Amandla!: a Revolution in Four Part Harmony: Film Teaching Guide
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Tech Mahindra15mar21
India Equity Research | Information Technology © March 15, 2021 Flash Note Emkay Tech Mahindra Your success is our success Refer to important disclosures at the end of this report CMP Target Price Rs 1,003 Rs 1,170 (■) as of (March 15, 2021) 12 months Perigord to augment capabilities in Rating Upside HLS vertical BUY (■) 16.6 % This report is solely produced by Emkay Global. The . Tech Mahindra has agreed to acquire a 70% stake in Ireland-based Perigord Asset following person(s) are responsible for the production of the recommendation: Holdings (Perigord), a digital workflow and artwork, labelling and BPO services firm, for a cash consideration of EUR21mn (~1.5x EV/Sales on TTM basis). Tech Mahindra will Dipesh Mehta acquire the remaining 30% stake in the next four years at valuation linked to the financial [email protected] +91 22 6612 1253 performance of Perigord. Monit Vyas . Deal rationale: This acquisition will strengthen Tech Mahindra’s platform-led BPaaS [email protected] offerings, expand its global footprint and bolster its capabilities in the digital supply chain +91 22 6624 2434 in the global pharmaceutical, healthcare and life science (HLS) market. It will strengthen Tech Mahindra’s position as a leading digital transformation enabler in the artwork and packaging services space with an integrated platform and services portfolio. Additionally, Tech Mahindra will leverage Perigord’s expertise and offerings to extend capabilities toward delivering efficiency and automation levers across sectors, including consumer- packaged goods, medical devices and over-the-counter products. The acquisition is a part of Tech Mahindra’s growth plan to expand presence in key markets in Ireland, Germany, USA, and India, with enhanced global delivery capabilities. -
Review of Amandla!: a Revolution in Four-Part Harmony (Film) Ian Barnard Chapman University, [email protected]
Chapman University Chapman University Digital Commons English Faculty Articles and Research English 2003 Review of Amandla!: A Revolution in Four-Part Harmony (film) Ian Barnard Chapman University, [email protected] Follow this and additional works at: http://digitalcommons.chapman.edu/english_articles Part of the Film and Media Studies Commons Recommended Citation Barnard, Ian. Review of Amandla!: A Revolution in Four-Part Harmony (film). African Arts 36.2 (2003): 86-87, 96. Print. This Book Review is brought to you for free and open access by the English at Chapman University Digital Commons. It has been accepted for inclusion in English Faculty Articles and Research by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. Review of Amandla!: A Revolution in Four-Part Harmony (film) Comments This article was originally published in African Arts, volume 36, issue 2, in 2003. Copyright MIT Press This book review is available at Chapman University Digital Commons: http://digitalcommons.chapman.edu/english_articles/59 other yellow. As the flesh-like tones play off ther personal rumination. Although new to song like "Nkosi Sikelel'i Afrika" ("God Bless each other, the gritty, tactile nature of the surface U.S. collectors and museums, the artist has Africa"-now the official national anthem of tempts the touch of the viewer. Appropriately, displayed ingenuity and potential to such a South Africa), which has no "political" con- further investigation into the context of the degree that curators in the Department of tent, becomes politicized by reason of the con- painting's creation leads to the discovery that Modern Art at the Metropolitan Museum texts in which it is sung; people transform a the ochres used as pigments in the painting are deemed it appropriate to acquire a Nel for seemingly innocuous old song into something also applied to the skin of participants in initia- their own collection. -
Sounds of Young Afrikaners
Sounds of young Afrikaners Popular music and processes of social identification in and around Pretoria, South Africa Maike Lolkema Research Master Thesis in African Studies African Studies Centre / Leiden University Sounds of young Afrikaners Popular music and processes of social identification in and around Pretoria, South Africa Name Maike Reinate Lolkema Supervisor Dr. W.M.J. (Ineke) van Kessel Second Reader Dr. H. (Harry) Wels Date July 2014 Pictures used at the cover: Picture at the top: Audience at the performance of Fokofpolisiekar at Oppikoppi Festival at August 10th 2012. Picture at the bottom: Audience at the performance of Steve Hofmeyr at the Pretoria Musiekfees on November 17th 2012. The writer made both pictures. 