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Emmanuele F.M. Emanuele Emmanuele Francesco Maria
Emmanuele F.M. Emanuele Emmanuele Francesco Maria Emanuele, descendant of one of the most illustrious ancient noble Christian Catholic families of medieval Spain (1199) and Southern Italy, Baron. University Professor, Supreme Court lawyer, economist, expert in financial, tax and insurance issues, essayist and author of books on economics and poetry. EDUCATION - Primary school: “S. Anna”, Palermo; - Lower secondary school: “Istituto Gonzaga” (Jesuit), Palermo; - Upper secondary school: “Istituto Don Bosco - Ranchibile” (Salesian), Palermo; - Lyceum: “Giuseppe Garibaldi”, Palermo; - Degree in law awarded by the University of Palermo in 1960; - Business training course held by ISDA (Istituto Superiore per la Direzione Aziendale), 1962-63; - Financial and Monetary Economics course at the Harvard Summer School, Harvard University in Cambridge, Massachusetts U.S.A., through a scholarship granted by the Italian Ministry of Foreign Affairs, 1968. PROFESSORSHIPS Former - Assistant to the Chair of Economic Policy at the Faculty of Statistical, Demographic and Actuarial Sciences of the ‘La Sapienza’ University of Rome, 1963-74; - Tenured assistant to the Chair of Taxation Law at the Faculty of Political Science of the University of Naples; - Professor of Tax Law at the University of Salerno, 1971-81; - Professor of Tax and Public Sector Law at the LUISS Guido Carli University, 1982-83; - Professor of Tax Law at the LUISS Guido Carli University, 1983-84 and 1993-96; - Professor of Financial Law at the LUISS Guido Carli University, 1984-92; - Professor -
Paper7 Frommel, Gaiani, Apollonio & Bertacchi Some Reconstruction
SCIentific RESearch and Information Technology Ricerca Scientifica e Tecnologie dell'Informazione Vol 10, Issue 1 (2020), 53-66 e-ISSN 2239-4303, DOI 10.2423/i22394303v10n1p53 Open access article licensed under CC-BY-NC-ND CASPUR-CIBER Publishing, http://www.sciresit.it SOME RECONSTRUCTION HYPOTHESES OF LEONARDO’S PROJECT FOR THE TIBURIO OF THE MILAN CATHEDRAL BY USING 3D DIGITAL MODELS Sabine Frommel*, Fabrizio Ivan Apollonio**, Marco Gaiani**, Gianna Bertacchi** *École Pratique des Hautes Études, Sorbonne - Paris, France **Department of Architecture, Alma Mater Studiorum University of Bologna - Bologna, Italy. Abstract This paper analyses possible interpretations of the unbuilt Leonardo's project for the tiburio of the Milan cathedral, depicted in two sheets of the Codex Atlanticus, using digital tools, mainly 3D modelling techniques. Starting from existing studies and hypothetical reconstructions of Leonardo’s project, exploiting only analogue methods (i.e. 2D drawing techniques), new in- depth analyses are presented. In detail the use of 3D modelling allows a systematic analysis of the possible solutions for the ability to easily reconstruct the plan of each solution investigated starting from the section represented by Leonardo in the Codex Atlanticus. Results lead to multiple interpretative solutions of this complex architecture. Keywords Leonardo da Vinci, Tiburio, Cathedral, Milan, Unbuilt architecture, Virtual reconstruction, 3D modeling. 1. Introduction these two sheets. The information that several other sketches provide regarding this project is The present contribution analyses some also limited. possible reconstructions of Leonardo’s project for Even if these sketches tell us that Leonardo, the tiburio of the Milan cathedral using digital during his entire life, carried out in-depth studies tools, mainly 3D modelling techniques. -
Viva Memoria N. 38
Viva Memoria n. 38 The Redemptoristine's Theological Journal July 2016 Viva Memoria n.38 E D I T O R I A L VIVA MEMORIA – n. 38 July 2016 THE REDEMPTORISTINE’S THEOLOGICAL JOURNAL Dear Redemptoristine Sisters, Dear Redemptorists, Dear Readers, Welcome! Yes, welcome to this publication of ‘your’ Theological Journal. In the name of the members of the Service Board we wish you happy but more importantly, informed and inspired reading from the articles you will find in this Journal. Since the last Journal, the younger, better ‘the more recently professed’ Sisters, met in Scala for a meeting (27.07-03.08.2016) The subject of the meeting was inspired by the words of Pope Francis’ in his letter