Uloga Državne Revizije U Kontroli Postupaka I Rezultata Pretvorbe I Privatizacije I Utjecaj Državne Revzije Na Upravljanje Javnim Poduzećima U Republici Hrvatskoj

Total Page:16

File Type:pdf, Size:1020Kb

Uloga Državne Revizije U Kontroli Postupaka I Rezultata Pretvorbe I Privatizacije I Utjecaj Državne Revzije Na Upravljanje Javnim Poduzećima U Republici Hrvatskoj SVEUČILIŠTE JOSIPA JURJA STROSSMAYERA U OSIJEKU EKONOMSKI FAKULTET U OSIJEKU DIPLOMSKI STUDIJ OSIJEK Nikola Drmić Stjepan Dujmić SEMINARSKI RAD IZ KOLEGIJA REVIZIJA FINANCIJSKIH INSTITUCIJA ULOGA DRŽAVNE REVIZIJE U KONTROLI POSTUPAKA I REZULTATA PRETVORBE I PRIVATIZACIJE I UTJECAJ DRŽAVNE REVZIJE NA UPRAVLJANJE JAVNIM PODUZEĆIMA U REPUBLICI HRVATSKOJ Mentor: doc.dr.sc. Ivo Mijoč Osijek, 2014. SADRŽAJ: 1. UVOD ............................................................................................................................................. 1 2. POJAM, ULOGA I VRSTE REVIZIJE ..................................................................................... 2 2.1. Povijesni razvoj revizije u svijetu i Hrvatskoj .................................................................... 2 2.2. Pojmovno određenje revizije ................................................................................................ 5 2.3. Vrste revizije .......................................................................................................................... 6 3. DRŽAVNA REVIZIJA................................................................................................................. 10 3.1. Temeljne pretpostavke državne revizije ........................................................................... 10 3.2. Organizacija državne revizije ............................................................................................ 14 3.3. Proces revizije ...................................................................................................................... 15 3.4. Povezanost državne i unutarnje revizije u javnom sektoru ............................................ 18 3.5. Povezanost državne revizije i revizije informacijskih sustava ........................................ 20 3.6. Uloga državne revizije u sprječavanju i otkrivanju prijevare i korupcije .................... 21 4. PRETVORBA I PRIVATIZACIJA U REPUBLICI HRVATSKOJ ..................................... 23 4.1. Analiza procesa pretvorbe i privatizacije ......................................................................... 28 4.1.1. Organizacijski oblik trgovačkih društava nastalih pretvorbom društvenih poduzeća....................................................................................................................................... 29 4.1.2. Ostvarenje ciljeva razvojnog programa u trgovačkim društvima nastalim nakon pretvorbe društvenih poduzeća ................................................................................................. 30 4.1.3. Ostvaren poslovni rezultat koncem 1991. i 2002. godine ......................................... 31 4.1.4. Trgovačka društva prema provedenim sanacijama ................................................ 32 4.1.5. Stečajevi i likvidacije u trgovačkim društvima nastalim nakon pretvorbe društvenih poduzeća ................................................................................................................... 33 4.2. Analiza izvješća o provedenoj reviziji pretvorbe i privatizacije ..................................... 34 4.2.1. Skupna analiza Izvješća o provedenoj reviziji pretvorbe i privatizacije ............... 35 4.2.2. Analiza prema veličini aktive trgovačkih društava ................................................. 39 4.2.2.1. Mala poduzeća ......................................................................................................... 40 4.2.2.2. Srednja poduzeća .................................................................................................... 43 4.2.2.3. Velika poduzeća....................................................................................................... 46 4.2.2.4. Skupna analiza ........................................................................................................ 50 4.2.3. Analiza pomoću Benfordova zakona ......................................................................... 52 4.2.3.1. Vodeća znamenka – broj 1 ..................................................................................... 