2 ‘We understand it still that there is no easy road to freedom. We know it well that none of us acting alone can achieve success. We must therefore act together as a united people, for national reconciliation, for nation building, for the birth of a new world.’ - Nelson Mandela in his inaugural address May 10th 1994 ‘Een ding het intussen vir my duidelik geword: Dis nie ’n land vir sissies nie.’ - Fred de Vries in Rigting Bedonnerd ‘Revoluties worden op schepen uitgeroepen, utopieën op eilanden geleefd. Dat er nog iets anders moet zijn dan het hier en nu, is een troostende gedachte.’ - Judith Schalansky in De atlas van afgelegen eilanden ‘Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness, that most frightens us. Your playing small does not serve the world. -
Black Power, Black Consciousness, and South Africa's Armed Struggle
Binghamton University The Open Repository @ Binghamton (The ORB) Graduate Dissertations and Theses Dissertations, Theses and Capstones 6-2018 UNCOVERING HIDDEN FRONTS OF AFRICA’S LIBERATION STRUGGLE: BLACK POWER, BLACK CONSCIOUSNESS, AND SOUTH AFRICA’S ARMED STRUGGLE, 1967-1985 Toivo Tukongeni Paul Wilson Asheeke Binghamton University--SUNY, [email protected] Follow this and additional works at: https://orb.binghamton.edu/dissertation_and_theses Part of the Sociology Commons Recommended Citation Asheeke, Toivo Tukongeni Paul Wilson, "UNCOVERING HIDDEN FRONTS OF AFRICA’S LIBERATION STRUGGLE: BLACK POWER, BLACK CONSCIOUSNESS, AND SOUTH AFRICA’S ARMED STRUGGLE, 1967-1985" (2018). Graduate Dissertations and Theses. 78. https://orb.binghamton.edu/dissertation_and_theses/78 This Dissertation is brought to you for free and open access by the Dissertations, Theses and Capstones at The Open Repository @ Binghamton (The ORB). It has been accepted for inclusion in Graduate Dissertations and Theses by an authorized administrator of The Open Repository @ Binghamton (The ORB). For more information, please contact [email protected]. UNCOVERING HIDDEN FRONTS OF AFRICA’S LIBERATION STRUGGLE: BLACK POWER, BLACK CONSCIOUSNESS, AND SOUTH AFRICA’S ARMED STRUGGLE, 1967-1985 BY TOIVO TUKONGENI PAUL WILSON ASHEEKE BA, Earlham College, 2010 MA, Binghamton University, 2014 DISSERTATION Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Sociology in the Graduate School of Binghamton University State University of New -
Rwanda Timeline
Rwanda Profile and Timeline 1300s - Tutsis migrate into what is now Rwanda, which was already inhabited by the Twa and Hutu peoples. [Hutus are farmers and make up > 80% of the population / Twa are the smallest group and by trade hunters and gatherers / Tutsi > 10% of the population are pastoralists] 1600s - Tutsi King Ruganzu Ndori subdues central Rwanda and outlying Hutu areas. Late 1800s - Tutsi King Kigeri Rwabugiri establishes a unified state with a centralized military structure. 1858 - British explorer Hanning Speke is the first European to visit the area. 1890 - Rwanda becomes part of German East Africa. 1916 - Belgian forces occupy Rwanda. 1923 - Belgium granted League of Nations mandate to govern Ruanda-Urundi, which it ruled indirectly through Tutsi kings. 1946 - Ruanda-Urundi becomes UN trust territory governed by Belgium. Independence 1957 - Hutus issue manifesto calling for a change in Rwanda's power structure to give them a voice commensurate with their numbers; Hutu political parties formed. 1959 - Tutsi King Kigeri V, together with tens of thousands of Tutsis, forced into exile in Uganda following inter-ethnic violence. 1961 - Rwanda proclaimed a republic. 1962 - Rwanda becomes independent with a Hutu, Gregoire Kayibanda, as president; many Tutsis leave the country. Hutu Gregoire Kayibanda was independent Rwanda's first President 1963 - Some 20,000 Tutsis killed following an incursion by Tutsi rebels based in Burundi. 1973 - President Gregoire Kayibanda ousted in military coup led by Juvenal Habyarimana. 1978 - New constitution ratified; Habyarimana elected president. 1988 - Some 50,000 Hutu refugees flee to Rwanda from Burundi following ethnic violence there. 1990 - Forces of the rebel, mainly Tutsi, Rwandan Patriotic Front (RPF) invade Rwanda from Uganda. -
Committed to Unity
