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INTERVJU: Dara D`Oki} Nada [Argin Bojan @Irovi} Emina Elor Tema: Pozori{Na Publika Danas
POZORI[NE NOVINE BROJ 161 MART 2010. GODINA XVII CENA 100 DINARA Tema: Pozori{na publika danas Promocija Teatrona - rasprava o Bitefu Tuma~enje ~lana 50. Zakona u kulturi Iz autobiografije D`ord`a Ebota Jubilej: 150 godina od ro|enja ^ehova Reprint Ludus: Pas koji je voleo pozori{te Pri~e o predstavama: „Igra u tami”, „Rekvijem”, „Mirisi cimeta”... INTERVJU: Dara D`oki} Nada [argin Bojan @irovi} Emina Elor Tema: Pozori{na publika danas dnevnim novinama pro~ita njenu nije dopao, tra`e nazad svoj novac. Jo{ najavu pred premijeru. „Bitni su, nara- mi se nijednom to nije desilo!“ vno i glumci, volim da gledam Petra Slu~ajno, autor ovog teksta zna GLEDAOCI U GLAVNOJ ULOZI Kralja, Svetlanu Bojkovi} i ostale njiho- novinara koji je prvi put u{ao u pozo- vog ran ga, mada u`ivam i u glumi ovih ri{te za hvaljuju}i Sa{i Ran|elovi}u: u O pozori{noj publici za „Ludus“ govore Sale, kao da nakon premijere Kose, kako se to mla|ih a ve} poznatih – Nikole \u - tre}em gimnazije, pobegao je sa posle- Ivan, Zoran, @eljko, Nikola, Sla|an – bla - ka`e, jo{ bolje idu.“ On ka`e i da svi od ri~ka, na pri mer.“ dnjih ~a sova, njegovi su to saznali pa on Tokom kratkog razgovora, ne du`eg gaj nici na{ih pozori{ta, kao i nekolicina ljudi upravnika do portira uti~u na prodaju nije smeo ku}i, na{ao se u blizini pozo- karata, „mada se na kraju ceo sistem od 15 minuta sa Aleksandrom Ran|e - ri{ta, vrzmao se oko blagajne, po~eo „uhva}enih na delu“ prilikom kupovine pozori{ta ipak slije na biletarnicu.“ lovi}em, blagajnikom Jugoslovenskog razgovor sa Sa{om ne bi li prekratio karata [ta ih ljudi naj~e{}e pitaju? „Da li dramskog pozori{ta, desetak ljudi se vreme, ovaj mu je ponudio kartu, imate dobru komediju i kolika je cena telefonom raspitivalo za karte raznih besplatno i – od ta da je redovan gleda- karte – to su dva pitanja na koja mora da predstava i neprestano su se, zbog istog lac i ovog i drugih pozori{ta. -
Kula Nad Vršcem
sabrane pesme (1971-2021) Milan Uzelac Mera vremena Sadržaj KULA NAD VRŠCEM Kula Kula u magli Majdan Događaj na Majdanu Pogled sa Đakovog vrha Namernik na Đakovom vrhu Misa Toranj Mise Na dnu Đavoljeve jazbine U Đavoljevoj jazbini Kapela Svetog Roka Zidanje Kapele Svetog Roka Urbani Pogled sa Urbana Kaluđerski birt Pred Mesićem Mesić Mesićki toranj Mali rit Orlovi nad Malim ritom Crkva na Beljacu U crkvi na Beljacu At Idoli sa Ata Ludoš Susret na Belom mostu Kanal na Ludošu Traka nad Ludoškim kanalom Predeli zimi Strmoglavica Najsevernija njiva na Strmoglavici Selište www.uzelac.eu 2 Milan Uzelac Mera vremena Priča sa Selišta Crvenka Pogled sa Crvenke Pogled sa Novih zemalja Nove zemlje IZVOR KOŠAVE Miris paljevine Izvor košave Pred kišu U nedostatku odgovora Pomračenje Laza Kostić u Vršcu Nadgrobije za Aleksandra Poleksića Uzvitlana strast zemlje Bolest Van ravnoteže Bolest Zaboravljen put Poslednja provera Na putu u polje Pesma za mrtve Crvenoarmejce Tamo, pod Bregom Prag smrti Razgovor o putu Pokretni strah Pesma čuvara pesme Početak putovanja u noć Strah u polju STRAŠILA U POLJU Stepenište Podloga pesme Tajna spekulativne konstrukcije Posečen voćnjak Ruši se nova kuća Tigrovo oko www.uzelac.eu 3 Milan Uzelac Mera vremena Groblje na vrhu Brega Negde u ataru Korvinova ptica Neizgovorena reč Moć govora Proroštvo Vinka Lozića Beg u slatine Noćni leptir Marks u Krojcnahu Kikindski partizani Iščekivanje Pred početak lova Pet nebesnica Poslednja šala Vest iz hlebarnice Strašila u polju PESAK Zidni sat Lice Panike Trava Nova nit Igra s ribarima -
