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The Scofield THE SCO FIELD O DAMBUDZO MARECHERA THE DOPPELGÄNGER ISSUE 1.3 WINTER 2016 THE SCOFIELD OLUSEYE THE SCO FIELD 1.3 “Am I him or is he me or am I myself and is he himself?” DAMBUDZO MARECHERA,”THE WRITER’S GRAIN” “The thread I intend to follow in my delving into Marechera’s fiction is that of the doppelgänger or double which in these works operates in various ways to undermine the concept of the unified individual, and to provoke an insight into the wider implications or possibilities which lie within or through this decentered subject.” Ibeji CREON UPTON, BEYOND KNOWLEDGE: A READING OF DAMBUDZO MARECHERA DAMBUDZO MARECHERA THE DOPPELGÄNGER “I think I am the doppelgänger whom, until I appeared, African literature had not yet met.” DAMBUDZO MARECHERA IN AN INTERVIEW WITH FLORA VEIT-WILD ISSUE 1.3 WINTER 2016 PAGE 2 THE SCOFIELD TABLE OF CONTENTS TABLE OF CONTENTS Scofield Thayer 2 The Doppelgänger Is the One Who Disturbs: 26 Sculpture by Gaston Lachaise A Conversation with Flora Veit-Wild Interview by Kaitlyn Greenidge Ibeji 2 Painting by Oluseye Doubling Over and Over Again: 32 A Brief Literary History of the Doppelgänger Table of Contents 3 Essay by Jack Hanson Multitudes 7 William Wilson 36 Letter from the Editor by Tyler Malone and Taylor Fiction by Edgar Allan Poe Malone Untitled 48 Dambudzo Marechera Bibliography 9 Mezzotint by Majla Zeneli List of Works by Dambudzo Marechera Beyond “Beyond Knowledge”: 49 Seated Couple 9 Fragments from a Thesis Sculpture by Unknown Bricolage by Creon Upton & Geoff Downton Dambudzo Marechera Ports of Entry 10 Recommended Reading by Various Authors The Thing Inside the Thing: 54 The House of Hunger III 12 Essay by Sho Spaeth Painting by Oluseye Scarfolk Council Posters 57 Burning in the Rain 13 Posters by Richard Littler Fiction by Dambudzo Marechera Writing Back to the Center: 58 16 Me and Dambudzo A Conversation with Helon Habila DAMBUDZO MARECHERA THE DOPPELGÄNGER Essay by Flora Veit-Wild Interview by Mary Duffy ISSUE 1.3 WINTER 2016 PAGE 3 THE SCOFIELD TABLE OF CONTENTS TABLE OF CONTENTS This Similitude: 62 A Selection from Dr. Jekyll and Mr. Hyde 87 Daniel Sada’s One Out of Two Fiction Excerpt by Robert Louis Stevenson Essay by Houman Barekat Great Thinkers on the Doppelgänger 90 Quotations from Various Authors Untitled (The Doppelgänger) 64 Poem by Heinrich Heine Doppelgänger II 91 From the Stutter to the Gutter: 65 Painting by Duncan Regehr Dambudzo Marechera and “The Volumtuous A Selection from a Letter to Maria Gisborne, 92 Blackening Image” August 15th, 1822 Essay by Jeffery Renard Allen Letter Excerpt by Mary Shelley Untitled 74 Blood on the Wall 93 Mezzotint by Majla Zeneli Essay by Scott Cheshire A Selection from The Beautiful Bureaucrat 75 Doppelg nger IV 100 Fiction Excerpt by Helen Phillips ä Painting by Duncan Regehr Double Plate Exposure of an 79 Four You 100 Unidentified Woman Painting by Oluseye Photograph by Unknown The Inevitable Ongoingness: 101 Strangers in a Theater: 80 László Krasznahorkai’s Destruction and A Dialogue in Story Form Concerning Alfred Sorrow Beneath the Heavens Hitchcock’s Strangers on a Train and Vertigo Review by Ashley Strosnider Dialogue by Tyler Malone & Conor Higgins DAMBUDZO MARECHERA THE DOPPELGÄNGER A Selection from “The Secret Sharer” 104 Untitled 86 Fiction Excerpt by Joseph Conrad Mezzotint by Majla Zeneli ISSUE 1.3 WINTER 2016 PAGE 4 THE SCOFIELD TABLE OF CONTENTS TABLE OF CONTENTS Doppelgänger V 105 The Nightmare of Reinvention: 136 Painting by Duncan Regehr A Dialogue in Screenplay Form Concerning David Lynch’s Mulholland Drive Only Interpretations: 106 Dialogue by Randall Winston & Alex Bacha A Conversation with Petina Gappah Interview by Conor Higgins Peter Schlemihl Chasing His Own Shadow 144 Scarfolk Council Posters 111 Painting by Adolph Schrodter Posters by Richard Littler The Tree of Life 145 Selections from Loquella 112 Fiction by Martin Egblewogbe Fiction Excerpt by Carlos Labbé Marecheraesque 146 Recommended Reading by Various Authors Untitled 120 Mezzotint by Majla Zeneli Doppelgänger VI 149 Painting by Duncan Regehr A Selection from “The Jolly Corner” 121 Fiction Excerpt by Henry James A Selection from “The Writer’s Grain” 150 Fiction Excerpt by Dambudzo Marechera Men Who Are Named Robert Russell 122 Art by Robert Russell Why I Want to Tell Dambudzo’s Story 160 Seaside Town 123 Essay by Ery Nzaramba Fiction by Brian Evenson Four You 161 Succubus-Selves: 133 Painting by Oluseye On the Doppelgängers of Social Media I’m Not the Character in the Movie: 162 DAMBUDZO MARECHERA THE DOPPELGÄNGER Essay by Dustin Illingworth Doppelgängers and Fame, an Exploration Essay by J.T. Price Dambudzo 135 Poem by Nhamo Mhiripiri ISSUE 1.3 WINTER 2016 PAGE 5 THE SCOFIELD TABLE OF CONTENTS TABLE OF CONTENTS Untitled 169 “Critchley” from ABC of Impossibility 187 Mezzotint by Majla