Equity Magazine Spring 2018 in This Issue
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Superheroic, Yes, but Smart and Subversive
SATURDAY, MARCH 22, 2014 New York City mayors turn to comedy at annual show Indian Bollywood actor Sidhant Singh poses with actress Priti Sharma on the set of the Hindi Film ‘Hum Toh Loot Liye’ in Mumbai on March 20, 2014. — AFP In this March 10, 2014 photo provided by the New York City Mayor’s Office, Mayor Bill de Blasio, left, and actor ‘Captain America: The Winter Soldier’ review: Steve Buscemi lift weights during the production of a video to promote the city’s annual Inner Circle dinner, in the Brooklyn borough of New York. — AP Superheroic, yes, but udolph Giuliani donning drag. Edward Koch stepping out of the mouth of a man-eating plant. Michael Bloomberg wear- Ring a harness and flying 20 feet in the air while dressed as Spiderman. The annual Inner Circle, the New York City news smart and subversive too media’s answer to the White House Correspondents’ Association dinner, gives mayors a chance to let their hair down - or, just as likely, put on a wig - and poke fun at both themselves and the city n one of the many Paddy Chayefsky- treatise about geopolitics as much as it’s a with Fury learning he needs to open up and they lead. Their appearances, which attempt to earn goodwill with penned monologues in “Network” that movie where a ripped guy throws a shield in have faith in his fellow man, it’s actually the reporters who cover them, also can help shape their image in Istill resonate today, Peter Finch’s news- people’s faces, but it does all the things it’s Captain America who discovers that not all the public eye. -
Cross-Cultural Casting in Britain: the Path to Inclusion, 1972-2012
Multicultural Shakespeare: Translation, Appropriation and Performance Volume 19 Shakespeare and/ in Europe: Connecting Voices Article 3 June 2019 Cross-Cultural Casting in Britain: The Path to Inclusion, 1972-2012 Jami Rogers Follow this and additional works at: https://digijournals.uni.lodz.pl/multishake Part of the Theatre and Performance Studies Commons Recommended Citation Rogers, Jami (2019) "Cross-Cultural Casting in Britain: The Path to Inclusion, 1972-2012," Multicultural Shakespeare: Translation, Appropriation and Performance: Vol. 19 , Article 3. DOI: 10.18778/2083-8530.19.03 Available at: https://digijournals.uni.lodz.pl/multishake/vol19/iss34/3 This Article is brought to you for free and open access by the Arts & Humanities Journals at University of Lodz Research Online. It has been accepted for inclusion in Multicultural Shakespeare: Translation, Appropriation and Performance by an authorized editor of University of Lodz Research Online. For more information, please contact [email protected]. Multicultural Shakespeare: Translation, Appropriation and Performance vol. 19 (34), 2019; http://dx.doi.org/10.18778/2083-8530.19.03 Jami Rogers Cross-Cultural Casting in Britain: The Path to Inclusion, 1972-2012 Abstract: This essay uses three productions to chart the progress of the integration of performers of African and Afro-Caribbean descent in professional British Shakespearean theatre. It argues that the three productions―from 1972, 1988 and 2012―each use cross-cultural casting in ways that illuminate the phases of inclusion for British performers of colour. Peter Coe’s 1972 The Black Macbeth was staged at a time when an implicit colour bar in Shakespeare was in place, but black performers were included in the production in ways that reinforced dominant racial stereotypes. -
Equity Magazine Autumn 2020 in This Issue
www.equity.org.uk AUTUMN 2020 Filming resumes HE’S in Albert Square Union leads the BEHIND fight for the circus ...THE Goodbye, MASK! Christine Payne Staying safe at the panto parade FIRST SET VISITS SINCE THE LIVE PERFORMANCE TASK FORCE FOR COVID PANDEMIC BEGAN IN THE ZOOM AGE FREELANCERS LAUNCHED INSURANCE? EQUITY MAGAZINE AUTUMN 2020 IN THIS ISSUE 4 UPFRONT Exclusive Professional Property Cover for New General Secretary Paul Fleming talks Panto Equity members Parade, equality and his vision for the union 6 CIRCUS RETURNS Equity’s campaign for clarity and parity for the UK/Europe or Worldwide circus cameras and ancillary equipment, PA, sound ,lighting, and mechanical effects equipment, portable computer 6 equipment, rigging equipment, tools, props, sets and costumes, musical instruments, make up and prosthetics. 