53 4.2.3.2. Vodeća znamenka – broj 2 ..................................................................................... 54 4.2.3.3. Vodeća znamenka – broj 3 ..................................................................................... 55 4.2.3.5. Vodeća znamenka - broj 5 ...................................................................................... 56 4.2.3.6. Vodeća znamenka - broj 6 ...................................................................................... 56 4.2.3.7. Vodeća znamenka - broj 7 ...................................................................................... 57 4.2.3.8. Vodeća znamenka – broj 8 ..................................................................................... 57 4.2.3.9. Vodeća znamenka – broj 9 ..................................................................................... 57 4.2.3.10. Skupna analiza svih razreda .................................................................................. 58 5. ANALIZA POSLOVANJA JAVNIH PODUZEĆA ................................................................ 60 6. UTJECAJ DRŽAVNE REIVZIJE NA POSLOVANJE JAVNIH PODUZEĆA .................. 77 7. ZAKLJUČAK ............................................................................................................................. 81 9. POPIS TABLICA I GRAFIKONA ........................................................................................... 84 10. PRILOZI SEMINARSKOG RADA ...................................................................................... 87 2 POPIS KORIŠTENIH KRATICA DUR – Državni ured za reviziju DEM – Njemačka marka (njem. Deutsche Mark) HRD – Hrvatski dinar HRK – Hrvatska kuna RH – Republika Hrvatska MP – malo poduzeće SP – srednje (srednje veliko) poduzeće VP – veliko poduzeće NV – neto vrijednost 1. UVOD Tema seminarskog rada je „Uloga državne revizije u kontroli postupaka i rezultata pretvorbe i privatizacije i utjecaj državne revizije na upravljanje javnim poduzećima u Republici Hrvatskoj“. Rad je koncipiran iz više dijelova. U prvom dijelu seminarskog rada čitatelja se uvodi u osnovne pojmove o reviziji, njezin povijesni razvoj, vrste revizije i ulogu iste u suvremenom svijetu. Drugi dio seminarskog rada odnosi se na državnu reviziju, temeljne pretpostavke državne revizije, proces revizije, te povezanost državne i unutarnje revizije u javnom sektoru, povezanost državne reviziji i revizije informacijskih sustava i ulozi državne revizije u sprječavanju i otkrivanju korupcije. Treći dio rada odnosi se na pretvorbu i privatizaciju u Republici Hrvatskoj, kako je ista tekla, koje su bile poteškoće i slično. Četvrti dio, ujedno i najopširniji dio rada odnosi se na analizu procesa pretvorbe i privatizacije u Hrvatskoj. U tom će se dijelu rada odgovoriti na pitanje koliki su postotci iskazanih nepravilnosti u postupcima revizije i privatizacije i to; ukupno gledano, te podijeljeno prema veličini trgovačkih društava sukladno Zakonu o računovodstvu. Biti će provedena i Benfordova analiza ulaznih podataka i to na dvije razine – skupno, te prema razredima sukladno početnim brojevima. Peti dio rada odnosi se na analizu poslovanja deset trgovačkih društava od posebnog državnog interesa u Republici Hrvatskoj, kako bi se mogli stvoriti ulazni podaci i činjenice za posljednju točku rada – utjecaj državne revizije na upravljanje u javnim poduzećima. Biti će prikazana i empirijska analiza kojom se iskazuje razlika u uspješnosti državnih i privatnih poduzeća. U toj će se točki rada iznjeti mogućnosti državne revizije u upravljanju imovinom javnih poduzeća, prijedlozi za poboljšanje poslovanja, povećanje profitabilnosti i na koncu očuvanja vrijednosti svih tih poduzeća koja spadaju pod javna dobra. Uz seminarski rad biti će pridodani i prilozi, odnosno ulazni podaci koji su korišteni za analize iznesene u seminarskom radu. Sve analize biti će dostupne i u elektronskom obliku kako bi se provjera podataka mogla vršiti na što lakši način. U procesu izrade seminarskog rada korištene su neke od istraživačkih metoda kao što su: kvalitativna i kvantitativna, analitička i sintetička, induktivna, komparativna, deskriptivna te statistička. Na kraju seminara, uz sumiranje i povezivanje svih cjelina i zaključne rijeci biti će dodan i popis korištene literature prilikom izrade ovoga rada i analiza kao potvrda vjerodostojnosti svih podataka, teza i informacija iznesenih unutar ovoga rada. 1 2. POJAM, ULOGA I VRSTE REVIZIJE Gospodarska kretanja i tokovi na suvremenim tržištima uvelike su određena informacijama koje kolaju