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Chicago Tourist Information 7 August, 2003
Lepton Photon 2003 Chicago Tourist Information 7 August, 2003 XXI International Symposium on Lepton and Photon Interactions at High Energies Fermi National Accelerator Laboratory, Batavia, IL USA 11 – 16 August 2003 CHICAGO TOURIST INFORMATION Wednesday 13 August 2003 is a free day at the Lepton Photon 2003 Symposium. The Symposium banquet will be held in the evening at Navy Pier in downtown Chicago. It will begin with a reception at 6:30 p.m., followed by dinner at 7:30 p.m. There will be a lakefront fireworks display right off the pier at 9:30 p.m. Buses will depart from Navy Pier around 10:00 p.m. We hope that many of you will take advantage of the time to visit Chicago. We will run several buses to Chicago in the morning. There will be a few additional buses in the afternoon. Detailed schedules will be available at the beginning of the conference and sign-up for the bus transportation is requested. We have some suggestions for tours you might take or sights you might see depending on your interests. Please be aware that many of the attractions are internationally renowned and, depending on the time of the year and the weather, can be quite crowded and have long waits for admission. In some cases, you can get tickets in advance through the web or Ticketron. All times and fees are for Wednesday, 13 August 2003 and do vary from day to day. More information is available in the materials we have provided in the registration packet and at the official city of Chicago Website: http://www.cityofchicago.org. -
Frameworks for the Downtown Arts Scene
ACADEMIC REGISTRAR ROOM 261 DIVERSITY OF LONDON 3Ei’ ATE HOUSE v'Al i STREET LONDON WC1E7HU Strategy in Context: The Work and Practice of New York’s Downtown Artists in the Late 1970s and Early 1980s By Sharon Patricia Harper Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in the Department of the History of Art at University College London 2003 1 UMI Number: U602573 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U602573 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract The rise of neo-conservatism defined the critical context of many appraisals of artistic work produced in downtown New York in the late 1970s and early 1980s. Although initial reviews of the scene were largely enthusiastic, subsequent assessments of artistic work from this period have been largely negative. Artists like Keith Haring, Jean-Michel Basquiat and Kenny Scharf have been assessed primarily in terms of gentrification, commodification, and political commitment relying upon various theoretical assumptions about social processes. The conclusions reached have primarily centred upon the lack of resistance by these artists to post industrial capitalism in its various manifestations. -
The Death of Postfeminism : Oprah and the Riot Grrrls Talk Back By
The death of postfeminism : Oprah and the Riot Grrrls talk back by Cathy Sue Copenhagen A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English Montana State University © Copyright by Cathy Sue Copenhagen (2002) Abstract: This paper addresses the ways feminism operates in two female literary communities: the televised Oprah Winfrey talk show and book club and the Riot Grrrl zine movement. Both communities are analyzed as ideological responses of women and girls to consumerism, media conglomeration, mainstream appropriation of movements, and postmodern "postfeminist" cultural fragmentation. The far-reaching "Oprah" effect on modem publishing is critiqued, as well as the controversies and contradictions of the effect. Oprah is analyzed as a divided text operating in a late capitalist culture with third wave feminist tactics. The Riot Grrrl movement is discussed as the potential beginning of a fourth wave of feminism. The Grrrls redefine feminism and femininity in their music and writings in zines. The two sites are important to study as they are mainly populated by under represented segments of "postfeminist" society: middle aged women and young girls. THE DEATH OF "POSTFEMINISM": OPRAH AND THE RIOT GRRRLS TALK BACK by Cathy Sue Copenhagen A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English MONTANA STATE UNIVERSITY Bozeman, MT May 2002 ii , ^ 04 APPROVAL of a thesis submitted by Cathy Sue Copenhagen This thesis has been read by each member of a thesis committee and has been found to be satisfactory regarding content, English Usage, format, citations, bibliographic style, and consistency, and is ready for submission to the College of Graduate Studies. -
