DOCSLIB.ORG

Guide to the R.R. Donnelley & Sons Company Archive 1844-2005

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Guide to the R.R. Donnelley & Sons Company Archive 1844-2005 University of Chicago Library Guide to the R.R. Donnelley & Sons Company Archive 1844-2005 © 2009 University of Chicago Library Table of Contents Acknowledgments 6 Descriptive Summary 6 Information on Use 6 Access 6 Citation 7 Historical Note 7 Scope Note 12 Related Resources 17 Subject Headings 17 INVENTORY 19 Series I: Biographical Files 19 Subseries 1: Donnelley Family 19 Subseries 2: Company Officers ca. 1980s-1990s 26 Subseries 3: General 30 Subseries 4: Oversize Material and Artifacts 48 Series II: Business Records 49 Subseries 1: Plants, Divisions and Acquisitions 51 Subseries 2: Company Magazine 77 Subseries 3: Financial 79 Subseries 4: Patents 82 Subseries 5: Administration 83 Subseries 6: Sales Department 84 Subseries 7: Design Guides 85 Subseries 8: World War II Service Records and Memorabilia 86 Subseries 9: Oversize Material and Artifacts 86 Series III: Company Advertising 92 Subseries 1: "The Lakeside Press" Booklets 92 Subseries 2: General Advertising Samples 94 Subseries 3: Scrapbooks 120 Subseries 4: Oversize Material 120 Series IV: Customers and Products 131 Subseries 1: Customer Files 132 Subseries 2: Customer Job Samples 152 Subseries 3: Subject File 216 Subseries 4: Oversize Material and Artifacts 219 Series V: Apprentice Schools and Training Programs 230 Series VI: Exhibitions 237 Series VII. Historical Writings and Research 247 Subseries 1: Herbert P. Zimmerman, Company History 248 Subseries 2: Hamilton, Ontario, Canada 250 Subseries 3: Early Business Affiliations 250 Subseries 4: Herbert P. Zimmerman, Histories of Customer and Labor Relations251 Subseries 5: Gaylord Donnelley, Articles for the Donnelley Printer 254 Subseries 6: Reuben H. Donnelley Corporation 255 Subseries 7: Personal Recollections 255 Subseries 8: General Research and Reference Material 259 Subseries 9: Oversize Material and Artifacts 270 Series VIII: Personal Papers 270 Subseries 1: C. F. Beezley, Jr. 274 Subseries 2: Igor de Lissovoy 277 Subseries 3: Alfred de Sauty 278 Subseries 4: Gaylord Donnelley 279 Subseries 5: Thomas Elliot Donnelley 286 Subseries 6: Carl Doty 289 Subseries 7: Charles C. Haffner, Jr. 289 Subseries 8: William A. Kittredge 289 Subseries 9: Charles W. Lake 293 Subseries 10: Edward R. Lhotka 300 Subseries 11: C. Prentiss Smith 303 Subseries 12: Ernest Randall 319 Subseries 13: Oversize Material and Artifacts 319 Series IX. General Records 321 Series X. Training Library Collection 387 Series XI. Photographs and Audio-Visual Material 389 Subseries 1: Annual Reports 392 Subseries 2: Apprentice Schools and Training Programs 393 Subseries 3: Extra Bindery and Graphic Conservation 395 Subseries 4: Industrial Engineering Studies 396 Subseries 5: Plants and Facilities 396 Subseries 6: Production 421 Subseries 7: Personnel 433 Subseries 8: Torkel Korling Matted Photographs 437 Subseries 9: Slides 438 Subseries 10: Vu-Graph Presentations 452 Subseries 11: Audio Recordings 453 Subseries 12: Videotapes and Films 456 Series XII: Artifacts, Artwork and Ephemera 456 Subseries 1: Supply Samples 457 Subseries 2: Memorabilia and Promotional Items 461 Subseries 3: Printing artifacts 464 Subseries 4: Signage 465 Subseries 5: Decorative Art 465 Subseries 6: Job Samples 466 Subseries 7: Catalog Cards 466 Series XIII: Corporate Management 467 Subseries 1: Annual Reports 469 Subseries 2: Annual Talks 469 Subseries 3: Executive Speeches 472 Subseries 4: Organization Charts and Manuals 487 Subseries 5: Lakeside Trust 489 Subseries 6: Contribution Books 491 Subseries 7: Forecasting and Planning 491 Subseries 8: Charles C. Haffner, Jr. Papers 492 Subseries 9: Charles W. Lake Papers 495 Subseries 10: General Financial Records 498 Subseries 11: Subject Files 501 Subseries 12: Oversize 502 Series XIV: Advertising and Promotions 503 Subseries 1: Chronological Files 503 Subseries 2: Lakeside Classics 514 Subseries 3: Oversize Samples 522 Sub-subseries 1: Samples Up to Sixteen Inches 522 Sub-subseries 2: Samples up to Twenty Inches 527 Sub-subseries 3: Samples up to Twenty-Four Inches 528 Sub-subseries 4: Samples up