PETTICOAT PARADISE by Siobhan Frederick
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Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
Panties of Legend
Kris Newton [email protected] The Power to Change the World is in your Panties YOU are a regular, panty-wearing slob like the rest of us. You have exactly three layers – the same number as everybody else, and nearly half as many as a burrito. You've got a few distinguishing Features that make you stand out, one or two Fetishes that occasionally make you spout comical nosebleeds, and a Big Dream in your heart. You live a normal, boring life, but this roleplaying game isn't about that. That would be stupid. It's about the way your life changes when you don the Panties of Legend. THE PANTIES OF LEGEND are mysterious underwear of unknown origin. Only a handful of the panties are known to exist (and if the phrase "handful of the panties" excites you, you're playing the right game). When you sublimate sexual urges, your panties charge up like an overwrought metaphor for burgeoning sexuality, granting you superhuman Powers. Nothing can stop you when your panties are magical... except for your Rivals. YOUR RIVALS wear the other Panties of Legend. Despite their rarity, Panties of Legend probably belong to all your best friends and worst enemies at work or school. Go figure. When a Rival is near, you feel a tingle in your panties. Don't be confused; that's your body's natural way of telling you to defeat your Rivals and increase your magical powers. The only way to safely gain Panty Power is to make other Panties of Legend explode. PANTIES OF LEGEND GAIN POWER WHEN YOU'RE TURNED ON, BUT EXPLODE WHEN THEY'RE OVERCHARGED. -
BISCUIT SOCKS Instructions for Double-Pointed Needles
1/5 BISCUIT SOCKS By Isabelle - Fluffy Fibers Instructions for double-pointed needles I love DK socks. They knit up fast, and they are so cosy and warm to wear when staying home – which most of us are doing a lot of right now… At the close of this challenging year, I wanted to give you a little nugget of warmth and love, from my heart(h) to yours. I hope you enjoy knitting the Biscuit Socks for yourself, or perhaps as a comforting gift for a loved one. The light texture make the rounds addictive – just like a little pile of biscuits that we might enjoy going through as we knit and sip on our favourite warm beverage. I would be most grateful if you tagged me @fl uffyfibers and used #BiscuitSocks if you share your Biscuit Socks and WIPs on Instagram. Biscuit DK Socks – Fluffy Fibers Designs 2020 – all rights reserved 2/5 MATERIALS - 100 (150) g of sport to DK yarn. I - 1 set of 3.5-mm DPNs used 230 metres of Lang Super Soxx - 1 wool needle 6 ply for the smaller size. Some of - 1 removable stitch marker my test knitters needed as much as 300 metres. - 1 set of 3-mm DPNs FINISHED CIRCUMFERENCE: 21 (23,5) cms. GAUGE: 24 st : 10 cm in biscuit pattern ABBREVIATIONS: BOR: beginning of round p2tog: purl 2 stitches together CO: cast on RS: right side DPN: double-pointed needle sl: slip k: knit ssk: slip, slip, knit k2tog: k 2 stitches together w/: with p: purl WS: wrong side. -
Issue: Fashion Industry Fashion Industry
Issue: Fashion Industry Fashion Industry By: Vickie Elmer Pub. Date: January 16, 2017 Access Date: October 1, 2021 DOI: 10.1177/237455680302.n1 Source URL: http://businessresearcher.sagepub.com/sbr-1863-101702-2766972/20170116/fashion-industry ©2021 SAGE Publishing, Inc. All Rights Reserved. ©2021 SAGE Publishing, Inc. All Rights Reserved. Can it adapt to changing times? Executive Summary The global fashion business is going through a period of intense change and competition, with disruption coming in many colors: global online marketplaces, slower growth, more startups and consumers who now seem bored by what once excited them. Many U.S. shoppers have grown tired of buying Prada and Chanel suits and prefer to spend their money on experiences rather than clothes. Questions about fashion companies’ labor and environmental practices are leading to new policies, although some critics remain unconvinced. Fashion still relies on creativity, innovation and consumer attention, some of which comes from technology and some from celebrities. Here are some key takeaways: High-fashion brands must now compete with “fast fashion,” apparel sold on eBay and vintage sites. Risk factors for fashion companies include China’s growth slowdown, reduced global trade, Brexit, terrorist attacks and erratic commodity prices. Plus-size women are a growing segment of the market, yet critics say designers are ignoring them. Overview José Neves launched Farfetch during the global economic crisis of 2008, drawing more on his background in IT and software than a love of fashion. His idea: Allow small designers and fashion shops to sell their wares worldwide on a single online marketplace. The site will “fetch” fashion from far-off places. -