Zeneli Philosophy Excerpt by Simon Critchley Immersion in an Unnamed City: Fiston 170 A Selection from The Uncanny 188 Mwanza Mujila’s Tram 83 Philosophy Excerpt by Sigmund Freud Review by Tobias Carroll Ozymandias 188 Doppelgänger VII 172 Poem by Percy Bysshe Shelley Painting by Duncan Regehr Masthead & Dramatis Personae 189 Through the Eyes of a Child: 173 Portraiture by Majla Zeneli A Conversation with Max Wild Interview by Tinashe Mushakavanhu Yellowed Archives 175 Comic by Dustin Illingworth Panel of Dead Authors 176 Comic by Charlie Meyard A Selection from The Double 177 Fiction Excerpt by Fyodor Dostoyevsky On Our Nightstand 182 Recommended Reading by Various Authors My Shadow 185 DAMBUDZO MARECHERA THE DOPPELGÄNGER Poem by Robert Louis Stevenson Burning in the Rum 186 Cocktail Recipe & Photograph by Bryce Bauer ISSUE 1.3 WINTER 2016 PAGE 6 THE SCOFIELD TYLER MALONE & TAYLOR MALONE TYLER MALONE & TAYLOR MALONE refuse this reduction. When Marechera’s lover and premier scholar, Flora Veit-Wild, was asked why she didn’t write a proper biography of the author, since she is the obvious Multitudes choice for a biographer, her answer, according to her essay, “Me and Dambudzo,” which is reprinted in this issue, Walt Whitman is not the only one who contains was that she “did not want to collapse his multi-faceted multitudes—we all contradict ourselves, we’re all large. personality into one authoritative narrative but rather let Our excessivity is beyond our control, the byproduct of the diverse voices speak for themselves.” our existential liminality. We are in flux by biological Taking our cue from Veit-Wild, who Kaitlyn imperative, chimeras constructed subconsciously to Greenidge interviews early on in these pages, we likewise fulfill evolutionary drives, and this instability makes us hope to avoid collapsing Marechera’s multi-faceted multiplicitous. Thus, we have within each of us various personality into one authoritative narrative. In this issue, selves, and these selves are inherently at odds with where we look at the work of this underappreciated one another by nature of each’s inability to maintain author, we hope to keep those diverse voices within his dominance over the other. This is the primordial stew from writing and within his self alive and shouting in their which we must create a putatively “consistent” identity to own distinctive tones and with their own idiosyncratic be exhibited to the outside world—our lives have always inflections. What better way to do that, we think, been a curation, a filling of the next fold of the future with than to have the issue’s corresponding theme be The whatever self we find most appropriate or advantageous, Doppelgänger? It’s a theme that actively engages with culled from the dusty archives that house our various the simultaneously seductive and terrifying reality of the voices within. multiplicitous self. To paraphrase Creon Upton, whose Our spotlighted author for our third issue, Dambudzo dissertation has been pulled apart and reconstituted into Marechera, knew this well, and quite often he engaged a series of remixed fragments in this issue: the thread we with this idea of embattled identity in his work. It is, in intend to follow in this exploration of Marechera’s writing fact, difficult to shoehorn his writing into any singular is that of the doppelgänger or double, which operates in thesis because any attempt at authoritative textual exegesis, various ways to undermine the concept of the unified like any attempt at a definitive reading of the man himself, individual and to provoke an insight into the wider tends to see the specimen wiggle out from under the implications or possibilities which lie within or through lepidopterist’s pin, a butterfly refusing solitary confinement this decentered subject. and singular positioning. Not only does Dambudzo Marechera’s writing DAMBUDZO MARECHERA THE DOPPELGÄNGER Of course, this is what great art does or should do—is explicitly deal with doppelgängers in stories such as it not? In a time when it’s all too easy to reduce and be “The Writer’s Grain” and “Burning in the Rain”— reduced to soundbites, it’s important to remember that both of which appear here, the former a selection from truly great art, and the truly great artists who create it, and the latter in its entirety—but one of Marechera’s ISSUE 1.3 WINTER 2016 PAGE 7 THE SCOFIELD TYLER MALONE & TAYLOR MALONE TYLER MALONE & TAYLOR MALONE most repeated quotes is his claim that he himself is a content orbits around. We hope you enjoy the bricolage of doppelgänger of sorts: material we have selected for you and you and you and you and you and you and you and you and you and you and I think I am the doppelgänger whom, until I you and you—for all the yous that there are, and maybe appeared, African literature had not yet met.
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