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Masters of the Universe: Action Figures, Customization and Masculinity
MASTERS OF THE UNIVERSE: ACTION FIGURES, CUSTOMIZATION AND MASCULINITY Eric Sobel A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2018 Committee: Montana Miller, Advisor Esther Clinton Jeremy Wallach ii ABSTRACT Montana Miller, Advisor This thesis places action figures, as masculinely gendered playthings and rich intertexts, into a larger context that accounts for increased nostalgia and hyperacceleration. Employing an ethnographic approach, I turn my attention to the under-discussed adults who comprise the fandom. I examine ways that individuals interact with action figures creatively, divorced from children’s play, to produce subjective experiences, negotiate the inherently consumeristic nature of their fandom, and process the gender codes and social stigma associated with classic toylines. Toy customizers, for example, act as folk artists who value authenticity, but for many, mimicking mass-produced objects is a sign of one’s skill, as seen by those working in a style inspired by Masters of the Universe figures. However, while creativity is found in delicately manipulating familiar forms, the inherent toxic masculinity of the original action figures is explored to a degree that far exceeds that of the mass-produced toys of the 1980s. Collectors similarly complicate the use of action figures, as playfully created displays act as frames where fetishization is permissible. I argue that the fetishization of action figures is a stabilizing response to ever-changing trends, yet simultaneously operates within the complex web of intertexts of which action figures are invariably tied. To highlight the action figure’s evolving role in corporate hands, I examine retro-style Reaction figures as metacultural objects that evoke Star Wars figures of the late 1970s but, unlike Star Wars toys, discourage creativity, communicating through the familiar signs of pop culture to push the figure into a mental realm where official stories are narrowly interpreted. -
Die Pyramide Der Unsterblichkeit (Motu-Hspfolge 31, Script: H.G.Francis, Getippt V
Die Pyramide der Unsterblichkeit (MotU-HspFolge 31, Script: H.G.Francis, getippt v. M. Gall) [Titelmusik / Werkstatt] He-Man: Man-at-Arms, ich habe eine Idee. Man-at-Arms: Heraus damit, He-Man. Um was geht es. He-Man: Ich finde es an der Zeit, Skeletor einmal richtig auf den Arm zu nehmen. Man-at-Arms: (schmunzelnd) Du willst Skeletor zum Narren machen. Das hätte er allerdings verdient. Aber wie stellst du dir das vor? He-Man: (lacht auf) Ganz einfach, Waffenmeister: Bisher hat sich Skeletor auf alles gestürzt, was ihm wichtig erschien und was er glaubte gegen uns verwenden zu können. Einmal war es ein Buch, dann das Vermächtnis eines Magiers. Man-at-Arms: Ja, richtig … Und jetzt willst du ihm einen Köder hinwerfen, an dem er sich verschlucken soll. He-Man: Ja, genau das. In der Bibliothek habe ich ein Buch entdeckt – es heißt: „Die Pyramide der Unsterblichkeit“. Es ist ein dummes Buch. So eine Art Märchenbuch. Aber so geschrieben, als ginge es dabei um die pure Wahrheit. Man-at-Arms: (lachend) Skeletor wird glauben, dass er mit Hilfe des Buchs unsterblich werden kann. He-Man: Genau davon bin ich überzeugt. Er wird sich aufführen wie ein Narr. Und für uns gibt es was zu lachen. Man-at-Arms: (begeistert) Das wäre genau das Richtige für unser Fest, das morgen beginnen soll. (freudig nachdenklich) Aber wie gehen wir vor? He-Man: Pass auf! Das hab ich mir so vorgestellt … [gediegene Musik / Skeletor-Motiv] Erzähler: Skeletor, der Herr des Bösen, lag krank im Bett. Hordak, der Oberbefehlshaber der Horde, King-Hiss, der König der Schangenmenschen, Rattlor, Tung-Lashor, Kobra-Khan und Evil-Lyn waren bei ihm und versuchten ihm zu helfen. -
Creating a Character