9 FILMING RETURNS Tanya Franks on the socially distanced EastEnders set 24 GET AN INSURANCE QUOTE AT FIRSTACTINSURANCE.CO.UK 11 MEETING THE MEMBERS Tel 020 8686 5050 Equity’s Marlene Curran goes on the union’s first cast visits since March First Act Insurance* is the preferred insurance intermediary to *First Act Insurance is a trading name of Hencilla Canworth Ltd Authorised and Regulated by the Financial Conduct Authority under reference number 226263 12 SAFETY ON STAGE New musical Sleepless adapts to the demands of live performance during the pandemic First Act Insurance presents... 14 ONLINE PERFORMANCE Lessons learned from a theatre company’s experiments working over Zoom 17 CONTRACTS Equity reaches new temporary variation for directors, designers and choreographers 18 MOVEMENT DIRECTORS Association launches to secure movement directors recognition within the industry 20 FREELANCERS Participants in the Freelance Task Force share their experiences Key features include 24 CHRISTINE RETIRES • Competitive online quote and buy cover provided by HISCOX. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Graham Drover 1St Assistant Director
Graham Drover 1st Assistant Director Credits Include: YOU Directors: Robbie McKillop, Samira Radsi Dark Thriller Drama Series Producer: Derek Ritchie Featuring: tba Production Co: Kudos Film & TV / Sky Atlantic TIME Director: Lewis Arnold Crime Drama Producer: Simon Maloney Featuring: Sean Bean, Stephen Graham, Aneurin Barnard Production Co: BBC One DES Director: Lewis Arnold Drama Producer: David Meanti Featuring: David Tennant, Daniel Mays, Jason Watkins Production Co: New Pictures / ITV THE SMALL HAND Director: Justin Molotnikov Thriller Producer: Jane Steventon Featuring: Louise Lombard, Douglas Henshall, Neve McIntosh Production Co: Awesome Media & Entertainment / Channel 5 ELIZABETH IS MISSING Director: Aisling Walsh Drama Producer: Chrissy Skinns Featuring: Glenda Jackson, Helen Behan, Sophie Rundle Production Co: STV / BBC One BAFTA Nomination for Best Single Drama GUILT Director: Robbie McKillop Dark Crime Thriller Producer: Jules Hussey Featuring: Mark Bonnar, Jamie Sives, Sian Brooke Production Co: Happy Tramp North / Expectation / BBC One ROSE Director: Jennifer Sheridan Horror Producers: Sara Huxley, April Kelley, Matt Stokoe, Robert Taylor Featuring: Sophie Rundle, Matt Stokoe, Olive Grey Production Co: Mini Productions / The Development Partnership DARK MON£Y Director: Lewis Arnold Drama Producer: Erika Hossington Featuring: Rudi Dharmalingam, Rebecca Front, Jill Halfpenny Production Co: The Forge / BBC One Creative Media Management | 10 Spring Bridge Mews | London | W5 2AB t: +44 (0)20 3795 3777 e: [email protected] -
Talking Heads Alan Bennett Thora Hird
Talking heads alan bennett thora hird Talking Heads is a series of dramatic monologues written for BBC television by British playwright Alan Bennett. Julie Walters, Patricia Routledge and Thora Hird appear as different characters in both series. The show was produced by Innes Summary · Cast and crew · Episodes · Nominations and awards. Great actress. Thank you Thora Hird - thank you Alan Bennet - thank you Ken Doh. I don't really understand. Waiting for the Telegram | Alan Bennett Talking Heads | Alan Bennett . A Cream Cracker under the Settee. meanwhile at Thora Hirds warden controlled flat, playwright and author of talking heads, Alan Bennett has. Main image of Thora Hird and Alan Bennett for Hird, this time placing her centre stage in the two monologues that closed each series of Talking Heads (BBC. A monologue by Alan Bennett, starring Thora Hird as an independent old lady who has a fall that decides her future. Drama monologue written by Alan Bennett, starring Dame Thora Hird. Violet's long life includes two telegrams, both from the monarch. Awaiting. Alan Bennett at the BBC [DVD] by John Normington DVD £ The likes of Thora Hird, Patricia Routledge, Maggie Smith and Julie Walters deliver a. Talking Heads - The Complete Talking Heads: Thora Hird, Alan Bennett, Maureen Lipman, Maggic Smith: : LOVEFiLM By Post. Drama · Six monologues tell the stories of six different repressed souls: a man dominated by his With Alan Bennett, Stephanie Cole, Thora Hird, Patricia Routledge. Six monologues tell the stories of six different repressed souls: a man. Obituary: Thora Hird, a much-loved actor whose performances this time for Alan Bennett's Talking Heads monologue, Waiting For The. -