između gospodarskih subjekata koji čine tržište. Ti subjekti mogu biti izrazito raznoliki sa širokim spektrom djelatnosti. Važnost informacija u suvremenom svijetu i poslovanju enormna je i čini jedan od stupova modernog kapitalizma. Uloga i važnost informacija posebno dolazi do izražaja na tržištima kapitala. Opće je poznato kako investitori na tržištima kapitala vrijednost primjerice dionica određuju prema sposobnosti poduzeća da stvara budući novčani tijek. Informacije o tome iščitavaju se iz financijskih izvješća koje organizacije ili poduzeća u određenim vremenskim intervalima daju javnosti na uvid. Izvjesno je kako frizirana ili falsificirana financijska izvješća mogu investitore zavarati i stvoriti lažan osjećaj sigurnosti poslovanja određene firme. Tome u potvrdu navodi se sljedeća zakonitost: ''Ukoliko tržišta kapitala ne dobiju pouzdanu informaciju, investitori i drugi gube povjerenje u tržište, donose
Recommended publications
  • Filming in Croatia 2020 1 Filming in Croatia 2020
    Filming in Croatia 2020 1 Filming in Croatia 2020 Production Guide cover photo: Game of Thrones s8, Helen Sloan/hbo, courtesy of Embassy Films 2 Filming in Croatia 2020 Contents Introduction · 4 Permits and Equipment · 94 Location Permits · 97 Filming in Croatia · 8 Shooting with Unmanned Aircraft The Incentive Programme · 12 Systems (drones) · 99 Selective Co-Production Funding · 20 Visas · 102 Testimonials · 24 Work Permits for Foreign Nationals · 103 Customs Regulations · 105 Local Film Commissions · 38 Temporary Import of Professional Equipment · 107 Locations · 46 Country at a Glance · 50 Made in Croatia · 108 Istria · 52 Kvarner and the Highlands · 56 Dalmatia · 60 Slavonia · 64 Central Croatia · 68 Crews and Services · 72 Production Know-How · 75 Production Companies · 80 Crews · 81 Facilities and Technical Equipment · 83 Costumes and Props · 85 Hotels and Amenities · 88 Airports and Sea Transport · 89 Buses and Railways · 91 Traffic and Roads · 93 Zagreb, J. Duval, Zagreb Tourist Board Filming in Croatia 2020 5 Introduction Star Wars: The Last Jedi, John Wilson/Lucasfilm © 2018 Lucasfilm Ltd. All Rights Reserved Croatia offers an ideal combination Dubrovnik as the setting for King’s Landing, the fortress of Klis as the city of Meereen, and locations in Šibenik and Kaštilac of filming conditions. It is a small, for the city of Braavos. Numerous locations throughout Croatia hosted the bbc One’s McMafia, awarded best drama series at yet diverse country, with breath- the International Emmy Awards. hbo’s Succession season 2 taking locations; its landscapes finale took the luxurious cruise down the Dalmatian coast before scoring Golden Globe for Best Television Series – Drama.
    [Show full text]
  • Basketball Centre “Dražen Petrović”
    • Zagreb is the capital of the Republic of Croatia • Population:779 145 (2001) • Area:641 km2 • Altitude:Zrinjevac 122m, Grič 158m, Sljeme 1035m • Climate: continental - average summer temperature 20 ̊, average winter temperature 1 ̊ • Time zone:Central European Time • International phone code:Croatia +385; • Currency:kuna (kn) • Distances to: Vienna 370 km, Budapest 350 km, Venice 380 km, Dubrovnik 600 km, Paris 1,400 km, London 1,600 km • Croatia is a sport nation with more than 16000 sport unions,only in football 1050 sport clubs and more than 130000 registered players and 650000 in other organized sport associations • a) Sports and Recreation Center "Maksimirska naselja“ a) Sports Park "Mladost", Zagreb b) Swimming pool complex "Utrina" c) Winter Swimming Pool "Mladost" a) Sports and recreation center "Šalata" a) Sports Hall "Peščenica" b) Sports Hall "Trešnjevka" c) Sports Hall "Trnsko" d) Sports Hall "Dubrava” e) Sports Hall "Sutinska vrela“ f) Sports Center "Medarska" Sports Park Mladost,City stadium “Maksimir and basketball centre “Dražen Petrović” • Sports Park Mladost is a representative sports complex that meets the highest criteria in organizing competitions, training sessions, and various forms of sports education and recreation. • As part of the Sports Park Mladost are: a) Swiming Pool Mladost b) Volleyball court - primarily intended for training and competitions of volleyball clubs c) Athletic stadium, 8 tennis playgrounds and 2 concrete courts d) Grass hockey court (covered with artificial grass and located near the athletic stadium), football, handball and basketball courts e) Athletic stadium - the only athletic stadium in the city that meets the international conditions for athletic competitions.
