Issue 82 – August 2018 Chairman’S Column
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Tennis-NZ-Roll-Of-Honour V3.Pdf
Tennis New Zealand 2012 HonourRoll of Contents New Zealand Tennis Representatives at the Olympic Games 2 ROLL OF HONOUR New Zealand Players in the final 8 at Grand Slams 2 New Zealand Players in finals at Junior Grand Slams 3 New Zealand in Davis Cup 4 Tennis New Zealand New Zealand Davis Cup Statistics 8 honours the achievements of all New Zealand in Fed Cup 10 the players and administrators National Championships 13 listed here... New Zealand Indoor Championships 16 New Zealand Residential Championships 16 BP National Championships 17 Fernleaf Butter Classic 17 Heineken Open 17 ASB Classic 18 National Teams Event for the Wilding Shield and Nunneley Casket 19 New Zealand Junior Championships 18u 20 National Junior Championships 16u 23 National Junior Championships 14u 24 National Junior Championships 12u 26 National Junior Championships 15u 27 National Junior Championships 13u 27 New Zealand Masters Championships 27 National Senior Championships 28 National Primary/Intermediate Schools Championships 38 Secondary Schools Tennis Championships 39 National Teams Event 16u 40 National Teams Event 14u 40 National Teams Event 12u 41 National teams Event 18u 41 Past Presidents and Board Chairs 42 Life Members 42 Roll of Honour 1 New Zealand Tennis Representatives at the Olympic Games YEAR GAMES NAME EVENT MEDAL 1912 Games of the V A F Wilding Men’s Singles Bronze Olympiad, Stockholm (Australasian Team) (Covered Courts) 1988 Games of the XXIV B J Cordwell Women’s Singles Olympiad, Seoul B P Derlin Men’s Doubles (K Evernden & B Derlin) K G Evernden -
The Art of Lawn Tennis
.;.;' .- H41m -^nra usnffl«iHHnBnHmn HIHiSB lilll Hi iwi HH IHHHRhu MB __ EsyHNHRHQBS&F mmHHHHBn^^SP mm mwHw HlHiUliH Milffliilii.ror»» MIBBiiili HHHlllliil Class Book CopigM . COHRIGHT deposit THE ART OF LAWN TENNIS WILLIAM T. TILDEN KfSO PLATE I WILLIAM T. TILDE M- Champion of the world, in action. THE ART OF LAWN TENNIS BY WILLIAM TrTILDEN %» CHAMPION OF THE WORLD WITH THIBTY ILLUSTRATIONS NEW Xlir YORK GEORGE H. DORAN COMPANY COPYRIGHT, 1921, BY GEORGE H. DORAN COMPANY PRINTED IN THE UNITED STATES OF AMERICA APR -I 1921 _ ©CLA611413 « To E. D. K AND M. W. J. MY "BUDDIES" W. T. T. n INTRODUCTION Tennis is at once an art and a science. The game as played by such men as Norman E. Brookes, the late Anthony Wilding, William M. Johnston, and R. N. Williams is art. Yet like all true art, it has its basis in scientific methods that must be learned and learned thoroughly for a foundation before the artistic structure of a great tennis game can be con- structed. Every player who helps to attain a high degree of efficiency should have a clearly defined method of development and adhere to it. He should be certain that it is based on sound principles and, once assured of that, follow it, even though his progress seems slow and discouraging. I began tennis wrong. My strokes were wrong and my viewpoint clouded. I had no early training such as many of our American boys have at the pres- ent time. No one told me the importance of the fundamentals of the game, such as keeping the eye on the ball or correct body position and footwork. -
Twenty Years of Lawn Tennis; Some Personal Memories