to Thirty-Six Inches 529 Sub-subseries 5: Samples Over Thirty-Six Inches 530 Series XV: Customers and Products 530 Subseries 1: Alphabetical Files 533 Subseries 2: Books 640 Subseries 3: Direct Mail 647 Subseries 4: Financial Printing 651 Subseries 5: Foreign Language Products 662 Subseries 6: Sears Catalogs 673 Subseries 7: Software Packaging and Manuals 686 Subseries 8: Telephone Directories 691 Subseries 9: Tributes, Bookplates and Memorials 708 Subseries 10: ALCOA, 1962-1967 712 Subseries 11: Customer Call Records 714 Subseries 12: Copyright Files 720 Subseries 13: Oversize 722 Sub-subseries 1: Material up to Eighteen Inches 722 Sub-subseries 2: Material up to Twenty-Four Inches 730 Sub-subseries 3: Material up to Thirty-Six Inches 732 Sub-subseries 4: Material over Thirty-Six Inches 733 Sub-subseries 5: Books 733 Series XVI: Communications and Media Relations 733 Subseries 1: Company Magazine 735 Subseries 2: Newsletters 745 Subseries 3: Announcements, News Releases and Corporate Memoranda 749 Subseries 4: Company Directories 750 Subseries 5: Subject Files 751 Subseries 6: Crawfordsville Division Research, 1995-1996 755 Subseries 7: Media Coverage 755 Subseries 8: Oversize 758 Series XVII: Personnel 759 Subseries 1: Labor Relations 760 Subseries 2: Managers' and Supervisors' Guides 767 Subseries 3: Training 768 Subseries 4: Recruitment 776 Subseries 5: Compensation and Benefits 777 Subseries 6: Employee Organizations, Activities and Events 780 Subseries 7: Retirees 781 Subseries 8: Employee Handbooks 782 Subseries 9: Timesheets and Payroll Ledgers 784 Subseries 10: Oversize 786 Series XVIII: Facilities and Operations 786 Subseries 1: Buildings and Properties 787 Subseries 2: Facilities Management 794 Subseries 3: Industrial Engineering 802 Subseries 4: Procedure Manuals 806 Subseries 5: Equipment Manuals and Specifications 809 Subseries 6: Typeface Specimens 810 Subseries 7: Alphabetical Files 814 Subseries 8: Oversize 816 Series XIX: Photographs, Audio-Visual and Digital Media 818 Subseries 1: Photographs 820 Subseries 2: Audio Recordings 825 Subseries 3: Films 827 Subseries 4: Video Recordings 830 Subseries 5: Microfilm 838 Subseries 6: Computer Disks and CD-ROMs 839 Subseries 7: Multimedia Presentations 839 Series XX: Artifacts, Artwork and Memorabilia 840 Subseries 1: C. Prentiss Smith Collection 841 Subseries 2: World War II Collection 853 Subseries 3: Stationery and Office Forms 855 Subseries 4: Paintings, Drawings and Art Prints 861 Subseries 5: Memorabilia, Promotional and Decorative Items 863 Subseries 6: Architectural Artifacts 866 Subseries 7: Equipment and Printing Artifacts 867 Descriptive Summary Identifier ICU.SPCL.DONNELLEY Title R.R. Donnelley & Sons Company. Archive Date 1844-2005 Size 1656 linear feet (989 boxes, 14 drawers, 4 items) Repository Special Collections Research Center University of Chicago Library 1100 East 57th Street Chicago, Illinois 60637 U.S.A. Abstract Founded in Chicago in 1864 by Canadian immigrant Richard Robert Donnelley, R.R. Donnelley & Sons Company is a leading global provider of printing and print-related services. The archive contains business records, product samples and promotional material, biographical files and personal papers, historical writings and oral histories, artifacts, and thousands of documentary photographs. While the material in this collection is concentrated in the twentieth century, the content of the archive spans over 140 years of RR Donnelley's development, and contextualizes the company within both the history of printing and the history of Chicago. Acknowledgments The R. R. Donnelley & Sons Company Archive was presented as a gift to the University of Chicago by RR Donnelley. Initial processing of the Archive was undertaken by Kim Coventry while the records were held as a corporate archive at RR Donnelley. Following the gift of the Archive to the University of Chicago, Maija Anderson and staff of the Special Collections Research Center completed processing of the records. Information on Use Access Series XI, IXX and XX contain audio, film, video, and digital material. Access copies are not included for this material. Researchers will need to consult with staff before requesting this material. The collection contains RR Donnelley product samples that are preserved as artifacts in their original packaging. Packages may be opened only in consultation with staff. The remainder of the collection is open for research, with no restrictions. 