    [Show full text]
  • Filming in Croatia 2012
    Nova Ves 18, 10 000 Zagreb, Croatia tel +385 (0)1 6041 080 | fax +385 (0)1 4667 819 Filming in email [email protected] website www.havc.hr Croatia 2012 Filming in Croatia 2012 5 Introduction 26 Dalmatia 6 The Croatian Film Commission 28 Slavonia 30 Central Croatia 7 Resources 8 Production Know-How infrastructure 8 Production Companies 32 Airports 9 Crews 33 Sea Transport 10 Facilities & Technical Equipment 33 Buses & Railways 11 Costumes & Props 34 Traffic & Roads 12 Locations 35 Hotels & Amenities 14 Co-Production Funding 36 facts & figures 15 Cash Rebate 38 Basic Phrases 16 Useful Info 41 Brief Overview of International 17 Filming & Location Permits Productions in Croatia 17 Visas 18 Temporary Import of Professional Equipment 53 Industry Contacts Croatia 2012 19 Working Permits for Foreign Nationals 19 Customs Regulations 20 About Croatia 21 regions 22 Istria 24 Kvarner & the Highlands 2 Filming in Croatia 2012 damir fabijanić, Croatia may be a small country, croatian tourist board but it has a remarkably vibrant film industry, with exceptional local talent and production companies that have an impressive record in domestic and international production. With the newly introduced 20% cash rebate, skilled profession- ing film body, The Croatian Audiovisual Centre, opened its doors. als and production costs among the lowest in Europe, Croatia is In May 2008, Croatia became the first candidate country to join making its way back on Europe’s filmmaking map. the European Union’s Media Programme. These factors, in combination with spectacular locations and the Furthermore, staying true to its pledge to continue giving its full country’s proximity to some of Europe’s largest filmmaking cent- support to developing filmmaking and film culture in Croatia and ers such as Vienna, Budapest, Munich and Prague have led to a to attracting international film projects to the country, the govern- steady rise in the international production of commercials, televi- ment has introduced a 20% cash rebate for film and television sion serials and major international feature films in Croatia.
    [Show full text]
  • Discover Croatia Location Guide in Memoriam: Albert Kapović (1957-2008), Director of the Croatian Audiovisual Centre
    Discover Croatia Location Guide In memoriam: Albert Kapović (1957-2008), Director of the Croatian Audiovisual Centre Publisher: Croatian Audiovisual Centre Thank you: Ministry of Culture of the Republic of Croatia Editor: Mirna Belina Nina Obuljen, State Secretary at the Ministry of Culture Ministry of Foreign Affairs and European Integration Collaborators: Marina Kožul, Ivana Ivišić, Embassy of the Republic of Croatia in the Federal Valentina Orešić, Ivan Kelava Republic of Germany Niko Bulić, Croatian Tourist Board Translator: Ivana Ostojčić Milo Sršen, Croatian Tourist Board Ana-Marija Ocvirk, Croatian Tourist Board Design: Vanja Cuculić, Marko Šesnić, Goran Turković Igor A. Nola Ankica Jurić Tilić Printed by: Sveučilišna tiskara d.o.o., Zagreb Diana Nenadić Mladen Burić Print run: 400 Edel Brosnan January, 2009 Daniel Rafaelić (text: Brief Overview of Film Co- productions) Sanja Ravlić (summery: Law on Audiovisual Activities) Ivo Škrabalo (text: Croatian Film History in Short) Photos are a courtesy of Croatian Tourist Board, Croatian Cinematheque, Jadran Film, Mainframe isbn 978-953-55208-2-5 Production and Peter Kurschner. Contents Introduction · 5 Croatia · 35 Croatia–info · 67 The Law on Audiovisual Activities Meet Croatia · 37 Airports · 73 in Croatia · 6 Central Croatia · 41 Sea Transport · 75 Brief Overview of Film Co–productions in Croatia · 9 Dalmatia · 45 Aci Club Marinas · 77 Selection of Feature Film Istria · 51 Bus and Railways · 79 Co–productions · 10 Kvarner, Lika & Gorski kotar · 55 Highway · 81 Selection of Films Made and Shot in Croatia · 14 Slavonia · 59 Time zones · 83 Croatian Film History in Short · 16 Zagreb · 63 Index · 85 Croatian Film in 2009 · 33 4 Kornati, Milan Babić, Courtesy of Croatian Introduction Tourist Board Croatia may be a small country, but it has a remarkably vibrant The year 2008 was a turning point, both for Croatian filmmakers film industry, with exceptional local talent, spectacular unspoilt and for international production companies filming in Croatia.
