Publishing & the Book in Africa: a Literature Review for 2016
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After Seminal Anthology, Busby Celebrates New Daughters of Africa
Home Nigeria World Politics Sport Opinion Business Technology Arts Guardian TV Literature After seminal anthology, Busby celebrates New Daughters of Africa By Olatoun Gabi-Williams 21 April 2019 | 4:19 am New Daughters of Africa at the WOW Festival, International Women’s Day 2019 Reports online are increasing about projects in the creative industries aimed not only at countering fear of the ‘other’ and resentment about the growing number of ‘others’ in our midst but at highlighting ways ‘others’ enrich and strengthen us. As nationalism and nativism rise across the globe, my cyber world is under siege. I am not complaining. Powerful images posted online from art biennials have stayed with me: Venice, Berlin, Dak’Art (Dakar, Senegal) and Art X in Lagos, Nigeria. Memorable, startling art, love- infused, aiming to transform the way I, we, see all kinds of difference: gender, race, culture and ability. Rarely can art claim immediate transformative power; what it can do is capture the imagination and plant seeds for a conversation and perhaps – ultimately – a conversion. Latest In this essay, I turn my thoughts away from arresting visual art to focus on a landmark Trump says Congress 'can't union: Margaret Busby OBE with Candida Lacey of Myriad Editions (UK) and 200+ 2 mins ago women from Africa and its diasporas. It is a great literary assembly put together for the purpose of reconstructing perceptions about Africa and her women, celebrating African Why Buhari administratio women in literature and showcasing the dazzling range of their work. Importantly, the delayed - Dogara women have assembled for the purpose of making a difference in black women’s lives 23 mins ago through the inauguration of the Margaret Busby New Daughters of Africa (NDOA) Award. -
Publishing & the Book in Africa
Publishing & the Book in Africa: A Literature Review for 2017 Hans M. Zell [email protected] Copyright © Hans Zell Publishing Consultants 2018 This is the third in a series of annual reviews of select new literature in English that has appeared on the topic of publishing and the book sector in sub-Saharan Africa. The previous annual literature reviews can be found as follows: 2016: https://www.academia.edu/31441110/Publishing_and_the_Book_in_Africa_A_Literature_ Review_for_2016 (pre-print version) Print/online version published in The African Book Publishing Record 43, no. 2 (May 2017): 120- 170. https://doi.org/10.1515/abpr-2017-0004 2015: https://www.academia.edu/20432811/Publishing_and_the_Book_in_Africa_- _A_Literature_Review_for_2015 (pre-print version) Print/online version published in The African Book Publishing Record 42, no. 1 (March 2016): 11-37. https://doi.org/10.1515/abpr-2016-0003. Extensively annotated and/or with abstracts, the present list brings together new literature published during the course of 2017, a total of 157 records. Also included are a small number of articles and other documents published in 2016 or earlier, and which have not hitherto been included in previous annual literature reviews or in the Publishing, Books & Reading in Sub-Saharan Africa online database (see also below). The literature review covers books, chapters in books and edited collections, journal articles, Internet documents and reports, theses and dissertations, interviews, audio/video recordings and podcasts, as well as a number of blog postings, with their posting dates indicated. Newspaper articles and stories are not generally included, unless of substantial length or of special significance. Records are grouped under a range of regional/country and topic-specific headings. -
The Scofield