This game is based on Mattel's Masters of the Universe. It would be nothing without the many people involved in creating the brand and everything connected to it. I've tried to acknowledge everyone that I know had a part but there's bound to be omissions. Thanks to everyone involved. A brand as large as this is not easy to wrap one's head around and while there's only one writer of this game most of the information here was originally collected by fans and shared on various websites, mailing lists and forums. I owe a great gratitude to all those people and I've tried to credit everyone but there might be people I've neglected to mention. I'd be happy to correct any mistakes, and change online aliases to the correct names if you wish. This is version 0.4 MOTU RPG created by Daniel Schenström Masters of the Universe Classics (MOTUC) entries in this game mostly written by Scott Neitlich and Danielle Gelehrter. Masters of the Universe created and expanded by: Roger Sweet, Mark Taylor, Ted Mayer, Tony Guerro, Donald F. Glut, Alfredo Alcala, Colin Bailey, Michael Halperin, Bruce Timm, Tim Kilpin, Lou Scheimer, Dave Capper, Alan Tyler, Ed Watts, Mark Jones, James McElroy, Mike McKittrick, William George, Dave Maurer, Jim Keifer, Dave Wolfram, Stephen Lee, Scott Neitlich, Val Staples, Emiliano Santalucia, Josh Van Pelt, James Eatock, Robert Lamb, David Wise, Paul Dini, Larry DiTillio, J. Michael Stracszynski, Rowby Goren, Warren Greenwood, Gary Cohn, George Caragonne, Ron Wilson, Evelyn Stein, Thanks to: he-man.org, The Power and Honor Foundation, Mattel, Patrick Fogarty, the He-man wiki, Illustrations by: Daniel Schenström Two images are extensions and baed off of Filmation animation background plates. -
Action Figures
Action Figures Star Wars (Kenner) (1977-1983) Power of the Force Complete Figures Imperial Dignitary Masters of the Universe (1982-1988) Wave 1 Complete Figures Battle Ram (Vehicle) Castle Grayskull (Playset) Accessories Man-At-Arms - Mini-comic (The Vengeance of Skeletor), Mace, Leg Armor Zodac - Mini-comic (The Vengeance of Skeletor or Slave City!) Beast Man - Whip, Spiked Arm Band, Spiked Arm Band Mer-Man - Mini-comic Teela - Snake Staff Wave 2 Accessories Trap Jaw - Mini-comic (The Menace of Trap Jaw!), Hook Arm, Rifle Arm Wave 3 Complete Figures Battle Armor He-Man Mekaneck (figure and accessories detailed below) Accessories Battle Armor Skeletor - Ram Staff Webstor - Grapple Hook with string Fisto - Sword Orko - Mini-comic (Slave City!), Magic Trick Whiplash - Mini-comic (The Secret Liquid of Life) Weapons Pack - Yellow Beast Man Chest Armor, Yellow Beast Man Arm Band, Gray Grayskull Shield, Gray Grayskull Sword Mekaneck - Club, Armor Wave 4 Complete Figures Dragon Blaster Skeletor (figure and accessories detailed below) Moss Man (figure and accessories detailed below) Battle Bones (Creature) Land Shark (Vehicle) Accessories Dragon Blaster Skeletor - Sword, Chest Armor, Chain, Padlock Hordak - Mini-comic (The Ruthless Leader's Revenge) Modulok - 1 Tail, Left Claw Leg Moss Man - Brown Mace Roboto - Mini-comic (The Battle for Roboto) Spikor - Mini-comic (Spikor Strikes) Fright Zone - Tree, Puppet, Door Thunder Punch He-Man - Shield Wave 5 Complete Figures Flying Fists He-Man Horde Trooper (figure and accessories detailed below) Snout -
She-Ra and the Princesses of Power As Queer Monomyth
She-Ra and the Princesses of Power as Queer Monomyth By Paul Thomas* ORCID: 0000-0002-5596-7951 Scheduled to be published as: Thomas, Paul. “She-Ra and the Princesses of Power as Queer Monomyth.” Journal of Popular Culture, vol. 54, no. 5, 2021. Abstract In this essay, the author considers the animated television program She-Ra and the Princesses of Power (2018-20) and argues two main things: First, that the She-Ra reboot can be read as monomythic, and second, that it employs the monomyth while also queering normative understandings of heroic gender and sexuality. The end result is a critical remix that stars a hero—Adora—who can be understood as both queer and monomythic. She-Ra and the Princesses of Power thus stands out from the rest of the pack, serving as a shining example for writers wanting to “rehabilitate” Campbell’s monomyth in our increasingly queer, feminist, and intersectional world. Keywords Gender theory, LGBT, Myth, Popular culture, animation * Paul Thomas is a library specialist at the University of Kansas ([email protected]) as well as a student in the Doctor of Philosophy (Ph.D.) degree program in the School of Library and Information Management, Emporia State University ([email protected]). In 1949, the comparative mythologist Joseph Campbell published The Hero with a Thousand Faces, in which he argued that “the standard path of the … adventure of the hero is a magnification of the formula represented in the rites of passage: separation-initiation-return: which might be named the nuclear unit of the monomyth” (J. -
She Ra and the Princesses of Power: Typing (Spoilers About Season 3 Included)