Major Exhibition Poses Tough Questions and Reasserts Fluxus Attitude
Contact: Alyson Cluck 212/998-6782 or [email protected] Major Exhibition Poses Tough Questions And Reasserts Fluxus Attitude Fluxus and the Essential Questions of Life and Fluxus at NYU: Before and Beyond open at NYU’s Grey Art Gallery on September 9, 2011 New York City (July 21, 2011)—On view from September 9 through December 3, 2011, at New York University’s Grey Art Gallery, Fluxus and the Essential Questions of Life features over 100 works dating primarily from the 1960s and ’70s by artists such as George Brecht, Robert Filliou, Ken Friedman, George Maciunas, Yoko Ono, Nam June Paik, Mieko Shiomi, Ben Vautier, and La Monte Young. Curated by art historian Jacquelynn Baas and organized by Dartmouth College’s Hood Museum of Art, the exhibition draws heavily on the Hood’s George Maciunas Memorial Collection, and includes art objects, documents, videos, event scores, and Fluxkits. Fluxus and the Essential Questions of Life is accompanied by a second installation, Fluxus at NYU: Before and Beyond, in the Grey’s Lower Level Gallery. Fluxus—which began in the 1960s as an international network of artists, composers, and designers―resists categorization as an art movement, collective, or group. It also defies traditional geographical, chronological, and medium-based approaches. Instead, Fluxus participants employ a “do-it-yourself” attitude, relating their activities to everyday life and to viewers’ experiences, often blurring the boundaries between art and life. Offering a fresh look at Fluxus, the show and its installation are George Maciunas, Burglary Fluxkit, 1971. Hood designed to spark multiple interpretations, exploring Museum of Art, Dartmouth College, George Maciunas Memorial Collection: Gift of the Friedman Family; the works’ relationships to key themes of human GM.986.80.164. -
WORK EXPERIENCE ART INSTITUTE of CHICAGO Collection Manager for the Department of European Painting & Sculpture (EPS). Respo
DEVON L. PYLE-VOWLES 847-903-7940 email: [email protected] WORK EXPERIENCE ART INSTITUTE OF CHICAGO Collection Manager for the Department of European Painting & Sculpture (EPS). Responsible for the department’s collection, including acquisitions, outgoing loans, incoming loans, deaccessions, object files, database records, metadata, and research materials. Coordinated and managed activities pertaining to the permanent collection, including the administration of new acquisitions, conservation treatment requests, gallery rotations and installations, loans, storage, documentation of permanent collection objects and promised gifts, and external research inquiries. When necessary, couriered the EPS collection for outgoing loan program of the AIC (about 10 times a year). Under advisement of curators, published accurate object information online through the museum’s databases, ensuring data fidelity and actively managed the tagging of the EPS collection. Served as liaison between department chair and curators, technicians, specialists, and support staff. As the main point of contact, collaborated with the departments of Collections and Loans, Experience Design on developing and maintaining accurate collection data on the website; Conservation and Science, Facilities, Imaging, the Office of the Secretary to the Board of Trustees. Also, coordinated communications when necessary with lenders, donors, estates, appraisers, EPS committee members, galleries, and collectors.(June 2014-July 2020) Collections Inventory Manager for the Department of European Decorative Arts. Responsible for developing, coordinating and implementing the protocol for the inventory project which included the collection being photographed for the database and the website. Maintained and updated the departmental accession files, location lists and corresponding Art Institute (AIC) database records for the European Decorative Arts collection. Worked closely with the Curator and Preparatory specialist on the collection assessment and photography process. -