Julius Caesar
BAM 2013 Winter/Spring Season Brooklyn Academy of Music BAM, the Royal Shakespeare Company, Alan H. Fishman, and The Ohio State University present Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Julius Vice Chairman of the Board Karen Brooks Hopkins, President Joseph V. Melillo, Caesar Executive Producer Royal Shakespeare Company By William Shakespeare BAM Harvey Theater Apr 10—13, 16—20 & 23—27 at 7:30pm Apr 13, 20 & 27 at 2pm; Apr 14, 21 & 28 at 3pm Approximate running time: two hours and 40 minutes, including one intermission Directed by Gregory Doran Designed by Michael Vale Lighting designed by Vince Herbert Music by Akintayo Akinbode Sound designed by Jonathan Ruddick BAM 2013 Winter/Spring Season sponsor: Movement by Diane Alison-Mitchell Fights by Kev McCurdy Associate director Gbolahan Obisesan BAM 2013 Theater Sponsor Julius Caesar was made possible by a generous gift from Frederick Iseman The first performance of this production took place on May 28, 2012 at the Royal Shakespeare Theatre, Leadership support provided by The Peter Jay Stratford-upon-Avon. Sharp Foundation, Betsy & Ed Cohen / Arete Foundation, and the Hutchins Family Foundation The Royal Shakespeare Company in America is Major support for theater at BAM: presented in collaboration with The Ohio State University. The Corinthian Foundation The Gladys Krieble Delmas Foundation Stephanie & Timothy Ingrassia Donald R. Mullen, Jr. The Fan Fox & Leslie R. Samuels Foundation, Inc. Post-Show Talk: Members of the Royal Shakespeare Company The Morris and Alma Schapiro Fund Friday, April 26. Free to same day ticket holders The SHS Foundation The Shubert Foundation, Inc. -
Theatre Archive Project Archive
University of Sheffield Library. Special Collections and Archives Ref: MS 349 Title: Theatre Archive Project: Archive Scope: A collection of interviews on CD-ROM with those visiting or working in the theatre between 1945 and 1968, created by the Theatre Archive Project (British Library and De Montfort University); also copies of some correspondence Dates: 1958-2008 Level: Fonds Extent: 3 boxes Name of creator: Theatre Archive Project Administrative / biographical history: Beginning in 2003, the Theatre Archive Project is a major reinvestigation of British theatre history between 1945 and 1968, from the perspectives of both the members of the audience and those working in the theatre at the time. It encompasses both the post-war theatre archives held by the British Library, and also their post-1968 scripts collection. In addition, many oral history interviews have been carried out with visitors and theatre practitioners. The Project began at the University of Sheffield and later transferred to De Montfort University. The archive at Sheffield contains 170 CD-ROMs of interviews with theatre workers and audience members, including Glenda Jackson, Brian Rix, Susan Engel and Michael Frayn. There is also a collection of copies of correspondence between Gyorgy Lengyel and Michel and Suria Saint Denis, and between Gyorgy Lengyel and Sir John Gielgud, dating from 1958 to 1999. Related collections: De Montfort University Library Source: Deposited by Theatre Archive Project staff, 2005-2009 System of arrangement: As received Subjects: Theatre Conditions of access: Available to all researchers, by appointment Restrictions: None Copyright: According to document Finding aids: Listed MS 349 THEATRE ARCHIVE PROJECT: ARCHIVE 349/1 Interviews on CD-ROM (Alphabetical listing) Interviewee Abstract Interviewer Date of Interview Disc no. -
Spotlight Features and Shines the Spotlight on Hollywood Blockbusters, Award Winners and Memorable Movies