APPENDIX Lesson 1.: Introduction
APPENDIX Lesson 1.: Introduction The Academy Awards, informally known as The Oscars, are a set of awards given annually for excellence of cinematic achievements. The Oscar statuette is officially named the Academy Award of Merit and is one of nine types of Academy Awards. Organized and overseen by the Academy of Motion Picture Arts and Sciences (AMPAS),http://en.wikipedia.org/wiki/Academy_Award - cite_note-1 the awards are given each year at a formal ceremony. The AMPAS was originally conceived by Metro-Goldwyn- Mayer studio executive Louis B. Mayer as a professional honorary organization to help improve the film industry’s image and help mediate labor disputes. The awards themselves were later initiated by the Academy as awards "of merit for distinctive achievement" in the industry. The awards were first given in 1929 at a ceremony created for the awards, at the Hotel Roosevelt in Hollywood. Over the years that the award has been given, the categories presented have changed; currently Oscars are given in more than a dozen categories, and include films of various types. As one of the most prominent award ceremonies in the world, the Academy Awards ceremony is televised live in more than 100 countries annually. It is also the oldest award ceremony in the media; its equivalents, the Grammy Awards (for music), the Emmy Awards (for television), and the Tony Awards (for theater), are modeled after the Academy Awards. The 85th Academy Awards were held on February 24, 2013 at the Dolby Theatre in Los Angeles, California. Source: http://en.wikipedia.org/wiki/Academy_Award Time of downloading: 10th January, 2013. -
Havc-Izvjestaj-O-Radu-2013.Pdf
Izvjeπtaj o radu 20131 2 Izvjeπtaj 2013 o radu 1 Sadržaj 0. Uvodnik 5 2.3. Distribucija i prikazivanje kratkometražnog filma 20 2.4. Ostale vijesti vezane uz distribuciju 21 1. Filmska proizvodnja u 2013. godini 6 2.5. Međunarodna distribucija 21 A) Dugometražni igrani film 8 1.1. Prikazani filmovi 8 3. Hrvatski filmovi na svjetskim festivalima 22 1.2. Prikazane manjinske koprodukcije 8 3.1. Hrvatski filmovi na festivalima prve kategorije 24 1.3. Filmovi u postprodukciji 9 3.2. Hrvatski filmovi na ostalim festivalima 25 1.4. Snima se / snimat će se... 9 B) Dugometražni dokumentarni film 10 4. Međunarodna promocija 26 1.5. Završeni naslovi i manjinske koprodukcije 10 4.1. Promocija i plasman na međunarodnim 28 1.6. Filmovi u produkciji i postprodukciji 10 filmskim sajmovima i festivalima C) Kratkometražni animirani, dokumentarni, 11 4.2. Programi hrvatskog filma u inozemstvu 29 eksperimentalni i igrani film 4.3. Programi stručnog usavršavanja hrvatskih filmskih 30 1.7. Završeni i prikazani filmovi 11 profesionalaca 1.8. Filmovi u produkciji i postprodukciji 11 4.4. Javni poziv za međunarodnu suradnju 33 1.9. Dugometražni animirani i eksperimentalni film 11 4.5. Promocija hrvatskih kandidata za nagradu Oscar 35 D) Potpore u 2013. godini 12 i Europsku filmsku nagradu E) Jedna slika iz Domovinskog rata 15 5. Digitalizacija nezavisnih kinoprikazivača 36 2. Distribucija i gledanost 16 5.1. Javna nabava 39 2.1. Razdoblje 2012. /2013. 18 5.2. Ugovorne obveze i potpisivanje ugovora 40 2.2. Druga polovica 2013. godine 18 5.3. Digitalno opremanje dvorana i otvaranje kina 40 5.4. -
Filming in Croatia 2020 1 Filming in Croatia 2020