European Union
OFFICE OF TEXTILES AND APPAREL (OTEXA) Market Reports Textiles, Apparel, Footwear and Travel Goods European Union The following information is provided only as a guide and should be confirmed with the proper authorities before embarking on any export activities. Import Tariffs The EU is a customs union that provides for free trade among its 28 member states--Austria, Belgium, Bulgaria, Cyprus, Czech Republic, Croatia, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Latvia, Lithuania, Luxembourg, Malta, The Netherlands, Poland, Portugal, Romania, Slovak Republic, Slovenia, Spain, Sweden, and The United Kingdom. The EU levies a common tariff on imported products entered from non-EU countries. By virtue of the Belgium-Luxembourg Economic Union (BLEU), Belgium and Luxembourg are considered a single territory for the purposes of customs and excise. The United Kingdom (UK) withdrew from the EU effective February 1, 2020. During the transition period, which ends on December 31, 2020, EU law continues to be applicable to and in the UK. Any reference to Member States shall be understood as including the UK where EU law remains applicable to and in the UK until the end of the transition period according to the Withdrawal Agreement (OJ C 384 1, 12.11.2019, p. 1). EU members apply the common external tariff (CET) to goods imported from non-EU countries. Import duties are calculated on an ad valorem basis, i.e., expressed as a percentage of the c.i.f. (cost, insurance and freight) value of the imported goods. EU: Tariffs (percent ad valorem) on Textiles, Apparel, Footwear and Travel Goods HS Chapter/Subheading Tariff Rate Range (%) Yarn -silk 5003-5006 0 - 5 -wool 5105-5110 2 - 5 -cotton 5204-5207 4 - 5 -other vegetable fiber 5306-5308 0 - 5 -man-made fiber 5401-5406/5501-5511 3.8 - 5 ....................... -
Press Kit the History of French Lingerie at the Sagamore Hotel Miami Beach
LINGERIE FRANCAISE EXHIBITION PRESS KIT THE HISTORY OF FRENCH LINGERIE AT THE SAGAMORE HOTEL MIAMI BEACH Continuing its world tour, the Lingerie Francaise exhibition will be presented at the famous Sagamore Hotel Miami Beach during the Art Basel Fair in Miami Beach from November 29th through December 6th, 2016. Free and open to all, the exhibition showcases the ingeniousness and creativity of French lingerie which, for over a century and a half, has been worn by millions of women worldwide. The exhibition is an immersion into the collections of eleven of the most prestigious French brands: AUBADE, BARBARA, CHANTELLE, EMPREINTE, IMPLICITE, LISE CHARMEL, LOU, LOUISA BRACQ, MAISON LEJABY, PASSIONATA and SIMONE PÉRÈLE. With both elegance and playfulness, the story of an exceptional craft unfolds in a space devoted to contemporary art. The heart of this historic exhibition takes place in the Game Room of the Sagamore Hotel. Beginning with the first corsets of the 1880’s, the presentation documents the custom-made creations of the 1930’s, showcases the lingerie of the 1950’s that was the first to use nylon, and culminates with the widespread use of Lycra® in the 1980’s, an epic era of forms and fabrics. This section focuses on contemporary and future creations; including the Lingerie Francaise sponsored competition’s winning entry by Salima Abes, a recent graduate from the university ESMOD Paris. An exclusive collection of approximately one hundred pieces will be exhibited, all of them emblematic of a technique, textile, and/or fashion innovation. A selection of landmark pieces will trace both the history of intimacy and the narrative of women’s liberation. -
Exporting Sleepwear to Europe 1. Product Description
