Going with the Flow: Performance Art and Mass Culture Author(s): Philip Auslander Source: TDR (1988-), Vol. 33, No. 2 (Summer, 1989), pp. 119-136 Published by: The MIT Press Stable URL: http://www.jstor.org/stable/1145929 Accessed: 25-12-2017 16:46 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms The MIT Press is collaborating with JSTOR to digitize, preserve and extend access to TDR (1988-) This content downloaded from 143.215.137.43 on Mon, 25 Dec 2017 16:46:16 UTC All use subject to http://about.jstor.org/terms Going with the Flow Performance Art and Mass Culture Philip Auslander [E]very performance ultimately meets the video screen, where the demystified subject is frozen and dies. There, performance once again encounters representation, from which it wanted to escape at all costs and which marks both its fulfillment and its end. -Josette Feral (1982:173) To graduate from the art world into real life-into television or into video discs, intofeeding the industries that in turn feed the art and allow artists to live on revenue from their own work-has been the goal of many young artists now performing [.