TWENTY YEARS OF LAWN TENNIS TWENTY YEARS OF LAWN TENNIS SOME PERSONAL MEMORIES BY A. WALLIS MYERS C.B.E. WITH A FRONTISPIECE LONDON: METHUEN & GO. LTD. NEW YORK GEORGE H. DORAN COMPANY TO SIR THEODORE COOK CONTENTS CHAP. PAGE I. ON AND OFF THE CENTRE COURT . .1 II. MORE MEMORIES OF WIMBLEDON . .12 III. ROUND THE HOME COURTS . .32 IV. PLACES AND PLAYERS ON THE CONTINENT . 53 V. RIVIERA RECOLLECTIONS . .66 VI. THROUGH SOUTH AFRICA . .84 VII. AMERICA AND AMERICAN INVADERS . 103 VIII. DAVIS CUP MATCHES . .118 IX. UNDER COVER . .146 X. THE LESSON OF MLLE LENGLEN . 166 INDEX . .177 The Frontispiece is from a Photograph by Elliott 6s Fry Ltd. vii TWENTY YEARS OF LAWN TENNIS CHAPTER I ON AND OFF THE CENTRE COURT MUST begin these reminiscences on a note of sadness. Wimbledon is passing ! Not the in- I stitution which the world knows as the lawn tennis championships, but the ground hallowed by the history of the game a history shoemarked on its courts. It is rather a tragic thought, this uprooting of a shrine saluted for twoscore years and more by every disciple of lawn tennis in this country and by many a pilgrim from distant lands. After another June, or possibly two, dust-stained pedestrians, panting to reach the wicket gate, will cease to jostle each other on the old ladies and will railway footpath ; young cease to camp out in that uninspiring strip of unkempt roadway which connects the Worple Road with the of the All Club gates England ; waiting motor-cars will no longer convert a quiet and respectable neigh- bourhood into one great, inchoate garage. -
BRITIT ITÄMERELLÄ Ls00-1700-LUVUILLA
179 ENGLANNIN LAIVASTO SUOMEN RANNIKOLLA JA LÄHIVESILLÄ BRITIT ITÄMERELLÄ lS00-1700-LUVUILLA Yleisesikuntakommodorl Olavi Vitikka Englantilaisten sota-alusten todennäköisesti ensimmäinen esiintyminen pohjoisella Itämerellä tapahtui Ruotsin ja Venäjän välillä vuosina 1570-1595 käydyn 25-vuotisen sodan yhteydessä. Kesällä 1573 pidätti Herman Flemingin johtama ruotsalainen laivasto-osasto piiritetystä Narvasta ulos päässeestä, Lyypekin sota-alusten suojaamasta saattueesta toistakymmentä kauppa-alusta, joukossa englantilaisiakin, ja vei ne sotasaaliina Helsingin ankkuripaikalle. Seuraavana kesänä lähetettiin Elisabet-kuningattaren käskystä. Suomenlahdelle aseistettuja aluksia, jotka vapauttivat ja veivät kotimaahan pidätetyt kauppalaivat. Taistelua ei tässä yhteydessä syntynyt. Brittien asema Itämerellä oli vielä näihin aikoihin sotien vallitessa vaikea, mutta kaupankäynti pohjoisten valtioiden kanssa oli välttämätöntä, koska se oli tärkeää laivaston rakentamiselle. Englanti olikin koko purjelaivakauden 1800-luvulle asti riippuvainen laivanrakennuksessaan Itämeren tuonnista. 1600-luvun lopullajohtavaksi merivallaksi noussut Englanti lähetti Suuren pohjan sodan aikana jokaisena kulkukautena 1715-1721 laivastonsa Itämerelle turvaamaan merenkulun häiriöttömän jatkumisen. Britannian avomerilaivaston paikalla 010 esti Venäjän tsaarin rannikoilla ylivoimaisen kaleerilaivaston saavuttamasta meren herruutta, jollainen tilanne olisi aiheuttanut RUQtsille rauhansopimuksessa määrättyjäkin suuremmat menetykset. Brittilaivaston komentajana toiminut Sir -
Michael H. Clemmesen Version 6.10.2013
Michael H. Clemmesen Version 6.10.2013 1 Prologue: The British 1918 path towards some help to Balts. Initial remarks to the intervention and its hesitant and half-hearted character. It mirrored the situation of governments involved in the limited interventions during the last In the conference paper “The 1918-20 International Intervention in the Baltic twenty years. Region. Revisited through the Prism of Recent Experience” published in Baltic Security and Defence Review 2:2011, I outlined a research and book project. The This intervention against Bolshevik Russia and German ambitions would never Entente intervention in the Baltic Provinces and Lithuania from late 1918 to early have been reality without the British decision to send the navy to the Baltic 1920 would be seen through the prism of the Post-Cold War Western experience Provinces. The U.S. would later play its strangely partly independent role, and the with limited interventions, from Croatia and Bosnia to Libya, motivated by the operation would not have ended as it did without a clear a convincing French wish to build peace, reduce suffering and promote just and effective effort. However, the hesitant first step originated in London. government. This first part about the background, discourse and experience of the first four months of Britain’s effort has been prepared to be read as an independent contribution. However, it is also an early version of the first chapters of the book.1 It is important to note – especially for Baltic readers – that the book is not meant to give a balanced description of what we now know happened. -