    [Show full text]
  • Croatian Films 2014
    Contents Contents Notes • 7 Oko za oko Eye for an Eye, Antoneta Alamat Kusijanović • 41 Papigica Birdie, Lana Kosovac • 41 Feature Film — Poklon predsjednika Nixona President Nixon’s Present, Igor Šeregi • 42 finished – not yet released Glazbena kutija Music Box, Bruno Mustić • 10 Ponoćno sivo Midnight Grey, Branko Ištvančić • 42 Inferno, Vinko Möderndorfer • 11 Prekrasan dan Beautiful Day, Robert Knjaz • 43 Mirni ljudi Quiet People, Ognjen Sviličić • 12 Vožnja A Drive, Marina Kuveždić • 43 Most na kraju svijeta The Bridge at the End of the World, Branko Ištvančić • 13 Zajedno Together, Daniel Kušan • 44 post-production Broj 55 Number 55, Kristijan Milić • 14 Zajedno Together, Jasna Nanut • 44 Cure Girls, Andrea Štaka • 15 Zatvorite širom prozore Windows Wide Shut, Filip Peruzović • 45 Iza sna After the Dream, Igor Filipović • 16 Zujanje Buzzing, Dinko Božanić • 45 Kosac The Reaper, Zvonimir Jurić • 17 production Naslijeđe Heritage, Sanja Šamanović • 46 Lazar Lazarus, Svetozar Ristovski • 18 Sin Son, Goran Dević • 46 Otok ljubavi Love Island, Jasmila Žbanić • 19 pre-production Obična stara torba Plain Old Bag, Nebojša Slijepčević • 47 Spomenik Majklu Džeksonu Monument to Michael Jackson, Darko Lungulov • 20 Sadilishteto Sudilište Judgement, Stephan Komandarev • 21 Feature Documentary Film — Sveci Saints, Ivan Perić • 22 finished – not yet released Big Frather, Milivoj Puhlovski • 50 Svinjari The Enchanting Porkers, Ivan Livaković • 23 Ljubavna odiseja Happily Ever After, Tatjana Božić • 51 Zagreb Cappuccino, Vanja Sviličić • 24 Mitch
    [Show full text]
  • Filming in Croatia 2016 Production Guide
    Filming in Croatia 2016 Production Guide cover photo: Lambert Wilson (Jacques Cousteau) and Audrey Tautou (Simone Cousteau) on the set of The Odyssey by Jérôme Salle near Pakleni Islands / Island of Hvar. Courtesy of mp Film Production © Fidélité Films – Pan-Européenne 2 Filming in Croatia 2016 Nik Xhelilaj (Winnetou) and Wotan Wilke Möhring (Old Shatterhand) in the Winnetou Trilogy, shot on Contents locations in Croatia. Courtesy of Aleks Produkcija © rtl / Nikola Predović, RatPack Introduction • 5 Permits and Equipment • 78 Filming and Location Permits • 81 Filming in Croatia • 8 Visas • 83 The Role of Croatian Work Permits for Audiovisual Centre • 12 Foreign Nationals • 85 The Incentive Programme • 15 Customs Regulations • 87 Selective Co-production Funding • 30 Temporary Import of Producers’ Testimonials • 32 Professional Equipment • 91 Crew and Services • 48 This is Croatia • 92 Production Know-How • 53 Country at a Glance • 95 Production Companies • 57 Essential Facts • 99 Facilities and Technical Equipment • 59 Location Highlights • 109 Crew • 61 Costume & Props • 63 Made in Croatia Overview Locations • 65 of International Productions in Hotels & Amenities • 69 Croatia • 144 Airports • 71 Sea Transport • 73 Croatian Audiovisual Buses and Railways • 75 Centre • 162 Traffic and Roads • 77 Island of Hvar, Dalmatia Introduction Croatia may be a small country, but it has a vibrant film industry, exceptional local talent and production companies with impressive record in domestic and international production. These factors, in combination with spectacular locations and the country’s proximity to some of Europe’s largest filmmaking centers such as Vienna, Budapest, Munich and Prague have led to a steady rise in the international production of commercials, television serials and major international feature films shot in Croatia.