6 Citation When quoting material from this collection, the preferred citation is: R.R. Donnelley & Sons Company. Archive, [Box #, Folder #], Special Collections Research Center, University of Chicago Library Historical Note Richard Robert Donnelley (1836-1899), born in Hamilton, Ontario, arrived in Chicago in 1864 to apply his trade as a journeyman printer with the firm of Church and Goodman, Steam Printers. He was an ambitious and entrepreneurial young man, and in the next several years he entered into numerous partnerships - and endured more than one bankruptcy - in the city's growing printing industry. A major turning point in Donnelley's fortunes came in 1871. Several days after losing both his business and his home in the Great Chicago Fire, he boarded a train to New York with only a few dollars and a letter of introduction. His mission was to secure financing and purchase printing equipment to re-establish himself in the printing business. The outcome of his trip is one of countless success stories that came in the aftermath
Load more

Recommended publications
  • Here We Are at 500! the BRL’S 500 to Be Exact and What a Trip It Has Been
    el Fans, here we are at 500! The BRL’s 500 to be exact and what a trip it has been. Imagibash 15 was a huge success and the action got so intense that your old pal the Teamster had to get involved. The exclusive coverage of that ppv is in this very issue so I won’t spoil it and give away the ending like how the ship sinks in Titanic. The Johnny B. Cup is down to just four and here are the representatives from each of the IWAR’s promotions; • BRL Final: Sir Gunther Kinderwacht (last year’s winner) • CWL Final: Jane the Vixen Red (BRL, winner of 2017 Unknown Wrestler League) • IWL Final: Nasty Norman Krasner • NWL Final: Ricky Kyle In one semi-final, we will see bitter rivals Kinderwacht and Red face off while in the other the red-hot Ricky Kyle will face the, well, Nasty Normal Krasner. One of these four will win The self-professed “Greatest Tag team wrestler the 4th Johnny B Cup and the results will determine the breakdown of the prizes. ? in the world” debuted in the NWL in 2012 and taunt-filled promos earned him many enemies. The 26th Marano Memorial is also down to the final 5… FIVE? Well since the Suburban Hell His “Teamster Challenge” offered a prize to any Savages: Agent 26 & Punk Rock Mike and Badd Co: Rick Challenger & Rick Riley went to a NWL rookie who could capture a Tag Team title draw, we will have a rematch. The winner will advance to face Sledge and Hammer who won with him, but turned ugly when he kept blaming the CWL bracket.
    [Show full text]
  • The Popular Culture Studies Journal
    THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 1 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor Kevin Calcamp Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Wrestling” by Brent Jones © 2018 Courtesy of https://openclipart.org EDITORIAL ADVISORY BOARD ANTHONY ADAH FALON DEIMLER Minnesota State University, Moorhead University of Wisconsin-Madison JESSICA AUSTIN HANNAH DODD Anglia Ruskin University The Ohio State University AARON BARLOW ASHLEY M. DONNELLY New York City College of Technology (CUNY) Ball State University Faculty Editor, Academe, the magazine of the AAUP JOSEF BENSON LEIGH H. EDWARDS University of Wisconsin Parkside Florida State University PAUL BOOTH VICTOR EVANS DePaul University Seattle University GARY BURNS JUSTIN GARCIA Northern Illinois University Millersville University KELLI S. BURNS ALEXANDRA GARNER University of South Florida Bowling Green State University ANNE M. CANAVAN MATTHEW HALE Salt Lake Community College Indiana University, Bloomington ERIN MAE CLARK NICOLE HAMMOND Saint Mary’s University of Minnesota University of California, Santa Cruz BRIAN COGAN ART HERBIG Molloy College Indiana University - Purdue University, Fort Wayne JARED JOHNSON ANDREW F. HERRMANN Thiel College East Tennessee State University JESSE KAVADLO MATTHEW NICOSIA Maryville University of St.