Tennis Edition
Commemorative Books Coverage List Wimbledon Tennis 2017 Date of Pages Event Covered (Daily Mirror unless stated) Paper 5 July 1913 Page 11 Anthony Wilding (N.Z) defeats Maurice McLoughlin to win his fourth singles title Dorothea Lambert Chambers wins her seventh singles title. 6 July 1914 Page 4 Norman Brookes beats Anthony Wilding in the men’s final 6 July 1919 Back Suzanne Lenglen (Fr) beats Dorothea Lambert Chambers in the ladies’ final Bill Tilden (US) wins the men’s singles. Suzanne Lenglen wins Triple Crown 4 July 1920 Back 4 July 1925 Page 2 Suzanne Lenglen wins the ladies singles for the sixth time 3 July 1926 Page 8 Jean Borotra (Fr) defeats Howard Kinsey to win his second singles title Henri Cochet (Fr) and Helen Wills (USA) win the singles titles for the first time 3 July 1927 Page 3 7 July 1928 Page 26 Rene Lacoste (Fr) defeats Henri Cochet to win his second singles title 7 July 1929 Pages 3 and back Henri Cochet (Fr) defeats Jean Borotra to win the men’s singles title for the second time Bill Tilden defeats Wilmer Allison to win the men’s title for a third time 6 July 1930 Back 7 July 1934 Pages 1 and 26 Fred Perry (GB) defeats Jack Crawford in the men’s singles final 9 July 1934 Page 27 Dorothy Round (GB) defeats Helen Jacobs in the ladies’ singles final 6 July 1935 Page 26 Fred Perry retains his singles title after defeating Gottfried von Cramm 4 Jul 1936 Pages 14 and 26 Fred Perry defeats Gottfried von Cramm to win his third successive singles title Don Budge (USA) wins Triple Crown, and Dorothy Round wins her second title -
Anthony Wilding (NZL) Gentlemen's Doubles
Anthony Wilding (NZL) Gentlemen's Doubles Code->Event From To Participations Matches Won/Lost Walkovers W/L Total 1904 1914 10 39 33 / 6 4 / 1 MD->Gentlemen's Doubles 1904 1914 10 39 33 / 6 4 / 1 Year Opponent's Name Seed Rnd Result Score 1904 Anthony Wilding (NZL) partnered with William Crawley (GBR) MD Rolf Kinzl (AUT) and Kurt von Wessely (AUT) 1 W walkover MD Clement Cazalet (GBR) and George Hillyard (GBR) 2 L 2/6 1/6 1/6 1905 Anthony Wilding (NZL) partnered with Harry Parker (NZL) MD Major Ritchie (GBR) and George Simond (GBR) 1 W 7/5 3/6 6/3 6/4 MD Ernest Parton (GBR) and Frederick Plaskitt (GBR) 2 W 6/3 6/1 6/1 MD Frank Riseley (GBR) and Sidney Smith (GBR) Q L 5/7 3/6 2/6 1906 Anthony Wilding (NZL) partnered with Major Ritchie (GBR) MD Kenneth Powell (GBR) and Leslie Powell (GBR) 1 W 6/1 6/2 6/3 MD Clarke (GBR) and Timmis (GBR) 2 W 6/2 6/2 6/1 MD Stoward (GBR) and George Thomas (GBR) Q W 7/9 6/3 6/3 6/1 MD Frank Riseley (GBR) and Sidney Smith (GBR) S L 4/6 5/7 3/6 1907 Anthony Wilding (NZL) partnered with Norman Brookes (AUS) MD Arthur Cronin (GBR) and Timmis (GBR) 1 W 6/0 6/0 6/1 MD Rolf Kinzl (AUT) and Kurt von Wessely (AUT) 2 W 6/1 6/1 6/2 MD Stoward (GBR) and Ward (GBR) Q W 6/1 6/1 6/1 MD Xenophon Casdagli (GBR) and Major Ritchie (GBR) S W 6/1 6/3 6/2 MD Karl Behr (USA) and Beals Wright (USA) F W 6/4 6/4 6/2 MD Frank Riseley (GBR) and Sidney Smith (GBR) C W walkover 1908 Anthony Wilding (NZL) partnered with Major Ritchie (GBR) MD Victor Gauntlett (RSA) and Harry Kitson (RSA) 1 W 6/2 6/4 6/1 MD George Ball Greene (IRL) and Wilberforce -
X-Ray Magazine :: Issue 36 :: May 2010
