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Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
BISCUIT SOCKS Instructions for Double-Pointed Needles
1/5 BISCUIT SOCKS By Isabelle - Fluffy Fibers Instructions for double-pointed needles I love DK socks. They knit up fast, and they are so cosy and warm to wear when staying home – which most of us are doing a lot of right now… At the close of this challenging year, I wanted to give you a little nugget of warmth and love, from my heart(h) to yours. I hope you enjoy knitting the Biscuit Socks for yourself, or perhaps as a comforting gift for a loved one. The light texture make the rounds addictive – just like a little pile of biscuits that we might enjoy going through as we knit and sip on our favourite warm beverage. I would be most grateful if you tagged me @fl uffyfibers and used #BiscuitSocks if you share your Biscuit Socks and WIPs on Instagram. Biscuit DK Socks – Fluffy Fibers Designs 2020 – all rights reserved 2/5 MATERIALS - 100 (150) g of sport to DK yarn. I - 1 set of 3.5-mm DPNs used 230 metres of Lang Super Soxx - 1 wool needle 6 ply for the smaller size. Some of - 1 removable stitch marker my test knitters needed as much as 300 metres. - 1 set of 3-mm DPNs FINISHED CIRCUMFERENCE: 21 (23,5) cms. GAUGE: 24 st : 10 cm in biscuit pattern ABBREVIATIONS: BOR: beginning of round p2tog: purl 2 stitches together CO: cast on RS: right side DPN: double-pointed needle sl: slip k: knit ssk: slip, slip, knit k2tog: k 2 stitches together w/: with p: purl WS: wrong side. -
The Image of Rebirth in Literature, Media, and Society: 2017 SASSI
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Society for the Academic Study of Social Imagery School of Communication 2017 The mI age of Rebirth in Literature, Media, and Society: 2017 SASSI Conference Proceedings Thomas G. Endres University of Northern Colorado, [email protected] Follow this and additional works at: http://digscholarship.unco.edu/sassi Part of the Film and Media Studies Commons, History Commons, and the Rhetoric and Composition Commons Recommended Citation Endres, Thomas G., "The mI age of Rebirth in Literature, Media, and Society: 2017 SASSI Conference Proceedings" (2017). Society for the Academic Study of Social Imagery. 1. http://digscholarship.unco.edu/sassi/1 This Conference Proceeding is brought to you for free and open access by the School of Communication at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Society for the Academic Study of Social Imagery by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. THE IMAGE OF REBIRTH in Literature, Media, and Society 2017 Conference Proceedings Society for the Academic Study of Social Imagery Edited by Thomas G. Endres Published by University of Northern Colorado ISSN 2572-4320 (online) THE IMAGE OF REBIRTH in Literature, Media, and Society Proceedings of the 2017 Conference of the Society for the Academic Study of Social Imagery March 2017 Greeley, Colorado Edited by Thomas G. Endres University of Northern Colorado Published -
Falstaff Owner's Guide
FALSTAFF OWNER’S GUIDE SUPPLEMENT TO THE DARIEN JACKET OWNER’S GUIDE WARNING: Adjusting or opening wrist (or other) zippers for ventilation may result in shifting of the 6 impact pads in some crash situations. This may decrease pad effectiveness or allow an increased injury. LEGAL NOTICE: These garments are not considered to be personal protective equipment as defined in or within the scope of, the personal protective equipment (EC Directive) regulations 1992 (S.I.1992/3139). No liability will be accepted arising out of these garments’ non-compliance with such regulations. INTRODUCTION Congratulations on your choice of an Aerostich Falstaff jacket. Your Falstaff jacket uses a traditional waxed cotton fabric and because of this there are differences from an Aeros- tich GORE-TEX® Cordura Darien jacket. To insure high performance, comfort and satisfaction from your Falstaff jacket please read both the Darien Jacket Owner’s Guide and this Falstaff Owner’s Guide Supplement. Call us at (218) 722-1927 if you have any questions, comments, or suggestions. FALSTAFF WAXED COTTON This tightly woven cotton fabric is impregnated with a paraffin for- mula derived from fabric finishes developed in the late 1800’s and early 1900’s for use in foul weather gear. It is proof against inclement weather but retains some of the breathability of unfinished cotton. When hung in a warm room, or outdoors on a warm day in sunlight, it re-finishes itself and relaxes, so some use marks will fade. The imperfections of the fabric are part of the rugged, worn look. FALSTAFF ABRASION INFORMATION Your Falstaff jacket is not designed for high-speed abrasion protection, or to be used as a substitute for a heavy leather jacket or competition leathers. -