THE SCO FIELD O DAMBUDZO MARECHERA THE DOPPELGÄNGER ISSUE 1.3 WINTER 2016 THE SCOFIELD OLUSEYE THE SCO FIELD 1.3 “Am I him or is he me or am I myself and is he himself?” DAMBUDZO MARECHERA,”THE WRITER’S GRAIN” “The thread I intend to follow in my delving into Marechera’s fiction is that of the doppelgänger or double which in these works operates in various ways to undermine the concept of the unified individual, and to provoke an insight into the wider implications or possibilities which lie within or through this decentered subject.” Ibeji CREON UPTON, BEYOND KNOWLEDGE: A READING OF DAMBUDZO MARECHERA DAMBUDZO MARECHERA THE DOPPELGÄNGER “I think I am the doppelgänger whom, until I appeared, African literature had not yet met.” DAMBUDZO MARECHERA IN AN INTERVIEW WITH FLORA VEIT-WILD ISSUE 1.3 WINTER 2016 PAGE 2 THE SCOFIELD TABLE OF CONTENTS TABLE OF CONTENTS Scofield Thayer 2 The Doppelgänger Is the One Who Disturbs: 26 Sculpture by Gaston Lachaise A Conversation with Flora Veit-Wild Interview by Kaitlyn Greenidge Ibeji 2 Painting by Oluseye Doubling Over and Over Again: 32 A Brief Literary History of the Doppelgänger Table of Contents 3 Essay by Jack Hanson Multitudes 7 William Wilson 36 Letter from the Editor by Tyler Malone and Taylor Fiction by Edgar Allan Poe Malone Untitled 48 Dambudzo Marechera Bibliography 9 Mezzotint by Majla Zeneli List of Works by Dambudzo Marechera Beyond “Beyond Knowledge”: 49 Seated Couple 9 Fragments from a Thesis Sculpture by Unknown Bricolage by Creon Upton & Geoff Downton Dambudzo Marechera Ports of -
University of Cape Town
The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgementTown of the source. The thesis is to be used for private study or non- commercial research purposes only. Cape Published by the University ofof Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University REPRESENTATIONS OF POST-2000 DISPLACEMENT IN ZIMBABWEAN WOMEN’S LITERATURE IVY SHUTU MUSEKIWA SHTIVY001 A minor dissertation submitted in partial fulfillment of the requirements for the award of the degree of Master of Arts in Language, Literature and Modernity. Town Cape of Faculty of Humanities UniversityUniversity of Cape Town September 2012 DECLARATION This work has not been previously submitted in whole, or in part, for the award of any degree. It is my own work. Each significant contribution to, and quotation in, this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. Signature: Date: Town Cape of University ABSTRACT This study examines literature by Zimbabwean women that explores evictions and migrations of people from 2000 to 2009 when the crisis subsided with the enactment of the Global Political Agreement (GPA). It examines women‘s fiction on the impact of the land reform and Operation Murambatsvina with regard to the displacements and the consequent pain and trauma these programmes brought about. I examine stories by both black and white Zimbabwean female writers and argue that these stories show that the programmes caused physical, emotional, social and economic displacement. -
05 Apeyemi T FM.Fm
64 When it no longer matters whom you love: the politics of love and identity in Nigerian migrant fiction Ajibola Opeyemi 1 Department of English University of Ibadan, Ibadan, Nigeria. https://orcid.org/0000-0003-3094-1285, Email: [email protected] Tel: +2348062420265 Abstract A number of creative texts by Nigerian migrant writers recreate migrant characters’ experiences of love, intimacy and connected identity politics in the diaspora. However, there is a paucity of scholarly engagements with Nigerian migrant writers’ representation of the complexities that attend the formation and reconfiguration of migrant characters’ identity and love relationships outside the motherland. This study, therefore, examines the intersection of love, place and identity in three purposively selected texts – Segun Afolabi’s Goodbye Lucill e, Chimamanda Adichie’s Americanah and Unoma Azuah’s Edible Bones. The three novels are closely read and analysed using the Postcolonial theory’s conceptions of Othering and unhomeliness, in order to foreground the impact of the ‘condition of the diaspora’ on migrant characters’ relationships and identity negotiations. The study reveals that all three novels feature characters that struggle to align their multiple identities and at the same time maintain meaningful love relationships outside the motherland. There is also the representation of same-sex marriages, green marriages, dysfunctional inter-national, inter-racial and transnational relationships, and the negative effects of distance on love relationships. Time and chance then determine the politics of love and identity in diasporic spaces. Nigerian migrant writers represent the pervasively unpleasant experiences of migrant characters belied in the construction of love with identity politics as coordinate relationships in the Nigerian diaspora, through a rhetoric pain and suffering, in order to underscore the unpleasant second side that there is to the migration narrative of bliss and fulfilment. -