She Ra and the princesses of power: typing (spoilers about season 3 included) the rebellion The Best Friend Squad Adora/She-Ra : ESI the character of Adora is very comparable to the MCU’s Captain America as well in it’s ability as in her psychology. Both are hero guided by human compassion (white ethic), competent leader (black sensing) and with a clear weak black intuition (her general black and white morality and her fear of the worst outcomes in the 4th episode of season 2 is quite exemplar of it). LSI would have be possible due to her strategic abilities but her choice of the rebellion against the Horde (a clear Beta faction) indicate that she is not. Her general temper of Ixxj over any other temperaments and her obvious of black sensing ( how she admire Huntara for her brutal strength and her roguish temper in season 3 impede all possibility of EII or LII for this character). Glimmer and Bow: both ESEs Glimmer and Bow are very similar to each-other, both are very expansive and tend to involve emotionally others in a positive way with easiness. You can compare their ESE’s positive black ethics fueled by peaceful white sensing with Catra’s and Shadow weaver charismatic but violent black ethic fueled by a valuing of aggressive black sensing. In the episode 7 of season 1 their valuing of white sensing (relaxation oriented function) is explicit when they show their loving of relaxation in water of Glimmer’s aunt castle. None of them is particularly future oriented and don’t understand the concern of Adora about a long term plan (indicating their vulnerable white intuition). -
Australian Bryological Newsletter
Number 61 October 2012 IN THIS ISSUE 2 ‘Excellent, now I can concentrate on the liverworts.’ — A testimony to the work of John Braggins .............................................................................................. Rod Seppelt and others 8 Beyond bryology ....................................................................................................... David Meagher 9 Report on the XIth Australian Bryological Workshop ............................... Sapphire McMullan-Fisher 13 Niphotrichum elongatum (Frisvoll) Bednarek-Ochyra & Ochyra (Grimmiaceae) new to New Zealand and the Southern Hemisphere ......................... Bill Malcolm and Jim Shevock 15 Australian Mosses Online ...................................................................................... Patrick McCarthy 16 Bryologists and bryophytes at the 2012 ASBS Perth Conference ..... Alison Downing and Elizabeth Brown 19 What’s that green stuff? ............................................................................................ David Meagher Australia – New Zealand – Indonesia – Timor-Leste – Papua Niugini – Nouvelle Calédonie – Solomon Islands – Vanuatu Australasian Bryological Newsletter 61 ‘Excellent, now I can concentrate on the liverworts.’ — A testimony to the work of John Braggins Rod Seppelt and others Once upon a time in the land of the long clouds, something stirred beneath the ferns at the bottom of the garden. It was a dark and chilly night — as it always is in the good stories — on the 9th of August, 1944, when young John rattled the cage. So began the career of another highly respected New Zealand biologist, one who projects a long and diverse legacy which, I am happy to say, continues despite the bureaucratic pressures from those who apparently know better. One of the reasons I admire John as a botanist is because he is extremely skilful at something that I (and others, as we have heard) regard as very important — he can tell one plant from another, and tell you what their names are. -
Estimate: £30 - 50 * Estimate: £30 - 50 *
ALL PURCHASERS0.2 PLEASE NOTE - All lots must be collected within 3 days of the sale. For goods left on our premises - whether paid for or not - for more than 5 days after the date of the sale, Beeston Auction House reserves the right to charge storage fees as outlined in our Buyers T's & C's. All items will be sold under the Auctioneers Margin Scheme unless otherwise indicated. Please note that imperfections are not indicated in this catalogue. The terms, 'bronze', 'silver' and 'gold' may refer to the grades in which medals, badges etc., were awarded and not to their composition. Where we are unsure of age or authenticity the word "style" has been used in the description. It is the customers responsibility to read descriptions thoroughly and satisfy themselves before bidding. Items can not be removed from the premises until full payment has been received. 