to the Religious for the Year Dedicated to the Consecrated. We quote the Holy Father’s own words as addressed to the Consecrated: “… looking to the past with gratitude, living the present with Passion and looking into the future with hope” (Pope Francis). The meeting was graced with the presence of Rev. Michael Brehl, C.Ss.R., the Redemptorists’ Superior General, who spoke of some perspectives for the future of our Order. Sister Imma Di Stefano, O.Ss.R., the prioress of the Scala community, gave a gracious welcome address to all the participants, expressing the joy of her community as the hostesses of this meeting. (Sister Imma’s welcome address will be printed here in its entirety. It is the first article.) Sister Imma (of Scala) is well qualified to speak of “THE REDEMPTORISTINE CHARISM.” Her article follows her welcome address. -
« Comme Dit Saint Paul »
« Comme dit Saint Paul ». C’est bien cette expression, si souvent présente dans les lettres du bien- heureux Louis Biraghi et la Règle des Sœurs de Sainte-Marcelline, qui a donné naissance au titre de ce livre. IANNI D’après un texte inédit, Les Con- Par-dessus tout tenez en très grande considération la dévotion G fessions de l’Apôtre Saint Paul, et un texte édité, Les Confessions à Jésus sauveur: méditez sa vie, ses enseignements, de Saint Augustin, il ressort que sa passion, AMARA pour Biraghi la confession est, T avant tout, une bénédiction de ses bienfaits et efforcez-vous de le bénir en tout temps, louange à Dieu, faite par sa pro- pre vie. Tamara Gianni a obtenu son de l’aimer et de l’imiter; L’apôtre Paul, souvent cité com- doctorat ès lettres modernes à en cela consiste toute la religion chrétienne, me source biblique, offre au fon- l’Université Catholique du Sacré- car de Lui et par Lui et en Lui est toute chose, dateur des Marcellines quelques Cœur de Milan. Actuellement elle icônes, dont il se sert pour bros- enseigne les lettres et l’histoire de nous dit saint Paul. ser le portrait charismatique de l’art chez les Sœurs Marcellines (d’après la Règle des Sœurs de Sainte Marcelline) la religieuse marcelline : assidue de Piazza Tommaseo, à Milan. à la prière, prompte à l’obéis- En 1982 elle a obtenu une licen- sance, joyeuse dans la pauvreté, ce en sciences religieuses auprès respectueuse dans la collabora- de l’Institut Supérieur de Scien- tion, sage dans ses conversations, ces Religieuses de Milan et le humble dans son apostolat. -
— La Falsificazione Epigrafica Questioni Di Metodo E Casi Di Studio
EPIGRAFICA LA FALSIFICAZIONE e-ISSN 2610-8291 Antichistica 25 ISSN 2610-8801 Storia ed epigrafia 8 — La falsificazione epigrafica Questioni di metodo CALVELLI e casi di studio a cura di Lorenzo Calvelli Edizioni Ca’Foscari La falsificazione epigrafica Antichistica Storia ed epigrafia Serie diretta da Lucio Milano 25 | 8 Antichistica Storia ed epigrafia Direttore scientifico Lucio Milano (Università Ca’ Foscari Venezia, Italia) Comitato scientifico Claudia Antonetti (Università Ca’ Foscari Venezia, Italia) Filippo Maria Carinci (Università Ca’ Foscari Venezia, Italia) Ettore Cingano (Università Ca’ Foscari Venezia, Italia) Joy Connolly (New York University, USA) Andrea Giardina (Scuola Normale Superiore, Pisa, Italia) Marc van de Mieroop (Columbia University in the City of New York, USA) Elena Rova (Università Ca’ Foscari Venezia, Italia) Fausto Zevi (Sapienza Università di Roma, Italia) Direzione e redazione Dipartimento di Studi Umanistici Università Ca’ Foscari Venezia Palazzo Malcanton Marcorà Dorsoduro 3484/D 30123 Venezia Antichistica | Storia ed epigrafia e-ISSN 2610-8291 ISSN 2610-8801 URL http://edizionicafoscari.unive.it/it/edizioni/collane/antichistica/ La falsificazione epigrafica Questioni di metodo e casi di studio a cura di Lorenzo Calvelli Venezia Edizioni Ca’ Foscari - Digital Publishing 2019 La falsificazione epigrafica. Questioni di metodo e casi di studio Lorenzo Calvelli (a cura di) © 2019 Lorenzo Calvelli per il testo © 2019 Edizioni Ca’ Foscari - Digital Publishing per la presente edizione cb Quest’opera è distribuita con Licenza Creative Commons Attribuzione 4.0 Internazionale This work is licensed under a Creative Commons Attribution 4.0 International License Qualunque parte di questa pubblicazione può essere riprodotta, memorizzata in un sistema di recupero dati o trasmessa in qualsiasi forma o con qualsiasi mezzo, elettronico o meccanico, senza autorizzazione, a condizione che se ne citi la fonte. -