Philip Pearlstein
PHILIP PEARLSTEIN 1924 Born in Pittsburgh, PA on May 24 1942-49 B.F.A. from Carnegie Institute of Technology, Pittsburgh, PA 1955 M.A. from New York University, Institute of Fine Arts, New York, NY 1959-63 Instructor, Pratt Institute, Brooklyn, NY 1962-63 Visiting Critic, Yale University, New Haven, CT 1963-88 Professor of Fine Art, Brooklyn College, Brooklyn, NY 1988 Distinguished Professor Emeritus, Brooklyn College, Brooklyn, NY 2003-06 President, American Academy of Arts and Letters, New York, NY The artist lives and works in New York City. Solo Exhibitions 2018 Philip Pearlstein, Today, Betty Cuningham Gallery, New York, May 10 – June 17 Philip Pearlstein, Paintings 1990- 2017, Saatchi Gallery, London, United Kingdom, January 17 – April 29 2017 Facing You, Betty Cuningham Gallery, New York, May 5 – June 30 Philip Pearlstein: Seventy –Five Years of Painting, Susquehanna Museum of Art, Harrisburg, PA, February 11 – May 21 2016 G.I. Philip Pearlstein, World War II Captured on Paper, Betty Cuningham Gallery, New York, September 14 – October 15 2015-16 Pearlstein | Warhol | Cantor: From Carnegie Tech to New YorK, Betty Cuningham Gallery, New York, NY, Dec. 3 – March 5, 2016 2015 Pearlstein | Warhol | Cantor : From Pittsburgh to New YorK, Andy Warhol Museum, Pittsburgh, PA May 30- September 6 2014 Philip Pearlstein, Betty Cuningham Gallery, New York, NY, May 8 – July 27 Pearlstein at 90, Russell Bowman Art Advisory, Chicago, IL, April 4 – May 31 Philip Pearlstein: Six Paintings, Six Decades, National Academy of Art, New York, NY, Feb. 27 – May 11 Philip Pearlstein – Just The Facts, 50 Years of Looking and Drawing and Painting, Curated by Robert Storr, New York Studio School, New York, NY, January 16 – February 22 2013 Philip Pearlstein’s People, Places, Things, Museum of Fine Arts, St. -
Lower East Side Third Thursday Night – March 18, 2021, 4-8 Pm
LOWER EAST SIDE THIRD THURSDAY NIGHT – MARCH 18, 2021, 4-8 PM Freight + Volume Perrotin 56 HENRY Fridman Gallery Peter Blum Gallery anonymous gallery FROSCH&CO Peter Freeman, Inc. ASHES/ASHES High Noon PROXYCO ATM Gallery NYC James Cohan Rachel Uffner Gallery Arsenal James Fuentes LLC RICHARD TAITTINGER GALLERY Betty Cuningham Gallery Kai Matsumiya Sargent's Daughters bitforms gallery Karma Shin Gallery Bureau Klaus von Nichtssagend SHRINE Callicoon Fine Arts Krause Gallery signs and symbols CANDICE MADEY LICHTUNDFIRE Simone Subal Gallery Cindy Rucker Gallery Lubov SITUATIONS Company Gallery Lyles & King Spencer Brownstone Cristin Tierney Gallery M 2 3 Sperone Westwater David Lewis Magenta Plains steven harvey fine art projects DEREK ELLER GALLERY MARC STRAUS GALLERY The Hole Downs & Ross Martos Gallery Thierry Goldberg Gallery Ed. Varie McKenzie Fine Art THOMAS NICKLES PROJECT Equity Gallery Miguel Abreu Gallery Tibor de Nagy Essex Flowers Gallery Milton Resnick & Pat Passlof TOTAH Essex Street/Maxwell Graham Foundation Ulterior Gallery Eva Presenhuber Mizuma & Kips Van Der Plas Gallery FIERMAN Nathalie Karg Gallery Zürcher Gallery Foley Gallery Olympia 56 HENRY 56 Henry Street 56henry.nyc THANK GOD YOU'RE HERE Nikita Gale Through March 29th anonymous gallery 136 Baxter Street New York, NY 10013 www.anonymousgallery.com G'ordiavonte Fold David-Jeremiah G’ordiavonte (Gee-or-día-von-te) Fold is an exhibition about Black inclusion in contemporary art discourse, wherein the black body is made central, while not only circumscribed by, but ultimately subsumed by whiteness. March 4 - April 4, 2021 ASHES/ASHES 56 Eldridge Street wwww.ashesonashes.com Gerold Miller 02/19/21–03/28/21 ATM Gallery NYC 54E Henry Street www.atmgallery.nyc Soul States Scott Kahn In his first comprehensive exhibition of portrait paintings in NYC, Scott Kahn presents six works of family members and friends spanning from 1975 to 2015. -
10-0406 NYU Map.Indd