Tcn Supplement 16 Spring 2000
Er¥<118' SPRING SUPPLEMENT 2000 TEXTILE CONSERVATION NEWSLETTER Tapestry Conservation: an Annotated Bibliography by Camille Myers Breeze TCN Camille Myers Breeze is Principal of Museum Textile Services in Andover, MA. Prior to that she was an Advanced Mellon Fellow at the American Textile History Museum, Textile Conservation Center, Lowell, MA and is soon to complete the report of her research project entitled "A Survey of American Tapestry Conservation Techniques" Ms. Breeze spent five years as Assistant Conservator at the Textile Conservation Laboratory, Cathedral of St. John the Divine, specializing in the conservation of tapestries and pre-Columbian textiles. She has published on both subjects, induding a 1996 artide entitled 'The History of Tapestry Conservation and Exhibition at the Cathedral of St. John the Divine" Ms. Breeze is the editor of the AIC Textile Specialty Group PostpAnts and the Textile Conservation Group Newsletter She holds a BA in Art History from Oberlin College and an MA in Museum Studies: Costume and Textile Conservation from the Fashion Institute of Technology. Author's address: 5 Moraine Street, Andover, MA 01810, USA, Phone: (978) 474-8069, email: [email protected]; web: www. clearsailing.net/textiles. 2 TCN - Introduction This annotated bibliography is designed to assist conservators in locating information on specific aspects of tapestry conservation, and provide an historical overview of the development of modem practices. It is organized chronologically, as the comprehensive nature of most artides made listing by subject impossible. Out of necessity, this report is limited to English4anguage sources only. Tapestry conservation has been documented in almost every European language, and those sources are also of vital importance to this field. -
Seasonal Swatch Book 2021 SS
Mississippi TanTec Leather, Inc. 101 TanTec Way, Vicksburg, MS 39183, USA Tel: +1 601 429 6081 Saigon TanTec Leather Ltd. Lot M2-M3, Viet Huong 2 Industrial Park, An Tay Village, Ben Cat District, Binh Duong Province, Vietnam Tel: +84 274 357 9101/357 9102 Heshan TanTec Leather Co., Ltd. No. 1 Xingli Road, Hecheng Town, Heshan City, Guangdong Province, 529727, China Tel: +86 750 831 3280 / 831 3294 2021 SPRING / SUMMER Scamosceria del Brenta srl Via Pre' 42, 36061 Bassano del Grappa (Vicenza), Italy COLLECTION Tel: +39 (0) 424 568124 r.a. Send us an email to [email protected] for inquiries. ISA INDUSTRIAL LTD. WWW.LITELEATHER.COM MACAU (CHINA) | USA | VIETNAM | CHINA | ITALY | HONG KONG (CHINA) ABOUT ISA SWATCHBOOK Growing The Brand Seasonal Swatchbooks are provided to our customers Behind The Brand twice per year showcasing our meticulously developed leathers according to current trends. Cuttings and color stories are provided for each featured leather. As an LWG Gold Rated tannery, we also compare the water and energy consumption from our production processes for each tannage. This shows our customers Consolidating suppliers is easy the environmental savings which can be achieved from with ISA. Due to our recent acquisitions and expansions, we buying ISA tanned leathers. are now able to offer different leather footwear component needs: Shoe leather, genuine Italian leather, cut parts, leather trims, labels, and laces. All are made in our sustainable facilities! As a tannery, ISA TanTec is committed to conserve the environment and resources. LOW IMPACT Sustainability is an important part of ISA’s identity. -
12, 2017 Manchester, NH Table of Contents
November 10 - 12, 2017 Manchester, NH Table of Contents Note from the Board 3 General Event Rules 4 Dress Code 6 Nighttime Party Rules 7 Security, Health, & Safety 8 Consent Policy 9 Film Screening 10 Photo Lounge 11 Friday Night Erotic Art Show 12 Presenter Bios 14 Vendors 19 Vendor Bingo 19 Maps 23 Friday Schedule 28 Friday Night Scavenger Hunt 28 Saturday Schedule 30 Sunday Schedule 32 Class Descriptions 34 SIGs and Lounges 51 About Our Sponsor 52 Lunch Options 52 About the Board 54 About the Staff 55 Thank Yous Back Cover Hungry? Boxed lunches may be purchased for Saturday and/or Sunday. Purchases must be made at the Registration Desk by 9:30am the day of. Lunches are $15 each and include: sandwich with lettuce (ham, turkey, or roast beef), chips, fruit, and