    [Show full text]
  • Croatia About This Guide
    EXPEDITIONARY CULTURE FIELD Guide zagreb Split croatia About this Guide This guide is designed to prepare you to deploy to culturally complex environments and achieve mission objectives. The fundamental information contained within will help you understand the cultural dimension of your assigned location and gain skills necessary for ECFG success (Photo: The Dalmatian coastal town of Primošten, Croatia). The guide consists of 2 parts: Republicof Part 1 is the “Culture General” section, which provides the foundational knowledge you need to operate effectively in any global environment with a focus on Southeast Europe. Part 2 is the “Culture Specific” section, which describes unique cultural features of Croatian society. It applies culture-general concepts to help increase your knowledge of your assigned deployment location. This section is designed to complement other pre-deployment Croatia training (Photo: A display of bread in a fire pit in Dalmatia, Croatia). For further information, contact the AFCLC Region Team at [email protected] or visit the AFCLC website at https://www.airuniversity.af.edu/AFCLC/. Disclaimer: All text is the property of the AFCLC and may not be modified by a change in title, content, or labeling. It may be reproduced in its current format with the express permission of the AFCLC. All photography is provided as a courtesy of the US government, Wikimedia, and other sources. GENERAL CULTURE PART 1 – CULTURE GENERAL What is Culture? Fundamental to all aspects of human existence, culture shapes the way humans view life and functions as a tool we use to adapt to our social and physical environments.
    [Show full text]
  • Zagreb – Already Going 365
    Zagreb – Already going 365 Ms Martina Bienenfeld, CEO Zagreb Tourist Board Zagreb, 25th September 2018 Starting with numbers Continuous growth Arrivals Overnights Top 5 – overnights 2018: Top 5 – arrivals 2018: 2500000 1. SAD 1. South Korea 2000000 1500000 2. Germany 2. SAD 1000000 3. South Korea 3. Germany 500000 4. Italy 4. Italy 0 2010 2011 2012 2013 2014 2015 2016 2017 2018* 5. Spain 5. China YEAR ARRIVALS ↗% OVERNIGHTS ↗% 2014 911.260 13% 1.576.180 13% 2018* increase: 2015 1.012.089 10% 1.734.004 9% + 9% arrivals 2016 1.102.662 8% 1.987.981 13% + 11% overnights 2017 1.289.944 15% 2.283.478 13% 2018* 908.067 9% 1.638.061 11% * January - August Visitor survey Accomodation Social aspects Personal safety Friendliness of staff Friendliness tourism staff Friendliness of TIC staff Provision of visitor information Friendliness of citizens Quality of services Friendliness of service staff 4,65 4,7 4,75 4,8 4,3 4,4 4,5 4,6 4,7 4,8 * STR – Zagreb Vistor Survey 2017/2018 – range 0 - 5 Accomodation Accomodation type Number Beds HOTELS 64 7.525 HOSTELS 53 2.387 Beds per accomodation type PRIVATE ACCOMODATION 3.361 8.082 OTHER 13 6.199 HOSTELS PRIVATE 2.387 ACCOMODATI TOTAL : 3.491 24.193 10% ON 8.082 33% Hotels category Number HOTEL 5* 3 HOTEL 4* 18 HOTELS HOTEL 4/3* 2 7.525 OTHER HOTEL 3* 35 31% 6.199 26% HOTEL 2* 3 TBD HOTEL* 3 Accomodation Prices in destination Price of hotel accomodation - Average room price – € 75 - Average room price reffering to hotel type: - 5 * – € 91 - 4 * – € 67 Excursions [CATEGORY Sports € 4,90 NAME] Average daily
    [Show full text]
  • ( • ) Hrvatski Filmski Ljetopis God