NEW YORK UNIVERSITY SCHOOL OF LAW 16 Alumni Hall (C-2) 33 3rd Avenue 52 Alumni Relations (B-2) 25 West 4th Street 17 Barney Building (C-2) W. 16TH STREET E. 16TH STREET 34 Stuyvesant Street IRVING PLACE IRVING 60 Bobst Library (B-3) CHELSEA 1 UNION SQUARE GRAMERCY 70 Washington Square South 48 Bookstore (B-2) W. 15TH STREET E. 15TH STREET 18 Washington Place 13 Brittany Hall (B-2) 55 East 10th Street 2 13 Broadway Windows (B-2) W. 14TH STREET E. 14TH STREET 12 Bronfman Center (B-2) 7 East 10th Street 4 3 8 5 Broome Street Residence (not on map) 400 Broome Street W. 13TH STREET E. 13TH STREET THIRD AVENUE 34 Brown Building (B-2) SIXTH AVENUE FIFTH AVENUE UNIVERSITY PLACE BROADWAY AVENUE SECOND AVENUE FIRST 6 FOURTH AVENUE 29 Washington Place 7 26 Cantor Film Center (B-2) 36 East 8th Street W. 12TH STREET E. 12TH STREET 67 Card Center (C-2) 9 14 383 Lafayette Street 15 1 Carlyle Court (B-1) 25 Union Square West W. 11TH STREET E. 11TH STREET 9 Casa Italiana Zerilli-Marimò (A-1) 24 West 12th Street 11 12 13 80 Coles Sports and Recreation Center (B-3) 181 Mercer Street W. 10TH STREET E. 10TH STREET 32 College of Arts and Science (B-2) 10 33 Washington Place 16 17 College of Dentistry (not on map) 345 East 24th Street W. 9TH STREET E. 9TH STREET 41 College of Nursing (B-2) 726 Broadway STUYVESANT ST. CHARLES ST. GREENWICH VILLAGE EAST VILLAGE 51 Computer Bookstore (B-2) 242 Greene Street W. -
In the 1980S, a Group of Artists, Musicians and Free Thinkers Formed
Words Andy Thomas In 1986, if you walked east along discussions. They overlooked Rivington Street, in New York’s Lower everything that was not strictly for East Side, you would be confronted profit and tried to pretend it didn’t by a hulk of metal that twisted into exist,” says Kantor. “While highbrow the air like a giant spider hauling museum scholars wrote their essays itself from the earth. It was welded on auction winners, bestsellers and together, over many dope-fuelled gallery favourites, we had parties in nights, by a collection of artists, abandoned buildings and empty lots.” musicians and outsiders known Although critics and cultural as the Rivington School, who had historians overlooked the Rivington salvaged the abandoned cars and School, it was an important strand scrap metal that littered their to 1980s New York art. “It might neighbourhood. They christened sound contradictory, but the it the Rivington Sculpture Garden. Rivington School was not part A year later it was bulldozed by the of the downtown art scene,” says city, eager to capitalise on the area’s Kantor. “The downtown art scene property boom – which in turn was mostly meant the East Village driven by the art scene at the end of wannabe galleries and nightclubs, the street, where artists such as Keith seeking recognition and money, Haring and Jean-Michel Basquiat dominated by fashion and cheap were gaining international glamour. The Rivington School recognition. Visit the corner of was a guerrilla-style art community Rivington and Forsyth today and camping in the ruins of a remote you’ll find luxury condos, built in area in the Lower East Side.” 1988, worth millions of dollars. -
Arias with a Twist Created Byjoey Arias Andbasil Twist
Johnnie Moore (Associate Producer) recently was Alex in I Love A Piano, an Irving Berlin Revue, one of The J-Men in Yehuda Duenyas’ One Million Forgotten Moments in Manhattan, the Narrator in Amoveo (a new dance work choreographed by Benjamin Millepied set to Philip Glass’ Einstein on the Beach at the Palais Garnier in Paris and conducted by Nico Muhly); Captain von Trapp in Doug Elkins’ restaging of The Sound of Music at Joe’s Pub@The Public; and Mather in Michael Portnoy’s The K Sound at the Kitchen. He is involved with Gotham Chamber Opera (Founding Board Member), Tandem Otter Productions (Chairman), and New York Theater Workshop (Usual Suspect). He is proud to have been the producer of Basil Twist’s Symphonie Fantastique in San Francisco in 1999. Johnnie is currently at work on a number of projects, including The J-Men (with Jason MacMahon), and Fspamaninye (Russian Remembrance). His Banana Bread Rules! ARIAS WITH A TWIST CREATED BY JOEY ARIAS AND BASIL TWIST November 18–21, 2009 | 8:30 pm November 