    [Show full text]
  • Robschambergerartbook1.Pdf
    the Champions Collection the first year by Rob Schamberger foreward by Adam Pearce Artwork and text is copyright Rob Schamberger. Foreward text is copyright Adam Pearce. Foreward photograph is copyrgiht Brian Kelley. All other likenesses and trademarks are copyright to their respective and rightful owners and Rob Schamberger makes no claim to them. Brother. Not many people know this, but I’ve always considered myself an artist of sorts. Ever since I was a young kid, I invariably find myself passing the time by doodling, drawing, and, on occasion, even painting. In the space between my paper and pencil, and in those moments when inspiration would strike, my imagination would run amok and these bigger-than-life personas - football players and comic book characters and, of course, professional wrestlers - would come to life. I wasn’t aware of this until much later, but for all those years my mother would quietly steal away my drawings, saving them for all prosperity, and perhaps giving her a way to relive all of those memories of me as a child. That’s exactly what happened to me when she showed me those old sketches of Iron Man and Walter Payton and Fred Flintstone and Hulk Hogan. I found myself instantly transported back to a time where things were simpler and characters were real and the art was pure. I get a lot of really similar feelings when I look at the incredible art that Rob Schamberger has shared with 2 foreward us all. Rob’s passion for art and for professional wrestling struck me immediately as someone that has equally grown to love and appreciate both, and by Adam Pearce truth be told I am extremely jealous of his talents.
    [Show full text]
  • Twisted Tongue Magazine Brink Verbiage Formal Statement – Barrie Walsh 2 Under a Fat Bellied Moon – Ruth Henderson 12 Issue 16 a Taste of Murder – Nora B
    Short Stories Twisted Tongue Magazine brink verbiage formal statement – Barrie Walsh 2 Under a Fat Bellied Moon – Ruth Henderson 12 Issue 16 A Taste of Murder – Nora B. Peevy 16 Stranger than Fiction – Jay Faulkner 21 The Fourth Floor – Jim Bronyaur 26 The Perfect Life – Timothy Fenster 29 Welcome to Twisted Tongue Magazine issue sixteen. Packed Vain – Jason D. Brawn 35 with thousands of words—larger than a standard novel— Bitsy – Barbara Stanley 43 approximately 80,000 words for your enjoyment. Turning Tightly – Ralph Greco, Jr. 47 There should be something in this issue for everyone … if Swastikas and Boobies – Adrian Alldredge 51 not, then let us know. Twisted Tongue is a magazine unlike any Long Live the King! – Sean Greennhill 57 other … here you will find works that are twisted and we don’t Bowl of Cherries – Sharon Birch 60 mean ones with a simple twist. This magazine is for those 18 and Puzzles – Gail Taylor 62 The Coffin Door and a Few Other Things for the over. Death-Catcher – Ralph Greco, Jr. 69 Don’t forget to take a look at the back page for your chance gimbals’ stati d’animo foolish resolution – Barrie Walsh 73 to win a freebie from BeWrite books. In this issue, you’ll read about many murders, vampires, Flash & Micro Fiction madness, kinky sex, tantalising foods, creepy shadows and even a Dime Toss – Len Kuntz 14 little Shakespeare. We also have two unusual pieces for you by Change Here ... – Mark Howard Jones 19 Barrie Walsh, I found them very refreshing—I hope you enjoy My Cookies – A J Madden 24 them as much as I did.