1 A new, boxed and sealed 1990, Buckingham 8 A collection of 19 Britains pre war British Toys, TCR Track Lock; Alain Prost Super Infantry lead soldiers and assorted accessories. Course #3611-3. Box contains: 13ft of track, 1 Figures in differing play worn conditions and Ferrari Testarossa, 1 Porsche 959, 2 hand positions to include: sitting gunners, marching controllers, 1 transformer (incorporating plug) with slung rifles and loose arm with rifles. Other and 1 lap counter. Cellophane has tear to accessories include bunker, tents and height bottom right corner front and back. finder. Estimate: £30 - 50 * Estimate: £30 - 50 * 2 A new, boxed and sealed 1990, Buckingham 9 A collection of 12 Britains pre war lead soldiers Toys, TCR Track Lock; Super Challenge # together with a sentry box. -
Chuck Jones 1 Chuck Jones
Chuck Jones 1 Chuck Jones Chuck Jones Chuck Jones (1978). Nombre real Charles Martin Jones Nacimiento Spokane, Washington, Estados Unidos 21 de septiembre de 1912 Fallecimiento Corona del Mar, California, Estados Unidos 22 de febrero de 2002 (89 años) Familia Cónyuge Dorothy Webster (1935 - 1978) Marian J. Dern (1981 - 2002) Hijo/s Linda Jones Clough Premios Premios Óscar Óscar honorífico 1996 Por su trabajo en los dibujos animados Mejor cortometraje animado 1965 The Dot and the Line [1] Sitio oficial [2] Ficha en IMDb Charles Martin "Chuck" Jones (Spokane (Washington), 21 de septiembre de 1912 – Corona del Mar (California), 22 de febrero de 2002) fue un animador, caricaturista, guionista, productor y director estadounidense, siendo su trabajo más importante los cortometrajes de Looney Tunes y Merrie Melodies del estudio de animación de Warner Brothers. Entre los personajes que ayudó a crear en el estudio se encuentran El Coyote y el Correcaminos, Pepe Le Pew y Marvin el Marciano. Tras su salida de Warner Bros. en 1962, fundó el estudio de animación Sib Tower 12 Productions, con el que produjo cortometrajes para Metro-Goldwyn-Mayer, incluyendo una nueva serie de Tom y Jerry y el especial de televisión El Grinch: el Cuento Animado. Jones obtuvo un premio Óscar por su cortometraje The Dot and the Line (1965) y otro honorífico por su labor en la industria cinematográfica.[] Chuck Jones 2 Biografía Primeros años Chuck Jones nació en la ciudad de Spokane (Washington), fue el cuarto hijo de Charles Adam y Mabel Jones. Pocos meses después de su nacimiento se mudó junto a su familia a Los Ángeles (California), específicamente al área de Sunset Boulevard.[] Su hogar estaba ubicado a unas cuadras del estudio de Charles Chaplin, por lo que iba a ver cómo filmaban las películas.[] La pantomima utilizada en las películas mudas fue una importante influencia para su posterior trabajo como animador.[3][] Jones le ha dado el crédito a su padre por su inclinación al arte. -
By James Kerr Edition 2, Last Revised: 2015-06-10
By James Kerr Edition 2, Last Revised: 2015-06-10 Disclaimer This game shall never be sold nor resold. It is in no way sponsored nor endorsed by Key People Matel, nor any of its affi liates. The content This game thanks Kevin O’Brien, whose of this booklet are for the exclusive use youthful enthusiasm for the material inspired of fun-good-times, and should not be this project. sold, rented, nor used for any commercial enterprise in any way, shape, or form. This game is created by a Masters of the Universe fan, for fans themselves. It is not meant to step on Matel’s or anyone else’s toes, but designed to respect their creations. ‘He-Man’ and ‘Masters of the Universe’ are registered trademarks of Matel, and Filmation, and I’m sure there are a lot of other fi ngers in the He-Man pie, too, none of which are mine. 80s Toybox RPG by James Kerr Introduction In 1987 James Kerr placed a peanut butter 80’s Toy Box RPG rules upon which this game sandwich in his parent´s VCR and was is based are structured to appeal to the transported to a magical world where he toy collecting nature of its subject matter. was taught by long-dead druids the secrets You begin by deciding what kind of a child of dice rolling, community, and dungeon you are, then rotating through segments mastership. Returning to this world he has that represent both moving around your been playing roleplaying games most of childhood house playing action fi gures and a his adult life, and hasn’t been able to resist cartoon episode between commercials. -
Morphological Conservation in Human-Animal Hybrids in Science Fiction and Fantasy Settings: Is Our Imagination As Free As We Think It Is?