24–25, 2009 | 8:30 pm November 27–28, 2009 | 8:30 pm November 22 and 29, 2009 | 7:00 pm December 2–5, 2009 | 8:30 pm December 9–12, 2009 | 8:30 pm December 6 and 13, 2009 | 7:00 pm presented by REDCAT Roy and Edna Disney/CalArts Theater California Institute of the Arts ARIAS WITH A TWIST Neelam Vaswani (Production Stage Manager) Previous work with Basil Twist include Master CREATED BY JOEY ARIAS AND BASIL TWIST Peter’s Puppet Show (Disney Concert Hall, LA), ASM: La Bella (Spoleto, Lincoln Center); NY Credits: PSM: Voice 4 Vision Puppet Festival (4 yrs, TFNC), Song for New York (Mabou Mines); starring Joey Arias Ghosts (Juilliard School), Peter & Wendy (Arena Stage, Mabou Mines); The Adventures of with Charcoal Boy (TFNC and HERE) Uncle Vanya (Juilliard School); ASM: The Beard of Avon Eli Presser (NYTW), Don Juan (TFNA), and La Cenerentola, Venice (Juilliard School). -
Keith Haring. Artre Per Tutti Curtis Carter Marquette University, [email protected]
Marquette University e-Publications@Marquette Philosophy Faculty Research and Publications Philosophy, Department of 1-1-2007 Keith Haring. Artre per Tutti Curtis Carter Marquette University, [email protected] Published version. "Keith Haring. Artre per Tutti," in Keith Haring Il Murale di Milwaukee. Ed. A. Calabrese. Milano: Skira (2007): 13-21. Permalink. © 2007 Skira Editore. All Rights Reserved. Published version in Italian. Haring II murale di Milwaukee . Keith Haring II murale di Milwaukee a cura di Curtis L. Carter Curtis L. Carter Keith Haring. Arte per tutti Haring, I'artista Keith Haring (1958-1990) nasce a Reading in Pennsylvania e trascorre I'infanzia nella cittadina rurale di Kutztown. Terminata la scuola superiore, si trasferisce a Pittsburgh per iscriversi alia Ivy School of Professional Art, dove studia belle arti e arti applicate. Suscitano in lui particolare interesse i dipinti di Pierre Alechinsky in mostra al Carne gie Institute nel 1977. Da Pittsburgh, dove vive, parte con un amico per un viaggio che 10 portera da un capo aWaltro del Paese alia ricerca di una scuola d'arte migliore e a caccia di avventura. Facendo I'autostop raggiunge Minneapolis, Berkeley, Los An geles e ritorna infine a Pittsburgh. Qui continua a coltivare Ie sue doti di artista al Cen ter for the Arts e presso altri istituti, cogliendo ogni occasione per ampliare Ie cono scenze in campo artistico e per creare ed esporre Ie proprie opere. Nel 1978 si tra sferisce a New York e si iscrive alia School of Visual Arts dove studia arte e semioti ca, 0 teo ria dei segni. -
Name Website Address Email Telephone 11R Www
A B C D E F 1 Name Website Address Email Telephone 2 11R www.11rgallery.com 195 Chrystie Street, New York, NY 10002 [email protected] 212 982 1930 Gallery 14th St. Y https://www.14streety.org/ 344 East 14th St, New York, NY 10003 [email protected] 212-780-0800 Community 3 4 A Gathering of the Tribes tribes.org 745 East 6th St Apt.1A, New York, NY 10009 [email protected] 212-777-2038 Cultural 5 ABC No Rio abcnorio.org 156 Rivington Street , New York, NY 10002 [email protected] 212-254-3697 Cultural 6 Abrons Arts Center abronsartscenter.org 456 Grand Street 10002 [email protected] 212-598-0400 Cultural 7 Allied Productions http://alliedproductions.org/ PO Box 20260, New York, NY 10009 [email protected] 212-529-8815 Cultural Alpha Omega Theatrical Dance Company, http://alphaomegadance.org/ 70 East 4th Street, New York, NY 10003 [email protected] Cultural 8 Inc. 9 Amerinda Inc. (American Indian Artists) amerinda.org 288 E. 10th Street New York, NY 10009 [email protected] 212-598-0968 Cultural 10 Anastasia Photo anastasia-photo.com 166 Orchard Street 10002(@ Stanton) [email protected] 212-677-9725 Gallery 11 Angel Orensanz Foundation orensanz.org 172 Norfolk Street, NY, NY 10002 [email protected] 212-529-7194 Cultural 12 Anthology Film Archives anthologyfilmarchives.org 32 2nd Avenue, NY, NY 10003 [email protected] 212-505-5181 Cultural 13 ART Loisaida / Caroline Ratcliffe http://www.artistasdeloisiada.org 608 East 9th St. #15, NYC 10009 [email protected] 212-674-4057 Cultural 14 ARTIFACT http://artifactnyc.net/ 84 Orchard Street [email protected] Gallery 15 Artist Alliance Inc.