desert. There is also a vegetarian box option. Looking for more options? See what’s in the area. https://goo.gl/LpWTuV -2- Note from the Board Welcome, and thank you for attending KinkyCon XI! KinkyCon is a grassroots, locally-focused event. Most of our presenters are from our own kinky community. Many of our vendors are folks you know, and they offer their wares at fair prices with exceptional quality, and local service. Our volunteers are from the local community, and give their time to make the Con run as smoothly as possible. They are the reason for the warm, welcoming feel throughout the weekend. We are here to make sure you have a great experience at KinkyCon. If you have any questions, concerns, or problems, please talk to one of the KinkyCon staff members right away. -
FABRICS/ DYING Dictionary
FABRICS/ DYING dictionary ACRYLIC BABYCORD Acrylic fabric is a manufactured fiber with a soft wool-like feel and Babycord is a ribcord fabric with a very small and thin rib line. The an uneven finish. It is used widely in knits as the fabric has the same fabric is often lighter and softer than normal or corduroy fabric. It is cozy look as wool. Acrylic fabric is favored for a variety of reasons very soft and comfortable, and is often made in a stretch quality. it is warm, quite soft, holds color well, is both stain and wrinkle resistant and it doesn’t itch. These qualities make acrylic a great BLEND substitute for wool. A blend fabric or yarn is made up of more than one fibre. In the yarn, two or more different types of fibres are used to form the yarn. ALPACA Blends are used to create a more comfortable fabric with a softer Alpaca wool comes from a South American animal that roams the feel. A good example is a cotton/wool blend; the mixture of cotton mountain slopes of Ecuador, Peru, Bolivia and Chile. The fleece and wool will prevent the fabric from being excessively warm and from an alpaca is similar to wool or mohair, but is softer, silkier, and will make the fabric softer to the skin. warmer. Because alpaca wool takes much longer to grow it is often more expensive and exclusive. However, garments made from this BOUCLE fabric are stronger and more comfortable. The term boucle is derived from the French word boucle, which literally means “to curl”. -
Press Herald
DECEMBER 16, 1964 PRE55-HERAID C-13 23027-33 Avalon Blvd. North Wilmington BANKAMERICARD CHARGE ACCOUNTS WELCOME ' GIFT SHOP NOW FOR EVERYONE IN THE FAMILY AT TRY-IT! OPEN DAILY 9 TO * 'TIL CHRISTMAS ... give her MOVIE STAR LINGERIE... Seamless Hosiery Stretch type, very sheer seamless nylon ho»e, 400 netol«, Ladies' Half Slips Waltz Gowns long wearing, a real bargain, fin* "extra" gift. pr. Scalloped Ban Lon lace, full front panel, cocktail back, Lace roses en a plunge neckline with V-shaped back, 59 scalloped embroidery. deep sleeves and beautiful soft lines. Girls' Hooded Car Coats 1.99 2.98 Fin* qualify cotton, strong lipper, fur-like trim en hoed, two large pockets. Guaranteed fast to washing, quilted lining, assorted colors, sizes 4 to 14. Full Slips Magnolia Satin Dream Set REG. AO 5.98 VALUE 3.98 Flower etched lace, tricot lined and scalloped at the Pop-over, encrusted at the double yoke with silk stitched dges on a beautiful slip. flower embroidery. Pants and top ruffled with lace. Girls' Knee-High Socks Bermuda stretch locks, wear 'em high, wear 'em low, 2.98 100S soft cotton top, nylon stretch foot, heel and to*. 3.98 All wash 'n wear, assorted colors, liies 6 to 8'/i. VALUES TO 49C Shape-Setter Slips Nylon Tricot Duster 79c PAIR Lycra Spandex stretch lace top and mid-riff on a figure Button front with a shirntd yok* and spacious scalloped flexible slip. Hugs the bodice gently and sleekly with no whit* loco collar and cuffs. Girls' Holiday Dresses bulging. Beautiful selection of holiday dresses to delight any young mis*. -
Peter Wears Panties
PETER WEARS PANTIES By Deborah Leigh Johnson ILLUSTRATED BY BRIAN DUKEHART AN ADULT TV NOVEL Copyright © 2000, Friendly Applications, Inc. - All Rights Reserved Reluctant Press TG Publishers This story is a work of fiction. Any similarity to persons living or dead is entirely coincidental. All situations and events herein presented are fictional, and intended only for the enjoyment of the reader. Neither the author nor the publisher advocate engaging in or attempting to imitate any of the activities or behaviors portrayed. Persons seeking gender reassignment surgery, hormone therapy or any other medical and/or body-altering process should seek the counsel of a qualified therapist