    ( • ) Hrvatski Filmski Ljetopis god. 19 (2013) broj 73-74, proljeće-ljeto 2013. Hrvatski filmski ljetopis utemeljili su 1995. Hrvatsko društvo filmskih kritičara, Hrvatska kinoteka i Filmoteka 16 Utemeljiteljsko uredništvo: Vjekoslav Majcen, Ivo Škrabalo i Hrvoje Turković Časopis je evidentiran u: SCOPUS, FIAF International Index to Film Periodicals, Web of Science (WoS) i u Arts and Humanities Citation Index (A&HCI) ( • ) Hrvatski Filmski Ljetopis Uredništvo / Editorial Board: Nikica Gilić (glavni urednik / editor-in-chief) Krešimir Košutić (novi filmovi i festivali / new films and festivals) Bruno Kragić Karla Lončar (izvršna urednica / managing editor) Jurica Starešinčić Tomislav Šakić Hrvoje Turković (odgovorni urednik / supervising editor) Suradnici / Contributors: Ivana Jović (lektorski savjeti / proof-reading) Juraj Kukoč (kronika / chronicles) Sandra Palihnić (prijevod sažetaka / translation of summaries) Duško Popović (bibliografije / bibliographies) Anka Ranić (UDK) Dizajn / Design: Igor Kuduz *pinhead Priprema za tisak / Prepress: Kolumna d.o.o., Zagreb Nakladnik / Publisher: Hrvatski filmski savez / Croatian Film Association Za nakladnika / Publishing Manager: Vera Robić-Škarica ([email protected]) Tisak / Printed By: Tiskara C.B. Print, Samobor Adresa / Contact: Hrvatski filmski savez (za Hrvatski filmski ljetopis), HR-10000 Zagreb, Tuškanac 1 TAJNICA REDAKCIJE: Kristina Dorić ([email protected]) telefon/phone: (385) 01 / 4848771 telefaks/fax: (385) 01 / 4848764 e-mail uredništva: [email protected] / [email protected], [email protected] / [email protected] www.hfs.hr/ljetopis Izlazi tromjesečno u nakladi od 1000 primjeraka Cijena: 50 kn / Godišnja pretplata: 150 kn Žiroračun: Zagrebačka banka, 2360000-1101556872, Hrvatski filmski savez (s naznakom “za Hrvatski filmski ljetopis”) Hrvatski filmski ljetopis is published quarterly by Croatian Film Association Subscription abroad: 60 € / Account: 2100058638/070 S.W.I.F.T.
    [Show full text]
  • Fond Za Zaštitu Okoliša I Energetsku Učinkovitost // Environmental Protection and Energy Efficiency Fund
    Fond za zaštitu okoliša i energetsku učinkovitost // Environmental Protection and Energy Efficiency Fund Popis proizvođača električne i elektroničke opreme // WEEE Producer List Poštanski broj // Ime proizvođača/unosnika/uvoznika // Producer/importer name Adresa // Address Postcode Mjesto // City 13 M d.o.o. V. RAVNICE 15 10000 ZAGREB 1KLIK d.o.o. SAVSKA CESTA 118 10000 ZAGREB 24SATA d.o.o. Oreškovićeva 6H/1 10109 ZAGREB 2gems d.o.o. Antuna Bauera 5 10000 ZAGREB 2IP KOMUNIKACIJA d.o.o. Trg kralja Zvonimira 2 48000 KOPRIVNICA 2M PRO d.o.o. BOHINJSKA 17 47000 KARLOVAC 2rPi studio d.o.o. Bolnička cesta 3a 10000 ZAGREB 3 TEH d.o.o. Ksaver 187 10000 ZAGREB 3. MAJ BRODOGRADILIŠTE d.d. Liburnijska 3 51000 RIJEKA 360 Provideo d.o.o. Samoborska cesta 222 10000 ZAGREB 3D INTEGRA d. o. o. Rubeši 9/a 51215 KASTAV 3D PORTA d.o.o. Braće Radića 33 40000 ČAKOVEC 3D PRINT PROTOTYPES d.o.o. RADNIČKA CESTA 80 10000 ZAGREB 3D STUDIO d.o.o. Franje Tuđmana 49 21256 CISTA PROVO 3M d.o.o. Školska 60, Gornje Podotočje 10410 VELIKA GORICA 3t.cable d.o.o. Veprinac-Tumpići 16 51414 IČIĆI 4 wheels d.o.o. Jelkovečka 5 10360 SESVETE 4sec d.o.o. Ulica grada Vukovara 269D 10000 ZAGREB 5 M d.o.o. Dubrovčan 19 49214 VELIKO TRGOVIŠĆE A M D PROMET d.o.o. Dugoratska 15 10000 ZAGREB A&B d.o.o. Heinzelova 15 A 10000 ZAGREB A. S. USLUGE d.o.o. Josipa Runjanina 96 32281 IVANKOVO A.A.M.-MIHALINEC k.d.