Advances in Anthropology 2013. Vol.3, No.3, 157-163 Published Online August 2013 in SciRes (http://www.scirp.org/journal/aa) http://dx.doi.org/10.4236/aa.2013.33021 Morphological Conservation in Human-Animal Hybrids in Science Fiction and Fantasy Settings: Is Our Imagination as Free as We Think It Is? Matthieu J. Guitton1,2 1Faculty of Medicine, Laval University, Quebec City, Canada 2Institut Universitaire en Santé Mentale de Québec, Quebec City, Canada Email: [email protected] Received March 1st, 2013; revised April 3rd, 2013; accepted May 20th, 2013 Copyright © 2013 Matthieu J. Guitton. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. The question of whether human imagination knows no boundaries or is, alternatively, constrained by conscious or unconscious cognitive templates is a key issue in defining human mind. We try here to ad- dress this extremely large question by focusing on one particular element of imaginary creations, the spe- cific case of human-animal hybrids. Human-animal hybrids are common inhabitants of human imaginary spaces, being regularly encountered across numerous mythologies, as well as in modern popular culture. If human imagination was unconstrained, it would be expected that such hybrid creatures would display roughly half human and half animalistic features. Using several different popular science fiction and fan- tasy settings, we conducted an analysis of the morphological traits of human-animal hybrids, both ana- tomical and phenotypic. Surprisingly, we observed extremely high conservation of human morphological traits in human-animal hybrids, with a contrasting high use of phenotypic (“cosmetic”) alterations, and with highly stereotyped patterns of morphological alterations. -
Contents a MESSAGE from the PRESIDENT &
A MESSAGE FROM THE PRESIDENT & CEO Contents A Message from the President & CEO 1 Music Director Jacques Lacombe 2 NJSO Orchestra Roster 3 Musician Spotlight: Derek Fenstermacher 4 Greetings! A Take 6 Holiday At the NJSO, the months of December and January are with the NJSO typically busy—this season, more so than ever with the Dec 13–14 5 addition of the Messiah and Warner Bros. Presents Bugs Bunny at the Symphony II performances, leading into the Education & Community NJSO’s traditional January Winter Festival. Engagement Notes : NJSO Youth Orchestras 7 This year’s Winter Festival is the first of a two-year project showcasing music inspired by the works of Handel’s Messiah William Shakespeare, celebrating the 450th anniversary Dec 19–21 8 of his birth. We are thrilled to present violinist Sarah Warner Bros. Presents Chang in a two-week residency, made possible by Bank Bugs Bunny at of America. During her residency, Chang will perform the Symphony II in all six of the NJSO’s performance venues, as well as Jan 3–4 15 work with the students in the NJSO Academy’s Youth Orchestras and CHAMPS programs. Just imagine the Winter Festival: impact these personal visits will have on the hearts and Lacombe Conducts minds of these young people! Romeo and Juliet Jan 9–11 Finally, I would like to commend those subscribers and 23 single ticket buyers who make an annual donation to Winter Festival: the NJSO, and I would encourage those of you who have Sarah Chang not previously made a donation to seriously consider Plays Bernstein participating in our “Friend in Every Seat” program.