    [Show full text]
  • 20 Green Remodeling: 36 Exclusive
    www.HousingZone.com JULY 2011 JULY 2011 2011 JULY 40 UNDER 40 MODEL GREEN REMODEL WINDOW TRENDS 20 GREEN REMODELING: Model home shows green technology 36 EXCLUSIVE RESEARCH: Project price declines slowing 48 PRODUCT TRENDS: Energy effi ciency leads Jeremy Jackson and window trends Brandon LeRoy are two of the industry’s next WWW.HOUSINGZONE.COM 40 generation of leaders Under 40 Everyone knows that if you don’t have the right tools, you can’t get the job done. And only Ford offers the widest range of work vehicles,* to make sure that you have the right one. Durability and dependability are only two of the reasons why Ford is the leader in commercial trucks. With the versatility and variety of smart customizations, your truck will have brains to go with the brawn. Step up to the top of the tool chain at ford.com/commercial-trucks. *Based on division offerings. Excludes SUVs and cars. circle 750 The BehrProSM Experience Tour is coming your way! Come see how we make your business our business. BehrPro—a completely new and better experience created for Pros like you. Meet us at a participating Home Depot store near you to: . Learn about new products and service offerings . Demo BEHR® and KILZ® products for yourself . Check out a 2011 Ford F-150 XLT you could win* . Pick up a free t-shirt or hat . Enjoy our hospitality from 8 am to 2 pm Register for a chance to win a 2011 Ford F-150 XLT. *See official rules for details. Scan this code or visit us online at behrproexperience.com for more tour information and a chance to win a 2011 Ford F-150 XLT.
    [Show full text]
  • Issues, Most of Which Is Collected in 5 Trade Diehards Still Hit the Shops Each Wednesday for New Intriguingly by the Whole Paperback Volumes Released by Bergen St
    CALL RESPONSE 1 11 “The Pankration Abecedarium: “Santan?” from Tony Sobota A Dirt Sheet Elegy in 13 Parts”, by Joe Nolan ADSANITY 2 “Free Agent Indie Deal” dealt by Sticker Gitters “Dick Pills” by Diamond Nightmare “Re: Obituary, No People” Dystopian Refugee “Dear #Metoo” Anonymous 3 12 PHANTITHESIS “Open Letter” from Dad 4 #00 by Queen Genius “Last Words 2” by Lindsy Davis “His teeth got feelings hurt kind of easily” Margaret Jane Joffrion “Face Turns Heel” 5 Grant Gasser provides a Drawing/Collage a look-back from Mr. Christmas 13-14 “Build Your Own Sandbox: Copra & The Death VIM & VIG 6 Of The Superhero Comic” Josh Lambert “Prostitution In Nashville” by Jon Sewell “Birdcloud & Kid Rickets vs. the Forbidding PAINTING WITH THE EYES CUT OUT 7 15-16 #00 by Painting With The Eyes Cut Out Mangelina Brolie” (Spread 2/8) Doug Leonard “River of Deceit” flowing from Frank Hand 8 17-18 WORDS #00 -- The Turn curated + by @pujoldotcom “FREEBIRD RULE” Banana Hammock Abort by @gladfact “Crud’s Corner” Crud Phlegming Ring Psychology by @chris_crofton Rushed Finish by @alleyproperty SEXY CENTERFOLD 9-10 “Mister Christmas vs. His Demons” Cut-out Ornaments by Doug Leonard S O D I U M C H L O R I D E : Co(n)-Founders: Alex Lockwood, Daniel Pujol, Jon Sewell Design & Layout: Alexa Sullivant, Mary Louise Meadors Cover Art: Hal Hefner Editorial Board: Stephanie Koehler Advisory Board: Kevin Reilly, Josh Shearon Submit: [email protected] Website: saltweekly.com Contact: @saltweekly @thesaltweekly 1 2 Dear #Metoo, A public letter from a father to his daughter… Dear Chloe, But you did what you wanted—as you always have.