3 Italian Opera Composers June 2020
Italian Culture June 2020 Dear Italian Culture Friends I thought that it might be interesting to look this week at the work of three Italian Opera Composers who later composed some liturgical works. In the case of two of the composers, we invariably think of their operatic output. These are Giuseppe Verdi and Gioachino Rossini. The third of them, Cherubini, also wrote a number of operas before turning to liturgical music In 1831 Rossini travelled to Spain with a friend, a banker named Alexandre Aguado, owner of Chateau Margaux, famous for its Bordeaux wine (claret). While he was there, he was commissioned by Fernández Varela, a state councillor, to write a setting of the liturgical text, the Stabat Mater. Although he began the work in 1831, it was not until 1841 that the final form was completed. It was premiered on Holy Saturday 1833 in the Chapel of San Felipe el Real in Madrid but this was the only performance of that version. The choice of Holy Saturday was appropriate as the work tells part of the story of the previous day, Good Friday, and perhaps it was the rush to complete it in time for that first performance which caused Rossini’s dissatisfaction with that version and caused him to continue to revise it. In fact, the first version was not solely the work of Rossini. It was a twelve-part piece of which Rossini had written Parts 1 and 5-9. His friend, Giovanni Tadolini, had written the rest but Rossini claimed it as his own work. Rossini, the product of a musical family from Pesaro, on the Adriatic coast - his father was a trumpeter and his mother a singer - had published his first composition at the age of 18 and the next year he was contracted to write operas and manage theatres in Naples. -
PDF Hosted at the Radboud Repository of the Radboud University Nijmegen
PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/160995 Please be advised that this information was generated on 2021-10-04 and may be subject to change. Monuments & Memory Architectural Crossroads Studies in the History of Architecture Vol. 3 Series Editor Lex Bosman, Universiteit van Amsterdam Editorial Board Dale Kinney, Bryn Mawr College Wolfgang Schenkluhn, Martin-Luther-Universität Halle Christof Thoenes, Bibliotheca Hertziana, Rome Marvin Trachtenberg, New York University Monuments & Memory Christian Cult Buildings and Constructions of the Past Essays in honour of Sible de Blaauw Edited by Mariëtte Verhoeven, Lex Bosman, and Hanneke van Asperen H F Cover photo: Nine Miedema, S. Prassede in Rome. Image editing: Centre for Art Historical Documentation (CKD), Radboud University Nijmegen. © 2016, Brepols Publishers n.v., Turnhout, Belgium. All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. D/2016/0095/215 ISBN 978-2-503-56973-4 Printed in the EU on acid-free paper Contents Introduction: Cherished Memories 9 Monuments ‘In Hoc Signo Vinces’: The Various Victories Commemorated Through the Labarum Nathalie DE HAAN & Olivier HEKSTER 17 Eine vergessene Erinnerung an das byzantinische Rom: Neudeutung und Rezeptionsgeschichte einer Grabinschrift aus dem 7. Jahrhundert in der S. Cecilia in Trastevere Raphael G. R. HUNSUCKER & Evelien J. J. ROELS 31 S. -
Periodic Report 2006
State of Conservation of World Heritage Properties in Europe SECTION II Recommendation: That this property be inscribed on the World Heritage List on the basis of criteria ITALY (i), (ii), (iii), and (iv): The complex of Early Christian religious Early Christian Monuments of monuments in Ravenna are of outstanding Ravenna Significance by virtue of the supreme artistry of the mosaic art that they contain, and also because of the crucial evidence that they provide of artistic and Brief description religious relationships and contacts at an important Ravenna was the seat of the Roman Empire in the period of European cultural history. 