Filming in Croatia 2020 1 Filming in Croatia 2020 Production Guide cover photo: Game of Thrones s8, Helen Sloan/hbo, courtesy of Embassy Films 2 Filming in Croatia 2020 Contents Introduction · 4 Permits and Equipment · 94 Location Permits · 97 Filming in Croatia · 8 Shooting with Unmanned Aircraft The Incentive Programme · 12 Systems (drones) · 99 Selective Co-Production Funding · 20 Visas · 102 Testimonials · 24 Work Permits for Foreign Nationals · 103 Customs Regulations · 105 Local Film Commissions · 38 Temporary Import of Professional Equipment · 107 Locations · 46 Country at a Glance · 50 Made in Croatia · 108 Istria · 52 Kvarner and the Highlands · 56 Dalmatia · 60 Slavonia · 64 Central Croatia · 68 Crews and Services · 72 Production Know-How · 75 Production Companies · 80 Crews · 81 Facilities and Technical Equipment · 83 Costumes and Props · 85 Hotels and Amenities · 88 Airports and Sea Transport · 89 Buses and Railways · 91 Traffic and Roads · 93 Zagreb, J. Duval, Zagreb Tourist Board Filming in Croatia 2020 5 Introduction Star Wars: The Last Jedi, John Wilson/Lucasfilm © 2018 Lucasfilm Ltd. All Rights Reserved Croatia offers an ideal combination Dubrovnik as the setting for King’s Landing, the fortress of Klis as the city of Meereen, and locations in Šibenik and Kaštilac of filming conditions. It is a small, for the city of Braavos. Numerous locations throughout Croatia hosted the bbc One’s McMafia, awarded best drama series at yet diverse country, with breath- the International Emmy Awards. hbo’s Succession season 2 taking locations; its landscapes finale took the luxurious cruise down the Dalmatian coast before scoring Golden Globe for Best Television Series – Drama. -
Cinema in Dispute: Audiovisual Adventures of the Political Names ‘Worker’, ‘Factory’, ‘People’
Cinema In Dispute: Audiovisual Adventures of the Political Names ‘Worker’, ‘Factory’, ‘People’ Manuel Ramos Martínez Ph.D. Visual Cultures Goldsmiths College, University of London September 2013 1 I declare that all of the work presented in this thesis is my own. Manuel Ramos Martínez 2 Abstract Political names define the symbolic organisation of what is common and are therefore a potential site of contestation. It is with this field of possibility, and the role the moving image can play within it, that this dissertation is concerned. This thesis verifies that there is a transformative relation between the political name and the cinema. The cinema is an art with the capacity to intervene in the way we see and hear a name. On the other hand, a name operates politically from the moment it agitates a practice, in this case a certain cinema, into organising a better world. This research focuses on the audiovisual dynamism of the names ‘worker’, ‘factory’ and ‘people’ in contemporary cinemas. It is not the purpose of the argument to nostalgically maintain these old revolutionary names, rather to explore their efficacy as names-in-dispute, as names with which a present becomes something disputable. This thesis explores this dispute in the company of theorists and audiovisual artists committed to both emancipatory politics and experimentation. The philosophies of Jacques Rancière and Alain Badiou are of significance for this thesis since they break away from the semiotic model and its symptomatic readings in order to understand the name as a political gesture. Inspired by their affirmative politics, the analysis investigates cinematic practices troubled and stimulated by the names ‘worker’, ‘factory’, ‘people’: the work of Peter Watkins, Wang Bing, Harun Farocki, Danièle Huillet and Jean-Marie Straub. -