June 2015 HDNet Movies delivers the ultimate movie watching experience – uncut - uninterrupted – all in high definition. HDNet Movies showcases a diverse slate of box-office hits, iconic classics and award winners spanning the 1950s to 2000s. HDNet Movies also features kidScene, a daily and Friday Night program block dedicated to both younger movie lovers and the young at heart. For complete movie schedule information, visit www.hdnetmovies.com. Follow us on Twitter: @HDNetMovies and on Facebook. Each Month HDNet Movies rolls out the red carpet Spotlight Features and shines the spotlight on Hollywood Blockbusters, Award Winners and Memorable Movies The Big Lebowski Glory rd th June 3 , 7:30pm June 10 , 8:10pm Starring Jeff Bridges, John Goodman, Julianne Moore. Starring Matthew Broderick, Denzel Washington, Directed by Joel Coen Cary Elwes. Directed by Edward Zwick Black Hawk Down Highlander st June 1 , 8:45pm June 6th, 8:00pm Starring Josh Harnett, Ewan McGregor, Tom Starring Christopher Lambert, Roxanne Hart, Sean Sizemore. Directed by Ridley Scott Connery. Directed by Russell Mulcahy Flight of the Phoenix (Premiere) Tears of the Sun th June 6 , 6:05pm June 10th 5:35pm Starring Dennis Quaid, Tyrese Gibson, Giovanni Ribisi. Starring Bruce Willis, Monica Bellucci, Cole Hauser. Directed by John Moore Directed by Antoine Fuqua Make kidScene your destination every day. Check program schedule or www.hdnetmovies.com for all scheduled broadcasts. Annie Like Mike 2 Starring Albert Finney, Carol Burnett, Tim Curry. Starring Jascha Washington, Kel Mitchell, Michael Beach. Directed by John Huston Directed by David Nelson Aquamarine Muppets Take Manhattan Starring Emma Roberts, Joanna Levesque, Sara Featuring voices of Jim Henson, Frank Oz and starring Paxton. -
Fassbinder Retrospective
IN CASE YOU MISSED IT Lindsey Kelk Copyright Published by HarperCollinsPublishers Ltd 1 London Bridge Street London SE1 9GF www.harpercollins.co.uk First published in Great Britain by HarperCollins 2020 Copyright © Lindsey Kelk 2020 Cover design by Holly Macdonald © HarperCollinsPublishers Ltd 2020 Cover illustrations © Lucy Truman/Meiklejohn Lindsey Kelk asserts the moral right to be identified as the author of this work. Excerpt from ‘The Love Song of J. Alfred Prufrock’ taken from COLLECTED POEMS 1909-1962 by T.S. Eliot. Copyright © 1952 by Houghton Mifflin Harcourt Publishing Company, renewed 1980 by Esme Valerie Eliot. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company. All rights reserved. Also taken from The Complete Poems and Plays by T.S. Eliot © 1952. Reprinted by permission of Faber and Faber Limited A catalogue copy of this book is available from the British Library. This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e- book on screen. No part of this text may be reproduced, transmitted, down- loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. -
Issue 56 June 2019
Registered Charity: 292643 Web: www.bcusg.org Email: [email protected] Supportline twitter@BCUSG Issue 56 June 2019 BCUSGWelcomes more accurately and funds to upgrade new president a solid-state gamma camera, which will provide better images for cancer Stephanie Cole diagnosis. New president Stephanie Cole Stephanie who lives near Bath was born joined the BCUSG and senior in Solihull and trained at the Bristol Old health professionals from the Vic School making her debut at Bristol Oncology and Radiotherapy Old Vic at the age of 17 playing a 90 year unit at the RUH for a tour of the old woman! department in November 2018. Theatre credits include Rose with “I am very honoured to have Glenda Jackson at the Duke of Yorks, been asked to be President of this Noises Off at the Savoy Theatre, Steel wonderful charity that has and Magnolias at the Lyric Theatre and The is benefi tting so many people Photo by Simon Annand Relapse at the Old Vic. Recent theatre in our area. I was so amazed at appearances have been at the Bristol what has already been achieved and the plans for Old Vic as part of their 250th anniversary year and the future are very exciting. Talking to people who “A cream cracker under the settee” at the Theatre have already benefi tted brings home how very Royal Bath as part of Alan Bennett’s Talking Heads. worthwhile and what a great job it does.” Her high profi le television roles include Tenko, The BCUSG has an army of volunteers who work Open All Hours, A Bit of a Do, Waiting for God, tirelessly to support local cancer patients by raising Keeping Mum, Doc Martin, Still Open All Hours, Man money for vital equipment not provided by the NHS.