Exporting sleepwear to Europe Last updated: 10 October 2018 The European market for sleepwear is growing. Most imports originate from developing countries. The middle to high-end segments offer you the most opportunities. Focus on design and quality to appeal to these consumers. Using sustainable fabrics and providing comfort can also give you a competitive advantage. Contents of this page 1. Product description 2. Which European markets offer opportunities for exporters of sleepwear? 3. Where is consumer demand located? 4. What is the role of European production in supplying European demand? 5. Which countries are most interesting in terms of imports from developing countries? 6. What role do exports play in supplying European demand? 7. What is the effect of real private consumption expenditure on European demand? 8. What trends offer opportunities on the European market for sleepwear? 9. What requirements should sleepwear comply with to be allowed on the European market? 10. What competition do you face on the European sleepwear market? 11. Through what channels can you put sleepwear on the European market? 12. What are the end-market prices for sleepwear? 1. Product description Sleepwear includes: adult onesie – all-in-one sleep suits worn by adults, usually cotton, similar to an infant onesie or children's blanket sleeper baby-doll – short, sometimes sleeveless, loose-fitting nightgown or negligee for women, generally designed to resemble a young girl's nightgown bathrobe – serving both as a towel and an informal garment, usually made -
Confidential
CONFIDENTIALFOR INTERNAL USE ONLY CONFIDENTIAL FOR INTERNAL� USE ONLY VISUALCONFIDENTIALFOR MERCHANDISINGINTERNAL USE ONLY GUIDE intimates & sleep : how-to library CONFIDENTIALFOR INTERNAL USE ONLY CONFIDENTIALFOR INTERNAL USE ONLY LOW SCOPE STORES INTIMATES & SLEEP - LOW SCOPE STORES HOW-TO POG types POG Grid will not be provided in this VMG. Use the MyDevice for Store Specific POGs. Intimates POGs are tied differently to allow for greater flexibility in cross-merchandising Intimates & Sleep. Z4 Review details below: Z4 NATIONAL BRAND NATIONAL Hybrid POG (tied to fixture): Z3 AUDEN P2 - Newest version of a POG (e.g. Core Bras). Styles are tied to a particular fixture – to allow for M2 M1 flexibility within the fixture. P1 P3 - Use both VMG and POG to execute. Refer to the POG to pull styles, but use the VMG for specific merchandising details (e.g.: color flow, hardware and ISM location). Flex POG (tied to one or multiple fixtures): D4 - Styles are tied to one POG (e.g. Auden Bralettes) to allow for flexible merchandising within the D3 entire shop. - Refer to the VMG for merchandising direction. D2 Traditional POG: D1 - Use the POG (e.g. Packaged Panties) to merchandise presentations. Z2 STARS ABOVE Z1 COLSIE - Refer to VMG for inspirational photos, if available. POG TITLES ON ADJACENCY POG TYPE STEPS TO MERCHANDISE 1. USE STORE SPECIFIC ADJACENCY & MYDEVICE FOR STORE SPECIFIC POG BALI, PARAMOUR, WARNERS, SEASONAL, CORE BRA HYBRID 2. PLAN POG LOCATION ALSO USING VMG PRODUCT FLOW MAP WALL, PLUS, PF BRA COMBO (SMALL FORMAT) 3. USE VMG FOR HOW-TO PAGES ON HARDWARE POSITION, MERCHANDISING AND ISM POSITIONING 1. -
The Mini Skirt Danielle Hueston New York City College of Technology Textiles
The Mini Skirt Danielle Hueston New York City College of Technology Textiles When I was six my mother and I took one of our weekly day shopping trips to the mall. On our way back we stopped at this local thrift store. This being one of the first times I had ever experienced one, everything seemed so different and weird, in a good way. I wasn’t used to there only being one of everything, or one store that sold clothes, books, toys, home decor and shoes.Walking down the ‘bottoms aisle’ is where I first came across it. It was black and flowy, probably a cotton material, with a black elastic band around the waist. I wanted it, I needed it. It was the perfect mini skirt. It reminded me of the one I saw Regina George wear in the Hallway Scene in the movie ‘Mean Girls’ a few months prior and had to get it, even though it was a “little” big. There was only one, I was going to make it work. When Monday came I wasted no time showing off my new skirt at school. It made me feel like a whole new person. At some point of the day however my teacher had stepped out of the room to talk to another teacher, in conjunction one of my classmates playfully grabbed my pencil out of my hand, to which I decided to chase him around the room to retrieve it back. I tripped and my skirt fell right to my ankles, in front of the entire class. -
The Image of Rebirth in Literature, Media, and Society: 2017 SASSI