Afolabi 00 Fmt Cx 1/29/10 11:57 AM Page Iii
afolabi 00 fmt cx 1/29/10 11:57 AM Page iii Toyin falola the man, the mask, the muse edited by niyi Afolabi Carolina Academic Press Durham, North Carolina afolabi 00 fmt cx 1/29/10 11:57 AM Page iv Copyright © 2010 Niyi Afolabi All Rights Reserved Library of Congress Cataloging-in-Publication Data Toyin Falola : the man, the mask, the muse / edited by Niyi Afolabi. p. cm. Includes bibliographical references and index. ISBN 978-1-59460-754-7 (alk. paper) 1. Falola, Toyin. 2. Falola, Toyin--Influence. 3. Falola, Toyin--Political and social views. 4. Africanists--United States--Biography. 5. Scholars--United States--Biography. 6. Historians--United States--Biography. 7. Africa--Historiography. 8. African dias- pora--Historiography. 9. College teachers--Texas--Austin--Biography. 10. Nigerian Americans--Biography. I. Afolabi, Niyi. II. Title. DT19.7.F35T69 2010 960.072'02--dc22 2010002268 Carolina Academic Press 700 Kent Street Durham, North Carolina 27701 Telephone (919) 489-7486 Fax (919) 493-5668 www.cap-press.com Printed in the United States of America afolabi 00 fmt cx 1/29/10 11:57 AM Page v Dedicated to my mother: Ogboja afolabi 00 fmt cx 1/29/10 11:57 AM Page vii Contents Prologue xiii Niyi Afolabi Notes on Contributors xvii Chapter 1 Toyin Falola: The Man, The Mask, The Muse 3 Niyi Afolabi PART ONE INVOCATION AND COMMENTARIES Chapter 2 Invocation 53 Iyalawo Oloye Aina Olomo (Igbo Iyalase, the Ajidakin) Chapter 3 Toyin Falola: A Poet “Within” and “Without” 57 Michael Vickers Chapter 4 Toyin Falola: Volcanic Force, Diasporic Muse 85 Paul Lovejoy Chapter 5 Toyin Falola: The African Historian and Scholar 89 Robert Dibie Chapter 6 Toyin Falola: The Master Teacher 97 Molefi Kete Asante Chapter 7 Professor Toyin Falola in His Intellectual Majesty! 101 A.B. -
Blood on the Page
Blood on the Page Blood on the Page: Interviews with African Authors writing about HIV/AIDS By Lizzy Attree Blood on the Page: Interviews with African Authors writing about HIV/AIDS, by Lizzy Attree This book first published 2010 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2010 by Lizzy Attree All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-2077-6, ISBN (13): 978-1-4438-2077-6 TABLE OF CONTENTS Acknowledgements ................................................................................... vii Introduction ................................................................................................. 1 Interview with Phaswane Mpe................................................................... 21 Interview with Sindiwe Magona................................................................ 33 Interview with Kgafela oa Magogodi ........................................................ 77 Interview with Alexander Kanengoni........................................................ 99 Interview with Vivienne Kernohan aka Violet Kala................................ 111 Interview with Charles Mungoshi .......................................................... -
Discourses of Poverty in Literature: Assessing Representations of Indigence in Post-Colonial Texts from Botswana, Namibia and Zimbabwe
Discourses of Poverty in Literature: Assessing representations of indigence in post-colonial texts from Botswana, Namibia and Zimbabwe By PHENYO BUTALE Thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Prof. Tina Steiner Co-supervisor: Prof. Annie Gagiano March 2015 Stellenbosch University https://scholar.sun.ac.za DECLARATION I, the undersigned, hereby declare that the work contained in this thesis is my original work and that I have not previously in its entirety or in part submitted it at any other university for a degree. Signature............................................... Date: 10th October 2014 Copyright © 2015 Stellenbosch University All rights reserved i Stellenbosch University https://scholar.sun.ac.za ABSTRACT This thesis