Committed to Unity: South Africa’s Adherence to Its 1994 Political Settlement Paul Graham IPS Paper 6 Abstract This paper reviews the commitment of the remaining power contenders and other political actors to the settlement which was reached between 1993 and 1996. Based on interviews with three key actors now in opposing political parties represented in the National Assembly, the paper makes the case for a continued commitment to, and consensus on, the ideals and principles of the 1996 Constitution. It provides evidence of schisms in the dominant power contender (the African National Congress) which have not led to a return in political violence post-settlement. The paper makes the point that, while some of this was the result of President Nelson Mandela’s presence, more must be ascribed to the constitutional arrangements and commitments of the primary political actors and the citizens of South Africa. © Berghof Foundation Operations GmbH – CINEP/PPP 2014. All rights reserved. About the Publication This paper is one of four case study reports on South Africa produced in the course of the collaborative research project ‘Avoiding Conflict Relapse through Inclusive Political Settlements and State-building after Intra-State War’, running from February 2013 to February 2015. This project aims to examine the conditions for inclusive political settlements following protracted armed conflicts, with a specific focus on former armed power contenders turned state actors. It also aims to inform national and international practitioners and policy-makers on effective practices for enhancing participation, representation, and responsiveness in post-war state-building and governance. It is carried out in cooperation with the partner institutions CINEP/PPP (Colombia, Project Coordinators), Berghof Foundation (Germany, Project Research Coordinators), FLACSO (El Salvador), In Transformation Initiative (South Africa), Sudd Institute (South Sudan), Aceh Policy Institute (Aceh/Indonesia), and Friends for Peace (Nepal). -
The Emancipatory Politics of Westworld (2016-)
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE QUESTIONING THE NATURE OF REALITY: THE EMANCIPATORY POLITICS OF WESTWORLD (2016-) A THESIS SUBMITTED TO THE GRADUATE FACULTY In partial fulfillment of the requirements for the Degree of MASTER OF ARTS By MORGAN JONES Norman, Oklahoma 2021 QUESTIONING THE NATURE OF REALITY: THE EMANCIPATORY POLITICS OF WESTWORLD (2016-) A THESIS APPROVED FOR THE DEPARTMENT OF GEOGRAPHY AND ENVIRONMENTAL SUSTAINABILITY BY THE COMMITTEE CONSISTING OF Dr. Laurel Smith, Chair Dr. Alison Fields Dr. Darren Purcell © Copyright by MORGAN JONES 2021 All Rights Reserved iv Acknowledgements I’d like to extend thanks to my thesis advisor, Dr. Laurel Smith, for letting me take this short final paper from Gender & Environment and turn it into a fully-fledged Master’s thesis. She has always taken this project seriously, even when I doubted its value (as I often did). Her extensive notes have been invaluable in crafting this document into what it is today. I would also like to thank Dr. Darren Purcell and Dr. Alison Fields who both serve on my advisory committee. The classes I have taken with them helped my conceptualization of what this thesis could be. I hope that their influence is visible in this paper. Another extension of gratitude goes to Dr. Harriet Hawkins for introducing me to geographical aesthetics, and for getting coffee with me in London when her work was the grounding force in my undergraduate capstone. I think it is absolutely necessary to thank my roommate, Holden Dempsey, and my dog, Olive, for being a stellar support system when I was at my most fragile. -
Justice for Child Soldiers in the D.R.C
Companion Curriculum A DUTY TO PROTECT: Justice for Child Soldiers in the D.R.C. A WITNESS and Amnesty International Partnership www.witness.org www.amnestyusa.org Table of Contents 2 Table of Contents How to Use This Guide HRE 101: The Universal Declaration of Human Rights Human Rights 201: Introduction to the Convention on the Rights of the Child (CRC) Lesson One: Girls – The Forgotten Soldiers Reference 1.1: World Map Exercise Reference 1.2: Democratic Republic of Congo Conflict Timeline Reference 1.3: Historical and Political Overview of the DRC Reference 1.4: Girl Soldiers Handout 1.1: Key People & Organizations Guide Handout 1.2: A Duty to Protect Viewing Guide Handout 1.3: A Duty to Protect Movie Discussion Guide Lesson Two: Seeking Justice – Girl Soldiers & the International Criminal Court Reference 2.1: An Overview of the International Criminal Court Handout 2.1: The Case of Thomas Lubanga Dyilo Handout 2.2: Justice for Child Soldiers Lesson Three: Community Connection – Girls in Gangs Handout 3.1: Why do Children Fight? Handout 3.2: Girls and Gangs in The United States Handout 3.3: Applied Scenarios Glossary How to Use This Guide 3 How to Use This Guide Designed as an introduction to the issue of girl child soldiers and the challenges of international justice, rehabilitation and reintegration, this companion guide to A Duty to Protect: Justice for Child Soldiers in the DRC can be used in its entirety or individual lessons can stand alone as learning extensions after watching the film. For more ideas regarding using film in educational settings, please use the tip sheet included in this curriculum guide. -