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Society for the Academic Study of Social Imagery School of Communication 2017 The mI age of Rebirth in Literature, Media, and Society: 2017 SASSI Conference Proceedings Thomas G. Endres University of Northern Colorado, [email protected] Follow this and additional works at: http://digscholarship.unco.edu/sassi Part of the Film and Media Studies Commons, History Commons, and the Rhetoric and Composition Commons Recommended Citation Endres, Thomas G., "The mI age of Rebirth in Literature, Media, and Society: 2017 SASSI Conference Proceedings" (2017). Society for the Academic Study of Social Imagery. 1. http://digscholarship.unco.edu/sassi/1 This Conference Proceeding is brought to you for free and open access by the School of Communication at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Society for the Academic Study of Social Imagery by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. THE IMAGE OF REBIRTH in Literature, Media, and Society 2017 Conference Proceedings Society for the Academic Study of Social Imagery Edited by Thomas G. Endres Published by University of Northern Colorado ISSN 2572-4320 (online) THE IMAGE OF REBIRTH in Literature, Media, and Society Proceedings of the 2017 Conference of the Society for the Academic Study of Social Imagery March 2017 Greeley, Colorado Edited by Thomas G. Endres University of Northern Colorado Published -
GARBED for GOD Defend the Gospel Tracts
GARBED FOR GOD (M odesty/Im m odesty) —Also for Adam and his wife the Lord God made tunics of skin, This Tract P resented B y and clothed them.“ DDeeffeenndd -Genesis 3:21 TThhee GGoossppeell TTrraaccttss M ICHAEL PICKFORD www.defendthegospel.com 29 mandate of God, we have seen His standards for INTRODUCTION: modesty. Make sacrifices and follow them. A few more good questions to ask when clothing yourself: To be garbed is to be dressed in a distinctive Is it doubtful? way. There is a certain, distinctive way in which Could it be a stumbling block to Christians ought to dress themselves. I’m dealing others? in this tract with how we dress when we come to Will it hurt my influence upon others for worship services, although the principles will godliness? apply. But I’m addressing the subject of how we, as Would I mind if Jesus saw me wearing this children of God, should clothe ourselves day by attire? day. Just ask yourself questions before you begin. His eye is always on you (Hebrews 4:13)! Think about the clothes you wear to work, to school, to work, to the mall, or grocery shopping, CONCLUSION: when you’re casual, when doing yard work... In this tract, we have dealt with the idea of Are you dressed for deity? being Garbed for God. We have considered… Are you robed for righteousness? The Mind of God... Are you clothed for Christ? The Mandate of God... Are you garbed for God? The Manipulation of Godlessness…. The Modesty of the Godly. -
1960S Fashion Opposition to the Vietnam War by the Young and an Age of Social Protest—Led to New, Radically Different Youthful Clothing Styles
1950s, Mother and Daughter Styles 1960s fashion Opposition to the Vietnam War by the young and an age of social protest—led to new, radically different youthful clothing styles 1960 1967 1960’s: Mary Quant invents the miniskirt and helps to usher in a new age… She supported the anti-parent philosophy of life as fun “Working class design, British fashion, Rock and Roll, The Beatles, Carnaby Street…all of a sudden everything came together.” Robert Orbach Lesley Hornby= Twiggy In the 60’s Fashion became central to a young person’s identity • Known for the high fashion mod look created by Mary Quant • Twiggy changed the world of fashion with her short-haired, androgynous look • Embodiment of Youth-quake generation • Face of the decade • Wide-eyed elfin features and slight builds— hence her nickname • Her style has dominated the runways for forty years • She was also famous for drawing long, fake eyelashes under her bottom lashes. These are, unsurprisingly, named “Twiggys.” • Twiggy was regarded as one of the faces of 1960s Swinging London 1960’s model Twiggy recreates the flapper look of the 1920’s. Two revolutionary decades for women and fashion New fabrics that contributed to new clothing styles • Polyester: easy-care, easy-to-wear • New fabrics were comfortable to the touch, wrinkle free, and care free • Perfect match for simple miniskirts and short tunic dresses of the era • Vinyl (also called PVC) was a shiny, wet- look plastic, easy to color and print with flamboyant designs. Was used at first for outerwear then for everything including