undertakes a comparative reading of post-colonial literature written in English in Botswana, Namibia and Zimbabwe to bring into focus the similarities and differences between fictional representations of poverty in these three countries. The thesis explores the unique way in which literature may contribute to the better understanding of poverty, a field that has hitherto been largely dominated by scholarship that relies on quantitative analysis as opposed to qualitative approaches. The thesis seeks to use examples from selected texts to illustrate that (as many social scientists have argued before) literature provides insights into the ‘lived realities’ of the poor and that with its vividly imagined specificities it illuminates the broad generalisations about poverty established in other (data-gathering) disciplines. Selected texts from the three countries destabilise the usual categories of gender, race and class which are often utilised in quantitative studies of poverty and by so doing show that experiences of poverty cut across and intersect all of these spheres and the experiences differ from one person to another regardless of which category they may fall within. -
Borders Review of the 2019 Pen Anthology
BORDERS REVIEW OF THE 2019 PEN ANTHOLOGY SILVER LINING In 2003, the Nigerian chapter of PEN International published Melody of Stones, its first anthology of Nigerian writing. Silver Lining, is PEN Nigeria’s second anthology. Published by University Press Plc in the second half of 2019, Pen Nigeria President, Folu Agoi and Professor Akachi Adimora-Ezeigbo, the editors, spoke in their Editorial about the need to REVIEW OF SILVER LINING (Borders copyright ©2019 - Olatoun Gabi-Williams) Page 1 put together a ‘robust’ work of Nigerian literature; one which will project, as ‘one vibrant voice’, an intergenerational caucus of artists and thinkers: early career, mid- career and veterans. No legislated themes or approaches: writers were asked to make their own choices about what to express and how. Before I begin my review of Silver Lining, I would like to take a quick look at examples of the world-wide campaign to mainstream African literature. It continues to gain ground. France-based Nakiri – Rights Solution and digital distributor, Italy- based StreetLib , two stakeholders in the success of African publishing, have come together to scale the sale of foreign rights and distribution of francophone books across international and linguistic boundaries, leveraging expertise in rights trading and cutting-edge digital technology. Individual linguists across Africa and community resources such as the Red Sea Cultural Centre, Hargeysa, Somaliland, are translating books and short stories into local languages to encourage consumption of African literature by the widest possible local audience. The Mabati Cornell Kiswahili Prize for African literature was inaugurated for the purpose of translating texts from, between and into African languages and to promote writing in African languages. -
Remembering the Short Stories of Yvonne
Jessica Murray Remembering the short stories of Jessica Murray is a senior lecturer in Yvonne Vera: A postcolonial and English Studies at the University of South Africa, Pretoria. She completed her feminist reading of Why Don’t You Ph.D at the Centre for Women’s Studies, University of York, United Kingdom. Carve Other Animals? E-mail: [email protected] Remembering the short stories of Yvonne Vera: A postcolonial and feminist reading The Zimbabwean author Yvonne Vera is one of the most important writers to emerge from the African continent over the last two decades. Although she has received widespread critical acclaim as well as academic scrutiny, analyses of her work have mostly focused on her novels. This article attempts to redress this scholarly imbalance by offering a close textual analysis of Why Don’t You Carve Other Animals? through a critical lens of postcolonial and feminist theory. In these stories Vera articulates the internal thoughts of her characters in order to explore the way that oppressed people negotiate the fact of their oppression. It is particularly the female characters’ reflections that reveal the complexity of the position occupied by colonised women and the sophistication of their attempts to address the layered marginalisation to which they are subjected. Vera shows that, for them, an unproblematic participation in the nationalist movement for liberating Zimbabwe from colonial oppression is simply not an option. The article explores the specifically gendered expectations and obstacles that shape the female characters’ struggles in the Zimbabwean context. Key words: Feminism, marginalisation, national liberation, postcolonial, Yvonne Vera, Zimbabwean writing. -