5th century and then of Byzantine Italy until the 8th century. It has a unique collection of early Christian Committee Decision mosaics and monuments. All eight buildings – the Mausoleum of Galla Placidia, the Neonian Bureau (June 1996): The Bureau recommended the Baptistery, the Basilica of Sant'Apollinare Nuovo, Committee to inscribe the nominated property on the Arian Baptistery, the Archiepiscopal Chapel, the the basis of criteria (i), (ii), (iii) and (iv) considering Mausoleum of Theodoric, the Church of San Vitale that the site is of outstanding universal value being and the Basilica of Sant'Apollinare in Classe – were of remarkable significance by virtue of the supreme constructed in the 5th and 6th centuries. They show artistry of the mosaic art that the monuments great artistic skill, including a wonderful blend of contain, and also because of the crucial evidence Graeco-Roman tradition, Christian iconography and that they provide of artistic and religious oriental and Western styles. relationships and contacts at an important period of European cultural history. -
Ravenna Tourist Information 1
refinedcomposition that decorates the Neonian RAVENNA UNIQUE CITY, Baptistery is inspired by cultured Greek tradition, resumed also in the Arian Baptistery WORLD HERITAGE ; the majesty of the Basilica of Sant’Apollinare Ravenna is a showcase of art, history and culture of the Nuovo reveals its origins as a palatine church, first order. The city has ancient origins and a glorious built by Theodoric the Great, king of the Ostrogoths; past; from the 5th to the 8th centuries it was the capital more than one hundred charming little birds lead of the Western Roman Empire, of King Theodoric of the you into the intimate atmosphere of the Chapel Goths and of the Byzantine empire in Europe. of Sant’Andrea , where a triumphant Christ is A considerable patrimony has been passed down to us celebrated; the majestic Mausoleum of Theodoric from that magnificent period. Ravenna is, above all, a , with its enormous monolithic roof covering; the city of mosaics. Its ancient walls conserve mankind’s Basilica of San Vitale , the greatest treasure of the richest heritage of mosaics dating from the 5th and early Christian era, contains a portrait of the imperial 6th centuries. For this reason its early Christian and Byzantine court; outside the city the elegant Basilica Byzantine buildings have been recognised by Unesco of Sant’Apollinare in Classe exalts Christ and TUTTIFRUTTI as world heritage. Sant’Apollinare, the first bishop and church father, in The simple external shell of the Mausoleum of Galla the mosaic of the apse. RAVENNA Placidia conceals an infinite sky of stars; the WORLD HERITAGE Assessorato al Turismo Servizio Turismo e Attività Culturali Comune di Ravenna Tourist Information Office Piazza San Francesco / Piazza Caduti per la Libertà 48121 Ravenna - Italy tel. -
Monsignor Luigi Biraghi “Gloria Del Clero Ambrosiano”
Monsignor Luigi Biraghi “Gloria del clero ambrosiano” Angelo Majo Monsignor Luigi Biraghi “Gloria del clero ambrosiano” ISBN 88-7023-294-8 Prima edizione 1997 Nuova edizione 2006 Copyright © 1997 NED - Nuove Edizioni Duomo soc. coop. a r. 1. 20122 Milano - Piazza Duomo 16 - tel 02 86.00.84 Proprietà letteraria riservata - Printed in Italy PREFAZIONE Alla pubblicazione della vita di mons. Luigi Biraghi (1801-1879) scritta da mons. Angelo Majo nel 1997 era stata occasione – colta dalla allora madre generale suor Maria Paola Albertario – la celebrazione del- l’anno centenario della morte di s. Ambrogio e della sorella s. Marcelli- na, dal Biraghi voluta patrona della nuova sua congregazione. Tale circostanza, letta alla luce dell’avvenimento della Beatifica- zione nella cattedrale di Milano anziché a Roma, si riveste di significato profetico. La nuova edizione vuole essere annuncio, memoria, invito. Annuncio della Beatificazione del venerabile Luigi Biraghi a Mila- no, in Duomo, il 30 aprile 2006. La Diocesi di Milano celebra per la prima volta una Beatificazione e fa memoria di una luminosa tradizione di testimonianze evangeliche, fa memoria di santi noti e ignoti che hanno incarnato la Parola di Cristo a servizio dei fratelli. Al tempo della prima pubblicazione della magistrale biografia scritta dal Majo, la Beatificazione di mons. Biraghi era un avvenimento certo, ma lontano. L’eroicità delle virtù non era ancora stata proclama- ta (lo sarà nel dicembre 2003 dal servo di Dio Giovanni Paolo II). L’attesa del grande evento è dunque vibrante nello scritto di An- gelo Majo, ma permeata di prudente, discreto silenzio. La nuova edizione ci presenta il decreto di venerabilità, proclama- to dal compianto Pontefice e si arricchisce della presentazione della professoressa Vismara, che con intelligente competenza mette in risalto la fedeltà amorosa del Biraghi alla Chiesa e la sua missione appassiona- ta di educatore profondamente colto, profondamente incarnato nel suo tempo. -