Diving in From the rugged west coast, with its dramatic drop-off and unique ecosystems, to majestic wrecks—perfectly preserved over the centu- World-classSweden diving in a challenging environment ries—and crystal clear lakes, Sweden has everything. Compiled and edited by Millis Keegan and Peter Symes Text by Millis Keegan Photos by Jonas Dahm From a marine archeology and sci- entific standpoint, the Baltic Sea is a paradise. There could be as many as 100,000 shipwrecks dating back cen- turies in this dark and mysterious sea— Viking ships, trading ships and war- ships to name a few. No other place in the world is comparable to the Baltic Sea. The wrecks, and structures found in the sea are veritable time capsules lying in wait for us to explore and expand our understanding of the past. It is also a comparatively quite shallow sea. The average depth is only 55 meters deep, so with modern technology, it is not too complicated to find many of our lost histories. These histories belong to the countries sur- rounding the Baltic Sea. Granted, diving in the far North is not for the weak-minded, nor for the inexperienced, but it’s not as bad as it sounds. Scandinavian divers are known around the world for being able to cope with rather tough div- ing conditions because this is where we grew up and learned to dive. Anyone who goes through entry level training in murky waters with a visibil- ity of 2-4 m (6-12 ft) at best, a water temperature averaging 8°C to 2°C in the winter to 20°C in the summer, and comes out with a smile, will be ready to face anything else. -
Dangerouswoman.Pdf
2 A Oneworld Book This ebook edition published by Oneworld Publications, 2015 First published in North America, Great Britain and Australia by Oneworld Publications 2015 Copyright © Deborah McDonald and Jeremy Dronfield 2015 The moral right of Deborah McDonald and Jeremy Dronfield to be identified as the Authors of this work has been asserted by them in accordance with the Copyright, Designs, and Patents Act 1988 All rights reserved Copyright under Berne Convention A CIP record for this title is available from the British Library 3 Excerpt from H. G. Wells: Aspects of a Life by Anthony West (Random House, New York). Copyright © 1984 by Anthony West. Reprinted by permission of the Wallace Literary Agency, Inc. Excerpt from Memoirs of a British Agent by R. H. Bruce Lockhart reprinted with the permission of Pen and Sword Books. Excerpt from Retreat from Glory by R. H. Bruce Lockhart (Putnum, London) reprinted by permission of the Marsh Agency. Permission to use part of the poem ‘Moura Budberg on her proposed return to England’ from Out on a limb by Michael Burn (Chatto & Windus, 1973) granted by Watson, Little Ltd Thanks to Simon Calder and his siblings for permission to quote Lord Ritchie Calder. Excerpts from Russia in the Shadows, H.G. Wells in Love, a letter from H. G. Wells to Elizabeth von Arnim, Correspondence of H. G. Wells v3 p513 and a letter from H. G. Wells to Christabel Aberconway, 20 May 1934, quoted in Andrea Lynn, ‘Shadow 4 Lovers’, p. 199-200. Reprinted by permission of United Agents LLP. ISBN 978-1-78074-7088 ISBN 978-1-78074-7095 (eBook) Text design and typeset by Hewer text UK Ltd, Edinburgh Oneworld Publications 10 Bloomsbury Street London WC1B 3SR England 5 Visit www.mourabudberg.com for more information about Moura and news about A Very Dangerous Woman. -
The Art of Lawn Tennis
The Art of Lawn Tennis William T. Tilden The Art of Lawn Tennis Table of Contents The Art of Lawn Tennis.....................................................................................................................................1 William T. Tilden....................................................................................................................................1 INTRODUCTION...................................................................................................................................1 PREFACE TO NEW EDITION..............................................................................................................3 PART I: TENNIS TECHNIQUE−−STROKES