Confronting the Yugoslav Controversies Central European Studies Charles W
Confronting the Yugoslav Controversies Central European Studies Charles W. Ingrao, senior editor Gary B. Cohen, editor Confronting the Yugoslav Controversies A Scholars’ Initiative Edited by Charles Ingrao and Thomas A. Emmert United States Institute of Peace Press Washington, D.C. D Purdue University Press West Lafayette, Indiana Copyright 2009 by Purdue University. All rights reserved. Printed in the United States of America. Second revision, May 2010. Library of Congress Cataloging-in-Publication Data Confronting the Yugoslav Controversies: A Scholars’ Initiative / edited by Charles Ingrao and Thomas A. Emmert. p. cm. ISBN 978-1-55753-533-7 1. Yugoslavia--History--1992-2003. 2. Former Yugoslav republics--History. 3. Yugoslavia--Ethnic relations--History--20th century. 4. Former Yugoslav republics--Ethnic relations--History--20th century. 5. Ethnic conflict-- Yugoslavia--History--20th century. 6. Ethnic conflict--Former Yugoslav republics--History--20th century. 7. Yugoslav War, 1991-1995. 8. Kosovo War, 1998-1999. 9. Kosovo (Republic)--History--1980-2008. I. Ingrao, Charles W. II. Emmert, Thomas Allan, 1945- DR1316.C66 2009 949.703--dc22 2008050130 Contents Introduction Charles Ingrao 1 1. The Dissolution of Yugoslavia Andrew Wachtel and Christopher Bennett 12 2. Kosovo under Autonomy, 1974–1990 Momčilo Pavlović 48 3. Independence and the Fate of Minorities, 1991–1992 Gale Stokes 82 4. Ethnic Cleansing and War Crimes, 1991–1995 Marie-Janine Calic 114 5. The International Community and the FRY/Belligerents, 1989–1997 Matjaž Klemenčič 152 6. Safe Areas Charles Ingrao 200 7. The War in Croatia, 1991–1995 Mile Bjelajac and Ozren Žunec 230 8. Kosovo under the Milošević Regime Dusan Janjić, with Anna Lalaj and Besnik Pula 272 9. -
AVGUST KARADZIC 08 3213.Qxd
!I § ••• I HOBHHE CpnCKE PAAHKAnHE CTPAHKE 6EorPAA, ABrYCT 2008. rOAHHE 6ECnnATAH nPHMEPAK ro HHA XIX 6POJ 3213 Osniva~ i izdava~ Prof. dr Vojislav [e{eq Glavni i odgovorni urednik STOP tiraniji! Elena Bo`i}-Talijan •Radovan i Golijat 22 Zamenici glavnog i odgovornog urednika Marina Toman, Jadranka Joksimovi} Simbol srpskog otpora 9 Pomo}nik glavnog •Zadu`io srpstvo doveka i odgovornog urednika Momir Markovi} Tehni~ko ure|ewe i kompjuterski prelom SSP i izru~ewe Karaxi}a 15 Severin Popovi} •ZES obmana Redakcija Ivan Nini}, Boris Aleksi}, Du{an Mari}, dr Nikola @uti}, Reakcije 1616 Sla|an Mijaqevi}, mr Dejan Mirovi}, •Tadi} poni`ava Srbiju mr Aleksandar Martinovi}, Budimir Ni~i}, Amyad Migati, Ogwen Mihajlovi} Unos teksta Opasnost za srpstvo Vesna Mari}, Zlatija Sevi}, •Borise izdajni~e, dokle? 2525 Qubinka Bo`ovi}, Dragica Tomi} i Biqana Mi~i} Lektura i korektura Crna Gora – reakcije Lazar Macura 28 Predsednik Izdava~kog saveta •Judo Tadi}u! Dr \or|e Nikoli} Zamenik predsednika Izdava~kog saveta Dr Branko Nadoveza Protesti u Beogradu Izdava~ki savet •Omladina budi Srbiju 31 Prof. dr Vojislav [e{eq, Tomislav Nikoli}, Milorad Mir~i}, Gordana Pop-Lazi}, Aleksandar Vu~i}, Dragan Todorovi}, Dnevnik doga|aja koji mewaju Srbiju Mirko Blagojevi}, Du{ko Sekuli}, •Radikalski otpor Tadi}evoj diktaturi 34 Zoran Krasi}, Paja Mom~ilov, Nata{a Jovanovi}, Goran Cvetanovi} [tampa Batinama ka Evropi 43 DOO “Dragi}”, Zrewanin •Tadi}evi pendreci \or|a Joanovi}a 20, 23000, Zrewanin, tel. 023/535-491 Redakcija prima po{tu na adresu Svesrpski sabor “Velika Srbija”, Trg pobede 3, 46 11080 Zemun; rukopisi se ne vra}aju •Sloboda za Srbiju 46 Novine “Velika Srbija” upisane su u Registar sredstava javnog informisawa Ministarstva za informacije pod brojem Poezija Radovana Karaxi}a 1104. -