The Cambridge Companion to Age of Constantine.Pdf
The Cambridge Companion to THE AGE OF CONSTANTINE S The Cambridge Companion to the Age of Constantine offers students a com- prehensive one-volume introduction to this pivotal emperor and his times. Richly illustrated and designed as a readable survey accessible to all audiences, it also achieves a level of scholarly sophistication and a freshness of interpretation that will be welcomed by the experts. The volume is divided into five sections that examine political history, reli- gion, social and economic history, art, and foreign relations during the reign of Constantine, a ruler who gains in importance because he steered the Roman Empire on a course parallel with his own personal develop- ment. Each chapter examines the intimate interplay between emperor and empire and between a powerful personality and his world. Collec- tively, the chapters show how both were mutually affected in ways that shaped the world of late antiquity and even affect our own world today. Noel Lenski is Associate Professor of Classics at the University of Colorado, Boulder. A specialist in the history of late antiquity, he is the author of numerous articles on military, political, cultural, and social history and the monograph Failure of Empire: Valens and the Roman State in the Fourth Century ad. Cambridge Collections Online © Cambridge University Press, 2007 Cambridge Collections Online © Cambridge University Press, 2007 The Cambridge Companion to THE AGE OF CONSTANTINE S Edited by Noel Lenski University of Colorado Cambridge Collections Online © Cambridge University Press, 2007 cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sao˜ Paulo Cambridge University Press 40 West 20th Street, New York, ny 10011-4211, usa www.cambridge.org Information on this title: www.cambridge.org/9780521818384 c Cambridge University Press 2006 This publication is in copyright. -
Masonry Constructions As Built Archives: an Innovative Analytical Approach to Reconstructing the Evolution of Imperial Opus Testaceum Brickwork in Rome
Masonry Constructions as Built Archives: An Innovative Analytical Approach to Reconstructing the Evolution of Imperial Opus Testaceum Brickwork in Rome Gerold Eßer Vienna University of Technology, Austria The Colosseum, Trajan’s Market, the Baths of buil dings are to be regarded as the outcome of Caracalla and the Basilica of Maxentius: the monu- rational decisions made on the basis of economy, mental ruins of the imperial representational build- durability and functionality. Particularly in the ings mark the crystallisation points in a profound, area of important imperial public buildings, where centuries- long recasting of the appearance of the the pressure to be successful was exceptionally city of Rome (Fig. 1). The cores consist of practi- high, the conditions imposed by the market were cally indestructible opus caementitium, faced with certainly strictly observed. Large imperial buil- hard, quasi- industrially produced fired bricks. This ding projects in which often many thousands of construction method, later called opus testaceum, workers had to be organised and directed required was uniquely suited to surviving the passage of the definition and implementation of standards time. For us today, this means that we have at our applicable right across the site. To ensure the suc- disposal an extraordinary wealth of evidence for the cess of a major project these standards had to be building construction methods used in those times. laid down in series of technical regulations. The Given that even the building sites of classi- doctoral thesis on which the present paper is based cal antiquity were subject to market forces, the examined the extent to which the organisation of large building sites influenced masonry construc- tions and whether, using the characteristics of the masonry that will be defined below, this influence can be read as a regulative on the erection of the structures.