    [Show full text]
  • Professional Wrestling, Embodied Morality, and Altered States of Consciousness Lawrence B
    University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 4-13-2005 Professional Wrestling, Embodied Morality, and Altered States of Consciousness Lawrence B. McBride University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation McBride, Lawrence B., "Professional Wrestling, Embodied Morality, and Altered States of Consciousness" (2005). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/764 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Professional Wrestling, Embodied Morality, and Altered States of Consciousness By Lawrence B. McBride A thesis submitted in partial fulfillment Of the requirements for the degree of Master of Arts Department of Anthropology College of Arts and Sciences University of South Florida Major Professor: S. Elizabeth Bird, Ph.D. Michael V Angrosino, Ph.D. John A. Napora, Ph.D. Date of Approval: April 13, 2005 Keywords: embodiment, practice, trance, mythology, ethnography Copyright 2005, Lawrence B. McBride Table of Contents Abstract ………………………………………………………………………………..iii Chapter One: Setting the Scene…………….……………………..…………………… 1 The Lunatic Wrestling Federation……………………………………………... 1 The LWF Story…………………….…………………………………………... 5 The Wrestling
    [Show full text]
  • Pinch Here for Free SALT49 Download
    @pujoldotrocks 22 21 20 @doug_leonard 19 drove me from inside the bar to the back patio. There I joined a “School’s In” Japanese businessman/fellow Dutch greenhorn who must have Crud’s Corner felt the same way about that damn ruckus. He caught me wincing by Crud Phlegming and offered me temporary comfort in the form of a cigarette. I noticed that it was Pepsi’s brand (No not PEPSI cigarettes, my It’s midnight in Holland. A rather obnoxious wave of friend Pepsi’s cigarettes) and that got to thinkin’ on me. You humidity has occupied this curious little village that skirts The might say that me and Pepsi are outsiders in Balogne’s tour world Hague and it’s left us all in a state of downright soggy swampi- in the same way that me and Toshi here are outsiders to this tude. I’m having a drink in one of those uniquely Netherlandish evening’s strange Dutch happening. After making that connec- all night wicker joints. I couldn’t say exactly what it was that tion, many others began appearing to me. For example, my sour pulled me into this particular exotic dive. Maybe it was the oddly relationship to the rompus in the bar might be akin to my inability inviting wicker gargoyle out front, the chortling man playing to connect with the Most Balogne hysteria. My being drawn into accordion on the roof, or perhaps it was the indefinable light ra- this all night wicker joint might be akin to the pull that brought diating out from within - bursting through every little split board me on tour in the first place.
    [Show full text]
  • An Analysis of the Portrayal of Wwe Female Performersin Television and Social Media
    AN ANALYSIS OF THE PORTRAYAL OF WWE FEMALE PERFORMERSIN TELEVISION AND SOCIAL MEDIA A thesis submitted to the faculty of /?$ San Francisco State University In partial ftdfíllment of 5 6 • The Requirements for K iM g -r The Degree Master of Science In Kinesiology: Social Scientifíc Perspective By Marc Llamas Patricio San Francisco, California December2018 CERTIFICATION OF APPROYAL I certify that I have read An Analysis o f the Portrayal ofWWE Female Performers in Televisión and Social Media by Marc Llamas Patricio, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirements for the degree: Master of Science in Kinesiology: Social Scientifíc Perspective at San Francisco State University. D ..... Associate Professor Dr. Nicole Bolter Assistant Professor AN ANALYSIS OF MEDIA PORTRAYAL OF WWE FEMALE PERFORMERS THROUGH TELEVISION AND SOCIAL MEDIA Marc Llamas Patricio San Francisco, California 2018 Although World Wrestling Entertainment (WWE) has a strong tradition of women’s wrestling, it is only recently that it has been promoting their matches/wrestlers to the same extent it promotes men’s wrestling. The WWE continúes to change the perception of what a female wrestler and athlete is. Media coverage of female athletes is relatively small and when they are covered they are usually trivialized, sexualized, and gender marked (Bruce, 2016; Cooky et al, 2013; Kim & Sagas, 2014). I provide a brief histoTy of women’s wrestling in the WWE and cons.der the media representation of female wrestlers. Instagram is one of the most popular social media sites, but very ittle research has been focusing on it (Hu et al, 2014).
    [Show full text]
  • Total Extreme Wrestling 2010: Help Files Contents
    Total Extreme Wrestling 2010: Help Files These are the TEW2010 help files, the official guide to the game. The point of this document is to give you all the information you need to play TEW2010. With a game as wide-ranging and deep as TEW it is nearly impossible to create a guide that will cover the information you want in the order you want it, so the guide has instead been broken down into sections to match the order they are found in the game. The appendices also include useful information on more technical matters like the boundaries for the in-game grades. If you are new to the series it is recommended that you keep the guide open as you play as a quick reference tool. You can find more about TEW at our web site at http://www.GreyDogSoftware.com It is highly recommended that you visit our forums, where there is a large community of TEW fans swapping information on tactics, little known features, suggestions, etc, which essentially acts as a supplement to this guide. Adam Ryland TEW Creator Contents The Basics (pg 2) Walkthrough: Getting Started (pg 3) Section 1: Web Site (pg 4) Section 2: Control Room (pg 5) Section 3: Companies (pg 8) Section 4: Dojos (pg 9) Section 5: Characters (pg 10) Section 6: Media (pg 11) Section 7: Game World (pg 12) Section 8: Game Options (pg 13) Section 9: PM Overview (pg 14) Section 10: Venue Selection (pg 15) Section 11: Booking Screen (pg 16) Section 12: Match Output \ Show Output (pg 17) Walkthrough: Setting Up For Our Show (pg 18) Walkthrough: Booking Our Show (pg 19) Booking 101 (pg 21) The Editor \ Statistics \ TEW Folder Structure (pg 22) Protecting Your TEW2010 License (pg 31) Appendix: Tabled Information (pg 32) Miscellaneous (pg 33) 1 The Basics Total Extreme Wrestling 2010 is part booking simulator, part game.