who follows the Benjamin Standards of Care for Gender Identity Disorder. Protect Professional Fiction on the Internet! We need your help! We want to keep providing our readers with low cost, professional quality fiction on the Internet. We spend thousands of dollars to edit, illustrate and typeset each story. It is important, therefore, that everyone works to help keep professional fiction alive on the Net. This story is protected by US and International copyright law, and is owned exclusively by Friendly Applications, Inc, DBA Reluctant Press, which retains exclusive rights to publish these materials. The civil penal- ties for copyright infringement can be severe, including substantial mone- tary damages, injunctive relief, and liability for attorneys' fees incurred in prosecuting a case. If a court determines that the infringement was com- mitted willfully, statutory damages of up to $100,000 for each copyright in- fringed can be awarded. Even if not found to be acting willfully, a defendant can still be held liable for statutory damages of $500 to $20,000 for each copyright infringed. -
Accompanying Label Information for Respect the Dress Exhibit
Accompanying Label Content for Virtual Tour of Respect the Dress: Clothing and Activism In U.S. Women’s History Section I: Introduction R.E.S.P.E.C.T. the Dress: Clothing and Activism in U.S. Women’s History The year 2020 marks the 100th anniversary of the ratification of the 19th Amendment. It took many decades for advocates to reach the successful passage of federal-level suffrage for women in the United States. In the century that followed, challenges toward women’s right to vote, to hold office, and to participate fully and completely in American society remain. Advocates for and against women’s expanded rights have used clothing to define or support their mission. From bloomer costumes to bra burning, the story of women’s rights activism in the United States is filled with references to how women dress. Radical fashion choices are often given as examples revealing the equally radical behaviors of activists. Yet few women adopted the dress reform style known as bloomers in the 1850s or burned their bras during the women’s liberation movement protests in the 1970s. The 19th Amendment legally prohibited voter discrimination based on sex. Suffragists, the name U.S. activists advocating for women’s voting rights called themselves, played on and influenced the 1910s fashion for white lacy dresses, allowing them to express affiliation with women’s rights advocacy while also maintaining a less radical choice in dress. Suffragists used the three colors of white, purple, and yellow for sashes, buttons, and flags. Feminists in the 1970s and in the new millennium continue to wear these colors as a signal of support to earlier activists. -
Home of the Buffalo Plaid
1 . L ® O V FALL MMXVII G O L A T A C R E M U S N O C HHOOMMEE OOFF TTHHEE BBUUFFFFAALLOO PPLLAAIIDD 2 MORE FEATURES, BENEFITS AND MORE PROFITS = BRAEVAL. AT BRAEVAL WE STAND FOR AUTHENTICITY AND A BRAEVALIAN LIFESTYLE THAT VALUES GRACE, ELEGANCE, AND PERFORMANCE IN THE FIELD OR ON THE TOWN. IN 2017 WE CONTINUE THIS TRADITION THAT HAS ENDURED FOR GENERATIONS: AMERICAN DESIGN BORN OF COMFORT- TIME TESTED CLASSICS IN THE SCOTTISH TRADITION- UNIQUELY AMERICAN AND DISTINCTLY BRAEVAL. LIVE THE INTERESTING LIFE, LIVE BRAEVAL! GREGOR MCCLUSKEY FOUNDER Big Jock McCluskey ABOUT OUR SYMBOL The Rob Roy MacGregor tartan brought to America in the 19th century by my great uncle, Big Jock McCluskey, an adventurer and trader from Scotland. Like many things that crossed the Atlantic, the tartan gained a new American name, Buffalo Plaid. Today it is the symbol of BraeVal. Our apparel is the result of original American design born of comfort, and time-tested classics in the Scottish tradition. This fusion is uniquely American and distinctly BraeVal. Big Jock always… lived the interesting life! INTRODUCING BRAEVAL 3 S T O R M G L E N TM Wax Cotton SCottisH seafarers Created tHe first waxed Cotton fabriC in tHe late 1700s by applying fisH oil and grease to tHeir garments making tHem impervious to tHe braCing SCottisH elements. Today, BraeVal sourCes STORM GLEN wax Cotton from tHe world’s only vertiCally integrated Mill wHiCH weaves and treats tHeir Cotton fabriC witH a proprietary waxing metHod. STORM GLEN wax Cotton Has reaCHed its pinnaCle in tHe form of BraeVal garments! STORM GLEN wax Cotton is impregnated witH a unique formulation of various waxes tHat provide lifelong resistanCe to inClement weatHer.