his shell... Join all your CBeebies friends for songs, rhymes and stories on SUN 01:00 The Other Side of the Hill (b007jz3h) There are gods everywhere on Discworld - you can't swing a BBC Radio 7. [Repeat of broadcast at 13:00 on Saturday] simian librarian without hitting one - except, of course, only a SAT 08:00 Big Toe Books (b00q9ym5) SUN 02:30 Anton Chekov's Uncle Vanya (b00q91yp) few people can see them. Each small god lies in wait, Kirsten O'Brien presents an hour of children's stories featuring The comic tragedy of lost hopes and stifled passion set in 1890s desperately seeking to make someone believe in him. On Corby Flood by Paul Stewart and Chris Riddell, read by Rosie Russia. Christopher Hampton's adaptation stars Robert Discworld, gods need people more than people need gods, for Wilkinson. Stephens. belief is the food of the gods. -
Shakespeare on Audio (CD, Vinyl & Cassette)
Shakespeare on Audio (CD, Vinyl & Cassette) Historical Recordings & Anthologies Shakespeare recordings have been in evidence from the earliest days of the wax cylinder, through the short-playing 78 rpm shellac discs of the 1930s and the long-playing 33 1/3 rpm vinyl discs (LPs) and reel-to-reel tapes of the 1950s, to the widely available audio cassettes, compact discs (CDs), videotapes, and digital recordings of the present. Before Orson Welles’s innovative Mercury Text Records series issued by Columbia Records in 1938, no one had attempted to record full-length audio versions of Shakespeare. Previously only isolated passages from the plays had been available, performed by fabled stage actors such as E.H. Sothern and Julia Marlowe, Herbert Beerbohm-Tree, Ellen Terry and a few others and recorded between 1890 and the First World War. Between the wars, Hamlet’s “O what a rogue and peasant slave…” and “How all occasions do inform…” and Macbeth’s “Is this a dagger…?” were recorded on 78s by such stars as Henry Ainley and John Barrymore, and included with other famous soliloquies and educational intent on Johnston Forbes-Robertson’s two-disc How to Speak Shakespeare (Columbia, 1928). These recordings existed almost entirely for the purpose of preserving a famous actor’s reading of a set speech. The custom of recording speeches and brief duologues by great actors, although partly a matter of technology and packaging (a speech can fill one side of a 78 rpm disk), reflects a cultural reality as well, an attitude toward Shakespeare that sees his plays as predominantly a collection of purple passages and wise saws. -
File Stardom in the Following Decade
Margaret Rutherford, Alastair Sim, eccentricity and the British character actor WILSON, Chris Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/17393/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/17393/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus 2S>22 Sheffield S1 1WB 101 826 201 6 Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE Margaret Rutherford, Alastair Sim, Eccentricity and the British Character Actor by Chris Wilson A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy September 2005 I should like to dedicate this thesis to my mother who died peacefully on July 1st, 2005. She loved the work of both actors, and I like to think she would have approved. Abstract The thesis is in the form of four sections, with an introduction and conclusion. The text should be used in conjunction with the annotated filmography. The introduction includes my initial impressions of Margaret Rutherford and Alastair Sim's work, and its significance for British cinema as a whole. -
Royal Jews: Jewish Life in Berkshire from the Readmission Till Today
10.14324/111.444.jhs.2016v47.014 Royal Jews: Jewish Life in Berkshire from the Readmission till Today jonathan romain In a previous article for Transactions,1 I covered the remarkable history of the medieval river Jews – those who arrived after the Norman Conquest, settled in London and then gradually moved out along the River Thames to places where Jews today go for Sunday picnics (to Windsor, Marlow, Henley), which were certainly not high-density Jewish areas in the Middle Ages, but where there was a Jewish presence. That came to an end following the expulsion of the Jews in 1290 and lasted until their readmission by Cromwell in 1656. In reality there were a few exceptions by those who made brief appearances in the area under examination, Berkshire (but occasionally straying across its borders to South Buckinghamshire and parts of Oxfordshire). One such individual was found in 1450 living near Eton College, which had been established ten years earlier by Henry VI. Once discovered, the only way he could remain in the country was to be baptized. This occurred under the auspices of the king and so he took the name Henry of Eton, presumably a way of reflecting both his loyalty to the monarch and his place of residence at the time. He went to live in the Domus Conversorum in London, but left after three years, after which his whereabouts are unknown.2 A much longer resident was a Jew who converted and took the name Henry of Windsor, who stayed there from 1488 until his death in 1509.3 Everything changed after Cromwell: Jews emerged in London and later migrated to the Home Counties, the area west of London covering Berkshire, Buckinghamshire, and Oxfordshire.