    [Show full text]
  • Revue De Recherche En Civilisation Américaine, 4 | 2013 the Democratic Stage?: the Relationship Between the Actor and the Audience In
    Revue de recherche en civilisation américaine 4 | 2013 Le catch et... The democratic stage?: the relationship between the actor and the audience in professional wrestling Claire Warden Édition électronique URL : http://journals.openedition.org/rrca/525 ISSN : 2101-048X Éditeur David Diallo Référence électronique Claire Warden, « The democratic stage?: the relationship between the actor and the audience in professional wrestling », Revue de recherche en civilisation américaine [En ligne], 4 | 2013, mis en ligne le 30 décembre 2013, consulté le 30 avril 2019. URL : http:// journals.openedition.org/rrca/525 Ce document a été généré automatiquement le 30 April 2019. © Tous droits réservés The democratic stage?: the relationship between the actor and the audience in... 1 The democratic stage?: the relationship between the actor and the audience in professional wrestling Claire Warden Theatrical wrestling: two-way actor-audience communication 1 7 January 2013, World Wrestling Entertainment (WWE)’s flagship Monday night spectacular RAW: the franchise’s most prominent heel CM Punk confronts returning hero The Rock. Popular with ‘smart marks’ (‘smarks’, that is those fans who are enjoyably aware that behind the polished storylines linger backstage rivalries and promotional strategies), Punk, both as face (‘goodie’) and heel (‘baddie’), has always set himself up as ‘voice of the voiceless’, a Chicago-native who, in the tradition of legend ‘Stone Cold’ Steve Austin, rejects the powers of authority in favour of nonconformism. While Stone Cold was a beer-swilling red neck, Punk is an alternative rock-loving, tattooed advocate of a straight edge lifestyle – drug-free, smoke-free, alcohol-free – yet both set themselves up as rebels challenging bigger corporate systems.
    [Show full text]
  • Facing the Heels: Fannish Producers Constructing an Alternative “Shoot” History of Professional Wrestling Through New Media3 S
    Facing the Heels: Fannish Producers Constructing an Alternative “Shoot” History of Professional Wrestling through New Media3 S. M. Walus Eastern Illinois University [email protected] Connor D. Wilcox Kent State University [email protected] Few phenomena have the enduring cultural reach and economic durability of professional wrestling. One company, World Wrestling Entertainment (WWE), effectively controls the majority of its recorded history owning the tape libraries of nearly every North American wrestling organization from before the year 2000. Through this ownership, it provides a flattering corporate history in an Orwellian manner. However, through new media content, fans have constructed an “alternative history” (Dawson and Holmes) of the hegemonic “worked” history provided by WWE. To investigate this, we conducted in-depth interviews with seven of the best-known producers of dirt sheets, podcasts/vodcasts, and shoot interviews in the industry. Their content is seen in over 200 countries by an audience of millions. Their “fannish productions” (Jenkins; Watson) focus on the “shoot,” or factual elements of the industry and demonstrates the power of fannish producers to disrupt hegemonic messages. Keywords: professional wrestling, producer studies, new media, fandom, fan media, alternative history Professional wrestling has an enduring cultural reach and economic durability. After years of increasing earnings, World Wrestling Entertainment (WWE) reported revenues of $960.4 million, which is the company’s most profitable year to date (“WWE Reports 2019 and 2020 Business Outlook”). In 2020, WWE media reached Dr. S. M. Walus is an associate professor in the School of Communication and Journalism at Eastern Illinois University. He received his Ph.D.
    [Show full text]