AND FUNDAMENTALS OF THE GAME.............................4 CHAPTER I. FOR NOVICES ONLY.....................................................................................................4 CHAPTER II. THE DRIVE.....................................................................................................................9 CHAPTER III. SERVICE......................................................................................................................11 CHAPTER IV. THE VOLLEY AND OVERHEAD SMASH..............................................................13 CHAPTER V. CHOP, HALF VOLLEY, AND COURT POSITION...................................................17 PART II: THE LAWS OF TENNIS PSYCHOLOGY.......................................................................................19 CHAPTER VI. GENERAL TENNIS PSYCHOLOGY........................................................................19 -
Military Sale 1 – Catalogue.Pdf
LONDON – MADDOX STREET e Military Sale MedalS, OrderS, decOratiOnS and Militaria Wednesday 5th June 2013 Part of the Noble Investments (UK) PLC Group IMPORTANT NOTICES Please see Conditions of Business and Conditions of Sale at the back of this catalogue Dreweatts & Dreweatts 1759 are trading names of The Fine Art Auction Group Limited. The Fine Art Auction Group Limited is registered in England, company number: 03839469, registered office: 11 Adelphi Terrace, London WC2N 6BJ. Buying at Dreweatts Bidding Increments There are several ways you can bid at a Dreweatts auction; in The Auctioneer will advance bids in the following preset person, by leaving a commission or absentee bid, on the increments, and is under no obligation to accept bids between telephone where available and live via the internet – please make these increments. arrangements before the sale. £200 £220 £240 £260... £300 Bidding in Person £320 £350 £380 £400... £500 If intending to buy you are required to register your name and £550 £600 £650 £700... £1000 details at reception prior to the commencement of the auction. £1100 £1200 £1300 £1400... £2000 You will then be allocated a bidding number, which you use when £2200 £2400 £2600 £2800... £3000 bidding for an item. £3200 £3500 £3800 £4000... £5000 £5500 £6000 £6500 £7000... £10000 Commission Bids £11000 £12000 £13000 £14000... £20000 Dreweatts will execute bids on your behalf if you are unable to £22000 £24000 £26000 £28000... £30000 attend the sale. Commission or absentee bids are accepted either £32000 £35000 £38000 £40000... £50000 directly at reception, or can be sent by post, fax, email, telephone £55000 £60000 £65000 £70000.. -
The Art of Lawn Tennis
Y I T COP R GH , 19 2 1 , ORAN MP ANY B Y GE ORGE H . D CO REVISED AND ENLARGED EDITION OPYR GHT 1 9 2 2 C I , , E ORAN COMP ANY B Y GEORG H . D PRINTED IN THE UNITED STATES OF AMERICA AP R 5 922 ! 8LA6 5 9 8 08 INTRODUCT ION ENN art T IS is at once an and a science . The game a . as played by such men s Norman E Brookes , the l late Anthony Wilding, Wi liam M Johnston , and ‘ i . l R . N . Will ams is art Yet ike all true art , it has its basis in scientific methods that must be l earned and learned thoroughly for a f oundati on before the artistic structure of a great tennis game can be con structed . Every player who helps to attain a high degree of effi ciency should have a clearly defined method of development and adhere to it . He should be r i ce tain that it is based on sound princ ples and, once o f t o h s assured hat , follow it , even th ug his progres seems slow and discouraging . o I began tennis wrong . My strokes were wr ng n and my V iewpoint cloude d . I had no early traini g Such as m any of our American boys have at the pres e nt time . No one told me the importance of the u as f ndamentals of the game , such keep ing the eye on the ball or correct body position and footwork .