Diasporic Proximities: Spaces of 'Home' in European Documentary
Transnational Cinemas ISSN: 2040-3526 (Print) 2040-3534 (Online) Journal homepage: http://www.tandfonline.com/loi/rtrc20 Diasporic proximities: spaces of ‘home’ in European documentary Domitilla Olivieri To cite this article: Domitilla Olivieri (2016) Diasporic proximities: spaces of ‘home’ in European documentary, Transnational Cinemas, 7:2, 135-150, DOI: 10.1080/20403526.2016.1217626 To link to this article: http://dx.doi.org/10.1080/20403526.2016.1217626 © 2016 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 09 Aug 2016. Submit your article to this journal Article views: 58 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rtrc20 Download by: [University Library Utrecht] Date: 14 February 2017, At: 05:05 TRANSNATIONAL CINEMAS, 2016 VOL. 7, NO. 2, 135–150 http://dx.doi.org/10.1080/20403526.2016.1217626 OPEN ACCESS Diasporic proximities: spaces of ‘home’ in European documentary Domitilla Olivieri Department of Media and Culture Studies, Utrecht University, Utrecht, The Netherlands ABSTRACT KEYWORDS This essay explores the relation between the genre of experimental Documentary film; everyday; observational documentary and transnational European spaces. It affective proximity; European engages with documentaries that focus on the everyday and the space; observational cinema uneventful, and that present alternative representations of liminal places and subjects. The three films analysed are: El Cielo Gira (The Sky Turns) by Mercedes Álvarez (2004, Spain), Lift by Marc Isaacs (2001, UK) and Sacro GRA by Gianfranco Rosi (2013, Italy). These documentaries are situated in the debate on observational cinema. -
Regime Decline and Civic Alternatives in Bosnia-Herzegovina
Alfredo SASSO The ‘Bosnian Silence’? Regime Decline and Civic Alternatives in Bosnia-Herzegovina THE ‘BOSNIAN SILENCE’? REGIME DECLINE AND CIVIC ALTERNATIVES IN BOSNIA-HERZEGOVINA (1989-1990) Alfredo SASSO1 Universitat Autònoma de Barcelona (UAB) Spain UDK: 32(497.6)”1989/1990” 329.71(497.6)”1989/1990” Izvorni znanstveni rad Primljeno: 15.01.2015. Prihvaćeno: 13.02.2015. Summary The following article aims to analyse the alternative, pro- Yugoslav and pro-democratizing options in Bosnia-Herzegovina, from 1989 to mid-1990, until the beginning of the multi-party electoral campaign. The article focuses on three initiatives: the reformist wing of the League of Communists (SKBiH), the Alliance of Socialist Youth (SSOBiH) and the Association for the Yugoslav Democratic Initiative (UJDI). Particular attention is paid to their proposals on the main issues of the political crisis, as well as their conflicting relation with the declining communist regime in Bosnia-Herzegovina. The SKBiH, notwithstanding its non-national and pro-Yugoslav stance, had a different approach on other issues, especially on political pluralism. The article points out that, on the eve of the 1990 elections, the competition within the non-national camp decisively weakened a pro-Yugoslav integrative option. Keywords: Bosnia-Herzegovina, Yugoslavia, non-national movements, League of Communists, UJDI, SSOBiH, Bosnian Initiative 1 PhD Candidate, Dpt. of Modern and Contemporary History, Universitat Autònoma de Barcelona (UAB) / Institut Català Internacional per la Pau (ICIP). I would like to thank Chiara Milan, Davide Denti and Edin Omerčić for their insightful comments and suggestions on the earlier versions of this article. 27 Časopis za povijest Zapadne Hrvatske, IX./9., 2014. -