    [Show full text]
  • The Dynamics of Socialist Realism in Early Yugoslav Film (1945-1956) In
    The Dynamics of Socialist Realism in Early Yugoslav Film (1945-1956) in View of Literary and Political Influences By Silvija Bumbak Submitted to Central European University Department of History In partial fulfillment of the requirements for the degree Master of Arts CEU eTD Collection Thesis Supervisor: Professor Balázs Trencsényi Second Reader: Professor Roumen Dontchev Daskalov Budapest, Hungary 2014 Copyright in the text of the thesis rests with the Author. Copies by any process, either in full or part, may be made only in accordance with the instructions given by the Author and lodged in the Central European Library. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the written permission of the Author. CEU eTD Collection i Abstract In the time frame covering the initial, immediate post-WWII years (1945-1948), stretching into the following Cominform period (1948-1956), this thesis aims at analyzing Yugoslav cinematography with a primary focus on the domestic Partisan film genre which largely manifested the affirmation of the regime and, to that end, adopted the elements of socialist realist legacy. My attempt is to trace the oscillating development of this artistic style from the years of its firm grip on Yugoslav culture into the period of conditioned relaxation. In doing so, an important prism of observation is not only the domain of contemporary political processes, but also debates in the literary sphere, namely the Conflict on the literary left, which embodies both of these aspects.
    [Show full text]
  • Za Starije Građane Grada Zagreba Grad Zagreb Gradski Ured Za Zdravstvo, Rad, Socijalnu Zaštitu I Branitelje
    GRAD ZAGREB Gradski ured za zdravstvo, rad, socijalnu zaštitu i branitelje Vodič za starije građane grada Zagreba GRAD ZAGREB Gradski ured za zdravstvo, rad, socijalnu zaštitu i branitelje VODIČ ZA STARIJE GRAĐANE GRADA ZAGREBA ZA STARIJE GRAĐANE VODIČ Zagreb, 2009. Nakladnik: GRAD ZAGREB Gradski ured za zdravstvo, rad, socijalnu zaštitu i branitelje Glavni urednici: dr. Zvonimir Šostar mr. Višnja Fortuna Uredništvo: Romana Galić Ljiljana Vrbić Andreja Ninić Suradnici: Ljiljana Petrović Vesna Helfrih Sanja Ožić Marica Bačurin Ivana Teskera Antonija Bobić Mario Jambrečić Ana Vodanović-Kosić Oblikovanje, priprema i kartografija: Intergrafika TTŽ d.o.o., Poduzeće za grafičko-izdavačku djelatnost, tisak, trgovinu na veliko i malo i posredovanje d.o.o., Zagreb, Bistranska 19 Treće dopunjeno i izmjenjeno izdanje Naklada: 10 000 primjeraka CIP zapis dostupan u računalnom katalogu Nacionalne i sveučilišne knjižnice u Zagrebu pod brojem 702595 3 Poštovani sugrađani, Potaknuti Vašom neiscrpnom životnom ener- gijom te osluškujući Vaše potrebe odlučili smo izdati treće izdanje Vodiča za starije građane grada Zagreba. Današnji način života te proces globalizacije koji izaziva različite promjene u društvu dovodi do sve većeg otuđenja ljudi i socijalne izoliranosti čemu su posebice izložene osobe starije životne dobi kao jedna od najranjivijih skupina društva. Međutim, naša iskustva potvrđuju kako je starija dob i razdoblje života u kojem do izražaja dolaze interesi za koje u radno aktivnoj dobi većina nije imala vremena ili mogućnosti realizirati. Svakom novom publikacijom tražimo odgovore na Vaše potrebe kako bi i nadolazećim generacijama utrli put u spoznavanju bitnog. Prilikom izrade Vodiča glavna vodilja bila nam je informacije učiniti dostupnima i korisnima. Ova publikacija pripada Vama čija mudrost i iskustvo proizlaze iz prošlosti koju ste gradili, sadašnjosti koju stvarate i budućnosti koju ostavljate djeci i unucima, a to je dragi sugrađani nepresušni izvor života i energije.
    [Show full text]