Ipa-Lagos-Final-Report-2018.Pdf
Introduction The inaugural International Publishers Association (IPA) Africa Seminar, entitled ‘Publishing for Sustainable Development – The Role of Publishers in Africa’ – was jointly organised by the IPA and the Nigerian Publishers Association (NPA), and held at the sumptuous Eko Hotel and Suites in Lagos, Nigeria on 9 May, 2018. Guest registration desk. Guests networking at the welcome reception. Like the Oscars… Some 180-odd delegates and guests knew they were at a special event as soon as they saw the entrance lobby to the conference room. This was decked-out, Oscars style, with ‘wrapped walls’ featuring the name of the event and the logos of the main organisers, the IPA and NPA. This made the perfect backdrop for pictures and was stylishly executed. It also added a touch of glamour, an effect accentuated by the presence of conference ‘stewardesses’ in sparkling dresses. Guests at the welcome reception. Speakers at the welcome reception, left to right : Elliot Agyare, Sellami Ahmed El Meki, Mohammad Radi. A professional room Badges and Seminar programmes were duly collected and delegates were able to mingle over refreshments before making their way into the spacious conference room where the stage and lighting were also very professional. The presence of a drumkit and African drums to the side of the stage was a hint of further excitements to come. Guest registration desk. Welcome Speeches Opening speech given by Gbadega Adedapo, The President of the Nigerian Publishers Association. The President of the Nigerian Publishers Association Gbadega Adedapo gave the first opening address in which he said that African publishing had a good story to tell, but that it hadn’t “shouted about it loudly enough”. -
Popular Expressions of Southern African Nationalism(S): Convergences, Divergences, and Reconciliations in South Africa and Zimbabwe
POPULAR EXPRESSIONS OF SOUTHERN AFRICAN NATIONALISM(S): CONVERGENCES, DIVERGENCES, AND RECONCILIATIONS IN SOUTH AFRICA AND ZIMBABWE By Blessing Shingirirai Mavima A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of African American and African Studies – Doctor of Philosophy 2019 ABSTRACT POPULAR EXPRESSIONS OF SOUTHERN AFRICAN NATIONALISM(S): CONVERGENCES, DIVERGENCES, AND RECONCILIATIONS IN SOUTH AFRICA AND ZIMBABWE By Blessing Shingirirai Mavima Popular Expressions of Pan-Africanism and Southern African Nationalism(s): Convergences, Divergences, and Reconciliations in South Africa and Zimbabwe is a dissertation study that traces the transformations, reveals the tensions, and critically analyzes diverging and converging trajectories of different manifestations of African nationalism, including ethnic nationalism, state nationalism, and Pan-Africanism using contemporary South Africa and Zimbabwe as sites of analyses. Focusing on the metropolitan provinces of Gauteng and Harare respectively, I use the study to interrogate how popular expressions of African nationalism have emerged and evolved in the neighboring nations during their anti-colonial/anti-apartheid struggles throughout the 20 th century, and how they exist today. Presenting a thesis that I call nationalisms from below, the research study reveals how these manifestations of nationalism are imagined, practiced, and represente d by the initiatives and actions of different members of the civil society including artists, activists, laborers, and migrants in the two countries’ contemporary politics and society. My findings lead to a nuanced determination of the factors that influence the intersections, divergences, and convergences of what I refer to in the study as Africa’s tripartite nationalist expressions and identities—ethnicism, African Nationalism, and Pan- Africanism.