Film Culture in Transition
FILM CULTURE IN TRANSITION Exhibiting Cinema in Contemporary Art ERIKA BALSOM Amsterdam University Press Exhibiting Cinema in Contemporary Art Exhibiting Cinema in Contemporary Art Erika Balsom This book is published in print and online through the online OAPEN library (www.oapen.org) OAPEN (Open Access Publishing in European Networks) is a collaborative in- itiative to develop and implement a sustainable Open Access publication model for academic books in the Humanities and Social Sciences. The OAPEN Library aims to improve the visibility and usability of high quality academic research by aggregating peer reviewed Open Access publications from across Europe. Sections of chapter one have previously appeared as a part of “Screening Rooms: The Movie Theatre in/and the Gallery,” in Public: Art/Culture/Ideas (), -. Sections of chapter two have previously appeared as “A Cinema in the Gallery, A Cinema in Ruins,” Screen : (December ), -. Cover illustration (front): Pierre Bismuth, Following the Right Hand of Louise Brooks in Beauty Contest, . Marker pen on Plexiglas with c-print, x inches. Courtesy of the artist and Team Gallery, New York. Cover illustration (back): Simon Starling, Wilhelm Noack oHG, . Installation view at neugerriemschneider, Berlin, . Photo: Jens Ziehe, courtesy of the artist, neugerriemschneider, Berlin, and Casey Kaplan, New York. Cover design: Kok Korpershoek, Amsterdam Lay-out: JAPES, Amsterdam isbn e-isbn (pdf) e-isbn (ePub) nur / © E. Balsom / Amsterdam University Press, Amsterdam All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. -
Razvoj Filma I Filmske Industrije
Razvoj filma i filmske industrije Kopić, Elizabeta Undergraduate thesis / Završni rad 2016 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Pula / Sveučilište Jurja Dobrile u Puli Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:137:543426 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-01 Repository / Repozitorij: Digital Repository Juraj Dobrila University of Pula Sveu čilište Jurja Dobrile u Puli Fakultet ekonomije i turizma «Dr. Mijo Mirkovi ć» ELIZABETA KOPI Ć RAZVOJ FILMA I FILMSKE INDUSTRIJE Završni rad Pula, srpanj, 2016. Sveu čilište Jurja Dobrile u Puli Fakultet ekonomije i turizma «Dr. Mijo Mirkovi ć» ELIZABETA KOPI Ć RAZVOJ FILMA I FILMSKE INDUSTRIJE Završni rad JMBAG: 1692-E, redoviti student Studijski smjer: financijski menadžment Predmet: Ekonomska povijest Znanstveno podru čje: podru čje društvenih znanosti Znanstveno polje: ekonomija Znanstvena grana: ekonomija Mentor: Prof.dr.sc. Marija Bušeli ć Pula, srpanj, 2016. IZJAVA O AKADEMSKOJ ČESTITOSTI Ja, dolje potpisani Elizabeta Kopić, kandidat za prvostupnika ekonomije ovime izjavljujem da je ovaj Završni rad rezultat isključivo mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na objavljenu literaturu kao što to pokazuju korištene bilješke i bibliografija. Izjavljujem da niti jedan dio Završnog rada nije napisan na nedozvoljen način, odnosno da je prepisan iz kojega necitiranog rada, te da ikoji dio rada krši bilo čija autorska prava. Izjavljujem, također, da nijedan